Dozens of dollars of suona can be used

1, the cycle of breath

The cycle of breath is not commonly used, and it is only used when blowing some sustained long notes. Its method is: use the power of the abdomen to control breathing, inhale with the nose, exhale with the mouth. When the nose inhales, the two ribs bulge and the belly contracts inward, so that the breath runs upward, that is, the pressure of the belly sends the breath to the mouth; then the breath in the cheeks is gradually discharged outward according to the amount needed, and with the exhalation, the muscles of the belly also gradually relax. Repeat the same process for the second breath.

2. Vibrato

Vibrato is a kind of chanting sound, which is indicated by adding "~" to the note. It is played by inhaling a full breath, supporting the breath and elastic contraction of the abdomen to produce a slight fluctuation in the tone, the effect of which is like the vibrato on the strings. This kind of vibrato can be fast, slow, strong or weak according to the requirements of the piece. It is usually used for long tones, and sometimes its fluctuations can express different ethnic or local styles.

3, teeth vibrato

Teeth vibrato is also a kind of chanting, in the note number "~" on the word "teeth" to indicate. It is played by gently fluttering the root of the whistle with the lower teeth to make a fluttering sound. This kind of teeth trembling is mostly used in playing opera, music and folk style music. It can be divided into two kinds of hard and soft tremolo: hard tremolo is to use the teeth to directly contact the root of the whistle, and soft tremolo is to put the lips between the teeth and the root of the whistle. The teeth tremolo is often used on a single note, when attention should be paid to the evenness of the tremolo's weight.

dozens of dollars suona can be used 3

suona blowing skills and fingering instruction

suona is a combination of copper and woodwind instruments, in the ensemble both to play the role of the copper pipe and the role of the woodwind.

I. Playing posture

Dynamic music and beautiful posture, not only to give the audience aural enjoyment can also give the audience sensory enjoyment. Most importantly, the correct posture is conducive to the full realization of skills. Therefore, playing posture is very important, good posture is not only beautiful, generous, but also very beneficial to the body, in the beginning of suona stage, players should pay attention to.

The playing posture of suona is sitting and standing. Both postures require the player to achieve: natural relaxation of the body, head upright, eyes flat, head naturally straight, face relaxed, both hands up so that the instrument and the body into a 75-degree angle, both arms naturally set up.

When playing in the seated position, the legs are slightly apart, the feet are flat on the ground, the waist is straight, and you sit in the front part of the chair.

When playing in the standing position, legs straight, feet about 25 centimeters apart, left foot in front, right foot behind, standing in a figure of eight. The opposite is also possible. In the process of playing the waist to pay attention to the following points: 1, do not hunchback, eyes do not squint, do not sit down to play the legs. 2, the shoulders are parallel, the arms should also be parallel, not to one end of the crooked. 3, do not overdo it, do not make. In short, both sitting and standing performance gives people a natural, comfortable, beautiful feeling.

Second, hold the instrument method

Fingers naturally separated, the left hand in the upper handle, the right hand in the lower handle (this fingering is also suitable for suona playing), fingers according to the holes in order: the left hand index finger on the eighth hole, the thumb on the seventh hole, the middle finger on the sixth hole, the ring finger on the fifth hole, the pinky finger is naturally relaxed, a little apart in the ring finger, next to the suona; the right hand thumb on the oboe hole; the right hand thumb on the sixth hole, the middle finger on the fifth hole; the little finger is naturally relaxed, a little apart in the ring finger Next to the right hand thumb on the suona pole lower end of the three holes and between the four holes (mainly to grasp the balance of the instrument), the index finger on the fourth hole, the middle finger on the third hole, the ring finger on the second hole, the little finger on the first hole.

At the beginning of the practice, the hand is easy to control the instrument, the left hand little finger can be attached to the suona pole, but not to make a habit, so as not to affect the normal operation of the finger. The basic position of the fingers is to press the hole position of the first finger of the right hand little finger as a standard, and the other fingers are naturally relaxed on the instrument.

When playing, do not raise your fingers too much, raising them will affect the performance of fast music. Don't press the holes with your fingertips, as this can lead to poor pressing and incorrect articulation. At the same time, the fingers should not be stretched too straight when pressing the hole, too straight will not be flexible, can not catch up with the speed of the fast music, the correct way to operate the finger is: the finger in the sound hole, a little bent, relaxed, so as to operate the finger flexible, easy to use.

How to measure the basic skills of the fingers? That is, time and space to press the sound hole (i.e., not blowing), the finger in the sound hole to press the closed action can be heard to transport the finger sound, even if the basic skills of the pass (transport the sound of the finger is never intentionally hit the sound hole of the sound, but the natural sound).

In short, when holding the instrument, the two arms, fingers and waist as much as possible to relax, or blowing time will not be long to feel tired, and will affect the performance of the music.

Third, mouth shape

The mouth shape when playing suona is a very important part of suona performance. Mouth shape refers to the shape of the lips when playing suona, the 'part' of the whistle, it is related to the suona performance in the pitch, tone, sound quality, strength and weakness, as well as a variety of other lip skills play.

The general mouth shape of suona playing is: the reed is located in the middle of the lips, the upper lip is near the root of the whistle about a quarter of the reed, and the lower lip contains about one-third or two-thirds of the whistle (two-thirds of the weak play), in the process of blowing, the control of the mouth should be with the strength of the blowing, the volume, the tone, the change of skills and change.

At the beginning of practice, the mouth and cheeks will feel sore and weak, there will also be a pronunciation of the Department of positive, noise and so on, this is normal, after a period of practice, these phenomena will disappear (in addition.)

The first time I played the guitar, it was a good idea for me to play the guitar. Tips for beginners should not puff their cheeks when playing). The standard of the mouth over the standard is: in the case of blowing a long time, control whistle freely, lips do not feel sore and not tired, the basic skills even if you pass.