What is the euphemistic style and bold style of words

Yanjiao words refers to the following words since the words of the flower, to Wen Tingyun, Liu Yong, Li Qingzhao, Zhou Bangyan and other words as the representative of the school of words, their words generally advocate the expression of the meaning of the implicit and euphemistic, giving full play to the words of the word, "dedicated to the Lord's feelings," the characteristics of the word. Rhetorical euphemisms, soft and delicate expression of the words. Euphemisms in the material, mostly written about children's feelings, feelings of separation, in the method of expression of more implicit and implicit method to express the emotions, its style is beautiful. Euphemisms appeared earlier, starting from the "Flower Room School" represented by Wen Tingyun in the Tang and Fifth Dynasties, followed by Ouyang Xiu, Yanshu and Yan Qidao in the early Song Dynasty, and Liu Yong, who was at the same time with Ou and Yen, although the expression of the word has been greatly improved, it has not yet departed from the style of euphemisms. After that, there were Qin Guan, He Cast, and Li Qingzhao. Euphemism is a new form of poetry sung to music, and from the day of its birth, it has been inseparably linked with music. The Old Book of the Tang Dynasty, Wen Tingyun's biography, recorded that Feiqing was "able to chase the sound of strings and songs, and to make side-splittingly colorful lyrics". Genius writers have both literary literacy, but also know the rhythm. Each fill a section, often hammering words and refining sentences, the sound of the degree of song, the picturesque scenery, refined language and beautiful music closely combined, both expressive, but also pleasant to the ear, with touching artistic charm. Euphemisms were developed on this basis. "A cup of wine for a new song", these tender and fragrant songs, nostalgic farewell tune, and most of them are sung by kabuki dancers in the flowers, before the bottle, singing and dancing. After a song, the aftermath of the sound, refreshing. "On the banks of the willow, the moon is broken by the dawn wind." (Liu Yong "Rain Lin Bells") will only be 17 or 18 girls, holding a red toothpick, singing in a low voice. This kind of new song, which is "charming and close to love, spreading out and spreading out", often makes the hearers lose their souls. Euphemisms are harmonious syllables, "language work and into the law". The mood is soft and beautiful, easy for people to accept. The Tang and Five Dynasties words have long had this feature. During the Song Dynasty and the Five Dynasties, the word "euphony" flourished and became popular all over the country. Liu Yong's words, "where there is well water to drink", that is, can sing. This shows how widely it was spread at that time. Until modern times, the euphemisms still have "singability". This is its outstanding feature. Emotion is the traditional subject matter and the main feature of the words. It moves people with emotions and expresses the sorrows, joys and sorrows of the world. It is one of the styles of Chinese Song lyrics. In the Northern Song Dynasty, writers of the Poetry and Literature Innovation School, such as Ouyang Xiu, Wang Anshi, Su Shi, and Su Zhe, all used the word "bold and free" to evaluate poetry. The first to use "bold and free" to evaluate words was Su Shi. After Su Shi, through the He cast in the transmission, coupled with the Jingkang incident triggered, the bold and free school of lyricism has been rapid development, set into a masterpiece. This is the third stage, i.e. the peak stage. During this period, in addition to Xin Qiji, the leader of the heroic lyrics, there were also a large number of outstanding lyricists, such as Li Gang, Chen Heyi, Ye Mengde, Zhu Dunru, Zhang Yuangan, Zhang Xiaoxiang, Lu You, Chen Liang, Liu Chao, etc. They were excited and comforted each other with their love for each other and their love for each other. They are excited and consoled each other, with the patriotic restoration of the magnificent words of the magnificent lineup, ruling the entire word world. The fourth stage is the continuation stage, representing wordsmiths such as Liu Kezhuang, Huang Ji, Dai Fugu, Liu Chenweng and so on. They inherited the words of Xin Qiji style, the words are still majestic, but because of the decline of the Southern Song Dynasty, the recovery is hopeless, elegant words, gradually leaning towards the word world and the bold and bold words favor coarse and straight word style and so on, the bold and bold school of the words will be either hustle and bustle, or return to the elegant, and sadness of the gray air is becoming more and more rich at that time, all the bold and bold words of the same tendency of the ****. Characteristics of the bold and liberal school characteristics of the bold and liberal school is generally a broader creative vision, the weather is magnificent and majestic, like to use the poetic techniques, syntax of the word, the language is grand and broad, with more things, do not adhere to the sound and rhythm, however, sometimes out of straight, and even involved in the madness of the strange clamor. After Nandu, due to the great change of the times, the high and generous tone of sadness and generosity should be developed, Chen Heyi, Ye Mengde, Zhu Dunru, Zhang Xiaoxiang, Zhang Yuanliang, Chen Liang, Liu Chao and others to carry on the flow of the sound, and it has become a trend. Magnificent word school not only shocks the Song Dynasty word world, and widely affect the word forest after the school, from Song, Jin until the Qing Dynasty, there have always been held up the banner of Magnificent, vigorously study Su, Xin's words. It not only describes the flowers, under the moon, male pleasure, female love. And more like to take the military affairs of the country as a major theme into the word, so that the word can be like poetry to reflect life, the so-called "no words can not enter, nothing can not enter". It is a grand realm, magnificent, unrestrained, unrestrained, oceanic, advocating frankness, but not to the main implicitly euphemistic as a thing. Word theorists on Su Shi's words made by the "horizontal release of outstanding" "word gas to" "book hostage to the sea wind and waves of the gas," the comment on Xin Qiji made by the "generous The comments on Xin Qiji's "generosity" and "unshakable" can be moved to the Magnificence School. There are fewer sub-schools within the Magnificence School, with only three stages of sub-branches, namely, the Su School, the Xin School, and the Calling School. Although its style is generally called bold, however, the style of each lyricist also has a slight difference: Su words clear and free, Xin words androgynous, some of the late Southern Song Dynasty's bold and free words are obvious bold and free, and the Qing Dynasty's bold and free lyricists, such as Chen Weisong, etc., are also more than male in the rough, to bold and free. Because of the bold lyricist is addicted to using the dictionary, the pursuit of dispersion, too much discussion, some of the bold lyrics will have rhyme is not thick, obscure words, image is not clear, the lack of precision and other shortcomings of the metre, these are also unapologetic. Although the bold school of bold as the main style, but there is no lack of beautiful and elegant works, not famous home so, the famous is also so.