Common sense of Lu opera

Lu opera, also known as "disguised dulcimer" and "Qin opera", is popular in Shandong and some Jiangsu and Anhui provinces. It originated in the Yellow River Delta in the northeast of the mountain and evolved from Qin Shu, Shandong Province, with a history of 65,438+000 years.

Most of the original Lu Opera classes went from village to village and performed in the fields, which had little impact. 19 10 or so.

1953 After the establishment of Shandong Lu Theatre, Lu Opera became a kind of drama that spread all over Shandong and enjoyed a good reputation throughout the country. Lu Opera belongs to rural art, which plays farming and sings peasant feelings. Most of the characters are minorities, little Dan and clowns, and the lyrics and Daobai are taken from folk languages.

Accompaniment instruments are mainly Tribal Tiger, Erhu and Sanxian. Traditional operas include Make the Finishing Point, Sisters Easily Marry, Li Er's Sister-in-law remarried, Borrowing Wife, Shilongwan and so on.

Representative figures include Lang Xianfen and others. 1, Kunqu Opera, also known as "Kunqu Opera" and "Kunqu Opera", is an ancient opera.

Originated in Kunshan, Jiangsu Province, it became popular after the middle of Ming Dynasty. At that time, most of the legendary operas were sung by Kunqu Opera. In addition to maintaining the characteristics of early Kunqu Opera, Nankun has formed many branches in China, such as Kunyi in the north, Xiang Kun, Chuankun and so on.

Kunqu Opera, with its graceful and soft style, delicate and lyrical performance, singing and dancing, and rigorous program, is the representative of China classical operas. 2. The treble is the general name of China traditional opera tune system.

Because it originated in Yiyang, Jiangxi, it was originally named "Yiyang Opera" or "Yi Opera". It is characterized by simple performance, popular lyrics, high-pitched and exciting singing, one person singing while everyone is in harmony, and only golden drums are used to play festivals without orchestral accompaniment.

Since the middle of the Ming Dynasty, it has spread from Jiangxi to all parts of the country, and has formed high-pitched operas in different styles, such as Sichuan Opera, xiang opera Opera and Gan Opera. 3. Bangzi Opera Bangzi Opera is the floorboard of traditional opera vocal cavity system.

It originated from "Shaanxi Bangzi" at the junction of Shanxi and Shaanxi, and is characterized by high-pitched and powerful singing and high-five with wooden bangzi. Then it developed eastward and southward, forming different forms of Bangzi cavity in different areas, such as Shanxi Bangzi, Hebei Bangzi, Henan Bangzi and Shandong Bangzi.

4. Beijing Opera Beijing Opera, also known as "Pihuang", consists of two basic tones: "Xipi" and "Huang Er". It also sings some local minor tunes (such as Liu Zi Opera and Blowing Cavity) and Kunqu Qupai. 1840 was formed in Beijing and prevailed in 1930s and 40s. It is sometimes called "National Opera".

It is still a big drama with national influence. It is the representative of China modern opera, with comprehensive business, mature performance and magnificent momentum.

5. Pingju Pingju was formed in the late Qing Dynasty on the basis of the ditty "Opposite Lotus Fall" in Luanxian County, Hebei Province. It was first popular in rural areas of Hebei province, and then entered Tangshan, and was called "Tangshan Xiazi". It was popular in Northeast China around the 1920s, and a number of actresses appeared.

After 1930s, under the influence of Peking Opera and Hebei Bangzi, Pingju became more and more mature, and schools such as Bai, Cailian and Ai Lianjun appeared. After 1950, Liu Qiaoer, Flowers as Media, Yang Sanjie's Complaints, Qin Xianglian and other plays had a great influence throughout the country, with new, famous and famous actors appearing.

Pingju is still popular in Hebei, Beijing and other places. 6. Hebei Bangzi Hebei Bangzi, that is, the Bangzi opera popular in Hebei and Beijing, originated from Shanshan Bangzi at the junction of Shanshan and Shaanxi, and was introduced to Hebei via Shanxi, and was formed by blending Hebei and Beijing dialects. It keeps the characteristics of bangqiang, sings loudly and violently, and is good at performing tragic plots.

Hebei Bangzi's famous dramas include Butterfly Cup, Yuanmen Chop, Du Shiniang and so on. 7. Jin Opera, also known as "Middle Road Bangzi", developed from Shanshan Bangzi at the junction of Shanxi and Shaanxi to Shanxi, and was formed by combining the language characteristics of Shanxi. Now it is popular in central Shanxi, Inner Mongolia and Hebei.

It keeps the characteristics of clapping with the beat, and its musical style is not only high-pitched, but also gentle and delicate. The performance is simple and popular.

Famous plays include Golden Branch, Little Banquet and Selling Paintings to Open the Door. 8. Pu Opera Pu Opera, also known as "Zhou Pu Bangzi", was developed from Shanshan Bangzi at the junction of Shanxi and Shaanxi, and was the original Shanshan Bangzi.

Now it is popular in the southwest of Shanxi, Shaanxi and Henan, with a similar accent and Shaanxi dialect. Famous dramas include hanging pictures, killing dogs and killing post stations.

9. Shangdang Bangzi Shangdang Bangzi, one of the four major bangzi in Shanxi, was developed from Zhou Pu Bangzi in southwest Shanxi and is popular in Shangdang area in southeast Shanxi. Besides Bangzi, it also sings Kunqu Opera, Pihuang Opera and Luoluo Opera.

Plays include "Three Customs Banquet" and "East Gate Meeting". 10, Yan Opera Yan Opera, also known as "North Road Bangzi", developed from "Zhou Pu Bangzi" and is popular in northwest Shanxi, Zhangjiakou, Hebei and Inner Mongolia.

It is said that it has a great influence on the formation of Hebei Bangzi. Dramas include Bloody Handprints and Jinshui Bridge.

1 1, Shaanxi opera, also known as "Shaanxi Bangzi", is the earliest Bangzi opera, which was formed in the middle of Ming Dynasty. His performance is rough and simple, his singing is loud and exciting, his voice is like a roar, and he is good at expressing tragic plots.

The repertoires include Butterfly Cup, You Gui Shan, Three Drops of Blood and so on. 12, Errentai Errentai is a popular opera in Inner Mongolia, Shanxi and Zhangjiakou, Hebei. It was formed on the basis of Inner Mongolia folk songs and Shanxi folk tunes, and later it absorbed the performance elements of Jin Opera and became mature.

The performance is full of life and the lyrics are well-known. Most of the dramas are small dramas that show rural life, such as "Walking West" and "Five Brothers Grazing Sheep".

13, Jiju Jiju, a popular drama in Jilin Province. Developed on the basis of the "Errenzhuan" in Northeast China in 1950s, it has light tunes, popular words and expressions, simple and popular performances, and plays such as Yan Qing and Bao Gong's Compensation.

14, Longjiang Opera Longjiang Opera, popular in Heilongjiang Province, was formed on the basis of "duet", shadow play, and local folk songs in the northeast in the 1950s, with relaxed and humorous performances and popular lyrics. Plays include Shuang Suoshan and Baoyu in the Wasted Capital.

15, Henan Opera, also known as "Henan Bangzi". Shaanxi Bangzi, which was introduced to Henan in the late Ming Dynasty, was developed by combining Henan dialect and folk tunes, and is now popular in Henan, Hebei, Shanxi, Shandong and other provinces.

At first, there were four schools, namely Eastern Henan, Western Henan, Xiangfu and Sha Hetiao. At present, eastern Henan and western Henan are the main areas. Chang Xiangyu has already appeared.

2. What is the knowledge about the main types of Lu Opera?

Lu Opera, also known as Yangqin and Xiqin, is one of the eight major operas in China and a national intangible cultural heritage. It is popular in Shandong and some Jiangsu, Anhui and Northeast provinces. It originated in the Yellow River Delta in the northeast of the mountain and evolved from Qin Shu. Up to now, it has a history of 100 years, and it was put on the stage around 1900.

The music of Lu Opera belongs to banqiang, and the main accompaniment instruments are lyre, dulcimer, sanxian and pipa, which are called "four great pieces of Lu Opera". [2] With its simple and vivid language, beautiful and melodious singing and colorful musical vocabulary, it is deeply loved by the broad masses of the people.

The role line system of Lu opera is divided into four lines: life, Dan, purity and ugliness.

The scripts of Lu opera can be roughly divided into two categories: one is a small play, which is its basic repertoire; The other is Liantai drama, which is mostly adapted from the scripts of drum words, novels and piano books.

3. China traditional opera knowledge

There are five major operas in China: Peking Opera, Yue Opera, Huangmei Opera, Pingju Opera and Henan Opera. Storytelling is a traditional form of drama in China, which is a combination of literature, music, dance, fine arts, martial arts, acrobatics and various performing arts. It has a long history of origin, and there were budding songs and dances as early as primitive society. In the long process of development, after more than 800 years of continuous enrichment, renewal and development, a relatively complete system of traditional Chinese opera art has gradually formed. Although its origin comes from three different artistic forms: folk songs and dances, rap and burlesque, the biggest feature that distinguishes a drama is that its musical vocals come from different vocal music systems. These musical vocals are based on the language, folk songs and folk music of the region where they are produced. It is produced by absorbing music from other regions. Most of the characters in all kinds of dramas are filled by characters with different faces such as birth, Dan, purity and ugliness. In performance, it emphasizes stylized movements and virtual space processing based on life refinement. Paying equal attention to singing, reading, doing and playing, performing and dancing are rich and technical, which constitutes a complete opera art system different from other operas. Beijing opera is the quintessence of our country. According to incomplete statistics, there are about 360 kinds of operas and tens of thousands of traditional plays in ethnic areas of China. After the founding of People's Republic of China (PRC), there have been many traditional dramas, new historical dramas and modern dramas adapted to express the theme of modern life. They were warmly welcomed by the audience. The more popular and famous operas are: Beijing Opera, Kunqu Opera, Yue Opera, Henan Opera, xiang opera Opera, Guangdong Opera, Qin Opera, Sichuan Opera, Pingju Opera, Jin Opera, Han Opera, Chaozhou Opera, Fujian Opera, Qi Opera, Hebei Bangzi Opera, Anqing Huangmei Opera, Hunan Opera and so on. Among them, Peking Opera is the most popular. Therefore, it is called "play". China's operas mainly include Southern Opera in Song and Yuan Dynasties, Zaju in Yuan and Ming Dynasties, legends and legends in Ming and Qing Dynasties, traditional repertoire of modern Peking Opera and other local operas. Is the floorboard of China national drama culture. [Edit this paragraph] The three artistic features of drama are comprehensiveness, virtuality and proceduralization-(1) Comprehensive China drama is a national art with strong comprehensiveness, which is not only reflected in its integration of various artistic categories (such as dance and acrobatics), but also in its exquisite and profound performing arts. Various artistic factors are closely combined with the performing arts. All the functions of China's traditional drama are realized by the actors' performances. Among them, the organic composition of singing, reciting, doing and hitting the actors is the most concentrated and prominent embodiment of the comprehensiveness of China traditional operas. Singing refers to singing, emphasizing "clear pronunciation and mellow voice"; Reading aloud, that is, reading aloud, is a strict reciting skill. The so-called "one thousand pounds of oral part sings four Liang"; Doing refers to doing work, which is the character and expression; Beating refers to the martial arts action in performance, which is a combination of dance martial arts skills formed on the basis of China traditional martial arts. These four expressions are sometimes interrelated and sometimes cross each other, and the composition depends on the needs of the plot, but they are all unified into a comprehensive whole, reflecting the beauty of harmony. China Opera is a dramatic form full of musical spirit (sense of rhythm), which is centered on the comprehensive performance of singing, reading, doing and acting, and has formal beauty. (2) Fictitiousness is the basic way for drama to reflect life. It refers to comparing the real environment or objects with the actors' performances in a deformed way to express life. The virtuality of China's traditional operas is first manifested in the flexibility of dealing with the stage space-time. The so-called "three-five-to-five-to-world" has six or seven people and millions of soldiers, and the abbot is in Wan Li. In a blink of an eye, a column of incense has been fragrant for thousands of years, breaking through the limitations of "three unifications" and "the fourth wall" of western drama. Secondly, scheduling in a specific stage atmosphere and actors' simulation of some life actions, such as windy and rainy, riding a horse, threading a needle and so on. It more strongly and vividly reflects the virtual characteristics of China's traditional operas. The facial makeup of Chinese opera is also a virtual way. The virtuality of China's traditional operas is not only caused by the poor stage of China's traditional operas and the backward techniques of dancing beauty, but also the product of the accumulation of national traditional aesthetic thoughts that pursue the likeness of spirit and convey the spirit with form. At this time, it is the creation of beauty, which greatly liberates the creativity of writers and stage artists and the artistic imagination of the audience. In this way, the aesthetic value of traditional Chinese opera is greatly improved. (3) Procedural procedure is a manifestation of China traditional operas reflecting life. It refers to the standardization, dance performance and reuse of life movements. The program directly or indirectly comes from life, but it is formed by refining, summarizing and beautifying life according to certain norms. It embodies the painstaking efforts of artists of all ages and becomes the starting point for a new generation of actors to re-create, so the performing arts of traditional Chinese opera can be passed down from generation to generation. There are fixed formats for closing the door, pushing the window, getting on the horse, getting on the boat and going upstairs. In addition to performing programs, traditional Chinese opera has certain programs in script form, role-playing, music singing, makeup and clothing, etc. Excellent artists can break through some restrictions of the program. Create your own personalized normative art. Procedure is a model of beauty. [Edit this paragraph] The origin and formation of China traditional opera has a long history. It originated from songs and dances that imitate labor. (1) Pre-Qin-the embryonic stage of China traditional opera. The "Ode" in The Book of Songs and the "Nine Songs" in The Songs of Chu are the lyrics of singing and dancing when offering sacrifices to the gods. From the Spring and Autumn Period to the Warring States Period, from the Han and Wei Dynasties to the Middle Tang Dynasty, there appeared Corner Arrival (that is, Hundred Dramas), Joining the Army, and Stepping on Mother, all of which were budding dramas. (2) Tang Dynasty (middle and late period)-the formation period of drama. After the middle Tang Dynasty, traditional Chinese opera. The art of drama has gradually taken shape. (3) Song and Jin Dynasties-the period of drama development. "Zaju" in Song Dynasty, "Ben Yuan" in Jin Dynasty and "Zhu Gong Tune" in rap form all laid the foundation of Zaju in Yuan Dynasty in music, structure and content. (4) Yuan Dynasty-the mature stage of drama. In the Yuan Dynasty, "Zaju" developed greatly on the original basis.

4. How did Lu Opera come into being and develop?

Shandong Opera is a representative local opera in Shandong Province, which was developed on the basis of Shandong Province with a history of only over 80 years.

It originated in Guangrao and Boxing areas in the lower reaches of the Yellow River, and was originally called "disguised dulcimer" or "Shaanxi opera", while Binzhou area was called "lost opera" or "fighting opera" because the main music of accompaniment was constantly playing the piano and plucking the strings up and down, which was called "jumping opera" in Jiaodong Peninsula. Around 1900, Shi Dianyuan (1863-1948), a famous artist in Guangrao County, changed Qin Shu into a costume performance for the first time. They used bamboo, paper and cloth as materials, skillfully tied them into donkeys and painted them with colors.

Cui Lexing plays the role of two girls, tying the "donkey" into two sections at the waist with a belt, making it straddle-like; At that time, Yuan Dian wore a shabby felt hat and a white apron around his waist. His nose and eyes were painted with white ash, and he made a little three-flowered face and pretended to be Wang Xiao, who whipped the donkey. Accompanied by piano, dulcimer, sanxian, flute, tambourine and other musical instruments, the two sang and danced, and the performance was lively, which brought the piano book that had been sung for many years to life at once.

"When I heard Wang Xiang (the nickname of artist Xue Jintian) singing, the cakes were pasted on the doorframes", which shows how obsessed the locals are. Since then, Qin and calligraphy artists have followed suit, and the popular area has rapidly expanded to more than 30 counties such as Huimin, Weifang and Yantai.

After the founding of People's Republic of China (PRC), Lu Opera got its name. After reform and innovation, it has developed rapidly to all parts of the province, from Heilongjiang in the north to Jiangsu in the south and Xinjiang in the west. Lu Opera art performance groups have emerged and become a vibrant youth drama. The birthplace of Lu Opera is Qin Shu, Shandong Province, which is closely related to both musical singing and performing plays.

Its music is dominated by banqiang, occasionally inserting some tunes, and its basic vocals are [Siping] and [Baner]. [Four-level Tone] originated from Fengyang Song, with a rhythm of three eyes (4/4) and a great change in speed. Fast singing is called [Fast Siping] (one board with one eye) and slow singing is called [Slow Siping] (one board with three eyes), which can not only narrate but also express emotion, and can express various emotional contents.

The second board comes from the "crib board", which has the rhythm of one board and one eye (2/4), while the fast singing has one board without eyes (1/4), which is called "flowing water". On the basis of the basic cavity, it absorbed the aria music of Bangzi, Qiang Mao and Peking Opera, and created "Anti-Siping", "Anti-Baner", "Baner", "Shake" and "San".

Therefore, although the tunes of Lu Opera are few, they are full of variety, the lyrics are easy to understand, the singing is unpretentious and beautiful. But also has a deep mass base among the people.

There are more than 80 traditional dramas of Lu Opera, mainly life dramas, all of which were formed during the dulcimer editing period. Most of them are based on folk stories and reflect the daily life of the lower classes. The content shows family ethics, local customs, love and marriage, children's affection. "Three plays" account for a large proportion.

For example, the repertoires that are often performed include Catch Feet, Three Strings and Four Persuasions, Sister-in-law, Love Daughter but Not Daughter-in-law, Double Wife Exchange, Wang's Borrowing Year, Wang's Borrowing, Blue Bridge Society, Empty Trough, Hitting a Boat and Standing on the Flower Wall.

Because Lu Opera expresses folk life and customs in Qilu dialect, it is full of people's feelings and life breath, so it is loved by the masses. Some of his outstanding plays, such as Li Er's wife remarried, Sisters Easy to Marry, Land of the West Dragons, Forced Marriage, Small Borrowing Year, etc. , have been put on the screen, spread to the north and south of Saibei, spread to Hong Kong and Macao, and enjoy a good reputation at home and abroad. Lu opera is listed as a reserved drama by the state.

5. Who knows Beijing Opera and Lu Opera?

Beijing opera /bbs/printpage? Boardid = 5 & ID = 35514 Peking Opera is one of the traditional operas formed in Beijing with a history of nearly 200 years.

On the basis of Anhui Opera and Han Opera, it gradually evolved by absorbing the advantages and specialties of some operas such as Kunqu Opera and Shaanxi Opera. Huizhou Opera entered Beijing in A.D. 1790 (the 55th year of Qing Qianlong). The earliest Huizhou Opera Troupe entered Beijing was the prestigious "Sanqing Class" in Anhui.

Later, there were four classes in Beijing, such as "Four Happiness", "River Lip" and "Chuntai", which were collectively called "Huizhou Class Four". The formal formation of Peking Opera was about twenty years in Daoguang (1840). At this time, various aria formats of Beijing Opera have been preliminarily established, the language characteristics of Beijing Opera have been formed, and the role of Beijing Opera has also undergone new changes. A number of plays with the characteristics of Peking Opera have appeared, and the first generation of Peking Opera actors have also appeared: Yu Shengsan, Zhang Erkui and Cheng Changgeng are called the "three Ding Jia" of old pedants, and there are also old actors and Peking Opera.

Cheng Changgeng is a representative figure in this period. He made more efforts than other Peking Opera actors in the same period in integrating Han Hui tune and absorbing Kunqu opera to transform and improve it. He made a great contribution to the formation of Peking Opera performance art and played a great role in the development of Peking Opera in later generations. Peking Opera music belongs to the banqiang style, and the lead singers are Huang Er and Xipi, so Peking Opera is also called "Pihuang".

Other commonly used vocals in Beijing Opera are Nanbangzi, Siping Tone, Gaobazi and Chui. There are more than 1000 kinds of traditional operas in Beijing Opera, and more than 300 kinds are often performed. Among them, besides Anhui Opera, Han Opera, Kunqu Opera and Shaanxi Opera, quite a few of them were created by Beijing Opera artists and folk writers.

Beijing opera is good at expressing political and military struggles with historical themes, and most of the stories are taken from historical romances and novel scripts. There are not only the whole drama, but also a large number of passbook dramas, in addition to some series.

The role of Beijing opera is divided into seven lines: health, Dan, purity, ugliness, martial arts and fashion (walk-on), and then into four lines: health, Dan, purity and ugliness. Since the formation of Beijing Opera, a large number of outstanding actors have emerged. They have contributed to the innovation and development of Beijing Opera in singing, performance, repertoire and character modeling, and formed many influential schools.

Such as Cheng Changgeng, Yu Sansheng, Zhang Erkui, Tan Xinpei, Wang Guifen, Sun Juxian, Wang Xiaonong, Liu Hongsheng, Wang Hongshou, Yu Shuyan, Gao Qingkui, Yan Ju Peng, Zhou Xinfang, Ma Lianliang, Yang Baosen, Tan Fuying and Li Shaochun. Xiao Sheng, Xu Xiaoxiang, Cheng Jixian, Jiang Miaoxiang and Ye Shenglan. ; Present were, Huang Yueshan,,, Shang, Li, etc. Dan Jiao Mei Qiaoling, Yu Ziyun, Tian Guifeng, Mei Lanfang, Cheng, Xun Huisheng, Shang Xiaoyun, Feng, Xiao Cuihua, Gong Yunfu, Li Duokui, etc. Jing Jiao Mu Fengshan, Huang Runfu, He Guishan, Qiu Guixian, Qiu et al. Clown Liu Gansan, Yang Mingyu (originally Kunqu Opera, joined Beijing Class), Wang Changlin, Xiao Changhua, etc. In addition, there are famous pianists such as Sun, Mei Tian,,, and so on. Famous drummers include Hang, Bai and Wang.

Mei Lanfang is one of the most outstanding Peking Opera performers. Representative plays include Cosmic Front, Farewell My Concubine, Drunkenness of the Imperial Lady, Broken Bridge in Water War, Strange Couples, Dream in the Garden, King Mu Kezhai, Mulan Joining the Army, Anti-Jin Bing, Life and Death Hate, Xi Stone, Luo Shen's Old Age and so on.

Luxi 1. Sun Zhongxin (1852— 1930), the founder of Lu Opera, is from Xiwenwen Village, Chunhua Township, Boxing County. Sun Zhongxin was born in a poor peasant family.

His mother knows opera, especially classical novels and folk stories. Influenced by his mother, Sun Zhongxin likes singing since he was a child. /kloc-before the age of 0/7, he learned folk arts such as playing flower drums, singing Fengyang songs and lotus drops.

He studied drama and was proficient in Pi Chun Opera, Bangzi and Qiang Opera. He is versatile, not only singing, but also playing drums and piano. He often cooperates with local folk artists and performs at fairs and temple fairs, which is highly appreciated by the masses.

1880, Sun Zhongxin performed with Liu, Zhang Baoguang. They changed the form of singing stories in the third person from an actor who can also play musical instruments to a performance form in which the actor plays the role and the accompaniment retreats to the backcourt, thus forming the bud of Lu Opera.

Sun Zhongxin creatively applied the tunes, qupai, percussion and performing arts of Qiang people, Bangzi, Peking Opera and Qin Shu to his own plays, and adapted Watching the Melon Garden, Stepmother Beating Children, Cui Jinding's Grave and Three Sages (later Sister-in-law), because these plays didn't have a copy at first, and the actors sang at will according to the needs of the story.

When a colleague asked what the name of the play was, Sun Zhongxin said, "Our play is to follow the trace and stroke the vines to the end. Let's call it stroke." Since then, the name of the play has spread.

"Music" and "Lu" are homophonic, and later named after "Lu Opera". Together with contemporary artists, Sun Zhongxin created the flower of Lu Opera, completed the early formation of Lu Opera, and trained generations of actors for its further development.

Zhang Chuanhai, an old artist of Shandong Opera who is famous in the whole province, walked out of his door. It is precisely because of Sun Zhongxin's pioneering work in the history of the development of Lu Opera that Boxing County has become the "hometown of Lu Opera" and the cradle of Lu Opera actors.

To commemorate the birth of Lu Opera, Chunhua Township and Yanfang Township in Boxing County were once called "Coco Township". 2. The origin of the name of Lu Opera. There are two opinions about the origin of the name of Lu Opera. One is that Lu Opera evolved from the rap art of "playing the piano" and "playing the dulcimer". No matter the length of the story, the story is very strong, detailed from beginning to end, and the singing is clear. In the words of Sun Zhongxin and his disciples, it is "chasing vines to the end", and the main string of Lu Opera is playing the piano.

Therefore, artists call their own plays "Le Xi". Later, it was rewritten into a Lu drama.

It is also said that around 1890, artists such as Liu Moufeng imitated the local popular blunt voice "Wang Xiaogan Donkey" in the plot, hanging the donkey's head in front and tying the donkey's ass (paper paste), which was similar to the "running donkey" form in local juggling, and made a sensation with the tune of the piano book. One by one, many villages gave it.