Traditional Culture Encyclopedia - Traditional festivals - Will you appreciate the four great folk arts in Hanzhong?

Will you appreciate the four great folk arts in Hanzhong?

As a unique part of a famous historical and cultural city, Hanzhong folk art once exuded dazzling brilliance. The head of a bone carver 6000 years ago proves that this place is a hot spot where folk art was conceived and born very early. Hanzhong has a wide range of folk arts, and its characteristics are obviously different from those of northern Shaanxi and Guanzhong, with the dual characteristics of northern atmosphere and southern dexterity. ...

Han tune, Qin tune, out-and-out Qin tune

Han dalliance, also known as Han dalliance, South Road Opera and Song Opera, was introduced into Hanzhong in the late Ming Dynasty, combining local dialects and folk music. It is mainly popular in Hanzhong and Ankang in southern Shaanxi, and once spread to northern Sichuan, eastern Gansu and northern Hubei.

Diao Handi, formerly known as Di, was later renamed "Diao Handi". This kind of drama has a long history, with a development history of four or five hundred years. It absorbs the local spoken language, is created by artists, and absorbs the essence of Sichuan Opera and Chu Opera. It has distinctive local characteristics not only in singing, but also in performance and accompaniment, which is unique in China. Its repertoire is numerous and profound, and it is deeply loved by people in southern Shaanxi, northern Sichuan, eastern Gansu and Ankang. Han tune is a bangzi opera system, which has seven comprehensive sounds, and the music includes two parts: singing and accompaniment. The pronunciation of chanting, singing and reciting is based on the voices of the masses in the upper reaches of the Han River. The performance process has a free and easy, generous and eye-catching style, and has a humorous appreciation interest. It combines the charm of Qin Ba Han River, the smoothness, softness and simplicity of Sichuan Opera and Hubei Opera, and the high-pitched, persistent and radical style of Northwest Opera. It has formed a unique style with distinctive local characteristics in long-term performance practice and is a unique flower in southern Shaanxi.

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Zhenba folk songs record the cultural changes of local people.

Although Zhenba is located in the hinterland of Bashan, with profound cultural accumulation and simple and open-minded folk customs, there have been many folk art activities, especially folk songs, which have prevailed throughout the county since ancient times. Men, women and children can sing as soon as they open their mouths. Zhenba folk songs are rich in themes, and there are many kinds of songs, including songs (labor songs, folk songs) and folk songs (also known as Maoshan songs and sister songs). ), minor, folk songs (wedding songs, filial piety songs, etc. ), sacrificial songs, folk arts (fishing drums, flower drums, Qingshui songs) and so on. In the fields, in the ravines of the mountains, or herding cattle, or chopping wood, a folk song will make you forget all your troubles; A cabin in the mountains, watching the autumn, lighting a bonfire, leaning against a shotgun and singing a folk song, loneliness disappears; Transplanting grass, drying grain and raising fields, rows and rows, pairs, you pick me, singing and laughing, the mountains are also Tao Tao, and people are also Tao Tao; In the middle of winter, sitting around the fire pit, the husband sings the harmony with the woman, the fire shines, and the people are outstanding and the fun is endless. There are also folk artists, who farm when they are busy and take songs as their career in their leisure time. There are weddings and funerals nearby, so please invite them to make peace and handle affairs for the host. Mourning, mourning around drums, mourning for the host. These artists spend a chapter on belly songs, minor, wedding songs, filial piety songs, flower drums, fishing drums and so on.

Zhenba folk songs not only record the cultural and historical changes, times life, customs and etiquette of Zhenba, but also carry the functions of social and historical changes, customs and etiquette, moral norms and labor skills passed down from generation to generation, and become the main tool for social education and inheritance.

Zhenba folk music has attracted the attention of the music industry. Since 1950s, musicians and composers from China Conservatory of Music, Xi Conservatory of Music and other provinces and cities have come to Zhenba to collect folk songs. Good folk music environment breeds excellent music talents. Musicians in zhenba county have created and adapted many musical works with strong Zhenba folk flavor. Among them, Liu Guanglang composed and sang "Two Poems on the Back of Bashan Forest" and "Building a Weir Pond on the Top of Bashan Mountain" 1978, and participated in the national vocal performance held by the Ministry of Culture in Beijing.

Chenggu embroidery enjoys a high reputation in the whole northwest region.

Chenggu folk embroidery has been widely used since ancient times and enjoys a high reputation in the whole northwest region. Embroidery can be divided into two categories: silk embroidery and cotton blues embroidery. In particular, the embroidery technology of urban fixed-frame flowers, which represents the exquisite and delicate characteristics of the Yangtze River basin culture, can be called a wonderful flower in the whole northwest region from form to content.

The technological requirements of embroidery are: smoothness, uniformity, flatness, neatness and cleanliness. Smoothness refers to straight lines and smooth curves; Qi is a neat pointer without jagged edges; Flat means that the posture is accurate, the embroidery surface is flat, and the silk thread is not skewed; Even the pointer distance is consistent, without showing the bottom and overlapping; Clean means that the embroidered surface is smooth and free from ink and other stains.

Xue Zhi, a Qing man, commented: "The exquisite embroidery of female workers is rare in the world, not under Gu embroidery and Xiang embroidery. There is a kind of beauty without coarseness, which is also the natural expression of human nature. "His masterpiece" Five Fruit Flowers "consists of exquisite pictures of golden melons, persimmons, peaches, bergamot and pomegranates, which fully embodies the extensive combination of Hanzhong Taoism as the core (golden melons), northern Yellow River culture (persimmons), eastern Chu sea (peaches), southern Shu land (bergamot) and western regions (pomegranates) culture. Jia Hua's "Wedding Scene" and "Five Pictures" more reflect the customs of Bashu.

The unique "Yangxian Wan Wan accent" in Yangxian shadow play.

Shadow play is a kind of folk drama, which uses lights to illuminate the silhouette of people made of animal skins or cardboard to perform stories. In the performance, the artists manipulated the opera characters behind the white curtain, sang stories with local popular tunes, and matched them with percussion instruments and strings, which had a strong local flavor. In rural areas of Henan and Shanxi, this simple folk art form is very popular with people.

Shadow play is an ancient traditional art in China, which is called "donkey shadow play" by old Beijingers. For thousands of years, this ancient art, accompanied by generations of ancestors, has spent many happy times. Shadow play is not only a puppet art, but also an authentic handicraft. It is made of donkey, horse and mule skins through several processes such as material selection, carving, coloring, sewing and painting. Shadow play is exquisitely made, exquisite in craftsmanship and lively in performance.

Shadow play was introduced into Yangxian County, forming a unique "Wan Wan Qiang in Yangxian County" with a history of more than 300 years. Local operas are called "shadow play" because their characters and scenes are all carved with fine cowhide. Mainly at night, oil lamps, steam lamps and electric lamps are used to reflect special transparent gauze curtains to form images and watch them. People usually call it "light shadow". Use a small copper bowl as the accompaniment of the main percussion instrument.

Yangxian Shadow Play absorbed the simplicity and softness of foreign stringed boards and lamp bowls, and perfected its own tunes. Its singing, writing and speaking are all based on Yangxian dialect, with complete structure and simple costumes. There are not only the colors of stringed board and lamp bowl, but also the self-contained system of stringed board and lamp bowl, which has become a unique drama with distinctive local style.