Introduction of Shipu characters

Shipu learned the tradition of law, and later entered the freehand brushwork. During this period, he went back and forth repeatedly, participated in the Four Monks in Qing Dynasty and Yuan Sijia, dabbled in various factions in Northern Song Dynasty, made a living between pen and ink, and realized Tao through pen and ink. Finally, I participated in the creation and expressed my views. I borrowed the rules of the ancients and expressed my nymphal heart with the spirit of replacing flowers with trees in the six methods. The face of the ancients is ever-changing, and the spirit of pen and ink is also. Shipu grasped the pen and ink, the core that can convey feelings, and wrote his own state of mind and feelings in the spirit of striving for the upper reaches, reaching a youthful wonderland. The picture shows the author Shipu's words of thanks.

Chinese name: Shipu

Alias: The word Zhen Xuan.

Place of birth: Shaanxi

Occupation: famous landscape painter

Representative works: Biography of the Book of Jin, Calligraphy and Painting World (20 10. 1), Shipu Painting Collection.

Yin Da is a famous landscape painter.

For decades, I have devoted myself to tradition, worked hard and worked hard. I take painting as my gift, which means to preserve the ancient times and stay away from the painting world. Always adhere to the free character and independent thought of a cultural person. After decades of ups and downs, weather-beaten and persistent artistic pursuit, Mr. Shipu devoted all his energy and left a batch of valuable artistic wealth for people today. After decades of dust, his artistic achievements are gradually known to the world. Theoretical circles and all walks of life began to pay attention.

Art chronology

1950 was born in Qishan, Shaanxi;

1962, I studied Chinese painting with my teacher in the countryside. I came to the mustard garden for the first time and saw the ancient paintings collected by the master, so I had a hazy understanding of Chinese painting. Meanwhile, at his father's request, he studied China traditional culture, recited ancient poems and read historical records.

1964 studied painting under the guidance of art teacher Xiao Chengsheng.

1966 Create a poster with Mr. Xiao; In the same year, I studied painting with Hou, a painter from the county cultural center.

65438-0967 studied painting with Wang Zhilong, a painter from Xi Academy of Fine Arts. In the same year, my father went to the mountains to practice medicine, followed his father into the mountains and did a lot of sketch training. Since the Cultural Revolution, my father went to the countryside and went to the mountains, and my father practiced medicine in the mountains. Shipu painted portraits of farmers in mountainous areas and sketched mountains. Take "calligraphy" with you and study whenever you have time.

During 1968, I went to the countryside with educated youth. In the meantime, I have kept my sketchbook. In my spare time, I sketch and collect materials in reservoirs, construction sites and fields. When the wind came, he was invited to paint a portrait of the leader and created the work Scar.

1970 oil painting "scar" was selected for the provincial exhibition and won favorable comments.

197 1 Worked as a worker in Northwest Machinery Factory. In his spare time, he kept waving and practicing painting.

1972 studied calligraphy with Mr. Bu and copied his family's ancient posts. He studied under Gao-zu, Ho Chi-ming and other Tai Ji Chuan masters, and studied Yang's Tai Ji Chuan. From this, the etheric body began to realize Tao and paint with Tao. Began the road of practicing Tai Chi painting and calligraphy all his life.

1974 participated in the first Chinese painting class, during which he created "Consult" (also known as "Master and Apprentice") and exhibited it in the whole country. Artistic talent, quickly stand out, a Zhong Zheng teacher attaches great importance to, introduced by him, and often studies under the guidance of teacher Luo Ming.

1980 after work, he devoted himself to studying Chinese painting. After work, he often asks Mr. Fang Eqin and Mr. An Zhongzheng about painting. When Mr. An met him, he looked at his painting. What he painted was a landscape painting, small but spectacular. As soon as the book was published, it seemed to have a halo, and then I gave it to Shipu, hoping that it would become a member of the Provincial Artists Association. Later, because Shipu was immersed in painting, this list of members of the Provincial Artists Association was put on hold in the bookcase for decades.

From 65438 to 0988, An Zhongzheng was transferred to Xi 'an as the secretary general of Shaanxi Artists Association. Enthusiastic teacher An is still very concerned about Shipu. He personally introduced many painters and exchanged ideas with them, which benefited a lot.

1993, practicing South Tour. In the next few years, I traveled all over the mountains and rivers, went deep into the real mountains and rivers, and learned from nature. Yang, a great appraiser, found himself benefiting a lot from Mr. Yang, where he read a lot of ancient paintings. Lao Yang loved his talent, happily wrote a picture for him, and wrote a letter of recommendation to Mi Jingyang in Rong Baozhai, but Shipu couldn't make it because of family reasons. Lao Yang introduced that Mr. Xie Liu Zhi pointed out and affirmed it many times;

In 2005, Mr. Yang was deeply shocked after reading Shipu's paintings repeatedly and carefully, and personally drew several paintings for him. He also praised Shipu's paintings for entering the realm of transformation, which is rare at present. The smell of pen and ink is the crown of the times! Rare, rare! Stay away from fame and fortune, and don't seek Wen Da, which is especially valuable in contemporary times! He learned vigorous pen and ink, Qi Baishi's simplicity and yellow pen and ink essence, and integrated into his own style and characteristics, and finally became a family of his own. There are two comments on his inscription and postscript: "Brilliant in the blue" and "absolutely in the yellow aftertaste".

In 2007, Mr. Xue Yongnian visited Xi 'an Shipu Studio and watched Shipu's works. He deeply believes that only lonely people can achieve great things.

In 2009, Mr. Xue Yongnian visited Shipu Studio again, and traveled with him to Wangchuan, calling Shipu a "living Fu Qingzhu" and a great hermit.

In 2009, Xiling Publishing House published Shipu Painting Collection.

20 10 "world of calligraphy and painting" focuses on the hermit shipu in the first issue of the new year;

Tiger House Monthly reported the related deeds of Shipu.

Hai Xia Tiandi specially held the "Chang 'an Hermit-Shipu Personal Painting and Calligraphy Exhibition" during the National Day;

20 1 1, the calligraphy and painting world reported Shipu's calligraphy and painting deeds again.

20 1 1 The "Chang 'an Hermit"-Shipu Exhibition sponsored by China Painting Society, Shaanxi Artists Association and Shaanxi Art Museum opened in Shaanxi Art Museum. More than 70 paintings and calligraphy works of Mr. Shipu were exhibited in the exhibition. Leaders, experts and scholars attending the opening ceremony: Ms. An Yuan, Director of the Art Department of the Ministry of Culture, Professor of the Central Academy of Fine Arts, Xue Yongnian, Director of the Theoretical Committee of the Board of Directors of the China Artists Association, Sun Ke, Secretary General of the Chinese Painting Art Committee of the China Artists Association and an art theorist, Liu Bin, a researcher and critic of the Chinese Painting Research Institute, Jiang Huili, secretary of the Shaanxi Federation of Literary and Art Circles, deputy director of the Shaanxi Provincial Department of Culture, honorary chairman of the Shaanxi Artists Association, secretary of the Shaanxi Artists Association, Luo Ning, director of the Shaanxi Provincial Art Museum,

Everyone has commented.

Yang people's appraiser, master of calligraphy and painting, art historian, deceased.

Yang Taiyang People's Artist, deceased.

What deserves our respect most is his attitude towards life and art, which is peaceful and quiet. I was deeply moved by his living environment and his age. He painted so well. His paintings absorb Huang and Shi Tao, especially his traditional beauty, and are full of vitality, long rhyme and cold charm. I think he has reached this level from the inside out. Those works full of vitality and inner beauty exude a reverie of ancient feelings, both ancient and present, and the dreamy atmosphere makes people linger and cannot bear to leave. Complex and transparent, light and thick, the true realm of painting.

Li Qi, a famous painter and professor of Central Academy of Fine Arts, died.

Shipu is good at using a pen, which can be vigorous and graceful, light but not floating, heavy but not stiff, and has strong vitality. Only when he can get into the paper can he leave it, and he can have a bright spirit. Vivid charm is different from water-light ink printing. The world falsely accused the ink cloud of vivid charm, and I don't know what's wrong with asking for it from the pen! The charm of stone drift can be expressed by pen and ink, so it is really charming!

Xue Yongnian, Professor of Central Academy of Fine Arts, Deputy Director of Theoretical Committee of China Artists Association.

I can't ask the world for anything about the depth of my understanding of Chinese painting and the essence I have gained, but I can't forget that I am refreshed by associating with ancient sages and modern sages. Those who are not addicted to the name Confucius can look back.

Secretary-General and art theorist of Chinese Painting Art Committee of Sun Ke China Artists Association.

Mr. Huang's paintings are the same as those of Mr. Shipu.

Kong Zhongqi, Professor China Academy of Art, doctoral supervisor and famous landscape painter.

Shipu's pen and ink has reached the stage of freedom, but it is thick and simple. Gao Gu's ethereal painting style, bold and unrestrained with pen, has the legacy of bouldering and stone pot, but it does not lose its simplicity and simplicity, reaching a profound realm of Gao Gu's detachment from dust. The work before us shows that he is a rare late bloomer. His success once again showed the world that art should be able to withstand loneliness.

Qin, Editor-in-Chief of Calligraphy and Painting World magazine

Chinese painting focuses on pen and ink and meaning. Shi and Lao are both outstanding figures of the times, and their pen and self-cultivation have entered the realm, which is rare in contemporary times.

Wang Zhongsheng, vice president of Shaanxi Lu Xun Research Association and vice president of Writers Association.

Today, some paintings are impetuous, philistine and pink, which has nothing to do with Shipu's paintings. His paintings are quiet, fresh, pure and noble, showing noble temperament, which is a luxury.

Preface to the Hermit Shi Pu's Painting and Calligraphy Collection/Xue Yongnian

Fifteen years ago, I met the late connoisseur Yang. The first time I saw his Hidden Painting in Autumn Mountains, I wrote: "Huang Qiuyuan's landscape painting became famous in the painting garden after his death. This picture frame was made by Mr. Shipu in his own way, which is wonderful. " He also said: "I am old. Shi Xue has been teaching in Beijing for several years, studying autumn gardens and traditional schools. You can ask later. " The late student had a smooth career. He took his father to Xi 'an and painted hundreds of pictures every day in the town. Please guide and preface the planned publication of the painting collection. I miss Lao Yang's entrustment and feel filial again. When I got it, I promised to meet him in Shaanxi. I admired his paintings and wrote a preface.

When I first saw the stone floating, I felt quaint and elegant, full of energy and close to my ears. If I am forty years old, I will look forward to it. Walking around Wang Chuan, we can see that he is vigorous and full of internal force. If he has the spirit to walk slowly from elbow to shoulder to waist, he has been practicing Tai Ji Chuan method for more than 20 years. I suddenly remembered Fu Qingzhu's calligraphy and painting, but he was good at martial arts. Bao even talks about calligraphy with fists. Unexpectedly, hundreds of years later, there appeared a painter Shi Puye who was good at martial arts.

Between the Weihe Bridge in the garage, I talked about literary theory and painting, which felt good. The classics came from my mouth and the poems were catchy. I began to know that Shipu taught himself successfully and spread all over the traditional fields, so he didn't just paint. I visited the borrowed studio before and after, looked at its large and small picture frames, asked about its life experience, learned the process of painting, heard the theory that its technology entered Taoism, and knew that it was a miracle worker.

Shipu, formerly known as Zhang Xinmin, was born in Qishan, Shaanxi. My father is a doctor and likes literature and history painting, so Shipu loves painting since he was a child. The primary school teacher took him to the county cultural center, and the oil painter Hou taught him how to sketch, so he could draw the door. Since the Cultural Revolution, schools have been closed, and my father and I were sent to the mountains together. I feel the madness of sports and love the wild mountains, so I sketch mountains and rivers. Nothing. When I jump the queue in the countryside, I plow Long Mu every day and even sleep in caves at night. Because of painting, I had to hold a struggle exhibition, draw a portrait of a leader and sketch farmers and workers in the reservoir. He once did the oil painting Scar and was selected for the provincial exhibition. After he was admitted to Baoji Factory, he started as a fitter, and the painting was revealed only after continuous self-improvement. He was transferred to the propaganda department of the factory as the literary editor of the factory newspaper. A few years later, the storm of the Cultural Revolution gradually subsided, and I was fortunate enough to enter the Chinese painting class and attack the landscape figures. After graduation, I made a Chinese painting "Asking for Diagnosis", and I taught my master and apprentice. It is simple and vivid, and is well received. After the reform and opening up, his interest turned to mountains and rivers, and he often led fellow travelers to and from Xi 'an to ask famous people for advice. Joo Won? Painting and Calligraphy Research Association was established and promoted to Secretary-General. However, he spoke out, was accused and was forced to be laid off. At that time, the family was poor, the children were small, and the economy was tight. They went south to Yangcheng to paint, and they worked hard and worked hard. Unwilling to be humiliated by the painter, they immediately returned to their hometown. They were alone, taking painting as a gift, and their art was changing with each passing day.

Shipu's landscape painting was also inspired by Luo Ming, and it was only after reading Autumn Garden that he was inspired. What he saw in his early years was only the picture books of various families, groping in secret and not knowing the beauty of painting. Enter the Chinese painting class, watch Luo Ming Taibai's original sketches, listen to his lectures, and watch him put pen to paper. I knew that painting should be emotional, the pen should be thick but not wet, and the layout should be scattered first and then adjusted. Back to his teacher He, he read "Self-report on the process of learning to draw landscapes" and copied "Student Sketch", distinguishing the differences between teachers and students and studying the secrets of ancient methods, that is, gradually understanding the theory of artistic conception and creating unique landscapes. But at the beginning of the opening up, the tide rises and falls, which is called tradition, and there are different opinions about where to go. I suddenly saw Huang Qiuyuan's album, which is a treasure. Nai sighed, saying, "Autumn Garden is self-taught without a teacher, so clear the way for me. The heart of nymphs is like my arm, and the beauty of mountains and rivers is born with pen and ink. That kind of cold and desolate feeling is unimaginable in the eyes of ordinary people. I admire its freedom, broadmindedness, infinite inner beauty and infinite charm of tradition. "

Yu Chang said, "Autumn Garden is a landscape, and Tao is an opportunity." Shipu said, "It's very enlightening to read this year. I think, Lao Tzu said, Tao is nature, one yin and one yang is Tao, and the subject and object touch each other in landscape painting is not Tao. Since then, Park Zuo's landscape has never reproduced the customs of life, and has been fully enlightened, edifying his character and broadening his mind. He taught the Tao with God, intended to write first, and used air to transport the pen. The pen grew like water on the ground, let nature take its course, and gained its temperament, which made him feel wonderful, so there was an image between pen and ink. The so-called meaning of the park is that only the mountains stand upright and the water is surrounded by trees. In painting, mountains and rivers should be at arm's length, but I am in the ancients, and the beauty lies in separation and integration. Therefore, the mountain is my surname and the mountain is my love. Tao is highlighted by painting, and quality is improved by Tao. Although I failed to arrive, I yearned for it. "

Since the new century, Shi Piao has adopted the method from autumn garden to rainbow, drawing lessons from various schools, using emptiness in practice, or being complex and simple, or being dense and ethereal, or being concise and meaningful. Seven years ago, Yang praised his "Post-Qingyuan Mountain Map" and said: "The late and famous Mr. Huang is a vivid portrayal of mountains and rivers, and his reputation is all over the world. Mr. Shipu's legacy to Huang is unique and extremely precious. " Yu believes that the value of Shipu lies not in his clothes, but in his insight into the disadvantages of the times, so that it can be interpreted with a new interpretation. At that time, people admired Hong Bin in pen and ink, while Shipu talked about Hong Bin in nature. As its inscription says, later scholars, like learning from nature, don't learn from the ancients, but don't know the ancients. Huang Bin's old saying is right. In the middle of time, the teacher is not behind the ancients. This is called inheriting the past. Seeking truth from nature is not from the outside, but from the inside, but from the shadow. The source of the heart, regardless of ancient and modern, regardless of complexity, no foreign minister, only look at the charm, the right way to get. "In recent years, Shipu has been more practical, going south to Yun Qi and writing a lot of manuscripts. As the old saying goes, "Mountains and rivers help the pen. "In a few years, the landscape of Shipu will be even more impressive.

The landscape of Shipu in recent years can be divided into two categories: one is to choose predecessors to express feelings, and the other is to learn from nature and inject feelings. In the previous class, the imitation of the autumn garden changed slightly, and in the latter class, Wu gained and lost. Some people slightly participated in the school of Shi Lu, Shi Tao and Xin 'an, but they expressed their opinions. In the latter category, Bai Yueji's wandering pen is fascinated by the past, or Joo Won? has a soft spot for the past. In terms of painting, it is divided into two parts: dark and light, dark and colorful, and ethereal; A few strokes are sparse, the ink is thirsty, and the shape is simple and long. Lao Yang praised his teacher Huang Zhi's secret body, saying that he won his legacy. I rewarded his Joo Won? for recalling the past to show his true feelings. Although the personal appearance of Shipu's paintings needs to be strengthened, the brushwork is deep, the softness contains rigidity, the scenery is quiet and the atmosphere is old and pale. The autumn garden is lush and fresh, and Huang Hongbin is empty and white, and there is no lack of hidden beauty. If we accumulate more mountains and valleys in our chest, we will strive for perfection in the method of using ink, seek massiness in the light and clarity in reality, and our works of art will be by going up one flight of stairs!

Although, from the perspective of self-study, Shipu is undoubtedly the best today. Self-taught people are not only talented, but also smart and diligent. However, the road to success is different. Those who are as simple as stone, after the test of Yu An's trip, also benefit from the cultivation of teachers and friends and the integration of husband's study. Although he is a factory worker, there are many talents who are well versed in tradition around him, such as the calligrapher Bu Gong, whose other work is poetry Chen Zong, and the famous Taiji master Gao Zuhe, who are proficient in both practice and theory. In the years of making friends, I have seen his extraordinary hands and eyes, listened to his incisive opinions, or he touched Zhuang Lao or the Book of Changes, or he also touched Zen, which is rigid and soft, virtual and real, with and without, with and without, hidden and exposed, ups and downs, and showed its unity of opposites, especially in true feelings, spiritual cultivation, harmony between man and nature, and things and me. Shipu not only studied calligraphy, painting, poetry and boxing, but also gained their mutual influence. He sought further study and communication, sublimated his inner feelings and got rid of the cover of vulgar eyes. As a result, his paintings also created the environment by writing scenes, where environment and sex met and entered the Tao through technology, without being hindered by the current wind.

Shipu's picture book will be published soon. After enjoying the pictures, I feel that his understanding of Chinese painting and the essence of his harvest are very profound. He wants nothing in the world, but he has forgotten it. His spirit is related to ancient sages and present sages, and those who are not addicted to floating Confucius' name can look back. It is a preface to talk about your own understanding and feelings.