How to step onto the stage of traditional Chinese opera

How to walk on the stage of various operas;

First, the eight-character step

China opera footwork performance program. It is named after the figure of eight when standing. Action Plan: Stand up straight. Hold your head high. The heels of the feet are close together, and the toes are about 30 cm away from the left and right, showing a figure of eight. The upper body chooses the posture according to the plot, business, age and personality of the characters, and looks straight into the eyes to refresh the appearance. In stage performances, the eight-character step is often used by civil servants and elders as well as military commanders dressed in embroidered robes, pleats and shawls, such as Xu Ce in Xu Ce's Journey to the City, Kong Ming in Empty City, Song Shijie in Four Gentlemen and Yue Fei in Man Jiang Hong. It shows that the characters are emotionally stable, pay attention to etiquette, walk slowly and polish their soles.

Second, the big eight-character step

China opera footwork performance program. That is, when two feet stand, the distance between the two heels is pulled apart. Action plan: 1. Stand up straight, feet apart, shoulder-width apart. 2, the two heels are buckled inward and stand in a big picture. The upper body chooses the appropriate posture according to the needs of the plot, the age, personality and business of the characters. 3, the body is slightly left or right, knees slightly squat, eyes straight up, including chest. The big eight-character step is suitable for the old, the weak and the seriously ill in stage performances. It shows that he is old, frail and weak, such as Zhang Yuanxiu in Qingfeng Pavilion, the woman's advocacy of justice, and Moggi in Jinyu Nu.

Third, T-step.

China opera footwork performance program. Also known as "tight T-step". That is, when standing on two feet, it is T-shaped. Action Plan: Stand up straight. The left heel is close to the right foot socket. Keep your legs straight, hold your chest in the direction of your left toe, and lean to one side. The upper body chooses the appropriate posture according to the needs of the plot, the age and personality of the characters. You can stand left and right. In stage performances, T-steps are mostly used for the role of "colorful flags", such as those who wear robes and trousers, those who stab arrows with big backs, such as Ren at Sanchakou, Zhao Yun at Changbanpo, and those with eight hammers. And they often stand with the T-shape.

Fourth, the T-step ahead.

China opera footwork performance program. This is another form of T-stance. Action Plan: Stand up straight. Stand with your right heel on your left toe and lean back slightly. The upper body appears in a suitable posture according to the needs of the plot. You can stand left and right. In the stage performance, the first T step mainly shows the brave and unusual "martial spirit" of the characters. It is often used in martial arts or before going into battle, reflecting the mighty temperament of the characters, and is a catwalk commonly used by Wu Sheng, Wu Erhua and Wu Chou. For example, Gao Chong in Pulling Pulley and Song Wu in Song Wu Fighting Tiger. Pay attention to the sense of proportion when standing, and the front heel should not exceed the toe of the back foot, otherwise it will appear "wild" and irregular posture.

Five, far T-step

China opera footwork performance program. This is another form of T-stance. Action Plan: Stand up straight. Stand your left foot about ten centimeters in front of the tip of your right foot and pull it away. The body center of gravity is on the right foot. Sit back and stand sideways to the left. The upper body appears in a suitable posture according to the needs of the plot. You can stand left and right. In stage performance, the far T-step is often used for eccentric and rude characters, which embodies the "wild" and "strange" performance of the role. For example, Zhong Kui in "Zhong Kui Marries a Sister", the judge in "Hongmeige" and the giant spirit god in "Noisy Heaven" are also suitable for other supernatural characters.

Six, tight T-step

That is, the "T-step". It is named because it is different from the far t-step and the front t-step.

Seven, the previous step

China opera footwork performance program. The act of pointing forward to move the body. Action procedure: straighten the left (right) leg, "hook the foot", take a step forward in a figure of eight, and then the right (left) foot moves closer to the left foot with the previous step, and resume the step before the previous step. According to the costumes and costumes worn by the characters, choose the appropriate posture with both hands, and the span of the previous step depends on the plot. After the last step, you still have to stand step by step before the last step, move your legs and look forward. In stage performance, the previous step is mostly used for emotional communication between characters to express their different moods and adapt to the stage scheduling required by the plot, and it is also used to meet the needs of expressing emotions in singing, such as "having a certain commitment", "going forward bravely" and "going forward at the end". Generally only take one or two steps, not more. When walking, keep your upper body stable and don't shake from side to side.

Eight, step back

China opera footwork performance program. Refers to the act of taking a step back and moving your body. Action procedure: Take a step back with the left (right) foot, and stabilize the center of gravity with the right (left) foot that has not retreated. After the retreating foot stands in a good position, the other foot immediately approaches the retreating foot and resumes the step before retreating. The degree of retrogression and the posture of hands depend on the clothes worn by the characters. Both men and women exercise in the same way. In stage performances, retreating is used to express people's expressions of shock, concession, panic and hesitation, such as "fear in my heart", "dare not move forward" and "great things are not good". When retreating, you should generally avoid lowering your head and moving your upper body unless the plot requires it.

Nine, bright soles

China opera footwork performance program. That is, "hook foot", which shows the leg lifting and stepping action at the bottom of the boot. Action program: 1, stand in a left T-step or eight steps. First lift your left leg and put it on your knee, then straighten it slowly, then hook your feet and push your heels hard. After the leg is lifted, the toes are left, showing a figure-eight step shape, so that the audience can see the soles of the boots. After a while, put it down slowly and take a step forward. 2. After standing firm, immediately step the right leg to the front of the left foot, and then do the same action as the left leg to brighten the soles of the boots. This action is suitable for raw, clean and ugly characters. In stage performances, it is often used when a character makes his debut, such as walking three steps in a row to brighten the soles of his boots to show his temperament and demeanor. You can choose the right height, strength and stride according to your occupation, personality and age. When polishing the soles of your boots, you are required to stand up straight and have a straight waist. Standing legs must be stretched straight, and it is forbidden to sit on your waist and pout.

Bow and arrow style

China opera footwork performance program. It is named because it is suitable for archery. The action procedure is 1. First, stand in eight steps. 2. The right leg takes a big step to the right side of the body, and the knees are bent to make the thighs parallel to the ground, which is called the "right leg bow". The left leg is straight and the sole of the foot is all feet, which is called "left leg stretching". Keep your upper body straight, chest up and head up. According to the needs of the plot and the age and business of the characters, both hands choose appropriate postures and actions to refresh their looks. This action can be practiced or performed to the left or right. It is a necessary skill for Wu Sheng, Jason Wu and Wu Chou. Mostly used in fighting, walking and martial arts. The standard degree of lunge is often used to distinguish the martial arts of characters. Old people, lunge is high; Rough and low personality; People who don't have a certain foundation can't stretch their legs straight, such as the teacher in The Fishing Killer. When sprinting, don't pout, nest your chest and look up.

Step 11

China opera footwork performance program. Also known as "don't step". Action program: 1, first stand in eight steps. 2. Hook your right foot, take a step to the left and back with your left foot, and "point" with your right palm. Squat slightly on the right knee. The center of gravity falls on the left leg. Stand with your left leg straight, hold your chest out, stand up straight, look forward and refresh yourself. The upper body chooses the appropriate posture according to the plot. This action can be done by standing left and right. The left foot in the latter is called "left step", while the right foot in the latter is called "right step". In the stage performance, stepping is used to express the standing posture of ancient women, which is the main standing posture of Dan Xing's role. For example, there are Qin Xianglian in "Picking Up Money", in "Picking Ears" and Mu in "Mukezhai". Sometimes it is also used for the young role played by Xiao Sheng, such as a baby boy or a martial artist, showing handsome and delicate roles.

Twelve, don't step on it.

That is, "step on". Named after one leg was nailed behind the other.

Thirteen, squat

China opera footwork performance program. Also known as "disk horizontal". Action program: 1, step and stand first. 2. Kneel down until your hips are about to sit on your calves. The right calf standing behind you can't touch the ground. While keeping your legs stable. Stand up straight and lean to the right (left). Choose the right posture according to the plot and character. This action can be practiced or performed left and right, which is the same for both men and women. Squatting on the stage shows the wit and dexterity of the characters. Often used to walk, showing the plot of concealment, reconnaissance and hiding. It is the works of Wu Sheng, Wu Dan, Beijing Opera Blues, Jason Wu and Wu Xing. For example, Ren at Sanchakou, when reading "Birds Return to the Nest" with his finger on the upper right, lights up this gesture, which is particularly energetic. Another example is Zhang Fei in "Reed Flower Swing". He also used this action when he was doing "Hiding in the Reed Flower Swing". Need to act quickly. Never pout or bow your head.

Fourteen, flat level

That is, "step squat." It's named after squatting with legs bent below the knees, such as sitting cross-legged.

XV. Ma Ping

China opera footwork performance program. Also known as "riding". Action program: 1, stand in a big step. According to their own height and business, as appropriate, open the distance of big eight steps. 2. Bend your legs and kneel down. The thighs are tilted, the calves are vertical, the chest is raised, and the waist is upright. According to the needs of the plot, the age and personality of the characters, choose the right posture with both hands. "Ma bu" or "Ma bu" is suitable for life, pure and ugly. In stage performances, it is often used to show the plot of riding a horse. Sometimes, it is a special gesture, in the form of a spear and a knife, to show the stability and dignity of the characters. For example, when Shi Wengong danced with guns and flowers in revenge, he used this step. The waist, hips and thighs are horizontal.

Sixteen, riding style

That is "Ma Ping". Named for its posture like riding a horse.