Poems of folk houses in southern Anhui

1. The poem "Ancient Villages in Southern Anhui" 1. A Tour of Shanxi Village Song: Lu You

Don't laugh at the farmhouse music brewed in the muddled month. In the harvest month, the dishes for guests are very rich.

There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay.

The day of playing flute and drums is approaching, and the villagers are still dressed simply.

In the future, if you can go out in the moonlight, I will knock on your door at any time with my cane.

2. "Qingpingle Village Residence" Xin Qiji in Song Dynasty

The thatched roof of the hut is low and small, and the stream is covered with green grass. Drunk Wu local drunk, gentle voice, white-haired old man who is it? The eldest son is weeding in the bean field on the east side of the stream, and the second son is busy knitting chicken cages. My favorite is my youngest son, who is lying in the grass, peeling the lotus just picked.

3. Gaoding's "Village Residence" in Qing Dynasty

In February, the grass grows and the warblers fly, and the willows are drunk with spring smoke. The children came back from school early, so they were busy flying kites in the east wind.

4. "Country Night" Tang Bai Juyi

In a piece of autumn grass that was grayed by frost, insects were whispering, and everyone around the mountain village disappeared. I went to the front door alone and looked out at the field. I saw the bright moonlight shining on the endless buckwheat field, and the buckwheat flowers were like a dazzling snowflake.

5. "Country Night" Lei Zhen in Song Dynasty

In a pond full of grass, the water is full of water, and the mountains cover the waves. Cowherd's child sat on the cow's back and casually played the tune with piccolo.

6. Du Fu in Tang Dynasty, the third of "Three Songs of Qiang Village"

The chickens are crowing and the guests are beating. Drive the chicken to the tree, and only then can you hear the sound of chopping wood. Four or five elders asked me about my long trip. Every hand is lifted, and mud and sand are falling. Don't say that the wine tastes weak, and there is no cultivation in the millet field. The war has not stopped, and the children have already marched eastward. Please sing an old song for your father: Bitterness! After singing, I sighed and cried.

7. "Jiangcun" Tang Du Fu

The clear river winds around the village, and everything in the village looks elegant in the long summer. Swallows on the beam fly freely, and blind dates in the water are similar and accompanied. (The first work in class: Liang Shang) The old lady draws paper to play chess, and the young son knocks the needle to make a hook. As long as some old friends give me some money, what do I ask?

8. "Country Travels" Wang Yucheng in Song Dynasty

The horse crossed the chrysanthemum and crossed the mountain road, leaving the horse to walk freely. Listen to the sound of thousands of valleys at night and watch some peaks silent in the sunset. The leaves of huanghuali are as red as rouge, and the fragrance of buckwheat flowers is as white as snow. To my dismay, the village bridge is like my hometown!

9. "Village Residence" Zhang Shunmin in Song Dynasty

Running water surrounds the paddy field, and the fence is full of green bamboo; All the elm seeds have been lost, and the hibiscus flowers have become sparse. As the sun sets, there is no cowboy riding on the back of the cow, only a pair of crows wandering on the village road.

10. Sikongshu in Tang Dynasty.

Fishing came back, but I was too lazy to tie the rope and let the fishing boat drift in the wind; At this time, the waning moon is already in the west, but I am sleeping soundly. Even if the wind blows at night and the boat is blown away by the wind, it just stops on the shallow shore of the reed catkin beach.

1 1. Night watchman in Jiangcun Song Dynasty: Dai Fugu.

The sunshine on the river head is flat, and the tide recedes and the fishing boat pavilion is inclined.

Bai Niao stood by the water and watched people start to walk into the reed flowers.

12. "Nanxiangziziqiu Village Residence" Qing Dynasty: Nalan Xingde

The cold stream is full of red leaves, all the trees are silent and the trees are uniform. Try to climb the small building, the mountain is high and low. A cloud of smoke hung over the hillside.

The barking of dogs is mixed with the crowing of roosters, the lights are flashing, and there is a way back. Walking along the mountain, it's far and near, east and west. Home is in the depths of autumn and winter, and the door is closed alone.

13. "Sleeping in a Water Town" Song Dynasty: Lu You

The arrow at the waist has withered, and there is no time to breathe. Lao Tzu is still as good as the desert, why do you cry for a new pavilion?

A national mourning, people's temples are no longer green. Recalling the rivers and lakes, lying and smelling the new geese falling cold.

14. Shajiangcun Road, Huanxi Middle Song Dynasty: Fan Chengda.

West Shili ripe fragrant rice, hibiscus fence long bamboo silk, hanging fruit green and yellow.

The dense fog knows that the autumn morning is wet, and the thin clouds cover the sun and noon, so there is no need to fly over to protect the army.

15. "Jiang Shenzi Xinghua Village Pavilion Wine Flag Wind" Song Dynasty: Xie Yi

Wine flag wind in Xinghua Village Pavilion. Water soluble. Yang remains red. Crossing the boat in the wild, willow green is shaded. Looking at the mountains in the south of the Yangtze River, people are far away and the grass is empty.

Smoke cage outside the sunset building. The powder melts. Pale eyebrows I remember when I met you on the screen. Only the Guanshan Mountain tonight is the same as the moon thousands of miles away.

2. Poems describing southern Anhui (ten poems) walk in southern Anhui and travel in the fog of spring rain, red flowers, autumn wind, green trees and pine forests.

The old house with white walls and black tiles, smoke curled up in the sunset. Looking back on that year, there were countless difficulties, and people moved and lived in mountain villages.

Qingxi village is a small taoyuan, ignoring the official road. Meet Huanhua Mountain Mystery Cave, sparse forest smoke is low in Leng Yun, Suoqiao West, and there are many mysteries left in Shilihua Mountain! What's the use of digging deep holes? Fee doubt.

I think it's martial arts quarrying to Tunxi! The four wonders in the county are different from the curtain of the humble room, and the literati are laughing and laughing among the mountains and rivers. Moss marks recall Chang 'an, and peach blossoms bloom for another year.

The five wonders are in Taibai, the sleeping place of Li Bais Tomb, in the clouds of green hills. There are no ups and downs in life, where does poetry come from? Four wonders, revisiting the old place, Cai Shiqi recalled that Yu's armored boats lined up in a row, and nomads were not allowed to cross the river.

Tourists in Shantou realize that a civilian has no talent. Deng Jiuhuashan's life is limited, and the sincerity of the New Year is in Jiuhuashan.

According to Buddha's light, it can be understood as a well-off family in urban and rural areas. The farmhouse near the stream in Xinghua Village is half closed, and the breeze leads the way to Xinghua Village.

Mu Zhi should dream of Chizhou, and the smell of wine is even more soul-grabbing. Seven wonders revisited the Huangshan Trail. In the winding fog and rain, the rocks on the cliff are loose.

Huangshan is a fairyland of four seasons, and the makeup is thicker after snow. There are mountains and rivers in Xidi Village, yi county, which have never existed in Huifu, and the folk customs have been in southern Anhui since ancient times.

I advise you to bring your son more often and experience the human feelings in the small village.

3. Unit 2, Book 2, Grade 6: China, where people in southern Anhui live, has many characteristics. Folk customs, people's feelings and people's feelings are very distinctive. There are all kinds of folk customs, colorful folk customs and, of course, people's feelings. That's great. I don't know. In addition to these, of course, there are several houses. Having said that, let's get to the point. Today, I will introduce you to the folk houses in southern Anhui. Folk houses in southern Anhui refer to ancient villages located in the Yangtze River valley to Nanshan District in Anhui Province, represented by Xidi and Hongcun. Huizhou folk houses, represented by Huizhou (now Huangshan City, Jixi County and Wuyuan County, Jiangxi Province) style and Huaiyang style, have strong Huizhou cultural characteristics, while other folk houses in southern Anhui profoundly highlight their cultural transition zone style characteristics. Let me introduce Hongcun, Anhui. Hongcun is located in the northeast of yi county. It was in the period of Shao Xi in the Southern Song Dynasty (A.D. 1 13 1) and has a history of more than 800 years. Backed by the remaining veins of Huangshan Mountain, it is like a long scroll of mountains and rivers, integrating natural landscape and human landscape, and is known as "the country in Chinese painting". Ah! How beautiful the environment in Hongcun is! Then let's take a look at the houses in southern Anhui under such beautiful scenery. Let's take a look at the architectural structure of residential buildings in southern Anhui. The ancient buildings in Hongcun are all white walls and blue tiles, arranged neatly. Chengzhitang is one of the most magnificent and exquisite masterpieces, and it is known as the "Folk Forbidden City". It can be called a Huizhou woodcarving exhibition hall. All kinds of wood carvings are rich in layers, complex and vivid. More than a hundred years later, it is still magnificent. The folk houses in southern Anhui are known as the "Folk Forbidden City", and the craftsmanship inside is of course exquisite. However, no matter how exquisite the house is, its function will definitely be better. Next, let's see what its function is. The bull-shaped village and artificial water system planned and built by Guhong Village people are today's "great miracles in architectural history": the towering Leigang is a bull's head, the towering ancient trees are horns, and the scattered residential groups from east to west are like huge cattle bodies. Qingquan, named Niuchang, flows into the Moon Pool named Niuwei through the village, and then flows to the South Lake named Niudu outside the village after being filtered. People also set up four bridges as supports on rivers and streams around the village. This ingenious and scientific design of village water system not only solves the problem of villagers' fire-fighting water, but also regulates the temperature, which provides convenience for residents' production and living water, and creates a good environment of "there are clear springs in front of every household, so it is not necessary to prevent streams from being far away". Hongcun is built by mountains and water, with the green hills behind the village as the barrier. The terrain is Gao Shuang, which can block the wind from the north. There is no crisis of flash floods, and there is no joy of looking up at mountain springs. It seems that the ancients were still very clever. They spent a lot of time on fire fighting and water control, but it provided convenience for residents to produce and live water. How do people evaluate such a good house? People will naturally think of the blue bricks, tiles and horsehead walls of Huizhou architecture when they mention the folk houses in southern Anhui. In fact, there is also a kind of earthen wall house with hanging mountains and wooden frames that farmers like in Huizhou architecture. This kind of house is mainly made of wood, stone and glue which are abundant in mountainous areas in southern Anhui, with beam-type wooden frame as the structural system and earth wall as the enclosure system. Southern Anhui folk houses are inward-looking courtyards centered on deep patios. This basic form is the focus of people's attention. Rainwater falling on rainy days flows into the patio from four roofs, commonly known as "four waters return to the hall". At the same time, it also vividly reflects the mentality of businessmen in southern Anhui, which is similar to Shanxi folk houses. The site selection, layout and architectural form of ancient residential villages in southern Anhui are all guided by the geomantic theory of Zhouyi. It not only embodies China's traditional philosophy of harmony between man and nature, but also expresses his yearning and respect for nature. So much for today! You know something about the architecture structure, architectural function and people's evaluation of the houses in southern Anhui, but just look at other people's introductions. Why don't you take a look and experience it yourself?

Modify it yourself.

4. What are the origins of the history, legends, stories, poems and couplets of ancient villages in southern Anhui? A scholar went out of town to visit relatives and friends and came to a small pharmacy in a small town. Seeing a girl frying plasters, she looks beautiful, and the scholar has a feeling of admiration (just a drop in the ocean). I just don't know whether she has talent or not, so I came forward to test:

Ointment is edible, medicine is edible, and plaster is edible?

The girl looked up at the sound, saw that he was a scholar, knew he was a man in the business, and thought that the scholar had a sour temper, so why didn't she answer, so she smiled and said:

Spleen is good for medicine, qi is good for medicine, and temper is bad for medicine.

The scholar was very happy to see the girl's clever reaction and wanted to try her again. He looked up and saw peony growing in the medicine garden outside the door, and opened his mouth and sang:

Warm spring peony hoes with the clouds.

The girl doesn't want to open her mouth:

Autumn is crisp and dew hibiscus.

At this time, the scholar has fallen in love with the girl, but she is a stranger and inconvenient to speak, so she has to leave, but she can't let go in her heart. When my friend saw the scholar, he was always uneasy. When he asked the reason, he smiled and said, "You have a good eye. This woman is bent on marrying a talented person, but she hasn't married anyone yet. With your brother's character (what virtue? ), this matter is on my brother. Just keep it. " (help others abuse! Be ill for the tiger! Later, my friend did come forward to be a matchmaker, and the girl was willing to meet the scholar (oh, no! ), the scholar finally got what he wanted, but he ended up with a lifelong event (unreasonable).

(2) When the famous writer An returned to his hometown in Ming Dynasty, he walked with Wu Zhuangyuan. The waterway is not wide, so we should take one boat first and then one boat. None of them wants their ship to fall behind.

Wu Zhuangyuan said to Yang Shengan, "I have a pair of couplets. If you are right, you will follow. " Yang Shengan nodded in agreement. Wu Zhuangyuan read the first couplet: "Two boats help each other, and rowing is not as fast as sailing."

This couplet is homophonic, referring to both things and Lu Su of the Three Kingdoms and Fan Kuai of the Western Han Dynasty, meaning "words are not as good as martial arts". Yang Shengan thought hard, but he couldn't be right, so he had to follow. Yang has always kept this matter in mind. 10 years later, my son got married, and the drums and music of "Welcome to the Wedding" sounded, and he cried, "Yes!" Just brush it with a brush. That's right: "Eight tones are played together, and the flute is clearer than Xiao He."

This second couplet is homophonic, which refers to both things and people, and points out Di Qing, a military commander in the mid-Northern Song Dynasty, and Xiao He in the Western Han Dynasty. Di Qing is a military commander and Xiao He is a civilian. It means "martial arts is not as good as writing". Although this couplet is correct, it is ten years late.

5. Introduction of Southern Anhui Dwellings 300 words Southern Anhui Dwellings refer to ancient villages, represented by Xidi and Hongcun, located in Nanshan District of the Yangtze River in Anhui Province. They are historical and traditional villages with the same regional cultural background and rich Huizhou cultural characteristics.

The mountainous area in southern Anhui has a long history and profound cultural accumulation, and a large number of traditional buildings and their villages with similar forms and distinctive features have been preserved. The ancient villages in southern Anhui are not only ingeniously combined with topography, landforms and mountains and rivers, but also with the strong economic strength of Huizhou merchants in Ming and Qing Dynasties, culture and education are increasingly prosperous. After returning home, those Huizhou merchants conceived to build houses with elegant, cultured, lofty and detached mentality, which enriched the cultural environment of ancient villages and made the village landscape more prominent.

The biggest difference between ancient villages in southern Anhui and other villages is that the construction and development of ancient villages in southern Anhui have been separated from the dependence on agriculture to a considerable extent. The consciousness, lifestyle and taste of residents in ancient villages have greatly surpassed the ideology of farmers and the ordinary citizen class, and pursued the same taste of life as the literati class, so they have a strong cultural atmosphere.

On the basis of the basic pattern, ancient villages in southern Anhui adopted different decorative techniques, such as building small courtyards, digging pools, arranging leaky windows, skillfully setting bonsai, carving beams and painting buildings, and creating elegant living environment, which all reflected the extremely high cultural quality and artistic accomplishment of local residents. The site selection and construction of ancient villages in southern Anhui followed the geomantic theory of Zhouyi, which has a history of more than 2000 years. It emphasizes that man and nature live in harmony and fully respect the ideal realm of the natural environment. Paying attention to material and spirit is a dual demand, with scientific basis and high aesthetic concept.

The architectural features of ancient villages in southern Anhui developed with the prosperity of Huizhou merchants in Ming and Qing Dynasties, which can reflect their exquisite thoughts and superb skills to the greatest extent in limited architectural space. This is really a clever architectural form. Later, Huizhou merchants gradually declined, but this Huizhou-style residential building retained its architectural characteristics because it was attached to ancient residential villages, so it has important historical and architectural value.

6. Composition of Folk Houses in Southern Anhui The most representative folk houses in Southern Anhui are Xidi and Hongcun Village in yi county, which was listed on the World Heritage List in 2000.

Hongcun has more than 40 well-preserved ancient dwellings in Ming and Qing Dynasties/KLOC-0. Rows of stacked courtyards in the village are in harmony with the beautiful lakes and mountains, with appropriate movements, scenery everywhere and step by step.

Hongcun has wonderful rural scenery and is known as "the village in Chinese painting". Xidi has 124 ancient Ming and Qing dwellings and 3 ancestral halls.

The "three wonders" (houses, ancestral halls and memorial archways) and "three sculptures" (wood carving, stone carving and brick carving) representing the architectural style of Huizhou folk houses have been well preserved here. Blue tiles and white walls are the outstanding impression of Huizhou architecture.

The patchwork horse head wall not only has the beauty of modeling, but also has the practical function of preventing fire and blocking the spread of fire. One of the characteristics of Huizhou folk houses is high walls and deep courtyards. On the one hand, it is to prevent thieves, on the other hand, it is the need for mobile families suffering from displacement to gain psychological security.

Another feature of Huizhou folk houses is the inner courtyard centered on the deep patio, surrounded by high walls, with almost no tiles outside, and only the narrow patio is used for lighting, ventilation and communication with the outside world. This basic shape with patio as the center and high walls closed is the focus of attention.

Rainwater falling on rainy days flows into the patio from four roofs, commonly known as "four waters return to the hall", which also vividly reflects the mentality of Huizhou merchants that "fat water does not flow to outsiders", similar to Shanxi folk houses. Southern Anhui is famous for preserving a large number of ancient buildings in Ming and Qing Dynasties.

Xin 'an is the hometown of culture, and there are many bureaucrats and businessmen in history. There are hundreds of non-commissioned officers in Shexian County alone. Huizhou merchants are all over southern Anhui.

"The leaders of rich houses are the first to promote Xin 'an in the south of the Yangtze River", and their great wealth has created this exquisite museum of ancient houses in southern Anhui. The ancient buildings in Huizhou during the Ming and Qing Dynasties were mainly concentrated in yi county, Shexian, Jixi and Xiuning.

Yixian has more than ten ancient villages such as Xidi, Hongcun, Bishan and Pingshan. There are many ancient buildings in Miancheng.

The county has preserved hundreds of valuable ancient buildings. There is 122 building in Xidi alone.

There are 365 ancient buildings, more than 0/00 precious buildings and 27 ancient ancestral halls in Shexian County, which are concentrated in Xiongcun, Chengkan, Qiankou, Tang Yue and Shen Du villages. Jixi now has more than 100 ancient buildings, concentrated in Xiangtou, Kengkou, fengcun and Shangzhuang.

Ancient villages are generally composed of memorial archways, houses, ancestral halls, water inlets, road pavilions and workshops. Some villages are very large, for example, there are 99 streets and lanes in Chengkan, and strangers often get lost when they go in. Many villages are well organized, and the water system in Hongcun is an example.

Hongcun dammed the mountain at the head of the village, and the canals in the village entered every household from both sides of the street and merged into the Moon Pond in the middle of the village. Then it is diverted to households and flows into South Lake.

Every household has large and small canals for washing clothes and drinking water. The layout of residential buildings is generally a courtyard centered on the courtyard, with a height of two floors.

Large and medium-sized houses adopt multi-courtyard combination, and the buildings are all white walls and tiles. In the old days, the buildings of many large families were large in scale, decorated with three sculptures in Huizhou, with exquisite layout and patchwork.

Pieces of ancient buildings in southern Anhui are embedded in the vast mountains and beautiful waters of Huangshan Mountain, Jiuhua Mountain and Xin 'anjiang River. It is a world-class park without makeup. Houses in southern Anhui are all buildings with more than two floors, surrounded by a small patio, and the hall is on the north side of the patio.

There are no walls, doors and windows between the hall and the patio. It is an open space. In the north of the main hall, that is, behind it, there is a wooden Taishi wall with doors without doors on both sides.

Furniture such as long tables and square tables are placed in front of the Taishi wall. On the east and west sides of the hall, there are several groups of armchairs and coffee tables, and people often put some utensils on them as decoration.

Ancient villages in southern Anhui refer to ancient villages located from the Yangtze River to Nanshan District in Anhui Province, represented by Xidi and Hongcun. They are historical and traditional villages with the same regional cultural background and rich Huizhou cultural characteristics. The mountainous area in southern Anhui has a long history and profound cultural accumulation, and a large number of traditional buildings and their villages with similar forms and distinctive features have been preserved.

The ancient villages in southern Anhui are not only ingeniously combined with topography, landforms and mountains and rivers, but also with the strong economic strength of Huizhou merchants in Ming and Qing Dynasties, culture and education are increasingly prosperous. After returning home, those Huizhou merchants conceived to build houses with elegant, cultured, lofty and detached mentality, which enriched the cultural environment of ancient villages and made the village landscape more prominent. The biggest difference between ancient villages in southern Anhui and other villages is that the construction and development of ancient villages in southern Anhui have been separated from the dependence on agriculture to a considerable extent.

The consciousness, lifestyle and taste of residents in ancient villages have greatly surpassed the ideology of farmers and the ordinary citizen class, and pursued the same taste of life as the literati class, so they have a strong cultural atmosphere. On the basis of the basic pattern, ancient villages in southern Anhui adopted different decorative techniques, such as building small courtyards, digging pools, arranging leaky windows, skillfully setting bonsai, carving beams and painting buildings, and creating elegant living environment, which all reflected the extremely high cultural quality and artistic accomplishment of local residents.

The site selection and construction of ancient villages in southern Anhui followed the geomantic theory of Zhouyi, which has a history of more than 2000 years. It emphasizes that man and nature live in harmony and fully respect the ideal realm of the natural environment. Paying attention to material and spirit is a dual demand, with scientific basis and high aesthetic concept. The architectural features of ancient villages in southern Anhui developed with the prosperity of Huizhou merchants in Ming and Qing Dynasties, which can reflect their exquisite thoughts and superb skills to the greatest extent in limited architectural space. This is really a clever architectural form.

Later, Huizhou merchants gradually declined, but this Huizhou-style residential building retained its architectural characteristics because it was attached to ancient residential villages, so it has important historical and architectural value.

7. Write about the composition of ancient houses in southern Anhui. The organization should be clear. It is about 1000 words. I have long heard that the ancient houses in southern Anhui have outstanding characteristics, so I can go and see them in person this year. This is really great. There are many hills in southern Anhui, which are rich in bamboo, wood, tea and rice. And there are many streams in the mountains. This is a land of plenty. In the early years, it was also the base camp of Huizhou merchants, so southern Anhui was relatively rich. Huizhou has its own painting school, medicine and art system, and the folk houses in southern Anhui were formed under this background. The community scale of ancient dwellings in southern Anhui is generally small, mostly more than ten households, which are loosely distributed on the flat land or hillside in a mountain. Unlike villages in the north, houses are connected to houses, but there is a little distance between them. When I understand the reason, the locals can't say it clearly. I think it may be the mountainous terrain. I remember reading a book that it is not unreasonable to keep a distance from fire prevention. It is said that there was a fire in Hangzhou that year, and all the other buildings in a street were burned out, leaving only one Huizhou-style building, and this house is a folk house in southern Anhui. The roof is not connected with other houses, plus the role of the horse head wall. Is the main reason why it can be preserved. There are also many houses built in the open space in the mountains in southern Anhui. Generally, the scale is very large, 100 families live together. The roads in the village are narrow, and the architectural style is still the horse-headed wall with blue tiles and white walls. They are just houses in southern Anhui on the flat, and most of them are accompanied by water. There are many ponds and ditches in the village, so-called small bridges and flowing water. It can just be used to describe another feature of folk houses in southern Anhui. Blue tiles and white walls are the outstanding impression of Huizhou architecture. The patchwork horse head wall not only has the beauty of modeling, but also has the practical function of preventing fire and blocking the spread of fire. One of the characteristics of Huizhou folk houses is high walls and deep courtyards. On the one hand, it is to prevent thieves. On the other hand, it is the need for displaced floating families to gain a sense of psychological security. Another feature of Huizhou folk houses is the inner courtyard centered on the deep patio, surrounded by high walls, with almost no tiles outside, only the narrow patio is used for lighting, ventilation and communication with the outside world. This basic form of patio-centered and closed with high walls is the focus of attention. Rainwater falling from four roofs in rainy days flows into the patio, commonly known as "four waters return to the hall" It also vividly reflects the mentality of Huizhou merchants, similar to Shanxi folk houses. Southern Anhui is famous for preserving a large number of ancient buildings in Ming and Qing Dynasties. Xin 'an is the hometown of culture. There are many officials and businessmen in history, and there are hundreds of non-commissioned officers in Shexian county alone. Huizhou merchants are all over southern Anhui. "The head of the rich family, Jiangnan first promotes Xin 'an", their huge wealth. It has established a beautiful museum of ancient houses in southern Anhui. The ancient buildings in Huizhou during the Ming and Qing Dynasties were mainly concentrated in yi county, Shexian, Jixi and Xiuning. Yixian has more than ten ancient villages such as Xidi, Hongcun, Bishan and Pingshan. There are many ancient buildings in Miancheng. There are hundreds of valuable ancient buildings in this county. There is 122 building in Xidi alone. Mainly concentrated in Xiongcun, Chengkan, Qiankou, Tang Yue, Shen Du and other villages. There are more than 0/00 ancient buildings in Jixi, which are concentrated in Xiangtou, Kengkou, fengcun and Shangzhuang. Ancient villages are generally composed of memorial archways, houses, ancestral halls, water inlets, road pavilions and workshops. Some villages are very big, such as Chengkan, with 99 streets and lanes. The canals in the village enter every household from both sides of the street, meet in the moon pool in the middle of the village, and then flow into the South Lake. Every household has large and small canals for washing and drinking. The layout of residential houses is generally a courtyard-centered quadrangle with two floors. The medium-sized and large-sized apartment consists of multiple courtyards, and the buildings are all white walls and tiles. In the old society, many large families had large-scale buildings decorated with three Huizhou sculptures.

8. In the composition of ancient houses in southern Anhui, it is necessary to describe the characteristics of Beijing quadrangles: Beijing quadrangles are brick-wood buildings with purlins, columns, beams (rafters), sills, doors and windows, partitions and so on. It's all made of wood, and the walls around the wooden shelf are made of bricks.

Beams, doors, windows and rafters should be painted with colored pictures. Although they are not as brilliant as the palace gardens, they are also colorful. Walls are used to building walls with floor bricks and broken bricks. As the saying goes, "there are three treasures in Beijing ... rotten bricks can't build walls."

Most of the roof tiles are blue tiles, which are interlocking. Before the eaves are dripped, or the tiles are not laid, all the roofs are painted with blue ash, which is called "grey shed". Mongolian yurts: the traditional houses of Mongolian nomads.

In ancient times, it was called vault, also known as felt tent and nomadism. It has appeared since the Xiongnu period and has been in use ever since.

The yurt is round, and the surrounding side walls are divided into several pieces, each about 13 meters high, and covered with wooden strips. Most nomadic areas are dominated by swimming. Swimming can be divided into separable and inseparable types. The former is carried by livestock, while the latter is carried by herdsmen such as Niu Cheke, who also live in yurts when they are nomadic.

Mongolian yurt is mainly composed of wooden frame, felt and rope. No cement, adobe and bricks are used for production, and the raw materials are either wood or wool, which is a wonder in the history of architecture and a great contribution of nomadic people.

Folk houses in southern Anhui: Xidi and Hongcun in yi county are the most representative folk houses in southern Anhui, which were listed in the World Heritage List in 2000. Hongcun has more than 40 well-preserved ancient dwellings in Ming and Qing Dynasties/KLOC-0.

Rows of stacked courtyards in the village are in harmony with the beautiful lakes and mountains, with appropriate movements, scenery everywhere and step by step. Hongcun has wonderful rural scenery and is known as "the village in Chinese painting".

Xidi has 124 ancient Ming and Qing dwellings and 3 ancestral halls. The "three wonders" (houses, ancestral halls and memorial archways) and "three sculptures" (wood carving, stone carving and brick carving) representing the architectural style of Huizhou folk houses have been well preserved here.