Traditional Culture Encyclopedia - Traditional festivals - Essays on red films.
Essays on red films.
Notes on assembly numbers
Blood carries a kind of responsibility and courage, tears contain a kind of goodwill and emotion, and waving arms and shouting reflects the expectation of survival.
The sad assembly number is far away, and "before" can't sum up his vicissitudes. Only history, a gray history, cold and unfamiliar memories suddenly aroused emotional ripples.
After reading "Assembly", my thoughts were taken to the war years when people struggled for happiness. During the War of Liberation, Gu, the company commander of the Ninth Company, led 47 brothers of the whole company to hold the sniper position under the order of the company commander and retreat with the assembly number as the order. However, in order to consider the overall situation of the war, the head of the regiment did not blow the assembly number, which caused all the soldiers of the Ninth Company to die heroically after repelling the enemy's three attacks, except Gu, and they were treated as missing. In order to correct the name of Jiu Li Oh, Gu started a persistent search and finally blew 47 assembly numbers in front of the tomb of the martyrs, which he had always wanted to hear and even died.
The story is so simple, but behind this simplicity stand those forgotten heroes. No one is born a hero, they are all proud of that era. For the victory of the revolution and the happiness of the people, even if blood is sacrificed.
"mortals must have a pure heart, and scholars have no desire for life" has been perfectly interpreted in this film. Gu, the company commander, stuck to his superiors' orders never to retreat when he didn't hear the assembly number, and took 47 brothers to defend Fenhe River to intercept the trench, just to gain valuable time for the large troops to retreat. When someone in the company suggested that he heard the assembly sound, but Gu didn't, he suspected that his ears were deafened by gunfire and asked the acting instructor if he heard the assembly sound. The weak scholar showed his true colors at the moment. He said he didn't hear it because the assembly number didn't ring at all. He didn't speak without conscience, although he knew that if he said he heard Gu, he might order the whole company to retreat, and the ninth company might leave the seeds behind. In the end, in order to complete the task assigned by the superior, Jiu Lian went from 47 people to 43 people, and then to 13 people, and finally successfully completed the task, leaving only one company commander.
The sound of the collective signal means the end of the task and the expectation of survival, but there is no sound. Because we didn't blow it, we couldn't retreat during the revolutionary war; Because he didn't play, our hero stubbornly persisted to the end. That's an order. For a soldier, it is above everything, including his own life. I can't help thinking of our younger generation, hedonism and laziness. Needless to say, the revolutionary task of life and death, even the homework assigned by the teacher, some of us are not willing to finish it seriously. It's time to reflect. It is necessary to understand that the happy life of this day is hard-won, and it was bought by countless revolutionary martyrs with blood and life, so we should cherish it more. Today, there is no war, no smoke, and under the care of our parents' campus and society, we live in a peaceful era. Is there any reason to waste time and not study hard? Our younger generation, a happy generation, if we have to assign any tasks, then our main task at present is to study hard, redouble our efforts, serve the motherland in the future and make better contributions to socialism.
"I am Gu, the company commander of the 9 th Battalion of the 3 rd Battalion of the 2 nd Independent Division of the Army in the Central Plains Theater." Gu always said this when he introduced himself, whether he was misunderstood as a prisoner of the Kuomintang or when he learned that the army of the Second Division had been reorganized. In his mind, the masses are the most important, first of all, the masses, followed by individuals. Living in a materialistic society, we seem to be selfish, too self-centered, completely indifferent to the masses, or indifferent to the feelings of others. Secondly, no one in society is isolated from others. We always live in this world and always associate with others. We have our own social status and identity and belong to a certain community. "People paddle to open a big boat" sings like this: "A penny grieves the Wang Yang sea, but many gardeners drive big boats. One chopstick is gently broken, and ten pairs of chopsticks are firmly held together. You add me. I add you, everyone is connected. Help each other in the same boat, help the sea make way, Yi Song cries, and the waves will pull over. " Therefore, our younger generation should strengthen the concept of the masses, which is also the requirement of building socialism in the new period.
"Every victim is immortal." This is the theme of the film assembly number. After Gu's unremitting efforts, these 47 forgotten brothers were finally cleared. They are not missing or deserting, but real martyrs. Finally, in front of the moral tombstones of all the martyrs in Jiulian, Liang Xiao, the head of the Guard Corps, finally sounded the assembly number, and the horn resounded through the sky was sad and sad.
On this day, I also heard the final assembly signal. Listen, it really echoes in our ears. It reminds us that as young people who gave birth to peaceful times, we should never forget those bloody days, and we should always remember those revolutionary ancestors who never left their names in Qian Qian, but went on and on for the cause of national liberation.
The rumble of gunfire and the fight between blood and fire are the visual shock brought by the film, which may not be long before we forget it; However, the tragic and desolate assembly number always reverberates in our hearts, urging us to forge ahead, arming ourselves with the most advanced science, technology and cultural knowledge, and contributing to the continued prosperity and strength of the motherland!
Nanjing! Nanjing! "Review"
Heavy emotions are beyond words. In the past, the shocking film "Nanjing" was still vivid, and this film "Nanjing! Nanjing! "Give me a deeper feeling. Two abrupt exclamation points! Humiliation, anger, heartache, has been unable to pour out the voice of the heart. The deafening film shows the ugliness of war at the moment when the brain is cracked. Rape is a crime and a disgrace to mankind.
Nanjing Nanjing inevitably ignited the deep-rooted hatred of the Chinese nation against Japanese imperialism. 1937, 300,000 people in China were massacred and mourned. In 2009, Nanjing restarted this painful memory. We can't live without a sense of crisis, born of worry and died of happiness. I think this is the only way for the Chinese nation to achieve great rejuvenation.
Bloody black and white, heard gunshots in silence! When the Japanese army entered the city, China's troops began to flee. Liu and his scattered brothers who were unwilling to surrender joined hands to form a human wall to stop deserters. They refused to surrender and attacked the Japanese army in the city until they died one by one. The Japanese said: You China soldiers are really powerful. After we entered Nanjing, sniper fire was everywhere. We had to blow up many buildings, but no one came out! Unyielding and tenacious factors have always lived in the blood of Chinese children. Resistance under extreme circumstances is the spirit of China forged by the blood and sacrifice of all China people who have experienced that period of history.
History can be forgiven, but not forgotten.
For such a period of history, it has become a deadlock for the whole nation. No one can reverse it if he wants to, and erase it if he wants to, but it is also unacceptable to remember it. An empty hatred, there is no fulcrum to attach to. It has been 72 years since the massacre, and those who survived at the beginning have gradually been taken away by time. But I hope those bloody wounds won't disappear with them. We don't necessarily need a movie to arouse some hatred and then turn to the enemy. The best way is not to cry or incite, but to show the forgotten or neglected details, restore them, and then let people ask themselves after seeing them. As for what kind of response they will get, the pain can't be inherited, and it can't be forced to instill. You can only face it by yourself, even if you see a restored movie, as long as you are sincere enough.
Reflections on the red film Tunnel Warfare
In my memory, I haven't seen a black-and-white movie for a long time, which seems to have faded away, but it doesn't mean that it is gone in the hearts of us post-90 s college students, because when the familiar revolutionary struggle melody sounded, we found the happy and unforgettable time when we organized movies in front of the campus flag square in those years. Black and white movies are full of a strong sense of the times. Not only that, the essence of revolution still flows in their bones, conveying a simple and natural quality of people at that time, but hiding a strong tension to give you unlimited power. I think the tunnel warfare in War of Resistance against Japanese Aggression is such a good black-and-white movie.
Although we live in a harmonious society at the moment, such a good movie still makes my blood boil, as if I had returned to the era when the red scarf was dyed red with blood. I think the reason why I feel this way is because Tunnel Warfare has brought me not only the selfless dedication of the characters to the revolution, but also the respect for life, the pursuit of noble plots, and the reverence and love for those hardworking and intelligent Chinese children.
1942, the overbearing Japanese army invaded the land of Chinese sons and daughters. On the Jizhong Plain in China, there are such a group of heroic men and women warriors who come from all directions with a patriotic heart and are ready to fight. In order to defeat the Japanese army successfully, Jizhong fought with the wisdom of the people in the base area and launched the action of digging tunnels. Our soldiers surrounded the enemy by using the tactics of the field tunnel station, killed Tang Binghui, the scum of the militia, and captured Yamada alive. Finally, the bell of victory resounded through the Central Plains of Hebei Province.
In the film, many characters left a lingering impression on my mind. I admire Gao Chuanbao's intelligence. There are honest old uncle Zhong, commander Tang, a traitor, and captain Yamada, who is hateful and vicious. The profound characters portrayed by these old actors are like beautiful music that often rings in movies, lingering in their ears.
The film is over, but I haven't finished it yet. My mind is still full of pictures of local people fighting. So powerful and infectious, after reading it, my blood is boiling and I feel a lot. I think it is admiration for Comrade Gao Chuanbao, admiration for the soldiers' tenacious fighting will, resentment against the commander's absurd behavior and hatred for the invaders.
The tunnel in tunnel warfare is not so much a miracle as a great man of hard work and selfless dedication in the Central Hebei Plain. They created tunnels with their own wisdom, defended their homes and the territory of China with their own lives, leaving a glorious mark on the history of War of Resistance against Japanese Aggression. It is this that makes us feel a little touched, an inexplicable impulse, a strong desire for humanity, freedom and peace, and a long-lost patriotic complex every time we watch this red movie.
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