Famous painter Bai Xiangzhi

Bai Xiangzhi, female, 1970 was born in xinmi city, Henan Province, a national first-class artist and a famous painter in China. She is especially famous for her most realistic form and the most beautiful freehand brushwork, and has become a master of Danqing who deeply inherits the spirit of China's painting.

Looking at Bai Xiangzhi's paintings, whether meticulous or freehand, there is a unified impression-"professionalism." For example, the comic "The Story of Fuxi Mountain" is a professional technique, whether it is the line structure or the plot performance of the characters. It wasn't written by amateurs. The professional quality of Bai Xiangzhi's painting stems from her professional accomplishment.

Bai Xiangzhi 1990 graduated from the Arts and Crafts Department of Hubei Institute of Technology. Although she doesn't work full-time, she is low-key, studious, diligent and wise, and still insists on professional skills in her spare time, thus she has the right path certification of national first-class artists. She is good at meticulous brushwork, freehand brushwork of flowers and birds, figures and Buddha statues, inheriting ancient innovations, absorbing western painting aesthetics, integrating scientific concepts, using vivid realism, showing exquisite images, and using elegant colors to construct the most beautiful poetry and painting, which not only makes people intuitively feel the heartfelt pen and ink, color and interest, but also enjoys far-reaching beauty.

Meticulous painting is the most grounded and loved by the people. However, due to long-term practice and coolie-style creation, it is rare for the painting world to gradually decline and become the peak of meticulous painting in the Southern Song Dynasty. Times make heroes, and crises summon talents. Bai Xiangzhi, with her persistence in meticulous painting, artistic responsibility and profound professional skills, insists on painting one painting every day, constantly adding miracles to her painting dream that began in her childhood. Her meticulous painting and line drawing surpassed the strength of photography in the form of realism, and finally won the artistic praise that "a master of meticulous painting can be a painter", which became a great thrust to inspire meticulous painting.

The reason why Bai Xiangzhi's meticulous brushwork is surreal is that she can put the beauty of natural form into the studio quietly, for a long time and by all means without any regrets through active creation. Therefore, it is no exaggeration to call it "the skill of no regrets, the painting of beauty", which is an artistic wonder with incomparable photographic effect.

Fuxishan's story, with its profound and perfect structure, has become a model product of today's Chinese painting works. If it is put into the Tibetan market, it will definitely lead to competition, and the collection value is immeasurable. There are also Xiang Ning, Magnolia, Guanyin Buddha, Zhong Kui and other fine products, which are among the few, and should be paid more attention by the investment community in Tibet.

If Bai Xiangzhi's meticulous painting and line drawing surpass the reality, then her freehand brushwork has become the new favorite of photography and collection because of its most beautiful scenery. The freehand brushwork of the white elephant, the pen is like electricity, the vertical ink is like flying, and the lightning is the most meaningful, auspicious and wishful, and it hits people's hearts at once. Therefore, this masterpiece with the most beautiful artistic conception is not tacky because of similarity, nor deceives the world because of difference. It has an accurate and unique presentation of China's freehand brushwork spirit, which is very suitable for hanging in the hall, cultivating refined expressions and conditioning the home atmosphere. It is very auspicious. This is an important reason why many collectors like Bai Xiangzhi's freehand brushwork. The above-mentioned "good luck" can best be explained by the painting theory of "similarity and dissimilarity". Look at its big chicken shape. Do you like it or not? This is a clever balance between similarity and dissimilarity. A chicken is in the shape of a dragon and tiger, unlike a chicken, because it is not proud.

As soon as the rooster sings, the impression of passion will be highlighted, and it will be careless to be different. White elephants are fat, calm and easy. The cockscomb is crimson and the chicken feet are sharp. They are similar because they are similar. The cock turned and looked down at the world, full of momentum. He gained the trust of Bai Xiang and Fat Man. Besides flowers and birds, white incense figures and Buddha statues are also unique. For example, the work "Amitabha" takes green ink as the background color, which changes the dry scenery of traditional Buddhist paintings, and the green ink gives birth to rhyme and the Buddha's meaning is far away. In this context, creating a Buddha statue, with flexible lines, such as silk, and accurate modeling, once again shows her professional skills. Exquisite Buddhist pictures, coupled with wonderful scriptures, are simply immortals and fascinating. You can also know Bai Xiang's fat low-key kung fu from the Buddha map.

It is precisely because of her own artistic creation concept and system that Bai Xiangzhi's works have won many awards in art exhibitions, and she has gradually become an admirable woman in painting!