Model of graduation thesis for painting

With the prosperity and development of contemporary social economy, the development of painting art presents a diversified trend. As the main body of pain

Model of graduation thesis for painting

With the prosperity and development of contemporary social economy, the development of painting art presents a diversified trend. As the main body of painting, people begin to explore and analyze their own shortcomings and defects and pay special attention to the living environment, hoping to explore the existence of ugliness in contemporary society. The following is what I collected for you. Welcome to read the reference!

Decorative paintings in 1

Abstract: Decorative painting should be a painting with decorative function if it is divided by function, but broadly speaking, any kind of painting has decorative function. Therefore, the decorative painting mentioned in this paper refers to the painting form created by using the law of formal beauty and decorative design techniques. Compared with realistic painting, it has the characteristics of abstraction or deformation, and the work itself consists of many painting elements, such as painting that emphasizes points, lines, surfaces and colors.

Keywords: decorative painting; Traditional decoration; art

The great artist Miro once said, "Decorative art is like the colorful practice of life. If we lose it, mankind will lose its luster. " It can be seen that decorative art plays an important role in the history of human art, and decorative painting was born in primitive society. Primitive inhabitants painted images of wild animals on rocks, originally for witchcraft divination or totem worship, which was an instinctive need. However, the rough and simple style and simple and decorative lines indicate a potential of human beings.

1 Traditional decorative arts of different countries and nationalities

Throughout the world decorative arts, each country has its own traditional classic decorative painting category. We all know the unique figure shapes and postures in Egyptian painting: the head on the side, the limbs, the body on the front, and the shapes of animals and flowers. The Egyptian technique has a great advantage, that is, nothing in these pictures makes people feel unplanned, and nothing seems to move. It is this strong sense of order that makes the Egyptians exert their formal beauty to the extreme.

Like Egypt, Greece belongs to the art of human childhood. It has the characteristics of natural innocence and simplicity and decorative taste. Greek bottle painting, with its symmetrical and harmonious proportion, exquisite and meticulous craftsmanship, vivid modeling, realistic techniques, pursuit of idealized style, full composition and dramatic plot, gives people beautiful comfort and enlightenment, purifies people's hearts and cultivates people's interests. Bottle painting belongs to the category of decorative painting, and occupies the same position as Greek sculpture and painting. Later, Picasso, Marty, Hans and other famous painters were influenced by it. Picasso once said: Greek art is not the art of the past; It is more energetic than ever before. In the line drawing of figures and animals painted in Greek bottles, each line profoundly expresses the subtle changes of human body and animals, and the accuracy of the body expression completed by the lines here has reached an amazing level.

Decorative paintings in China have a long history and a wide variety. Stone reliefs and brick reliefs in Qin and Han dynasties have an unparalleled position in the history of decorative painting in the world. Stone reliefs and brick reliefs are decorative stone murals used to decorate buildings, tombs and ancestral halls in Qin and Han Dynasties. Its layout is simple and sparse, and the objects are bright and eye-catching. It has simple, bold and profound style characteristics. Take Wushi Temple in Shandong as a boutique.

There is such an art, which belongs neither to the west nor to the east; At the same time, it is both western and eastern. This is an ancient Persian painting, also known as Persian miniature painting. This kind of art has never left the court, but it has spread among a very small number of people. Persian decorative painting contains great artistic charm, which makes it get rid of the vassal status of literature and become an independent art, and its content comes from Persian poetry. Persian decorative painting is a two-dimensional world. The author created a non-three-dimensional world with the observation method of the East. Talented Persian artists skillfully used the decorative language of multi-level, multi-viewpoint, multi-side and multi-gesture, and successfully created a three-dimensional "plane world", which produced colorful and unusual effects and formed sharp contrast and strong harmony. The forms of expression of Persian micro-sculpture are diversified, and western realism and oriental decoration techniques are intertwined. The whole picture is decorative and some details are realistic; The whole is modeled by lines, and there is a method of modeling by areas. On the screen, one image is often the main theme of the dominant screen, and other images are organized according to the streamline with visual order, which often shows a rich and regular realm. To symbolize the blank of wealth and panic. The picture is full of images, leaving little space, but not messy. This undoubtedly shows the special ability of Persian artists to control artistic space.

When painting entered the modern era, Cezanne began to lead new artistic expressions. Later Matisse, Picasso and Kandinsky all created their own decorative languages with their own verve. Matisse's route is completely different from the past. The previous line described the outline of the object and was subordinate to the object. His line itself had its own emotion and form. We will never forget the decorative lines in his paintings. The use of exaggerated lines in his paintings created a beautiful order. Italian artist modigliani, the Italian style in his bones makes his works beautiful without affectation. The exaggerated and elongated characters in his paintings don't make people feel weird, but they are more expressive than realistic paintings. Decorative colors and images create Modigliani's unique artistic expression. When it comes to artists who have played a role in modern decorative painting, we can't help but mention the name Meng Grean. He can effectively use all kinds of "personalities" of straight lines, so that straight lines have certain feelings in his paintings, which directly and powerfully affects the modeling and composition views of modern art and modern decorative art.

2 decorative painting language

The language of decorative painting includes the composition, composition, modeling and color coordination of points, lines and surfaces. First of all, point, line and surface are the most basic application elements in painting and the eternal language used in the development of human redrawing. "Point" is a visual unit with spatial position, which is extremely indispensable for activating the picture atmosphere and balancing the picture composition. The arrangement of various forms of points can produce different lines and faces. Sometimes, the smallest visual symbol in the picture is magnified and even becomes the protagonist of the picture. Many famous artists' works are directly completed with the element of "point".

A line is made up of the trajectory of a point moving. Lines are only long and wide in two-dimensional space, and there is no thickness. The painter expresses the feelings of the object and the painter through the organization of lines. Especially in Chinese painting, the rhythm of lines is regarded as the artistic goal, and the painter's own thoughts and feelings are pinned on the virtual and real lines to express the painter's perceptual knowledge. The trajectory of line motion forms a surface, and the energy performance of the surface is more dominant than that of points and lines. There are many kinds of faces, including virtual faces and real faces. Different textures give people different feelings and reflect the different emotions and thoughts of the creators.

The charm and decoration of points, lines and surfaces give full play to their respective characteristics in decorative paintings. In modern China, Wu Guanzhong is the artist who directly applied the relationship between point, line and surface to the picture and reached an unprecedented height. In the 1980s, he put forward the view of formal beauty, arguing that content should not be greater than form, denying all artistic concepts based on content.

He began to explore the forms of painting. Whether creating white walls and black tiles in Jiangnan water town, or taking flowers and plants as the object of composition, or abstracting points, lines and surfaces, formal beauty is his only theme. He skillfully combined the essence of Chinese and western painting. In the early works of Water Villages in the South of the Yangtze River, lines and faces began to run through the picture, especially in the later works, which entered an almost pure abstract decorative expression, and the pure points, lines and faces in the oil painting language were integrated into one. His unique painting style makes his color ink painting have an extraordinary flavor of the times.

Compared with other painting categories, decorative painting pays more attention to objectivity and scientificity, emphasizes formal beauty, creativity and regularity, and its core is exaggeration and idealization. The composition of decorative painting has several basic characteristics, namely idealized composition, regular composition and universality of subject matter.

In modigliani's works, we often see a slender and elegant female image. All his portraits have such characteristics. In his artistic point of view, a dynamic and beautiful neck is the most ideal state. In this way, he found an idealized composition form for his works. Taking Wu Guanzhong's works as an example, Chinese painting pays attention to composition and layout, which is an important decorative technique of Chinese painting. How Wu Guanzhong combines eastern and western paintings has a sense of form and decoration, which is worth studying.

In the early 1970s, Wu Guanzhong's artistic language was not so distinct, and he mainly used oil painting materials and techniques to describe landscapes. In the later period, in the mid-1970s, he began to create a large number of ink and wash paintings, and his view was "swallowing western shapes and colors with oriental rhyme". In his important ink painting "Lion Forest", the dots and lines flowing in the picture are winding, ups and downs, swimming around. Pure heart and pure rhyme, all-encompassing. Cinnabar, azurite and Garcinia Garcinia, like multicolored gems, are embedded in the choppy silver rhythm with ink dots. Figurative, abstract and illusory, all of which are integrated into the potential rhythm of chaos, showing the charm and charm of oriental painting school.

Modeling is an important element of decorative painting. As early as the Eastern Jin Dynasty, Gu Kaizhi put forward the idea of writing God in form. Painting art is not a simple copy and imitation of objective things, but focuses on expressing its spirit. Only in this way can we express the author's subjective feelings and interests. The modeling of decorative painting is generally based on deformation, and the methods used are nothing more than concreteness and abstraction, decomposition and reorganization, addition and omission, lengthening and shortening, induction and exaggeration. The study of hieroglyphics is the premise of deformation. By observing and understanding the natural image, hieroglyphics depict the objective image by sketching, so as to master the creative materials of vivid images. Abstract form is a technique to express the painter's inner feelings with various geometric shapes and symbols, which does not represent specific natural images, but only artistic symbols to express emotions.

For example, the famous Picasso painted a cow. After observing the cow for a long time, he first drew an elephant cow, then simplified it step by step, and finally got the most simplified and decorative image of the cow. Abstract techniques have been used in decorative painting modeling for a long time. In the gradual process of abstract techniques, decomposition is an indispensable intermediate link, which means that an object is generalized, simplified, exaggerated, deformed, selected and omitted, and organized into different components, and these components only have some special components.

Decomposition and recombination are inevitable stages of abstraction. An object is decomposed into multiple parts and then reassembled, or parts of multiple objects are decomposed and then reassembled. The paintings in the European cubist period were drawn by the method of decomposition and reorganization. The elements in Picasso's famous painting "The Naked Woman Descending the stairs" are broken down into several parts, and then reassembled, so that the viewer can see objects from multiple angles from one angle. Because decorative painting is idealized, addition and deletion can make the modeling develop strengths and avoid weaknesses, and tend to be perfect.

The application of lengthening technique can sublimate the emotion of the creator and enhance the sense of form of the picture. Of course, the degree of elongation depends on the effect of the picture and the feeling of the creator. Corresponding to the lengthening technique is the shortening technique, that is, shortening the proportion of objects to create naive, short and stocky image forms. El greco's paintings in his time were all realistic images that were well-behaved, stereotyped and accurate, but at that time, he already knew that it was really valuable to use the method of stretching and deformation to make his paintings show the advanced nature beyond the contemporary people for hundreds of years.

The color of decorative painting is also one of its basic elements. "Decorative colors can arbitrarily change the inherent characteristics of colors in natural forms. In the picture, the most important consideration of decorative colors is the coordination between colors and the expression of subjective emotions, regardless of whether it is the reproduction of real color relations. " That is to say, in decorative painting, flowers can not be red and leaves can not be green, and artists can determine the color of things by themselves according to the needs of pictures or emotions. Like, where? High bed, the whole picture is bright yellow. If there is such a room, people living in it will go crazy. But what about Fan? High treatment, just showed his strong love for life, and his body that is extremely difficult to generate's enthusiasm.

In decorative painting, the artist can enhance or weaken the brightness saturation of the picture. The color of decorative painting can be flat. In natural realistic colors, color processing mostly has the three-dimensional function of shaping space, but in the application of decorative colors, this function is weakened, and more colors present us with a flat color aesthetic feeling. For example, if you paint a beautiful girl with concrete representation, the painter should distinguish between the bright and dark parts of the girl's body and other complex colors, but if it is a decorative painting, what the painter should do is to capture the most beautiful and attractive part of the girl's body, or to best express the author's feelings and apply it like a plane. The color of decorative painting usually has the impact and appeal that the color in figurative painting does not have.

3 abstract

Decorative painting is a very strange art, which can not only have the innocence of human beings, but also have the most thoughtful pursuit and creation of beauty. Masters of all ages have warned us to look at the world through children's eyes. Children's painting is the beauty of the realm that we have only realized since the development of art, just as we are far behind the pyramids in Egypt and miss the original art very much. Perhaps, at the beginning of human birth, decorative art revealed the essence of art, and decorative painting opened the clearest and most beautiful window for us.

References:

[1] Wang Zhuomin. Exploration of decorative painting teaching [J]. Art education, 20075438+02.

[2] Yu Jian. Painting in decorative painting [J]. Decoration, 20049.

[3] Liu Xiaoyi. Decoration and painting [J]. Decoration, 2005 1 1.

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