Calligraphy Academic Essay Sample

Calligraphy is an artistic expression of the beauty of words unique to China and neighboring countries and regions that have been y influenced by Chinese culture. Below is my compilation of calligraphy academic essay samples, interested pro can come to read it!

Calligraphy Academic Essay Sample One

The Art of Calligraphy? Art Calligraphy

Abstract: The purpose of this thesis is to discuss and study the encounter of traditional Chinese calligraphy in the contemporary art environment. Through the study of calligraphy and understanding of contemporary art, it is found that many works of today's pioneering art (including easel paintings, New Wave art, installation art, and even behavioral art) use the elements of calligraphy, and some of them even use calligraphy directly as the main form of expression. Some even use calligraphy directly as the main form of expression. For example, the artworks of Xu Bing and others, which have attracted much attention at home and abroad, as well as the "popular calligraphy style" that has created a great deal of excitement in the calligraphy world in recent years, have been utilized in many artworks. Popular Calligraphy The phenomenon of "popular calligraphy" and so on.

It is not difficult to find that contemporary calligraphy art is more and more away from the traditional mode of creation ` style, but more on the visual arts, the form of beauty concerns, the traditional art of calligraphy gradually developed into the ` art calligraphy? Artistic Calligraphy? Calligraphy art of this gradual diversification of the phenomenon is how to form, the main performance of its existence, the impact on the development of the art of calligraphy, as well as people's reflection on this phenomenon is the main content of this paper.

Keywords: Calligraphy; Art; Diversification; Modern Transformation; Reflection

Since the 1980s, with the reform and opening up and technological progress, the generation of new materials, new technologies in human society to bring about unprecedented changes at the same time, but also for the art of calligraphy to break the original pattern, to open up new areas, all-round and multi-dimensional expansion of the appreciation of the field of vision. Modern calligraphers are no longer in pursuit of the traditional mode and style of creation. Instead, they pay more attention to visual art and the beauty of form. It can be seen that the art of calligraphy has gradually begun to diversify. The reasons for this diversification phenomenon, the impact of this phenomenon on the development of the art of calligraphy, and how to reflect on the phenomenon are the issues that need to be explored in this paper.

China is the home of calligraphy. Chinese people take calligraphy as an integral part of the excellent traditional culture of the Chinese nation, and take pride in it. Calligraphy? The meaning of the word, has not been very clear. In the early days, it was a penmanship for writing articles, and later on it became a norm for writing Chinese characters. However, if calligraphy is limited to the law of writing, it will lower the value of the art of calligraphy. The Art of Calligraphy The height of the art of calligraphy is lowered. If we take it as an example, we can see that the art of calligraphy is not the same as the art of writing. Calligraphy Generalization, no matter the norms, methods, handwriting, commentary, analysis, appreciation, examination, and even philology, utensils, etc. are accumulated and sorted together, said it is a discipline? Learning? It is very appropriate to say that this is a discipline of learning. In addition, some calligraphy theory, history of calligraphy, art theory and other treatises have also done a lot of research, trying to calligraphy? Essence of Calligraphy To make a generalization and provisions. For example, calligraphy is? line art? It is the art of line, and the art of modeling. art of modeling and? figurative art? abstract art? Abstract Art? abstract art? Art that expresses emotion? The Art of Life? The Art of Life? Art of life? Pure art? The highest art? The highest art? etc. These generalizations, definitions and explanations, either from the mouths of famous writers or in famous treatises, have a profound impact on the art of calligraphy. The Art of Calligraphy of the art of calligraphy. High? degree, and Purity degree, etc. There are cognitive differences, convergence and antagonism, but there is a **** the same point, that is, calligraphy is? Art , is the ancient Chinese traditional art. This is basically a **** knowledge in the calligraphy, art, academia. And? Calligraphy art? The emergence of this concept is at the end of 2004, the Ministry of Culture directly under the China Academy of Art established? China Calligraphy Court? The Chinese Calligraphy Court was established by the China Academy of Art under the Ministry of Culture in late 2004, marking the first time that a national cultural institution under the People's Government formally gave calligraphy the title of Calligraphy identity.

Since May 4, the existence of calligraphy has been questioned. A well-known scholar and writer once bemoaned the fact that Chinese calligraphy relies on a The social atmosphere? and? humanistic tendency? have disappeared. Ancient calligraphy is an extremely broad social necessity as a background, so the resulting particularly natural, spontaneous, earnest; and contemporary calligraphy is ultimately a deliberate maintenance of the path, the beauty is beautiful, but inevitably lost the overall social earnest. What's more, the literati character and personality structure nurtured by the brush culture has also lost its meaning in the modern cultural context, and even become a hindrance to the vitality and creativity of the nation. Obviously, in the contemporary calligraphy creation, people in order to push forward the new, trying to find ways to stand out, often in the creation of the way to deviate from the traditional way, to be more specific, is to use various means of innovation to win the public's approval. This phenomenon in the calligraphy world we named it: art calligraphy.

? Art calligraphy? This term was first proposed by Mr. Wang Yong. As the name suggests, it is a combination of Art? Advance, focusing on the performance of art, and relatively weakened calligraphy skills. This is manifested in contemporary calligraphy folk tendency, popular in recent years? Popular calligraphy style? Is its typical representative. Throughout the major book exhibitions in the past few years, it is not difficult to find that calligraphy is undergoing a change from the "art of calligraphy" to the "art of calligraphy". Calligraphic art? to? Artistic Calligraphy? The process of transformation. The reasons for this phenomenon are manifold.

First, thousands of years of two Wang style of calligraphy, Yan tendons and willow bone look down does make people a little tired, aesthetic fatigue is very normal. Many of the works that people look down is not art but a replica. So more works began to pursue the visual sense, began to grasp the sense of form, although this is in some people's view is full of ugly, but you have to admit that it does let people have a bright, have a feeling of enlightenment.

Second, the effect of exhibitions and competitions should not be underestimated. In the past twenty years, various calligraphy exhibitions and competitions, especially the two-year national exhibition and youth exhibition on the rise of popular calligraphy style plays a very significant role in promoting. In the exhibitions and competitions, when a certain style of work is recognized by experts or receives attention from the media, those who follow this style will immediately rush to follow it. In order to get a good ranking, exhibitors and contestants will often cast the judges, have to copy the style of the judges. It is because of the emergence of the phenomenon of popular calligraphy, represented by Wang Yong, several calligraphy artists **** with the host of the ? The first popular calligraphy style, printing style nomination exhibition? , and successive success to do now. Works in the exhibition adhere to the principle of writing Chinese characters and lines, basically still belongs to the category of traditional calligraphy, and more avant-garde significance of the? Modern Calligraphy There is a big gap between them and the more avant-garde Modern Calligraphy. However, the works in the exhibition basically reflect one of the main trends in the conception and practice of contemporary Chinese calligraphy in the past two decades: with the diminishing of the practical function of calligraphy in modern society and the continuous enrichment of cultural resources from the East and the West in the age of information, the artistry and creative sense of Chinese calligraphy are becoming more and more prominent and sublimated, and the traditional art of calligraphy is experiencing an unprecedented transformation to adapt to the needs of the new era. Although the popular calligraphy style has been criticized by many people, its critics may have to accept the fact that ? popular book style? After more than twenty years of development, it has become a popular trend of Chinese calligraphy in the era of diversification, and has shown considerable stylistic charm and art historical value.

The continuous pursuit of modern visual effects of contemporary calligraphy creators is a manifestation of the calligraphy artists' unwillingness to be left alone, and is the driving force behind the vitality of the art of calligraphy towards a new development. They are no longer satisfied with the traditional calligraphy of self-indulgence and elegant play and note-taking communication, but pay more attention to express their creativity and temperament with ink and lines, and create visual special effects through the breakthroughs in format, material, color, structure and so on. In modern exhibitions, most of the paintings are huge works of art, and most of them are in vertical format, and it is rare to see traditional ruled documents and scrolls. This type of format is more suitable for modern exhibition halls, and at the same time, it also gives the audience a sense of looking up and enhances the visual charm of the works. In the paper, calligraphers take a wide range of materials, from the traditional color of pure white net Xuan to the rich and magnificent sprinkling of gold (silver) Xuan, from the effect of antique Xuan to the simple and vulgar hand side of the paper, varying, in addition to the background color on the paper to increase the sense of thickness and other tactics, such as Shikai calligrapher boldly color into the book, seeking a fresh visual experience. Of course, what is more obvious is the authors' bold exploration of personalized deformation of text structure and chapter layout. In addition, from the exhibition style than in the past, there is also a considerable breakthrough, novel and coordinated, the works will be mounted on a uniform color display board or installed in a beautiful frame, next to the labels equipped with sophisticated, printed with a detailed description of the creation of the self-description and the host of the comments, etc., which invariably enhances the grade of the works. It also greatly enhances the interest of the viewers.　However, ? Calligraphy art? transformed into? Art calligraphy? is of its own inevitability. First of all, calligraphy in its long historical trajectory, used to have two sides, that is, calligraphy has a practical and artistic two complementary aspects. With the revolutionary change of modern writing tools, Chinese people's way of writing has been fundamentally changed, the practical requirements of calligraphy is weakening, while the artistic requirements are growing, people strive to get in calligraphy, the expression of artistic feelings and the pursuit of personality and spirit, increasingly detached from the practical value of calligraphy, should be in accordance with the nature of the art to develop. The nature of art is to constantly deny itself and never-ending creation, not satisfied with the existing art forms and styles, to challenge the tradition, the pursuit of originality and transcendence. This is the law that art can develop and prosper. Secondly, the change of modern aesthetic way puts forward new requirements for the art of calligraphy. The high-tech, high-paced modern information society has changed the way people appreciate artwork. Elegant and exquisite printing and developed publishing industry, eliminating the mystery of art and copying distortion, people can grasp a large amount of timely information about art; good exhibition conditions and collection conditions, improve people's appreciation and evaluation of the dimensions of the art of calligraphy, people hope that calligraphy, as the essence of Chinese culture embodied in the art of sensibility and expressive have a more tangible modern embodiment. Finally, calligraphers are faced with the increasing specialization and high artistry of calligraphy, as well as the challenge of a large number of excellent and heterogeneous cultural achievements, not to mention the enormous competitiveness from the art consumer market, so they cannot stay in the inherent concept of calligraphy and the traditional calligraphic mode. The reality of their situation compels them to explore new ways of development.

Of course, the modernity and richness of the form does not represent the essential characteristics of the work. The key lies in the creators' sense of historical mission for the development and innovation of traditional calligraphy in contemporary society and the contemporary social and cultural characteristics reflected in their works. They think more about the current situation and the future direction of traditional calligraphy, or they hope that the art of calligraphy will not remain stagnant, but will create new splendor. What is important in the change of ancient and modern is not the form, but the change of the core concept of art and the quality of the calligrapher's mind. The ancients emphasized? Style? and? Context? The ancient people emphasized the style and mood of calligraphy. High? and? low? Therefore, in terms of the artistic language of the works, more efforts are devoted to discovering new possibilities from traditional resources. For example, the works use the remnants of tombstone paper as the tone, and mixed with some destructive strokes, trying to express the turbulence of structure, chapter and echo relationship between up and down, left and right. However, such a style of calligraphy is not so easy to grasp. Many creators pay too much attention to the renovation of calligraphy form skills, and the culture of calligraphy itself lack of deep understanding of the traditional language of calligraphy art is also a lack of systematic research, and thus its innovation appears to be insufficient, shallow and impetuous. Secondly, due to the creators of similar methods, similar views, and mutual influence, there is a hidden danger of convergence of styles, emphasizing the individuality at the same time may lose the individuality.

Chinese Calligraphy is constantly exploring this new dimension of development in the process of global integration, and the original classical system of calligraphy is moving from cultural closure to cultural development, attempting to draw on the sustenance of other arts to enrich their own expressive power. Artistic Calligraphy? has often attracted criticism, dismissed as non-calligraphy, illiterate? Tradition? But in fact, the art of calligraphy should not lie in the traditional, the ancients of the art of achievement above complacent, calligraphers should not be art of creation of the lazy man, pen and ink skills is certainly one of the substrate of the art of calligraphy, however, it can also kill the living art of human sensibility. Because we are burdened with a heavy historical tradition, so the modern transformation of the art of calligraphy, we should pay more attention to the subject's discernment, highlight the subject's creativity, to explore new traditions, integration of new methods, to see the growth point of the modern development of the art of calligraphy, and to grasp the opportunity of the modern transformation of the art of calligraphy for the attempts to face the new life.

From this point of view? The art of calligraphy? Turning? Art Calligraphy? It's not a bad idea. Of course, it is no exaggeration to say that this development of the art of calligraphy is a contribution to the art of calligraphy, and to a certain extent it also promotes the construction of the beauty of the form of calligraphy. Imagine, if a singer if only on the stage to show everyone how accurate her pronunciation of how in place, just to show her basic skills, but not to take their own unique artistic personality of the song to show everyone, then how the audience will be interested. Ancient Chinese calligraphy classic essence, is recognized by the public is so dozens of people dozens of works, if we all go to patriarchal their works do not go to create, the art of calligraphy will not form a vibrant, styles will not complement each other in the competition, and the more serious, the art of calligraphy will be declining.

Note: ① In the early 1990s, Mr. Yu Qiuyu lamented in the article "The Ritual of Pen and Ink" that the social atmosphere on which Chinese calligraphy is based? social atmosphere? and the social atmosphere on which Chinese calligraphy is based. humanistic tendency? have disappeared.

References:

[1] Selected Essays on Contemporary Calligraphy (Theory Volume)[M]. Rongbaozhai Publishing House, 2010.

[2] Selected Essays on Contemporary Calligraphy (Volume of History of Calligraphy) [M]. Rongbaozhai Publishing House, 2010.

[3] Selected essays on calligraphy through the ages [M]. Shanghai Calligraphy and Painting Press, 1979.

[4] Calligraphy Research [J].1993(01).

[5] Literary Studies [J]. 2008(12).

[6] Ouyang Zhongshi. Guangming Daily - Culture and Calligraphy[J].2007(621).

[7] Wang Yuechuan. Cultural Problems of Popular Calligraphy[J]. 2008(7).

Author's introduction: Qin Zhaoshi (1989-), female, Wuhan, Hubei, Hubei Academy of Fine Arts, M.A. in progress.

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