Project 12 was selected as the fifth batch of Jinjiang municipal "non-legacy" (group).

Our reporter _ Dong Ruiting correspondent _ Wang Pingping

This newspaper

A few days ago, the reporter learned from the Cultural Section of Jinjiang Municipal Bureau of Culture and Sports that after a period of publicity, 12 "non-legacy" projects have been successfully selected into the fifth batch of Jinjiang municipal "non-legacy" projects.

12 The selected projects are: Jinjiang Min Dialect Singing, Dragon Dance (expansion project), Jinjiang traditional handmade noodle making technique (back pit), rattan sedan chair making technique, Jinjiang Buddha statue carving technique (Pingguo, Zhejiang), Longhu meat powder making technique, Yujie beef making technique, Shenhu water pill making technique, Shenhu ice cake making technique and Anhai spring cake making technique.

Then, what are the history and stories of these 12 selected "non-legacy" projects, and how will they be further protected in the future? From today, Daguan Literature and Art will introduce the selected projects one by one through the live broadcast column, so please pay attention.

The two projects that I met with readers today are Anhai's rattan sedan chair (sacred sedan chair) handicraft skill and "duck catching on water".

Recently, the list of the fifth batch of representative intangible cultural heritage projects in Jinjiang City was announced, and the rattan sedan chair production skills lived up to expectations and was selected for the list.

The rattan sedan chair, as its name implies, is a kind of sedan chair made of rattan as the main material. So what's the use of such a sedan chair? How long has it existed? What is its symbolic meaning? On these issues, the reporter interviewed Mr. Ke Wenyi, the inheritor of Fujiao. Our reporter _ Zhang Zhinai Intern _ Hong Anting

Sedan chair has a history of more than 4000 years in China. According to historical records, the original prototype of sedan chair was produced in the early summer of 2 1 century BC. In 1980s, with the in-depth development of reform and opening up, the rattan weaving technology in Fujian, Guangdong and Zhejiang developed rapidly, especially in Jinjiang. In ancient times, rattan sedan chair was the most familiar means of transportation for the people, including official sedan chair, civilian sedan chair, hi sedan chair and god sedan chair. With the development of society, sedan chairs with other functions have long since withdrawn from people's lives, and only the sedan chair exists because of necessity. At present, the rattan sedan chair is made in a family workshop, and the husband and wife work together to make a beautiful rattan sedan chair.

It is precisely because of the long history of rattan sedan chair that Mr. Ke was not surprised that rattan sedan chair was selected on the list. "When I saw that everyone had signed up, I thought that the rattan sedan chair had such a long history that I was sure to sign up, so I signed up."

The rattan sedan chair is a handicraft integrating aesthetics, modern mechanics and Buddhism. In the production process, more than ten kinds of materials, more than twenty kinds of tools, more than thirty processes and more than forty days were used. As the saying goes, "long time, fine workmanship and perfect finished products." Compared with the modern sedan chair, the rattan sedan chair built by the traditional construction method has elegant composition, beautiful lines and fine workmanship, which vividly presents the beauty of traditional craftsmanship.

The production of traditional rattan sedan chair is a very complicated work, which tests the work of craftsmen. Today, due to the restriction of traditional culture and ideology in southern Fujian, the inheritance of rattan chairs is greatly limited, the development is more difficult, and the endangered situation is very prominent.

It is reported that the rattan sedan chair craft has spread to the fifth generation of Ke Wenyi's son. Ke Wenyi is very enlightened in the inheritance of rattan chairs. "I am over 60 years old this year. If there is a suitable candidate, I will definitely teach him without reservation. The craft of rattan sedan chair has a long history and must not be lost. " It is precisely because of Mr. Ke Wenyi's persistence in rattan chairs that people around him have nicknamed him "the art of rattan chairs".

The origin of rattan chairs can be traced back to thousands of years ago. At that time, rattan sedan chair was a familiar means of transportation, but today rattan sedan chair is mostly used for folk activities, also known as the sacred sedan chair. In this long historical process, the rattan sedan chair completely retains the original skills of ancient folk, which will play a positive role in promoting the study of Quanzhou's multicultural history.

In the production of rattan sedan chair, Mr. Ke Lao not only succeeded, but also began to innovate. In Mr. Kelao's representative works, there are traditional rattan sedan chairs such as Longshan Temple, Lingyuan Temple and Shui Xin Pavilion in Anhai Town, as well as miniature sedan chairs (customized according to the size of car doors).

It is reported that this kind of rattan sedan chair was originally born because of convenient transportation, people went to other places to burn incense, and the rattan sedan chair was too big to carry, so according to everyone's requirements, Mr. Ke Lao created this miniature Buddha sedan chair himself.

Regarding how to protect inheritance, Mr. Ke Lao introduced that an incentive mechanism for inheritors will be established to enhance the sense of responsibility and honor of representative inheritors in fulfilling their inheritance obligations, and create conditions for representative inheritors to carry out activities such as mentoring, exhibition and exchange; And establish the exhibition center of folk culture research results to promote the healthy development of the project protection work. In addition, a rattan chair interest group was set up to provide opportunities for interested people to learn and communicate.

Last month, during the Dragon Boat Festival in Jinjiang, "catching ducks on water" once again became an eye-catching "artifact", and nearly100000 people watched this traditional folk activity with at least 300 years of history. Recently, "Duck Catching on Water" was also selected as the fifth batch of municipal intangible cultural heritage representative projects in Jinjiang City.

So, where is the charm of "catching ducks on water"? What is its historical origin? How to protect the legacy in the future? With these questions, the reporter interviewed Yan Chengzhi, the main inheritor of the project.

Our reporter _ Zhang Zhinai Qin Yue

Yan Chengzhi, 50, is the president of Anhai Town Winter Swimming Association. At the age of 30, I began to contact "duck catching on water". He said that he was very happy to be selected as a "non-legacy" in Jinjiang City and thanked the government for its attention to "catching ducks on water".

According to reports, "duck hunting on water", also known as "duck hunting" on water, is a water sports event of the Dragon Boat Festival with a history of more than 300 years. According to legend, it evolved from the history and customs of Zheng Chenggong's practice of navy division. It is challenging and interesting, and tests the physical strength, perseverance and skills of the participants.

During the activity, the organizer erected a bamboo pole or Chinese fir with a length of about 4 meters horizontally at Anping Wharf or on the boat, and the bamboo pole was about 3 meters above the water surface. Finally, a cage filled with white ducks was hung, and the bamboo poles were coated with grease, which increased the difficulty. At the beginning of the competition, with everyone's encouragement, the contestants carefully stepped barefoot on the smooth bamboo pole. Whoever can reach the finish line, explore the cage and get the duck will be the prize. This activity tests the participants' water-based and balance, integrates fitness, adventure and entertainment, and is deeply loved by people.

In the process of walking the pole, participants often have funny actions, which make the audience laugh. Most people go halfway, lose their balance, or step unsteadily, that is, plop, slide into the water and splash, attracting tens of thousands of onlookers to laugh; There are also good skills, and catching ducks will attract a flood of applause and applause.

"Catching ducks on water" is a popular activity among the people, which completely preserves the original features of the ancient folk Dragon Boat Festival. "Yan Chengzhi said.

Go to Anhai on Dragon Boat Festival, watch lotus picking on land and duck catching on water. Every Dragon Boat Festival, the folk activity of "catching ducks on water" held in Anhai Ancient Town always attracts people's attention. However, this activity was also interrupted.

Anping Bridge, with its vast waters, is a natural and ideal place to hold duck catching activities. However, there was a time when the surrounding environment of Anping Bridge was seriously polluted, and the duck catching activities on the Dragon Boat Festival had to be moved or even stopped. The endangered situation is very prominent.

Later, the surrounding environment of Anping Bridge was effectively treated.

"Now, all the waters in Anping Bridge have been rectified, and the completion of Anhai Anping Bridge Park and the delivery of the duck-catching performance platform have provided good venue support for the normal development of duck-catching activities." Gui Weilun, a member of the "Ducks on Water" Heritage Protection Working Group, said, "I am very, very happy to see this folk custom rejuvenate and have greater influence than before."

It is understood that on May 15 and 16, Anhai Winter Swimming Association cooperated with CCTV's "Travel around China" column group to shoot a special folk activity of "catching ducks on water". After many years, duck-catching activities have returned to Anping Bridge, once again showing its unique charm and style to the world.

? "Protecting' duck catching on water' has historical value. It is a folk activity created by Minnan people and passed down from generation to generation. It has distinctive local characteristics, unique personality and rich connotation, which embodies the distinctive characteristics of the cultural exchange between the North and the South of the Chinese nation. At the same time it has cultural value. Protecting duck-skimming activities and excavating the modern value and inner spiritual culture of traditional festivals will play an important role in developing tourism resources on the west side of the Taiwan Strait, invigorating people's cultural life, improving the quality of the whole people and building a harmonious society, which is of great practical significance and urgent need. " Gui Weilun said.

Yan Chengzhi has a clear idea on how to protect the inheritance of "catching ducks on water" in the future.

It turned out that before being selected as the "non-legacy" in Jinjiang, the "duck catching on water" heritage protection working group had begun to formulate a five-year protection plan: 20 16, visiting the elderly and collecting information; Carry out duck skimming activities on the Dragon Boat Festival and actively publicize and report. 20 17 Classify, arrange and file the data obtained from the census; Invite relevant non-governmental organizations in Taiwan Province Province to participate in duck catching activities during the Dragon Boat Festival. 20 18 Continue to collect relevant materials and supplement the archive materials; Organize Dragon Boat Festival activities; Hold a photo contest for duck catching activities. 20 19, organize Dragon Boat Festival activities; Continue to strengthen self-media publicity through websites and WeChat platforms; Further upgrade the facilities and equipment required for the activity. In 2020, organize the Dragon Boat Festival; Carry out essay-writing activities for stealing ducks, further collect and sort out relevant information, and compile it into a book for publication.

"Anhai Winter Swimming Association has always maintained a high degree of enthusiasm for the inheritance and innovation of duck hunting activities. Nowadays, environmental awareness is deeply rooted in people's hearts. With the strong support of governments at all levels, the development of duck catching activities is gradually entering the track of benign development. " Yan Chengzhi said, "In addition, Anhai has a strong cultural atmosphere and all sectors of society actively participate. We are confident that this folk activity will be passed down and protected, no problem. "

"Strive to be selected as an intangible cultural heritage project in Fujian Province within five years." Yan Chengzhi is full of confidence.

Jinjiang economic news

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