Bayan accordion fingering

Scale fingering

There are three fingerings for the scales of Bayan accordion. Taking C major as an example, the fingering order is 1/2/3/4/ 1/2/3. 2/3/4/ 1/2/3/ 1; 2/4/3/4/3/2/4。 One of the most convenient is the playing of chromatic scales. Using all the keys is another way to play scales. Finger activity is more enthusiastic, and you can play without much practice on weekdays. Relatively speaking, the first and third rows are more difficult to play, which requires strong finger stretching ability.

(2) Fingering with 36 degrees and 8 degrees On weekdays, Bayan Accordion uses 234 fingers and five fingers when playing the range of 36 degrees and 8 degrees, and also uses the thumb when playing the range of 36 degrees and 8 degrees.

For example, when playing a third-degree continuous song starting from C, practice fingering between the first three fingers and the last four fingers. In the sixth Legato in C major, Guadai plays with two fingers or four fingers and one finger on weekdays; As for the octave continuation of the C key, the fingering rules are the same as when playing the sixth degree, but the requirement of three fingers is changed to two or four fingers in the form of continuation. With this fingering scheme of Bayan accordion, players can play without mastering very skilled techniques.

(3) Chord and inversion fingering is still in C major as an example. When the three-scale chord is implemented, the second, third and fourth fingers should be distinguished; The first transposition is mi, Lao and duo, and it is also a two-fingered, three-fingered and four-fingered performance; In the second transposition, shua, duo and mi need to be played with thumb, and the response fingering has also been changed to one, two and three fingers. In addition, you should use two, three, four and five fingers when playing seventh chord and transposition.