What is Noh Mask Manmei

Masks have been used as props on the Japanese theater stage for a long time, not since Nogaku. With the development of the performing arts, the masks used in theater can be categorized into several types, such as kabuki masks, dance masks, yakudo masks, noh masks, and kyogen masks. One of the works of art here is called Nogaku-myeon, or Noh-myeon. Due to the diversified nature of Noh music itself, that is to say, it is not only acting but also expressing, not only narrating but also conveying, so the fake mask which serves for it is actually one of the means of plastic arts which conveys this diversified nature. In the earliest days, when ancient dances and music were performed, expression was generally denied and only a constant expression was shown. However, after the development of Noh music, especially Noh rakugo, not only did it not negate the expression, but it was also able to change it in many ways. Therefore, Nengmyeon has to portray many kinds of characters. For example, when the character looks up, the mask should make the eyes shine brightly, and the corners of the mouth should contain a smile; when looking down, the eyes are slightly closed, and the lips reveal a hint of sadness; when turning fiercely, the face will show the excitement of the emotions; when the actor slowly back to the ring, it can reveal its inner sense of stability. The multi-functionality of the Noh face is often harmonized with the costumes, hand-held objects, chants, dances, and accompaniments, and becomes an organic part of the image-making. It is generally small in size, but in order to convey the versatility of the expression, it is important to take into account the joys and sorrows of the image when designing the mask.

Noraku, who wore Noh masks, was able to speak in a wild manner. Kabuki, which developed later, adopted the character of Noh's speech. The themes were also varied. This Noh mask is one of the props of the Kamakura period Konjaku family.