Traditional Culture Encyclopedia - Traditional festivals - French poster design-analysis of the specific works of Jules Cheret

French poster design-analysis of the specific works of Jules Cheret

Why is French poster design so brilliant at the end of the 19th century

If the dream had not fallen off the cliff in the nick of time, how would we know that the obsessive people have invisible wings グ meandering impeachment jagged Baxi Shina

What year was the first year of the World Cup posters

The World Cup posters were first created in 1930 in Uruguay

The World Cup.

Uruguay created the poster in 1930 with graphics typical of Art Deco design of the era and started the tradition of World Cup posters.

The 1934 World Cup poster for Italy was created by the famous illustrator Gino Boccasile. Henri Des was responsible for France's 1938 World Cup poster, which featured the players on top of the world.

In 1950, after a devastating world war, the World Cup was seen as an important opportunity to strengthen international relations, and the Brazilian people chose socks covered in the flags of the world to express this vision. 1954 saw a departure from the pictorial style of Switzerland's design, with the man saving the ball not dressed in traditional soccer attire. It was the 50th anniversary of the founding of FIFA.

Gabarino Ponce's poster design for the 1962 World Cup in Chile was chosen from more than 300 entries. The soccer ball was colored red to represent the dry deserts of host Chile. 1966 was arguably the most important year in the promotion of the World Cup, as England became the first host to create a mascot. Willie the Lion became the symbol of England and remains so today.

The Mexicans' approach to the 1968 Olympics logo set a new standard for the industry, so there's no doubt that the Mexicans continued that approach two years later at the World Cup.

Argentina's 1978 World Cup poster was a simple one, featuring silhouettes of the players in blue and white striped shirts embracing each other in celebration. The message was clear, and in the end it was the Pampas Eagles who got what they wanted.

In 1982, Spain's World Cup poster design was quite "Spanish", created by Catalan impressionist Joan Miró, with the essence of Picasso and Gaudi in almost every stroke. Only 16 years after hosting the World Cup, Mexico is once again the host, and the designers put a shadow on the Aztec architecture to show the traditional culture of Mexico.

In 1990, the Italian World Cup used the Colosseum in Rome, Italy, such a spectacular building as the poster design, for a country wishing to show their sporting heritage is a good choice, the designer AlbertoBurri through the stadium surrounded by embellished with the flags of the World Cup finalists to the world to send out an "invitation! "

1998

The 1998 poster for France was created by Nataliele Gall, a student at the Ecole Supérieure des Beaux-Arts in Montpellier, who won a competition to design the 1998 World Cup poster, which was very well received.

"Modernity" was considered central by Germany's World Cup organizing committee, and the poster features a soccer dotted with stars in the night sky, symbolizing the country's global acceptance.

In 2014, Brazilian designer Karen Haidinger sought to combine the country's signature bright colors with the Amazon rainforest as a concept for the poster. The artist also managed to embed the shape of the Brazilian map into the poster.

The official poster for the 2018 FIFA World Cup in Russia was designed by renowned Russian artist Igor Gurovich and features legendary Soviet goalkeeper Lev Yashin as the sole protagonist.

2022 Qatar World Cup Poster

The official posters for the World Cup were all created by Qatari artist Busena Al Muftah. The main poster depicts traditional headdresses being thrown in the air, symbolizing the celebration and fan enthusiasm for the soccer event in Qatar and the Arab region. The accompanying poster illustrates the passion for soccer in the Arab region and the special significance of family reunion that soccer carries.

Says Al-Muftah, "My main inspiration comes from the concept of group memory. Much of my work focuses on experiences and memories from the past, connecting them to the present, and then narrating and preserving them in a contemporary way. The series of posters for the Qatar World Cup echoes this concept, and I hope to tell the story of Qatar's soccer culture."

An explanation of the specific work of Jules Cheret

You're talking about the father of modern French poster design~

Take, for example, one of Cheret's lithographs, Womanwithfun. This is probably one of his lithographs of a simple figure, not a poster design. In addition to the same distinctive female figure that Scherritt depicted, the entire work uses a rich line to express the variety of line levels, and fully expresses the flowing and fluid style of the sketch. Its monochrome printing is also the attraction of this work, showing the soft and sweet image of the woman in the painting with warm colors as the base, while the effect of part of the dark background highlights the three-dimensionality of the characters, making the image of the woman crossing her legs and fanning herself with a fan and making fun of other people come out clearly. The whole picture reflects the joyfulness and rhythm of the picture through the contrast between the real and the imaginary lines, and the focus of the drawing. The female figure in this painting has the distinctive features of Shellett-style women, with unconventional and conservative clothes, cheerful facial expressions and movements, and the whole appearance gives people a feeling of nobility and elegance, grace and elegance. He created a typical beautiful female image, so that the women of Paris at that time for the crazy, it painted the women by the commercial design industry called "Cherettee female" (theCherettee), in the fashion industry is also very popular. Cherettee's joyful and unrestrained female figures appeared in the streets and became the center of attention, and Cherettee was called the "father of the women's liberation movement". Shelter's color lithographs show a unique appearance: generalization, vividness, planarization, decorative, and it is this unique appearance of its color lithographs also directly influenced the style of the poster design at that time.

Shelette's paintings and designs break through the traditional style of artistic expression, giving a new form of expression and interpretation of women, a change from the previous women's old-fashioned and

Puritan

image, using a new

expression

The characteristics of the female expression of his works, using a large number of lines and color, the emphasis on carving and contrast between reality and reality, the use of color and color. In his works, he uses a lot of lines and color blocks, focuses on drawing and contrasting reality, mainly shows the beauty of women's form and charm, shows women's body more boldly, uses a lot of contrasting colors, and shows women's passionate side. Many of his posters led the trend of the era, and became the object of emulation for women at that time, allowing women, who had been in a closed state at that time, to start pursuing their own things.