Latin dance gestures how to play

General boys are tiger mouth open, index finger slightly upward, girls are orchid finger (note: middle finger and thumb do not come together).

There is a lot of arm movement during the rumba because the tempo is slower, and it is important to show breathing and rhythm.

The extension of the body is large, and this characteristic of rumba can be strengthened by smooth and large arm movements.

The arm movements in rumba are large, but the muscles should not be too tense and need to be smooth.

The arm circle of cha-cha-cha is smaller, because the rhythm is fast and the center of gravity is small, and the angle between the small arm and the big arm is bigger.

This amplitude is more according to their own speed and habits.

But for everyone, the range of motion of the arm of the cha-cha-cha dance is a little smaller than the rumba, a little larger than the cowboy dance, and the speed of the arm movement is also a little faster than the rumba.

When dancing the cowboy dance, a lady often needs to keep her big arm close to her body, while her little arm is perpendicular to her body, so that she will look light.

Men, on the other hand, are not suited to clenching their big arms, sinking their shoulders and getting closer together is fine.

In addition to this posture, most of the other movements during the cowboy dance also need to clamp the big arm a little, even if the hands are lifted above the head position, there is no need to deliberately pull the long arm.

The bullfighting dance needs to deliberately widen the angle between the body and the big arm, and in the action, the arm muscles also need to be more tense, highlighting the sense of power.

Commonly, the arms of the bullfighting dance are opened horizontally in a cape-like, hands up Spanish hand position.

Samba dance, the upper arm action is more relaxed, a little more relaxed than other dances, the arm muscles do not need to be tense, and do not need to always press the wrist.

Expanded:

The hips movement in Latin dance, the hips swinging back and forth from side to side, is its surface phenomenon, not its inner essence.

Any movement of the Latin dance body is the result of the feet exerting pressure on the ground, confronting the ground, and then squeezing the body.

The movement formed in this way is very solid from the point of view of the foot movement, and is ironclad and rooted in the ground.

From the view of the hips, it is full of toughness and strength, always like an elastic rubber.

The foot has to exert pressure on the ground, to fight with the ground, to squeeze the body, which should be practiced under the foot of the power and kung fu, in situ basic rhythm is the practice of this kung fu is the simplest, most effective way.