Traditional Culture Encyclopedia - Traditional festivals - Why did the floating culture form Lei Ju?

Why did the floating culture form Lei Ju?

From the late 1950s to the mid-1960s, Zhanjiang set up an organization in Lei Ju to reform leizhou song and cultivate new people, and renamed Leizhou Opera "Lei Ju".

Workers in Lei Ju actively reformed Leizhou Opera, made great efforts to solve the problem of singing, and made comprehensive innovations in stage art and music. After more than 20 years' efforts, they have mastered all kinds of vocals and singing methods of the original Niang Song Class and Zhou Song Class, grasped the characteristics, played a role, sorted out and improved, and formed a whole set of vocals and turntables.

At the same time, the folk music of Leizhou Peninsula is widely collected and arranged as the atmosphere music between venues; The gongs and drums have also been innovated, which makes Leizhou Opera have a complete music system and distinctive local characteristics, and enriches artistic expressions.

Zhanjiang culture has been tolerant since ancient times. Historically, Zhanjiang has an ancient "floating culture", which is the crystallization of the blending of foreign culture and local culture.

Zhanjiang is the territory of ancient Leizhou, which has a far-reaching historical origin. Zhanjiang is located at the southernmost tip of Chinese mainland. In ancient times, it was a wild land of "the mountain is high and the emperor is far away", which was called "Nan Man" in history.

Since the opening of the sea in Han Dynasty, Hepu County, Zhu Ya County, Zhuguan County, Haikang County and Leizhou Prefecture have been established in this territory. After more than 3000 years of history, it is an ancient county government in Lingnan.

It was developed earlier and has a long history, but its culture is backward. The cultural state before Tang and Song Dynasties was mainly backward vulgar culture. The development of Zhanjiang culture benefits from the influence of the advanced Central Plains culture since the Tang and Song Dynasties, and the impact and blending of this advanced culture on the cultural lag is immigrant culture and floating culture.

The cultural heritage and humanistic spirit left by local officials in past dynasties have been relegated, and Guleizhou is the historical and cultural distribution center in this regard.

Since the Song and Ming Dynasties, many important officials from Leizhou, the capital, have been relegated here or gone to Hainan through here.

Since the Song Dynasty, no fewer than 20 celebrities have been relegated here. Among them, Kou Zhun, the prime minister of the Northern Song Dynasty, Su Shi and Su Zhe, the politician and writer of the Northern Song Dynasty, Li Gang, the prime minister of the Southern Song Dynasty, and Tang Xianzu, a famous dramatist of the Ming Dynasty, are famous.

"Floating culture" is the representative of advanced culture at that time, and it is also the inheritance of historical culture. Floating culture has an indelible historical contribution. The mobile elite spread the advanced Central Plains culture and promoted the historical civilization. At the same time, local culture and folk art feed back the mobile elite and strengthen cultural exchanges.

Lei Ju performed in Leizhou dialect, with Lei Hu as the main accompaniment instrument, with a complete vocal system and beautiful tunes. Vocal music works are mainly plate-shaped structures, including 65,438+065,438+0 plates, such as acoustic thunder powder, slow allegro, high-pitched thunder powder, medium allegro, high platform feather slow, medium board, high platform palace tune medium board, and mixed acoustic cavity slow board. According to the plot and different artistic conception, female voices and male and female voices are adopted.

The main venue of the 9th Guangdong Arts Festival was packed. The national judges from Beijing and Shanghai, as well as more than a thousand theater fans from Yangcheng, and "die-hard Lei Ju fans" from Macau and other places, were fascinated by a fresh "thunder wind" blowing from Leizhou Peninsula. Lei Ju's "The Story of Diesim" is a new costume produced by Zhanjiang Experimental Thunder Troupe, which makes the audience feast their eyes.

The story of diusim is based on the love story between Lu Bu and diusim in Romance of the Three Kingdoms. On the traditional Chinese opera stage, the story of Diexin's drama has been staged all the time.

Lei Ju's "The Story Of Diu Sim", a brand-new costume, changed the traditional routine, took the story of Diusim as the main line, restored the true face of a real woman, and highlighted her struggle in the dilemma of love and kindness.

It avoids the tone of Lyu3 bu4, which has already been adapted into a famous Beijing opera, and instead shows the brave side of Lyu3 bu4 on the battlefield, and pays all the true feelings for the story of Diusim. The plot of the whole play is not the focus, but the focus is on shaping the characters and making them real.

The Story of Diusim was also adapted from Lei Ju's The Chain Project, and participated in the 6th Leizhou Art Festival and won 6 gold medals. Although the play won the honor, it did not stop moving forward, but actively explored new forms of expression and strived for perfection.

Lin Fen, head of the experimental group of Lei Ju in Zhanjiang City, revised the script again and again according to the opinions left by the opera experts at that time. It has been a year since the first draft to the seventh draft, until 90% of the series of tricks have been changed.

Lei Hu is the main theme that runs through the story of Diusim: as the most rare and surprising music award, it broke Lei Ju's award-winning record in the provincial art performance competition, and all the troupe members were excited.

Lei Ju's singing has always been the struggle and expectation of Chen Xiangsheng, a Lei Ju research expert. Winning this music award can comfort the soul of this artist who has devoted his life to Lei Ju.

After three or four hundred years of development, Lei Ju has matured. Zhanjiang Experimental Thunder Troupe once performed in Beijing on 1992, and Lu Lingri's Catch the Village Head won unanimous praise from the audience in Beijing. Since then, Lei Ju has sent an unprecedented South Thunder in Beijing.

200 1 year, 10 years later, the troupe went to Beijing for the second time to perform Lei Ju's Liang Hongyu in Command, and the leading actor Lin Fen won the Plum Blossom Award, the highest prize in China's drama.