Traditional Culture Encyclopedia - Traditional festivals - Beijing Forbidden City architectural features?
Beijing Forbidden City architectural features?
The Forbidden City is China is also the world's most well-preserved and largest ancient palace complex. The Forbidden City was first built in the fourth year of the Ming Yongle (1406 AD) and completed in the eighteenth year of the Ming Yongle (1420 AD). Since Zhu Di, the third emperor of the Ming Dynasty, moved the capital to Beijing, 24 emperors of the Ming and Qing Dynasties*** lived here and ruled the whole country, and it was recognized as a cultural heritage by the UNESCO World Heritage Committee in 1987 and included in the World Heritage List. Architecture (architecture) in Latin means great craftsmanship, indicating that the technology and art of architecture are inextricably linked. The Forbidden City is precisely a huge architectural art treasure. Architecture's artistic language and means of expression is very rich, including space, shape, proportion, balance, rhythm, color, decoration and many other factors, it is they **** with the composition of the architectural art of modeling beauty. Here we are from these aspects to appreciate the Forbidden City architectural art of modeling beauty. Space, is the basic formal elements of architecture, architecture mainly through the creation of a variety of internal and external space to meet people's practical needs, skillfully deal with space, can greatly enhance the expressive power of architectural art.
The architectural art of the Forbidden City is mainly a group combination of art, group contact, transition, conversion, constituting a rich spread of space sequence. The Forbidden City is divided into the south of the former dynasty and the north of the two parts of the back bedroom. South to the Hall of Supreme Harmony, in the Hall of Harmony, the Hall of Baohe as the center of the three halls, supplemented on both sides of the Wenhua, Wuying two halls, is the emperor to accept the imperial congratulations, meet with ministers and hold large-scale ceremonies in the place. The three halls were built in the high 8 meters high more than 8 meters in the shape of Sumeru-style three-story platform, surrounded by stone balustrades, magnificent, for the Palace in the most spectacular architectural complex, showing the extraordinary high status. Among them, the Hall of Supreme Harmony is the highest grade in the Forbidden City, the largest volume of buildings, but also China's largest existing temple of an ancient wooden structure. The northern half of the Palace of Qianqing Palace, Jiaotai Hall, Kunning Palace after the three palaces and the East, West six palaces and the Royal Garden as the center, the outside of the east side of the Palace of Fengxian, Huangji Hall, etc., the west side of the Hall of Yangxin, Rain Pavilion, Ci Ning Palace, etc., is the emperor and the consort, the emperor and the Princesses reside in, hold rituals and religious activities, as well as to deal with the day-to-day political affairs of the place.
By the Tiananmen, Duanmen, the preamble of the Noon Gate, the transition of the Gate of Harmony, to the climax of the Hall of Harmony, the Hall of Harmony, the Hall of Harmony, and then through the Qianqing Gate to the climax of the Palace of Qianqing, and finally to the end of the Imperial Garden composed of several parts of a breath of air, rhythmic and continuous. Form, mainly refers to the overall outline of the building. The Forbidden City's architectural grandeur, huge scale. North and south 961 meters long, 753 meters wide, east and west, covers an area of more than 720,000 square meters, the total area of the building reached more than 160,000 square meters, the existing houses more than 8700 rooms. Surrounded by about 10 meters high city wall and 52 meters wide moat. The city wall is surrounded by a city gate, south of the Noon Gate, is the main gate of the Forbidden City, north of the Shenwu Gate, east of the East China Gate, west of the West China Gate. The Forbidden City, the entire building space change rich, majestic volume, magnificent appearance, there is the main and from, showing a solemn, only the emperor's grandeur. Proportion, mainly refers to skillfully handle the proportional relationship between the various parts of the building, the proportion of the length, width and height of the building, the proportion of concave and convex, the proportion of the virtual and the real, etc., have a direct impact on the architectural beauty.
The proportional harmony of the overall architecture of the Forbidden City is marvelous. Taking the most significant feature on the appearance of ancient Chinese buildings; the roof form, for example, the roofs of the three main halls of the outer dynasties (the Hall of Supreme Harmony, the Hall of Central Harmony and the Hall of Baohe) are different. For the Hall of Supreme Harmony, the roof is hipped with heavy eaves, for the Hall of Central Harmony, it is a four-cornered pointed roof, and for the Hall of Preservation, it is a heavy-eaved hipped roof. The use of different roof forms, in addition to the influence of feudal hierarchical concepts, but also make the three closely linked palaces, in the architectural image through the obvious contrast and appear more distinct. Especially the Forbidden City's four solve the building, its roof structure is more complex, strange, the proportion of each part of the harmony, the eaves are beautiful, exquisite and chic modeling, thus becoming a symbol of the Forbidden City in Beijing. Balance, mainly refers to the building in the composition of the symmetry, including the building before and after, left and right, up and down the relationship between the various parts. Balanced symmetry often gives people a sense of seriousness and solemnity, adding sublime beauty. The Forbidden City as a complete architectural complex is very balanced and symmetrical, in which each building is in a central axis from south to north, the center of the entire complex is the tall Hall of Supreme Harmony, as the center of the extension from south to north.
The layout of the Palace buildings unfolds along the north-south central axis to the east and west. Rhythm, refers to through regular changes and arrangements, the use of buildings, walls, columns, doors, windows and other orderly repetitions, produce a rhythmic beauty or rhythmic beauty, it is in this point, architecture and music have the same **** the same place, and therefore people say that they are solidified music and flow of the building, respectively. China's famous architect Mr. Liang Sicheng has been specifically studied the Forbidden City's corridors, and from this found a very obvious sense of rhythm and rhythm, from Tiananmen through the end of the door to the noon gate, there is a clear sense of rhythm, both sides of the columns are rhythmically arranged to form a continuous spatial sequence. Color, but also often constitute a unique artistic image of the building, to give people a unique aesthetic feeling and unforgettable impression. The main building of the Forbidden City in Beijing, the yellow glazed tile roof brilliant, vermilion pillars and windows and doors, eaves in the shadow part of the lime green slightly dotted gold architectural paintings, in the white foundation of the backdrop, so that all parts of the building more distinctive contours, distinctive colors, thus making the building more opulent and magnificent.
The use of these strong colors on the building and can get such a perfect artistic effect,? As an integral part of the building, the creation of the building also has a role that can not be ignored, it can play a role in adding color to the building. The Forbidden City buildings pay close attention to the roof of the decoration, not only in the corner of the roof to make the corner of the eaves, decorated with a variety of carvings and paintings, but also often in the ridge to increase the magnificent beasts and animals decoration. Even the Forbidden City, a variety of doors on the nine-nine arrangement of the door nails, as a decoration also has a very strong national cultural connotations. In short, it is through the space, shape, proportion, balance, rhythm, color, decoration and other factors of coordination and unity, to form the Forbidden City architectural art unique space modeling beauty. Halls and buildings, high and low, spectacular and majestic. The architecture of the Forbidden City reflects the excellent tradition and unique style of ancient Chinese architectural art, and is a classic of ancient Chinese architecture.
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