On Hunan Ancient Painting Opera

China's traditional culture is a treasure, and we can find the right way to open it after pondering. The interesting things in it are also worth chewing repeatedly, especially the Flower Drum Opera I will recommend, which is even more exciting. Mr. Wang Han, the representative of Huxiang culture, has thoroughly studied excellent traditional culture. Let me teach you something about Tofu Lang.

The opening of the opera begins with "beating gongs and drums", which is generally to cheer up the spirit of the actors, because there is no applause in the rigorous flower drum opera. After listening to WeChat "Flower Drum Opera Fans"-Flower Drum Opera "Tofu Lang" Hengyang Flower Drum Opera Troupe, there was no applause. The second is to create an environment for the appearance of characters. It is conceivable that opera originates from life, but it is higher than life. Drama tries to imitate the details of life, life is a word from Zhang Popo and Li Sister-in-law. At least it's noisy, not completely still. To put it bluntly, it is to set a relative background for the story, but it seems that all ancient paintings have an "opening gong and drum". This explanation is that the form is the same, the content is different, and we can vaguely know that different plays play different music, and the sauce, vinegar, oil and salt are unevenly distributed.

At the beginning of the story, Yu Xiu came out from behind the scenes. It can be seen that she is dressed simply, her clothes are light blue and there are no gorgeous patterns. She is a thrifty and good wife in the play. This has something to do with the title of the play, which makes me curious. Is her husband from grinding bean curd? Is the opera about a man plowing and a woman weaving like a cowherd and a girl weaving? But then again, Yu Xiu's simplicity is related to Tofu Lang. And the next performance made my wild guess get false evidence. Yu Xiu dusted off the tables and chairs, and I thought to myself, "Can't we do this? A good daughter-in-law of my parents-in-law. " Then I started a "nonsense" with a modern way of thinking (romantic city) with a sense of success and satisfaction.

I noticed that Yu Xiu looked up at the distance at first. Spoiler is that she is looking at where her husband is and there is no one at home. Du Guang is her husband, so obviously, she doesn't always behave herself or gamble. Next is the lyrics: spinning wheels fly, and spring silkworms spin silk inch by inch. I'm looking forward to going home in the afternoon and selling veils for food. The lyrics are light and lively, with gongs and drums. However, after the singing, Yu Xiu was hammered on the back several times, showing that the delivery was not easy. Of course, labor is not easy, but the contradiction in the form of drama is intriguing, showing a virtue of China people. But there has never been a "lang" here, as if only telling the personal side. With a curious attitude, I continued to listen.

Boy, here comes the gambler. Oh, no, Du Guang is out. It was a depressed man, limping, which made people feel lifeless and didn't seem to come out of the farmland. His clothes are not coarse clothes, and he has a purse in his hand. There are loopholes in my thinking template and my thinking is shattered. It turned out to be a poor boy who came back from gambling. Lyrics: My wife told me to sell thread to buy rice for copper coins. Passing by the casino, I was a little nostalgic, and my gambling friends dragged me to catch up. If you lose rice, you want to turn over your losses. The more you lose, the more you lose. Unexpectedly, the gambler forced his account to turn over. I have to. . . . . Yes . . . Handheld, empty bag, cheeky. Dally, depressed, come to see my jade show wife. What a gambler, I'm sure it's from the casino. This whole paragraph of Changsha dialect is called "don't listen", and I won't listen to my wife's entreaties. Because of nostalgia, I began to indulge in gambling. I should be a recidivist, no problem. There is no such thing as a comeback in gambling, only the sound of losing more and more. The accompaniment of gongs and drums is a lament, and there is no performance after winning, which shows Du Guang's inner helplessness. A few "ah" is enough to express Du Guang's grief, but there is really no way but to beg his wife to gamble.