Traditional Culture Encyclopedia - Traditional festivals - Anyone who likes Peking Opera. Come in and have a look.
Anyone who likes Peking Opera. Come in and have a look.
Anyone who likes Peking Opera. Come in and take a look.
Reward Points: 120 - 3 days and 20 hours until the end of the question
Is Beijing Opera considered a national treasure or not. I've seen Peking Opera a few times, and it's hard to know what is being sung in this line without reading the lyrics. (However, some local operas are easy to understand. But some people comment as shallow. I don't know everyone's opinion, hope to advise.
Question added: In fact, it would have been a layman's discussion. It would have been better if there were insiders "who know the family" to point out.
The most classic answer: the national essence does not have to be appreciated by everyone.
Just like calligraphy, painting, the people do not necessarily distinguish between good and bad - from the 16th floor of the friend
Let me answer the questioner: ssdssd - Xiu Cai second level ( 145 )
Response *** 31
I think that the Beijing Opera is still a national essence, but we can not say that the local theater is how superficial. Drama is a profound art, it is no matter in costume, props, make-up, etc. can be said to highlight the development of China's history, focusing on humanities, etc., and local theater can be said to be more detailed expression of the local characteristics, but also reflects the local habits, etc. I'm just some personal opinion. I am just some personal opinion, may not be correct, I hope to communicate with you more, thank you for your advice.
Respondent: water965 - Magic Apprentice Level 1 ( 19 )
I am Henan people, I can guarantee that if the capital of the country is Henan, Henan language should become Mandarin, Yu opera is the "national treasure", the same reason, other places are the same, China is so, the emperor in the place of the thing is authentic! The same applies to other places, too!
Respondent: zkcdd - child first class ( 9 )
I also like it is a master write write very good
The first excellent Beijing opera young actors graduate class will soon be graduated, after three years of study, they have what to improve? Recently, 26 students held a study report performance in Chang'an Grand Theater. In addition to the performance of excellent traditional repertoire and folds, they also launched a new play tailor-made for them, showing the new style of the past and the future, so that the Peking Opera art of tomorrow is full of hope.
The postgraduates are basically the pillars of various theaters and troupes, and most of them are award winners, but they are not satisfied with the achievements they have made, and realize the gap between themselves and the former masters. After three years of study and recharging, they in the cultural literacy, performance skills and characterization have been greatly improved. For example, Wang Rongrong of the Zhang School of Qingyi made great efforts to attack the work, before the play, she just need to sing well on the line, but this performance of Cui Yingying in the Story of the Western Wing, she paid attention to characterization, rich expression, singing and doing, and was praised. Yang school veteran Zhang Ke study period to worship four masters of different schools, so that their own acting skills have made a qualitative leap, not only can play the Yang school singing drama, but also can play the Tan school rely on the drama such as "Dingjunshan", people have "three days to say goodbye, impressing the eyes" feeling.
While improving their acting skills, the graduate students also focused on improving their own cultural literacy. Teachers feel that the biggest progress of these students is the heart of the theater, love to use their brains. Liu Changyu praised his disciples Geng Qiaoyun and Guan Bo for asking "why" when they acted, not as actors but as characters. The director of "Po Lin Lantern", Kong Xiaoshi, said that in the past, when Shi Min and Yan Qinggu rehearsed "Hu Sanniang and Wang Ying", they were obedient to the director, but now they are able to put forward their own opinions on the director's design of the action, "I'm not as relaxed as I used to be, and I often make it difficult for them to get stuck, but I'm very happy, which shows that they have matured." In addition to serious classes, Li Jun also practiced calligraphy, fully feel the charm of traditional culture; Yan Qinggu can speak fluent Japanese, for the Peking Opera ready for foreign exchanges.
Peking Opera's years of "old plays, old plays, old plays" have disappointed many people and even fans, and people look forward to the emergence of new plays, and even more hope that graduate students will have their own representative repertoire. The report performance of several new plays, fully taking into account the aesthetic interests of today's audience, rich plot, vivid characters, coupled with the outstanding performance of graduate students, refreshing.
Chinese Peking Opera Theater's "Hua Mulan" added Mulan's emotional drama on the basis of the traditional play, with a coherent story and full-bodied characters, and gave the lead actor Deng Min the opportunity to fully demonstrate his literary and martial arts talents. The Shanghai Peking Opera's Pauline Lamp was tailor-made for the theater's five graduate students, for which the theater wasted no time in scrapping the first version and starting a new one. It rejects the path of the traditional play "Er Tang She Zi" and tells a brand new story of the Po Lin Lantern. The five main roles in the play fully demonstrate the specialties of the five graduate students and enable them to make a breakthrough in their field: Shi Min, who works as a wudan, plays the first half of the play all in writing, and his Meipai qingyi plays it with dignity and generosity; Li Jun incorporates the style of the xiaosheng (small student) into his laosheng; Xi Zhonglu works as Erlangshen (god of Erlang) as a wushu sheng, with a strong sense of hierarchy in his performance; Yan Qinggu acts as a wushu clown as a wushu sheng (doll), with a new and distinctive wushu fight; and the second trainee, Hu Xuan, plays the old dan with a high, bright, and colorful voice. "Five graduate students, lighting up the "Po Lin Lantern"", has become an excellent selling point for the play to go to the market. Du Peng, a veteran of the Yu school, starred as the male protagonist Shen Ying in the new play "Purple Smoke in the A-Ma Pavilion" of the Comrades Peking Opera Troupe. In this play reflecting the love of the people of Macao for their motherland, Du Peng devised a new program for the character, who appeared in the play using the traditional stage steps, and came on the stage briskly and prettily, supplemented by clear and glowing eyes, which nicely expressed Shen Ying's vitality and righteousness. In the scene of "Drawing Lots", the tone and stance of the Peking Opera's old men in the civil and military arts were borrowed to emphasize the character's loyalty, courage and bravado. Li Hongtu, a young student of the Ye School, in the Butterfly Dream of Beijing and Han Dynasty (the male and female protagonists of the same play sing in different styles of Peking Opera and Han Opera), the former veteran and then the young student, the veteran's flavor is pure and thick, and the young student's dashing and free, a great contrast, showing artistic ability. In addition, Qiu Ling's Wang Zhaojun, Zhao Xiujun's Liu Lanzhi, and Zhu Qiang and Chen Junjie's The Ballad of Yiting are all new plays with their own distinctive styles.
They realize the burden on their shoulders
Three years of study have made the postgraduates realize that they not only have to perform well, but also shoulder the historical responsibility of revitalizing the Peking Opera in the new century, so that the art of Peking Opera, which is known as the "national treasure", can flourish.
Guangdong Han Opera actress Li Xianhua is now the vice president of Guangdong Han Opera Theater, and has won the Plum Blossom Award, which is the representative figure of Guangdong Han Opera at present. Faced with the predicament faced by the genre, she boldly planned and starred in Butterfly Dream, a Peking and Han opera. Peking Opera and Han Opera are of the same family, with similar singing styles, thus this acting method is novel and harmonic, making a successful new attempt in art.
Zhang Ke of the Tianjin Youth Peking Opera Troupe, in addition to studying and acting, took over an art school on the verge of closure in May last year to teach theater to children and cultivate a new force for Peking opera. He said that this is not to catch up with the fashion of celebrities running schools, but to provide a learning opportunity for children who want to learn theater. Though the school's various affairs make him work hard and tired, he enjoys it
Shi Min, the youngest of the graduate students, is confident that Peking Opera is going global. She said, last November, she was invited by the composer Tan Dun, went to Japan to perform his symphony "Gate", in this story of three different nationalities, different times of women Yu Ji (China), Juliet (Italy), Xiaochun (Japan) tragedy of the work, Shi Min in Peking Opera costume performance Yu Ji, singing and dancing, especially popular with the audience, she said, "As a Peking Opera She said, "As a Peking Opera actress, I feel very proud, but also feel that national art has no borders, and Peking Opera will surely conquer the world."
Answer: wo19910325 - probationary period Level 1 ( 15 )
I began to have the same idea with you, but then, the more you listen to the more flavor, think in I dare not say that they are a Peking Opera fans, but I like her, you can start with some of the Peking Opera flavor of the popular songs to listen to, you will certainly feel that these songs are better than some of the other ordinary songs to hear! I recommend a song for you, it's the theme song of the TV series Hu Xueyan, it's very flavorful! My favorite is Mr. Yu Kuizhi, I am a 17 year old girl!
Respondent: GRASS0711 - trial period Level 1 ( 34 )
Downstairs friends please. Peking Opera is not a local theater. Peking Opera is more than two hundred years ago, Hui class into the Beijing, the previous generation of artists to Hui Opera, commentary, Qinqiang, Yu Opera, Southern Opera, Kunqu, and many other ancient sister arts synthesis and refinement, absorbing the essence of a large number of other sister arts, and create a new type of theater. After continuous innovation and perfection by successive masters, it was soon popularized throughout the country and became a household name. Its popularity was unprecedented in the history of theater.
References:
Responders: genzaihelu - Magic Apprentice Level 1 ( 20 )
I am also from Henan. Favorite Vietnamese tune. A general's order is passed down the line.
Beijing Opera sometimes listen. To say that the national essence. I think the national essence is not too much. Each local theater is very unique. The capital of the things is the national essence?
The 16th floor of the friend that the Beijing Opera is not Beijing's also has a point. But you can't deny that he is still a kind of local theater. When it comes to singing red there to be considered a big opera, I'm afraid that Yueju opera red extent. Yu opera popularity area you do not seem to feel. The national essence does not have to be appreciated by everyone Just like calligraphy, Chinese painting, the people do not have to distinguish the advantages and disadvantages of ---- Since the people can not appreciate, why sing to the Northwest, Southwest. Ridiculous
Reference:
Answer: shenjing11 - Magic Apprentice Level 1 ( 20 )
Peking Opera is not very famous now, but it is still a national treasure, it should be treasured, Peking Opera is something that the elderly like, in the eyes of the elderly is a treasure, but nowadays people don't think so, Peking Opera listen to a lot of people, sooner or later, they will be tired of it.
Responders: ☆ cnngou ★ - probationary period Level 1 ( 10 )
I do not like to listen to Beijing Opera ~
really do not understand ah ~
only my mother's generation to love to listen to
Responders: the problem of さ teenager - magic apprentice Level 1 ( 51 )
no one loves to listen to
Responders: many, many, many - the first level ( 66 )
Answers: Many, many - the child 童生 一级 ( 66 )
Don't know
Responders: Electric Fan Grand - Magic Apprentice Grade 1 ( 20 )
I think Peking Opera is a kind of music, a kind of entertainment!!!! But it is also a national treasure,because only China has Peking Opera,other countries don't have Peking Opera,and only the Peking Opera in old Beijing is the most authentic one!!!!
Respondent: love smile cherry - trial period first class ( -5 )
You your ger
Respondent: chenguiwei - child first class ( 24 )
Love the Wu Sheng's fight, like the net angle of the singing
Poorly is a layman, just look at the wonderful
Respondent: the other side of the dock - magic apprentice first class ( 29 )
Respondent: the other side of the dock - magician first class ( -4 )
This is a very important part of the Beijing Opera. 29 )
The old stuff will be obsolete if not updated!!!! That's why no one likes it now.
Respondent: yjxf8285 - probationary period Level 1 ( 18 )
Peking Opera is certainly a national treasure, there is no doubt about it. The development of Beijing opera absorbed many of the characteristics of the local theater, can be said to set the long of a hundred. "One minute on the stage, ten years of work off the stage", every hand and foot, every line of singing, every eye in Beijing opera, are all kung fu. Take your time to experience it, take your time to appreciate it, and maybe you'll like it.
But modern life is so fast-paced that we often don't have the time or energy to appreciate it. So there's no need to force it. Maybe when you retire, you will have enough time to study it.
Respondent: kimsung - Child First Class ( 45 )
Anyone who knows a little bit about Peking Opera knows that
Peking Opera is not a local theater in Beijing
So the argument that Beijing is the capital city
Peking Opera is the only one that has become the national treasure is out of line
During the Qianlong period of the Qing Dynasty, the four Huiban classes went to the capital and offered the local theater to the Emperor
Then it was greatly appreciated
And it combined the characteristics of many local operas
such as the Han tune, Qinqiang, and Kunqu, etc.
So, in Peking Opera's recitation, it is not recited in Pekingese
but in the ancient Huguang dialect
That is why many people in Hubei province recite the Peking Opera's recitation in the correct manner
There are reasons why Peking Opera has become the national essence of the country. There are reasons why Peking Opera has become a national treasure
not only for historical and political reasons
but also because of its own great charisma
Think of a local opera that has become a hit in Beijing and then in Shanghai (the Haikai School)
and has been sung as far as Northwest China and Southwest China
it's normal that many people don't know what it's like in the modern world
National treasures don't necessarily mean that they're for everyone to enjoy
They're not necessarily for everyone.
Just like calligraphy and Chinese painting, the people don't always know what's good or bad
Based on my personal experience
I couldn't understand Peking Opera at first
But beginners can start with the model operas
I believe that nobody doesn't know the story of the Red Lanterns or Shajiabang, right?
Then you can listen to some popular old operas
such as "The Mother's Visit", "The Case of the Guillotine", "Mu Guiying's Commander-in-Chief", etc.
Gradually, and then you can enjoy the masters
I started to enjoy the masters of the opera only after I listened to the opera for two years
The above is only my personal opinion
They can try it out if interested
Thanks for your opinion on this topic, I'm glad to hear it. p>Thank you for recognizing my point of view
As a Peking Opera enthusiast,
I sincerely hope that more and more people can enjoy Peking Opera
Appreciation of Peking Opera
Besides the promotion of the national essence of the country
It is actually also extremely beneficial to one's own cultivation
The righteousness, ethicality, friendship, and human nature of Peking Opera
The characters of Peking Opera
are all graceful and noble
and they are the embodiment of the Chinese character
And
you may feel
that the society is getting more and more impatient
that the people's hearts are not quiet
not only in the society, but also in the society, as well.
This is not only true in society
Even the academic world is filled with pomposity
Although the Peking Opera world is not immune to this
When enjoying Peking Opera
We can still learn
some philosophies of life and ways of dealing with the world
Particularly when listening to the master of Mei Lanfang's The Drunken Beauty of the Princess
it is really possible to forget our worries
. You can forget your worries
It's like having a drink under the moon with a beauty
It's really wonderful
Respondent: Xiao Turtle Chao - Apprentice Magician Level 2 ( 110 )
I think the reason why Peking Opera is a national treasure is not because of the relationship with Beijing, because many people like it, but Peking Opera can be said that it's a kind of culture of the Chinese nation, because it contains Many things. Many of the repertoire of Peking Opera is based on ancient tales and stories, many of which demonstrate loyalty, righteousness, chastity and so on, reflecting the traditional spiritual essence of our nation. Its content is relatively broad I thought;
Moreover, many Peking Opera lyrics are the highlights of this national essence, word for word, there are a lot of lyrics are no less than poetry, is the blood of the writers of the opera, but also the embodiment of the spirit of their personality. Just like Dr. Qu's words in the words of Chu, the plot is very well constructed. And the plot of the structure is also very delicate, the need for opera writers carefully conceived, reasonable arrangement, many theater tracks we look lively, but "ten years of hard work is not unusual" ah!
Modern movies have a lot of means to express a theme, Peking Opera I think it is through the performance of the actors, singing, reading and playing, etc. to make it rounded, theater actors can be different from some movie actors, more different from some pop stars, theater actors each eye each gesture, are the need for a long time to be honed, and singing is not overnight can be achieved, there is a saying called The "essence" should also come from the saying that "slow work produces fine work"!
And Peking Opera is not the patent of the elderly, many young people also like, that the rhythm and staccato that hand and foot that the whole set of lines reflects a great charm, Peking Opera face red on behalf of loyalty and righteousness, white on behalf of the treacherous and so on, dressed on behalf of the identity of what, hand and foot to convey what the imagery, are very careful. Also from a side reflects the customs of the Chinese people. That is, the same character ten people will have ten styles, the same sentence ten people sing, will be ten kinds of feeling, which seems rigid Beijing opera in fact has a personal expression of the great freedom of space.
All in all, a can be called "pure" things, will not be a flash in the pan, it will have to go through the verification of time, there must be it worth people to appreciate the place.
Heh~~
Respondent: Fluttering a dream - probationary period of one level ( 31 )
Turnip greens, each love. But if you really can't love it, why force it?
Responders: old sign - assistant second level ( 152 )
First of all, the old Beijing Peking Opera is not "authentic", because the name of the Peking Opera is the end of the Qing Dynasty Shanghai people. In Beijing, his name was originally "Pihuang Opera", which is a combination of "Xipiqiang" and "Erhuangqiang".
Xipiqiang originally belonged to the northwestern region of the clapper, roughly equivalent to the current Qinqiang (not exactly the same). After entering Xiangfan, Hubei, a slight change (not too big), known as the "Xiangyang tune", and then into Wuhan was absorbed by the Han tune, (known as the "Pihuang merger") because of the introduction of Wuhan from the west, so it is known as the "West Pi tune". Han tune artists to Beijing to enter the chaotic bombing class performance, singing is "PiHuangHuiLiu" after the Xipi two yellow two accents. Later, Beijing artists have accepted the "western tone", so also known as this time the messy bomb for the Pihuang theater (the earliest history of "messy bomb" refers to the clapper chamber).
The Erhuang tune originated in Huanggang and Huangpi in Hubei, and spread eastward into Anhui, where it became the Hui tune, and westward into Hankou, where it became the Han tune. Just as the dialogues of Yueju Opera must be based on the dialect of Sheng County, where the opera originated, so the Anhui tune and the Han tune must be based on the Huanggang dialect of the Qing Dynasty. It is recognized as the origin of Peking Opera when the Anhui troupe entered the capital. This is the origin of the Hukuang sound in Peking Opera (Mr. Wang Li, a great scholar, once pointed out this point). The owner of the building said that he could not understand, mainly because of this reason ____ listening to the Hubei dialect of 200 years ago, it is indeed difficult.
As for whether it is a "national treasure", Beijing Opera is certainly a national treasure.
But there are other types of theater than the Beijing Opera has a longer history, but with the Beijing Opera is not the same place is always in the origin of their inheritance and development, so with the gradual evolution of the local dialect, the language used in the play is also in the "with the times", so it is easy to understand, for example, Henan Opera (Henan Bangkok) than the history of the two yellow tune is long, of course, than the "Beijing Opera" on the longest, although understand, but they certainly are national treasures. But they must be national treasures, because the so-called national treasures, must be unique, two is the essence. The Yu Opera and the Qin Opera meet this requirement. In contrast, Chinese opera is not as refined as it should be, because it is now endangered and there are no master artists to carry on the tradition.
As for the Kunqu opera being a national treasure, it's a no-brainer.
Since the Beijing Opera of the old Beijingers is not authentic, what about the "Beijing tunes" of the old Beijingers?
Answer: It's not authentic either, because it's the Yiyang accent, which is also a type of theater that came into Beijing from the south.
My answer is not downloaded from the Internet, nor is it hearsay. But it's hard to say whether the owner accepts it or not. I don't think you'll be able to understand it, because there are too many specialized issues. So, I guess I won't get the reward points.
But I'm thinking of submitting my paper, so that once it's published, I'll know that my ideas have academic merit.
Respondent: Yu Shaoping - Xiu Cai Grade 2 ( 245 )
I think Peking Opera is still a national treasure, but you can't say how superficial local theater is in this regard. Drama is a profound art, it is no matter in costume, props, make-up and so on can be said to highlight the development of China's history, focusing on the humanities, etc., and the local theater can be said to be more detailed performance of the local characteristics, but also reflects the habits of each local life. I am just some personal opinion, may not be correct, I hope to communicate with you more, thank you for your advice.
Respondent: abcdabcd666 - probationary period Level 1 ( 35 )
Peking Opera is a national treasure, but it's just that it's more infectious
In fact, it's still a local opera in Beijing
It's just that the public has embraced it and it's become famous
In fact, Peking Opera can be appreciated by everyone
If not, it's better than it is, and it won't come up.
Personally, I think most of the so-called "Peking Opera fans" is purely to bring some of their own can not understand the thing to use as a level to superstitious belief. Of course, I shouldn't criticize Peking Opera as an art form that has both a history and a following, but perhaps it's because of my distaste for the Beijing accent that I don't have a fondness for Peking Opera at all.
Respondent: jiaxu2k - Magic Apprentice Level 1 ( 45 )
I used to dislike opera when I was at home too
Now that I'm abroad, I'm starting to regret that I didn't learn these national arts properly before.
For example, calligraphy, my handwriting is very difficult to read. Teachers often ask me to write Chinese on the blackboard, I'm really ashamed.
I was going to practice brush writing, but I couldn't buy ink and inkstone here, so I had to go back to my home country in the summer vacation to buy them.
Now I listen to Peking Opera or something once in a while, lol, it really has a different feeling.
Previously, I learned some opera in school, but I forgot all about it. The other day I posted a question about opera, and no one replied to me because there was no reward.
Respondent: meetblackeyes - Apprentice Wizard Level 2 ( 452 )
Praise, although I can't understand it, but there is always a kind of inexplicable awe to the opera, and I feel that it contains a lot of things.
For example, the creepiest scene in a horror movie is the one where you-know-who's mournful singing floats out of an empty, deserted place. Why don't directors use pop, folk music and other? It is because, history, has the power to make people shudder.
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