Post-modern style decorative features

Post-modern style decorative features: composed of curves and asymmetrical lines, such as flower stalks, buds, vines, insect wings, and all kinds of nature's beautiful, undulating form patterns, embodied in the walls, railings, window panes and furniture and other decorative. Some lines are soft and elegant, some are strong and rich in rhythm, the whole three-dimensional form is integrated with the methodical, rhythmic curves. A large number of iron components, will be glass, tiles and other new technology, as well as iron products, ceramic products, such as the term post-modernism first appeared in the Spanish writer de Onis in 1934, "Spain and Spanish class poetry selection" book, used to describe the modernism within the occurrence of the counter-movement, in particular, there is a kind of modernism pure rationality of the reversal of the mentality that the post-modern style. 1950s in the United States under the so-called decline of modernism, the cultural trend of postmodernism also gradually developed. Influenced by the rise of popular art in the 1960s, postmodern style is a critique of the purely rationalist tendency in modern style. Postmodern style emphasizes that architecture and interiors should have historical continuity, but is not bound by the traditional logical way of thinking, exploring innovative modeling techniques, and paying attention to the human touch, often set up in the interior of the exaggerated, deformed columns and fractured arch coupons, or the abstract form of classical components with new They often set up exaggerated and deformed columns and broken arches in the interior, or combine the abstract forms of classical components in a new way, i.e., adopting non-traditional mixing, superposition, dislocation, fission and other techniques and symbols, metaphors, etc., with a view to creating a kind of dissolution of sensibility and rationality, integrating tradition and modernity, and rubbing the public and connoisseurs into one, i.e., "this and that" of the architectural image and interior environment. Postmodern style cannot be evaluated only by the visual image we see, but we need to analyze it through the image from the design idea. Representatives of the postmodern style are P. Johnson, R. Venturi, M. Graves and other ancient Greek architectural style is characterized by harmony, perfection, sublime. The temple architecture of ancient Greece is the concentrated embodiment of these style characteristics, but also ancient Greece, and even the whole of Europe's greatest, most brilliant, most far-reaching influence on the building.

These stylistic features, in all aspects of the ancient Greek temples have a distinctive performance. First of all, the columns. Ancient Greek "columnar", not only is a form of building components, and more accurately, it is a style of architectural norms, the norms and styles are characterized by the pursuit of the building's eave (including the frontal square, cornice, cornice) and columns (column bases, columns, columns) of the strict and harmonious proportions and modeling format of the scale of human beings. The most typical and glorious of the ancient Greeks. Ancient Greece's most typical, the most brilliant, but also the most meaningful columns are mainly three kinds, namely, Doric columns (Doric Order), Ionic columns (Ionic Order) and Corinthian columns (Corinthian Order). These columns, not only the external form intuitively shows the harmony, perfection, sublime style, and its proportionality norms are also invariably show the harmony and perfection of the style.

Comprehensive use of the interior. Pay attention to the communication between indoor and outdoor, and make every effort to introduce new ideas to the art of interior decoration