What are the main narrative techniques in movies

Non-linear single-line narrative (single line, disorder)

"Non-linear single-line narrative" refers to a single line of incomplete narrative containing breaks, omissions, flashbacks, flash-forwards, and such stories, though confusing, are basically narrated around a main line.

For example, Christopher Nolan's masterpiece "Fragments of Memory", although the order of the narrative is intricate, showing a kind of "disrupted" state, but basically revolves around a main line, that is, "the protagonist, who suffers from short-term amnesia, collects clues through tattoos and notes to avenge his wife's death. his wife's revenge."

Nonlinear multiple narratives are common in film and television, and are simply two or more parallel narratives. However, the structure has many complex manifestations.

The "linear narrative" is considered to be organized strictly in accordance with the time direction of reality, and consists of four parts, namely, "beginning-development-climax-end".

As long as there is a line and a sequence, it is a "linear narrative". Therefore, flashbacks and interludes in literature should be regarded as "linear narrative", because they generally follow the principle of "a line", but in the form of "curves".

Expanded:

Narrative techniques in film are based on the principles of literary narrative or semiotics. A theory that examines the elements and structure of film representation. Following the tradition of fictional narratology, film narratology focuses on the story's plotting, action motives, characterization, and aesthetic properties, and is concerned with the skill level of film dramaturgy.

As the basic narrative techniques as well as the aesthetic genres of film, alongside montage there are also the long shot technique, the fast switching editing method and its theories, which are now more and more closely integrated with each other and have become an important part of today's film narrative language. For example, in the movie "Natural Born Killers", the form of camera grouping is the fast switching editing.

This kind of editing has become the concept of thinking in modern movie creation, the director will deal with countless scenes to become a stream of rapid flow of vision, switching as a style exists, between the lens, between the scenes of the switching has become the main form of replacing the lens, replacing the scene. Parallelism, crossover, association, illusion, symbolism, and contrast are used in a variety of montage techniques to achieve a harmony for the rapid advancement of the narrative.

What style is wanted to convey the story, the editor's cut is built on the director's style.

Baidu Encyclopedia - Narrative Techniques