What is folk dance (3)

The Korean people have a long and beautiful tradition of national culture and art, especially good at singing and dancing, and like to express their feelings through singing and dancing after festivals or work. When there are happy events at home, they will sing and dance to form an interesting "family song and dance party". Kaye's piano performance, top water dance, fan dance, long drum dance and farmhouse dance are all very popular traditional song and dance programs.

Korean dance is graceful and elegant, and its dance is gentle and pleasant, such as cranes spreading their wings and willow branches brushing water; Or vigorous and powerful, or lively and natural and unrestrained, reflecting the bright and enthusiastic, delicate and euphemistic, subtle and deep national character.

Agricultural music dance: the longest dance of Korean people to express the content of agricultural life, which originated from ancient sacrifice and hunting activities and later developed into a self-entertainment dance form in agricultural labor. Agricultural music and dance can be divided into plot performance and skill performance. Its performance teams are all led by dancers with gongs. Generally, each team consists of 29 people, with the leader holding "Lingqi" or "Nongqi", followed by bands and various figures, including suona, Taiping kettle, Shangjian, auxiliary sword, slave sword, head drum, staff drum, first drum, auxiliary drum, first drum, auxiliary drum and officials. In dance, the performance of "elephant hat" (wearing a hat) is unique. The dancer wore a special hat with two streamers and danced with the streamers while beating drums, leading the dance performance to a climax. The accompaniment music of the agricultural dance is composed of 12 tunes, with lively music and lively dance.

Witchcraft dance: It has played an important role in promoting the emergence and development of Korean national dance. Among witch dances, there are fugue dance, invitation dance, farewell dance, entertainment dance and ghost-chasing dance. Witchcraft dance can be divided into "divine dance" and "hereditary dance", with various forms of performance, such as paper money dance, sword dance, flower dance, fan dance and chime dance.

Long drum dance: Korean folk dance. It has a long history and is circulated among Koreans. In the murals of Dunhuang during the Northern Wei Dynasty (386-534 AD), percussion instruments and drum music pictures similar to long drums have appeared. The Long Drum Dance originated from individual performances in country music and dance, and was mainly sung by men at first. Later, the impromptu duet performance on the stage had a certain influence on the development of Changgu, which made it have various forms such as Men's and Women's Changgu and Double Changgu. Long drum dance is widely circulated among Koreans. Korean long drum is a double-sided drum with high and low drums at both ends. Dancers beat drums with different rhythms with their hands. There are two ways to beat modern long sticks: one is to beat female dancers with a drum whip (a slender bamboo whip about a foot long) and a drumstick (a mallet with a round end and a length of about a foot); One is to use only drums and whips instead of drumsticks. At the beginning, the former only used the drum whip to jump with the slow whip beat, and the drum was inserted on the long drum. When the dance reached its climax, the drumsticks were pulled out and performed. The latter holds a drum whip ichalky in spring.

Fan dance: A female dance performed with a flower fan. It originated from the fan performance in ancient wizard activities and folk activities, and later developed into two forms: single fan dance and double fan dance. Fan dance has different forms of holding one or two fans. It has the unique rhythm of the Korean people, hidden inner feelings, curved rhythm and free expression. With the continuous change of formation, dancers can combine the fans in their hands into rich and varied patterns and shapes.

Flat drum dance: a dance performed with flat drums. The flat drum was originally an ancient percussion instrument of the Korean nation, and later developed into a dance in which male and female dancers danced with drums on their chests. With the exciting drums, the flat encourager gives people a cheerful, warm and jumping emotional feeling. The joy of harvest, the happiness of life and the happy mood of modern people are all the contents of Pinggu performance. Flat drum dance can not only show the delicate inner feelings of Korean women, but also show the cheerful and optimistic personality characteristics of men.

Sword dance: Also known as sword dance, it is a female dance performed with a dagger. There is a movable device between the handle and the body of the dagger, and the performer can swing and rotate the dagger freely, making it make a regular sound, which complements the beautiful dance and creates a fighting atmosphere. Dance rhythm is "command". Sword dance was originally a male dance. After a long period of circulation, it gradually evolved into a slow and elegant female dance. There are many kinds of dances, usually four people dance. There is also a juvenile sword dance handed down by wandering artists. Its style, like martial arts, is combative. The music of sword dance basically runs through with the melody of "ringing the bell", which is in harmony with the sound of sword.

Dai dance is an ancient folk dance of Dai people, and it is also the favorite dance of Dai people. Popular in the whole Dai area, represented by peacock dance in Ruili County and Meng Ding in Gengma County, there are many professional artists who make a living by dancing peacock dance. They imitate peacocks: flying down the mountain, walking in the forest, drinking spring water, chasing and playing, dragging their wings, flapping their wings, spreading their wings, climbing branches, resting on branches, spreading screens, flying, and so on. Jump out of colorful dance movements and sculptural dance styles. Their dance has strict procedures and requirements, fixed footwork and state, and even every movement is accompanied by fixed drum language.

Folding Dai dance

Dai people are a nation with an ancient culture and can sing and dance well. There are many kinds and forms of Dai dances, which are widely spread and have their own characteristics. Generally speaking, representative programs can be divided into three categories: self-entertainment, performance and sacrifice. Self-entertainment programs include Ga Guang, Elephant Foot Drum Dance, Yela Club, and Shout Half a Light, among which Ga Guang and Elephant Foot Drum Dance are the most representative. The dances performed include peacock dance, Elephant Dance, Fish Dance, Butterfly Dance and Hat Dance. The most representative is peacock dance. Peacock dance is the most distinctive performing dance among Dai dances, which is popular in Dehong, Xishuangbanna, Jinggu, Menglian, Gengma and other counties. Dai Sacrificial Dances in Areas with Mixed Ethnic Minorities. Some sacrificial dances, such as "Six Gods Dance" once popular in Dehong area and "Bema Dance" once popular in Jiangcheng county, are no longer danced.

I. Sainaim

A dance that amuses oneself. Widely spread throughout Xinjiang, the rhythm is mainly beat, and some areas (such as Hami) have beat. Sainaim was originally a folk tune in ancient Xinjiang, with stable rhythm and beautiful melody, which was suitable for dancing. Later, it was combined with the cheerful tune "Sailekai" to form a two-part dance form from slow to fast, which was included in the Uighur classical suite "Twelve Muqams".

Second, Dolan Dance

Etiquette and custom dance. Competitive group dance based on duet. Spread in Mohammad, Bachu, shache, Awati and other counties in Xinjiang. Dolan dance has a complete performance procedure. Dancers must dance the whole dance from beginning to end, and they are not allowed to quit halfway, and the audience is not allowed to leave the dance floor casually.

Third, Xia Di Yana.

It is a form of mass collective dance performed in the square during festivals or grand gatherings, which is popular in Xinjiang and southern Xinjiang. Shadyana was originally the name of music, which means "joy" in Uighur. In the past, it was used in the ceremonial music and dance for the royal family to inspect and welcome guests, and later it developed into a dance to express joy. It is performed before the rally or after other folk dances. For example, when dancing Samar, it usually ends in Yana, Xia Di.

Verb (abbreviation of verb) nazir Qom

Performing a male dance. It is mainly a duet, which is highly competitive. Spread in Turpan, Shanshan, Toksun and other regions of Xinjiang, it is the most wonderful program in weddings, celebrations or Maixilaifu, and there are many semi-professional nazir Qom artists all over the country.

Six, board dance

Perform prop dance. Popular in Kuqa, Kashgar, Yili, Urumqi, Mohammad and other places in Xinjiang. Accompanied by strings, it has a rhythm and a special tune.

Seven, hand encouragement

Perform a dance. This is a dance form that rose in the 1940s. It began to spread among the people in northern and southern Xinjiang, and later developed into a stage program. Most of the performances are performed by a woman accompanied by tambourines. Dance is characterized by agility, changeable rhythm, and great difficulty in rotation and waist skills.

Eight, other dance performances

There are rock dancing, Sabaye (hoop) dancing and lantern dance with props. Simulated dances include: goat dance, tiger dance, camel dance and so on. Most of these dance forms are also performed in Maixilaifu.

[What is national dance] Related articles:

1. Introduction to national dance: What is "animal-like dance"

2. Types of folk dances

3. How to arrange folk dances

4. Characteristics of national dance

5. Types and benefits of folk dances

6. How to dance a folk dance well?

7. Classification of national dances

8. How to dance national dance well

9. Introduction to National Dance

10. How to dance folk dance

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