Traditional Culture Encyclopedia - Traditional festivals - Lanting Preface ink treasures through the ages: Yu Shinan Lin Lanting Preface
Lanting Preface ink treasures through the ages: Yu Shinan Lin Lanting Preface
This book has twenty-eight lines and three hundred and twenty-four words. Because of the end of the sticker, there is a small line of "I Zhang Jinjie Slave", Inscription of Yuan Wenzong "Tianli of the treasure" seal, so the Ming and Qing people also known as the "Tianli Lanting" or Therefore, it was also called "Tianli Lanting" or "Zhang Jinjie Nuben" in the Ming and Qing dynasties. Tow end with the title of the Song dynasty Wei Chang, Yang Yi, after the Ming dynasty Song Lian to Yang Jiazuo twelve inscription thirteen paragraphs. Later into the Qing dynasty within the Qianlong, with its inscription seal. Dong qichang inscription in the trek had put forward "like YuYongXing pro", early qing dynasty LiangQingBiao title said "TangYuYongXing pro post". As this post is a hook copy, the ink into the paper shallow, paper and with oil, wax, so the strokes are more to add a patch, but also by the framing of the wash, the ink off a lot, only a few words still retain some traces of ink, but the strokes are not damaged, the character shape is intact.
Yu Shinan (558--638), the word Bo Shi, Yuezhou Yuyao (now belongs to Zhejiang), served in Chen, Sui, Tang Taizong official to the Secretary Supervisor, sealed Yongxing County son, so there is a "Yu Yongxing" of the name. Calligraphy under the seventh grandson of Wang Xizhi, monk Zhiyong, concentrated unremittingly, the wonderful body, inherited the tradition of the two kings (Wang Xizhi, Wang Xianzhi), history says that his late years of the book and Wang Xizhi and Wang Xizhi successive, and he and Ouyang Xun, Chu Suilang, Xue JI, and known as the "four great calligraphers of the early Tang Dynasty". His book is rounded and beautiful, soft on the outside and hard on the inside.
Tang Yu Shinan Lin "Lanting Preface", hand scroll, running script, white paper, 24.8 centimeters longitudinally, 57.7 centimeters horizontally, hidden in the Palace Museum in Beijing.
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