One of the knowledge points in The Book of Songs and Songs of the South: Why can coquettish represent the tradition of ancient literature?

The refinement of the tradition of "Feng" and "Sao"

The Book of Songs, (Prose: Historical Prose, Prose of Various Scholars) Chu Ci; Han Fu, (Historical Records, Yuefu), Liu Pian, (Tao Poetry), Tang Poetry, (Eight Masters of Tang and Song Dynasties), Yuan Qu and Ming and Qing Novels (China and Four Great Classical Novels) constitute the main thread of the development of China's ancient literature. 1. The Book of Songs (Myth), 2. Chuci (text-historical prose, essays), 3. Han Fu (Historical Records, Yuefu), 4. Liu pian (pastoral poems, novels), 5. Tang poetry (Liu Han), 6. Song poetry (.

-The content in brackets means that although poetry did not occupy the mainstream in this period, it kept pace with literary achievements and was the most fully developed literary genre in China literature.

The development of China's ancient literature runs through a red line of poetic temperament. The history of China's ancient literature can almost be found as a history of poetic development: 1. The Book of Songs is the origin of China's literature, and the Book of Songs has laid the foundation for China's lyrical poetry. 2. Historical prose is full of literary pursuit of poetry, so it is often read as literature;

The prose of Mencius and hundred schools of thought is a passionate article, especially that of Zhuangzi, which is a poetic one. 3. Chuci is a poem; 4. Han Fu is the alienation of poetry. Although it has no poetic mood, it has a poetic form. 5. Historical Records is recognized as a world literary masterpiece with lofty poetic spirit; 6. Yuefu is the latest development or manifestation of the Book of Songs in the Han Dynasty, and it is a profound inheritance of the spiritual essence of the Book of Songs; 7. Parallel prose, like Han Fu, interprets poetry in form; 8. The development of China's poetry reached its peak with Tang poetry, and permeated into the characteristics of the whole people and the whole people preparing poems. 9. Song ci is an extension of Tang poetry on a more exquisite platform; 10, Yuanqu and Legend are actually poems, and can even be considered as poetic dramas, and the drama itself is poetry; 1 1. Ming and Qing novels are full of poetry. A Dream of Red Mansions can be called poetic novel, poetic novel and poetic novel.

Therefore, China is a country of poetry (lyric poetry).

The Book of Songs is the earliest collection of poems. Later, the great poet Qu Yuan and his new poetic style "Chu Ci" appeared in the south of China.

With profound ideological implications, distinctive style features and outstanding artistic achievements, they have become two models, two flags and two sources of China's classical poetry, as if representing the mother rivers of China's two civilizations-the Yellow River and the Yangtze River.

Therefore, in the history of China literature, "Feng" and "Sao" are often referred to as "Feng": "Feng" refers to "national style", which represents the Book of Songs and marks the "Yellow River" civilization; "Sao"

, refers to "Lisao", stands for "Songs of the South" and marks the civilization of the Yangtze River. Traditionally, it is called the tradition of "poetry" and "Sao", and it is also called the tradition of "wind" and "Sao".

The two themes of this chapter are: first, the realistic tradition of Feng's poems; Second, the romantic tradition of SAO

Special note: the blending of the two tendencies: 1. Almost all the progressive poets in ancient China accepted the influence of "Feng" and "Sao", so they often had both romantic and realistic works. They have the same spiritual essence.