Why did Yongzheng dynasty want to wear a golden wig portrait? Is there any hidden meaning?

Yongzheng was the emperor who accepted the most western civilization in history of qing dynasty. If you lend him another 50 years, Yongzheng may be able to turn the Qing Dynasty into? Eastern countries where the sun never sets? . I just watched the Yongzheng dynasty again the other day. There is still a big difference between novels and TV plays. The TV drama version takes Yongzheng political reform as the main line, which is completely different from the plot depicted in February River's novels. ?

Today we are going to discuss TV stories. As a feudal emperor, why did Yongzheng wear wigs, send red scarves and paint oil paintings?

This shot was not made up by the film director at will, but was adapted according to the real Yongzheng hobby in history. Yongzheng in history can be said to be a COSPLAY enthusiast. His COS role is not only a western monarch, but also a Taoist priest, a fairy, a tiger hero and so on. Yongzheng is a real politician. During his reign, he carried out a number of political reforms, such as spreading land into acres, returning fire to the people, serving as a policeman and raising cheap silver.

Why did Yongzheng like western oil paintings? Still like COSPLAY? As mentioned earlier, Yongzheng was a reformer, and his route was completely different from that of feudal monarchs and emperors. Reformers can see the benefits that ordinary people can't see, and reformers dare to do things for the world. When Yongzheng carried out the idea of "going to the ground separately", it was strongly resisted by the court and local officials, especially those headed by the Eight Ye Party.

Yongzheng's own behavior was laughed at by his ministers. In Bolun Building, people like Jiuye and Naye are often gathered, and they are here to slander Yongzheng's remarks. The original statement about Yongzheng's usurpation of the throne was spread by Ye in Bolun Building. At this time, the reform reached the most difficult time, and the DPRK ministers began to force Yongzheng to give up the reform and secretly play tricks.

Yongzheng, a workaholic who cherishes time, takes time to paint oil paintings at this time. In fact, there is only one purpose, that is, to show China's determination to reform by using this method that is not in line with his courtesy. In the play, Yongzheng was only given golden curly hair and a red scarf, but he still wore a dragon robe. In fact, Yongzheng wore a suit in the original painting, which was completely western-style.

China has a tradition of wearing wigs since ancient times. Heaven and earth mentioned that Shun covered his bald head with a wig. Although the content of Shun in Zhuangzi is a legend, it can be seen that men also used wigs at that time. Many interviewees mentioned that this is a hobby of Yongzheng following the fashion trend, but its popularity has nothing to do with it. In fact, Yongzheng really cared about western politics and military affairs. During the Yongzheng period, he put forward a plan to change firearms. Unfortunately, Yongzheng died too early, and this plan was not implemented. This is better than the Westernization Movement. Control foreigners like foreigners? But a hundred years earlier.

And how long will it take Yongzheng, a workaholic, to catch up with the western trend?

Reform needs the continuation of future generations. The dross accumulated over a thousand years can be changed if it can be changed. Moreover, what Qianlong did has completely turned the expectation of Yongzheng into a fantasy, which is probably what this lens of Yongzheng Dynasty wants to express and map.