What are the main characteristics of Li Bai's poetry?

1. What are the main features of Li Bai's poetry

First, Li Bai's poetry has a strong subjective color, which is mainly expressed in the focus on writing heroic and impassioned feelings, and seldom describes the objective objects and specific events in detail.

Second, the strong emotional color, eruptive lyricism. The free and unrestrained temperament, proud and independent personality, easy to touch and outbreak of strong feelings, formed the distinctive characteristics of Li Bai's poetry. It is often eruptive, once the feelings of the rise, there is no restraint in the outpouring, so that people directly feel the shock of the soul.

Third, the imagination is unpredictable, random, bizarre and blurred, the imagery is magnificent and not lacking in freshness and brightness. Combined with the eruption of emotional expression, the imagination of Li Bai's poetry is unpredictable, often thought of for no reason, strange and strange,

Fourth, the magnificent and beautiful imagery. Li Bai's poetry is quite a lot of mountains and rivers, pregnant with the sun and the moon's magnificent imagery, which is associated with its poetic grandeur and rich imagination. Li Bai seems to be particularly attracted to the size of the spectacular things, roc, giant fish, long whale, as well as large rivers, rivers, the sea, snowy mountains, etc., are the object of his favorite chant, Li Bai will be placed in an unusually wide space to depict the background, constituting the majestic poetry imagery,

Fifth, the fresh and bright style of language. The language style is fresh and bright, bright and clear is the basic color of its words, as the so-called "water out of hibiscus, natural to carve".

In Li Bai's poems, the most colorful word is white, followed by gold, green, yellow, green, purple, etc. He is cheerful by nature, likes bright hues, dislikes gray and dark colors, and his poems that come out of his mouth unadorned often show a transparent, pure and brilliant brilliance, reflecting his refusal to agree with the world's noble personality.

Li Bai's poems often use a combination of imagination, exaggeration, metaphor, personification and other techniques to create a magical, colorful, magnificent and moving mood, which is the reason why Li Bai's romantic poems are so bold and unrestrained, as if they were immortal.

Li Bai's poetry has had a profound impact on future generations. Famous poets such as Han Yu, Meng Jiao, and Li He in the Middle Tang Dynasty, Su Shi, Lu You, and Xin Qiji in the Song Dynasty, and Gao Qi, Yang Shen, and Gong Zizhen in the Ming and Qing dynasties were all greatly influenced by Li Bai's poetry.

Extended information

Li Bai (701-762), the word Taibai, the name of the Green Lotus Dweller, also known as the "banished immortal", is a great romantic poet in the Tang Dynasty, known as the "Poetry Immortal", and Du Fu, known as the "Li Du". "Li Du", in order to distinguish with the other two poets, Li Shangyin and Du Mu that is, "small Li Du", Du Fu and Li Bai, also known as "Li Du".

According to the New Book of Tang, Li Bai was the ninth grandson of Emperor Xing Sheng (凉武昭王李暠), and was the same as the kings of Li Tang. He was a bright and generous man who loved to drink wine and write poems, and enjoyed making friends.

Li Bai was y influenced by the thoughts of Huang Lao, Li and Zhuang, and there is a collection of Li Taibai's poems, many of which were written when he was drunk, with masterpieces such as Looking at the Mount Lu Waterfalls, Hard to travel, Hard to make the Road to Shu, Wine to be drunk, Liang Fu Yin and Early departure from the city of the White Emperor.

Li Bai's words and fugues, Song people have been biographies (such as Wen Ying, "Xiangshan Wild Records" Volume 1), in terms of its pioneering significance and artistic achievement, "Li Bai word" enjoys a very high status.

Li Bai's music, songs and lines and stanzas are the highest achievement. The song line, completely breaking the poetry of all the inherent format, empty, no dependence, penmanship multi-faceted, to achieve any with the nature of the vagaries of the magical realm of swaying. Li Bai's stanzas are natural and bright, elegant and elegant, and can express endless thoughts in a simple and clear language.

In the Sheng Tang poets, Wang Wei, Meng Haoran long in the five absolute, Wang Changling and other seven absolute write very well, both long five absolute and seven absolute and the same to achieve the extreme, only Li Bai one.

Li Bai's poems are majestic and elegant, and the artistic achievement is very high. He eulogized the mountains and rivers of the motherland and the beautiful natural scenery, and his style was strange and exuberant, handsome and fresh, rich in the spirit of romanticism, and achieved the unity of content and art.

He was called by He Zhizhang as "the man who banished the immortals", and most of his poems are mainly about landscapes and expressing his inner feelings. Li Bai's poems are characterized by the artistic charm of "the stroke of the pen startles the wind and rain, and the poem becomes a cry to the ghosts and gods", which is also the most distinctive artistic feature of his poems.

Li Bai's poems are rich in self-expression of subjective lyrical color is very strong, the expression of feelings with a kind of mountains, a torrent of momentum. He and Du Fu are known as the "Great Li Du", (Li Shangyin and Du Mu are known as the "Little Li Du").

Reference:

Li Bai - Sogou Encyclopedia

2. What are the characteristics of Li Bai's poems What are Li Bai's poems

Li Bai lived in the flourishing Tang Dynasty, his character is bold and bold, he loves the mountains of the motherland, and he traveled all over the north and south, and wrote a lot of beautiful poems praising the famous mountains and rivers. He traveled all over the country and wrote a lot of magnificent poems in praise of the famous mountains and rivers. His poems, both bold and unrestrained, but also fresh and elegant, and rich in imagination, marvelous mood, language, people call him "Poetry Immortal".

1, bold is the main feature of Li Bai's poetry, his poems, both bold and unrestrained, but also fresh and elegant, and rich in imagination, wonderful mood, light language, people called "Poetry Fairy".

2. Li Bai's poetry is not only typical of the spirit of romanticism, but also from the image shaping, material intake, to the choice of genre and the use of a variety of artistic techniques, all have the typical characteristics of romanticism.

Li Bai succeeded in shaping himself in his poems, expressing himself strongly, and highlighting the unique personality of his lyrical protagonists, so his poems are characterized by a distinct romanticism. He likes to use the majestic image of self-expression, and expresses his feelings in his poems without any concealment or restraint, and expresses his joys and sorrows

Boldness is the main characteristic of Li Bai's poetry. In addition to the factors of thought, character, talent and fate, the artistic expression of Li Bai's poetry and the structure of the genre is also an important reason for the formation of his bold and free style. Li Bai's imaginative and subjective approach to poetry is an important feature of his romanticism. His imagination is extremely rich, almost all of his poems have imagination, and some of them even use a variety of imagination throughout. Real things, natural landscapes, myths and legends, historical allusions, dreams and fantasies all became the medium of his imagination. With the help of his imagination, he often transcends time and space, intertwining reality with dreams and fairyland, and interweaving nature with human society to reproduce objective reality. His image is not a direct reflection of objective reality, but an externalization of his inner subjective world, the reality of art.

One of the romantic artistic techniques of Li Bai's poetry is to skillfully combine anthropomorphism with metaphor, to empathize with objects, and to compare objects to people.

Another romantic art technique of Li Bai's poetry is to seize a certain feature of things, and on the basis of real life, to boldly imagine the exaggeration. His exaggeration is not only peculiar imagination, and always with the combination of specific things, exaggerated so naturally, without revealing; so bold, but also real and credible, play a prominent image, strengthen the role of feelings. Sometimes he also combines bold exaggeration with sharp contrast, by increasing the artistic contrast, to strengthen the artistic effect.

3, Li Bai (February 8, 701 - December 762), the word Taibai, the name of the Green Lotus Dweller, also known as the "banished immortal". He was a great romantic poet of the Tang Dynasty, and was known as the "Poetry Immortal" by later generations. He was known as "Li Du" together with Du Fu, and in order to distinguish himself from the other two poets, Li Shangyin and Du Mu, who were known as "Little Li Du", Du Fu and Li Bai were collectively known as "Big Li Du". He is a bright and generous person who loves to drink wine and make poems, and enjoys making friends.

Li Bai has "Li Taibai Collection" has been handed down, the poems are mostly written in drunkenness, representative works are "looking at Mount Lu waterfalls", "difficult to travel", "difficult to Shu Road", "will enter the wine", "Liang Fu Yin", "early hair Baidicheng" and so on many songs.

Li Bai's words and fugues, Song people have been biographies (such as Wen Ying, "Xiangshan Wild Records" Volume 1), in terms of the significance of its pioneering and artistic achievements, "Li Bai word" enjoys a very high status.

3. What are the characteristics of Li Bai's poetry ah

The main artistic characteristics of Li Bai's poetry are: (a) free-spirited, free from the constraints of the form of poetry, flexible use of the ancient winds and the style of music and song to create beautiful poems rich in romanticism. Li Bai's poetic works, fewer metered poems, five, seven metered poems a **** only eighty, most of the music and song line. These two styles, the number of words is flexible, not strict, can be more free to express the poet's deep thoughts, unrestrained emotions and rich imagination. For example, "Will Enter Wine" begins with a long cross sentence "Don't you see the water of the Yangtze River coming from the sky?", with a mixture of three-word sentences and five-word sentences in between, which can be used freely. It is a poem to drown sorrows with wine, and to vent the indignation in his heart. The poem expresses the poet's disdain for fame and fortune, the pursuit of freedom and ambition in bold language, the whole poem is majestic, majestic and unrestrained, like flowing clouds and water, pouring down, showing optimism, full of romanticism. (B) rich imagination, strange ideas, good use of metaphor and hyperbole to create new and distinctive artistic image. Li Bai is a poet with a rich imagination, he has seen a wide range of experience. In his writing, things on earth, stars in the sky, myths and legends, historical treasures, natural landscapes, dreams and fantasies. All of them became the medium of his imagination. Dreaming of Heavenly Creatures" is a masterpiece of Li Bai's imagination. Li Bai's imagination is not only utilized in a poem or a song, but also in almost every poem. This makes his poems all have distinctive images and deep flavors. （This is the artistic characteristic of Li Bai's poetic language, which is fresh, natural and clear. The formation of this characteristic is inseparable from Li Bai's hard work and learning. Li Bai attaches great importance to the strengths of previous and contemporary poets, and has a special respect for the music and folk songs since the Han, Wei, and Six Dynasties, absorbing the nutrients therein, and exercising his own unique artistic language. Many of his poems, because of the brilliance of the language and people never tire of reading, and long circulation. Li Bai's language style has always been respected by scholars of all times, Wang Anshi has a good summary of this: "Poets have their own way of getting it, 'clear water out of hibiscus, naturally unadorned', this Li Bai also get." In Li Bai's poetry, many verses shine, attracting attention and surprise. At first glance, some of the lines seem very ordinary, like a handful, off the cuff, effortless, unpolished, but its charm makes you can not forget. If in-depth experience will feel the meaning of the deep, endless flavor.

4. What are the characteristics of Li Bai's poetry from which poems can be seen to write the lines

Li Bai's poetry is characterized by: both bold and unrestrained, but also fresh and elegant, and rich in imagination, marvelous mood, light language.

Relevant verses:

1. The long wind will break the waves sometimes, hanging straight from the clouds and sailing to the sea.

2. The water will flow even more when the knife is drawn, and the sorrows will become even more sorrowful when the cup is raised.

4. Born to be useful, a thousand pieces of gold are scattered and come back.

5. Don't you see that the Yellow River water comes from the sky and never returns to the sea; don't you see that the mirror in the high hall is sad about the white hair, which becomes snow in the morning as the green silk becomes snow in the evening.

6, life must be happy, do not make the golden bottle empty to the moon.

7. The two sides of the mountains are opposite each other, and the lone sail comes by the side of the sun. The Sailor's Sight of Tianmen Mountain"

8. The sail is far away from the sky, but the Yangtze River is flowing in the sky. The Yellow Crane Tower sends Meng Haoran of the Guangling

9, flying straight down three thousand feet, suspected that the Milky Way fell nine days. The Waterfalls of Mount Lushan"

10, three mountains and a half fell out of the blue sky, a water divided by the White Heron Continent. Ascending the Phoenix Terrace in the Jinling Mountains"

11, the sky laughed and went out the door, my generation is not the people of artemisia.

12, even the peaks to the sky is not a foot, the pine hanging upside down leaning on the wall. The road to Shu is difficult"

13, always for the clouds can cover the sun, Chang'an do not see make people sad. The Phoenix Terrace at Jinling"

14, floating clouds of traveler's will, the sunset of the old man's love.

15, the mountain with the end of the flat field, the river into the great wilderness flow.

16. The forests are deserted, the smoke is like a weave, and the cold mountains are sad and blue.

17, I send my heart to the moon, and I will follow you to the west of Yelang.

18. The peach blossom pool is a thousand feet deep, not as deep as Wang Lun's love for me.

19, white hair three thousand zhang, the edge of sadness like a long. The Song of the Autumn Pool

20. When will we level out the hu captives, and when will we stop the expedition?

21, Raise a glass to invite the moon, the shadow into three people.

22. The apes on both sides of the river cannot stop crying, and the light boat has already crossed ten thousand mountains. The city of the White Emperor in the morning"

23. The palace is full of women like flowers, but now there are only partridges flying.

24, today's people do not see the moon in ancient times, the moon used to shine on the ancients. In the history of Chinese poetry, the artistic personality of his works is also unique.

First, Li Bai's poetry has a strong subjective color, which is mainly manifested in the focus on writing heroic and impassioned feelings, and seldom make detailed descriptions of objective objects and specific events. Li Bai's poetry, often with unrestrained momentum throughout, talking about the vertical and horizontal gallop, a breath, with the characteristics of the gas to capture the people, such as "on Li Yong": "the roc one day with the wind up, Tuan shaking straight up ninety thousand miles." He said his poem is "Xing sound pen shaking the five mountains, poetry into a smile proud of Ling Cangzhou".

Second, strong emotional color, eruptive lyricism. The free and unrestrained temperament, proud and independent personality, easy to touch and outbreak of strong feelings, formed the distinctive characteristics of Li Bai's poetry lyricism. It is often eruptive, once the feelings of Xingfa, without restraint gushed out, so that people directly feel the shock of the soul. Such as "Minggao song to send Cen Zhengjun" written for the political darkness, right and wrong indignation, this way of expressing emotions, completely Li Bai style.

Third, the imagination is unpredictable, randomly generated, strange and blurred, the imagery is magnificent and not lacking in freshness and brightness. Combined with the eruption of emotional expression, the imagination of Li Bai's poetry is unpredictable, often think of nothing, strange and strange, such as "will enter the wine": "You do not see the high hall mirror sad white hair, as if the green threads of twilight into the snow." Really want to fall out of the sky, unimaginable. His peculiar imagination, often with unusual articulation, with the flow of feelings and changes. Between one imagination and the next, there is a great leap. Imagery of the articulation of the combination is also a large span, bizarre and blurred, horizontal and vertical changes, the most talented and quick-witted.

Fourth, the magnificent and beautiful imagery. Li Bai's poetry is quite a lot of mountains and rivers, pregnant with the sun and the moon's magnificent imagery, which is associated with its poetic grandeur and rich imagination. Li Bai seems to be particularly attracted to the size of the spectacular things, roc, giant fish, long whale, as well as large rivers, rivers, the sea, snowy mountains, etc., are the object of his favorite chant, Li Bai will be placed in an unusually wide space to depict the background, constituting the majestic poetry imagery, such as the "farewell to Jingmen," the imagery will be extremely broad and spectacular. However, Li Bai's poems are also full of beautiful and fresh imagery. Those by the clear stream, the moon, egrets, bamboo color, white dew and other clean scenery composed of beautiful imagery, greatly enriched the artistic content of Li Bai's poetry.

Fifth, fresh and bright language style. The language style is fresh and bright, bright and clear is the basic color of its words, as the so-called "water out of hibiscus, natural to carve and decorate". In Li Bai's poems, the most colorful word is white, followed by gold, green, yellow, green, purple, etc., he is cheerful by nature, like bright hues, do not like gray and dark colors, his poems out of his mouth, unadorned, often presenting a transparent and pure and brilliant brilliance, reflecting his refusal to agree with the world's noble personality.

6. What are the characteristics of Li Bai's poems

bold and elegant, romanticism. His masterpieces include Looking at Mount Lu Waterfalls, Walking on the Road, The Road to Shu, Will Enter the Wine, Liang Fu Yin, and Far from the City of White Emperor, among many others.

Li Bai (February 8, 701 - December 762), the word Taibai, the name of the Green Lotus Dweller, also known as the "banished immortal", Han Chinese. He was a great romantic poet of the Tang Dynasty, and was regarded as the "Poetry Immortal" by later generations. He was known as "Li Du" together with Du Fu, and in order to distinguish himself from the other two poets, Li Shangyin and Du Mu, who were known as "Little Li Du", Du Fu and Li Bai were also collectively known as "Big Li Du". He is a bright and generous person who loves to drink wine and make poems, and enjoys making friends.

Li Bai was y affected by the Huang Lao Lizhuang thought, there is "Li Taibai collection", poetry, mostly written when drunk, representative works are "looking at Mount Lu waterfalls", "difficult to travel", "difficult to Shu Road", "will enter the wine", "Liang Fu Yin", "early Baidicheng" and so on many songs.

Li Bai's words and fugues, Song people have been biographies (such as Wen Ying, "Xiangshan Wild Records" Volume 1), in terms of the significance of its pioneering and artistic achievements, "Li Bai word" enjoys a very high status.

7. Characteristics of Li Bai's Poetry

Artistic Characteristics of Li Bai's Poetry

Like many great writers, Li Bai's works contain elements of both Romanticism and Realism, but in terms of his dominant tendency, he is a master of positive Romanticism. As a romantic, although he also accepted the influence of the realism of the Book of Songs, it was the works of Qu Yuan in the Chu Rhetoric that influenced him more y. Li Bai and Qu Yuan had similar political ideals and misfortunes, the same rebellious spirit of dissatisfaction with reality, and comparable noble qualities and artistic genius. Based on these ****same characteristics, he was bound to follow the path of positive romanticism opened by Qu Yuan, and enriched and developed it according to his own life and artistic practice. Li Bai inherited and developed Qu Yuan's tradition, combining his political ideals of "securing the gods of earth and grain" and "helping the common people" with the cynicism of Taoism and the spirit of resistance to violence and saving the weak and helping the weak in the chivalrous ideology, and expressing his love for the motherland and his heartfelt love for the oppressed and harmed people. He expressed love for the motherland; sincere sympathy for the oppressed and harmed people; profound hatred and anger for the dark phenomena hatched by the feudal system; and strong resistance and contempt for the powerful and noble in the ruling class - his positive romanticism was indeed broader than Qu Yuan's. In the style of expression, he also expressed his political ideals and Taoist cynicism, as well as the chivalrous spirit of resisting violence and rescuing the weak and helping the weak. In terms of expression, he also inherited and developed Qu Yuan's romantic expression, especially the hyperbole in folk poetry, and improved it through creative use, thus perfecting the expression. In terms of depicted objects, he also came across a wider range of subjects than Qu Yuan, and therefore, the scope of his application of the Romantic technique was also wider. Not only did he adopt this technique in writing about "self" and the themes that are easy to use romanticism such as the search for immortality and sleepwalking, but also in reflecting the war and describing the themes of daily life and natural scenery, so as to gallop his imagination of "wanting to fall out of the sky". "He often adopted this technique in his themes reflecting war and describing daily life and natural scenery, in order to realize his imagination. He is through such a fantasy realm to express his hatred of the enemy's brutality, ugliness and sympathy for the suffering of the people:

West on the Lotus Mountain, a long way to see the star. The hand of the hibiscus, the false step of taiqing, the neon dress trailing a wide belt, fluttering and ascending to the sky line. I was invited to climb the platform and greeted Mr. Wei Shuqing. I went with him in a trance, and rode him to the purple underworld. I looked down on the Luoyang River and saw a vast area of Hu soldiers. I'm not sure if I'm going to be able to do that, but I'm going to be able to do it," he said.

8. What is the most representative of the style of Li Bai's poetry

1, the long wind will sometimes break the waves, hanging straight from the clouds to sail the sea.

The Road is Hard to Travel 2.

North Wind Walking 4, Born to be useful, a thousand gold scattered and come back.

Le Fu - Will Enter the Wine 6: Life must be full of joy, don't make the golden bottle empty to the moon.

"Looking at Tianmen Mountain" 8, "Lonely sails and distant shadows in the blue sky, only to see the Yangtze River flowing in the sky. The Yellow Crane Tower sends Meng Haoran to the Guangling Mountains. 9. The river flows straight down three thousand feet, and the Milky Way is suspected to be falling from the sky.

Watch Lushan Waterfalls 10, three mountains half-fall outside the blue sky, a water divided by the White Heron Island.

Ascending the Phoenix Terrace in Jinling, 14, floating clouds of traveler's will, the sunset of the old man's love.

"Farewell at Jingmen Gate"

"Farewell at Jingmen Gate"

"Farewell at Jingmen Gate"

16.

(also known as "With you until the west of Yelang") Wang Changling left to move to Longbiao has this message from afar The Peach Blossom Pool is a thousand feet deep, not as deep as Wang Lun's love for me.

The Song of the Autumn Pool 20: "When will we level the hu captives, and when will the good people stop the expedition?

"Drinking Alone Under the Moon" (月下独酌)

22: "The apes on both sides of the river cannot stop crying, and the light boat has already passed over ten thousand mountains" (早发白帝城) 23.

Views of the Ancient World

The Ancient World 24.

Mengyou Tianmu Yinliu Bie 26 The moonlight in front of the bed is suspected to be the frost on the ground.

We live together in Changganli, and there is no suspicion that we are two small children.

Xuanzhou Xie朓楼饯别校书叔云 31, Penglai article Jian'an bone, in the middle of the small Xie and Qingfa.

Remembrance of old trips to send Qiao County Yuan Senjun

34, at first to the grass in the Gengjie death, do not want to be born under the cage of gold.

The Roc one day with the wind, rocking up to 90,000 miles.

On Li Yong.

9. What are the characteristics of Li Bai's poetry from which poem can be seen to write the lines

Li Bai's poetry is characterized by: both bold and unrestrained, but also fresh and elegant, and rich in imagination, marvelous mood, and light language.

Relevant verses: 1. The long wind will break the waves sometimes, hanging straight from the clouds and sailing to the sea.

The "Difficulties of the Road" (《行路難》) 2.

Xuanzhou Xieyi Lou Preserved Farewell School Shu Yun 3 Yanshan snowflakes are as big as a mat, and the flakes are blown down to Xuanyuan Terrace.

Will Enter the Wine 5, you do not see the Yellow River water from the sky, running to the sea will not return; you do not see the high hall mirror sad white hair, as green silk twilight into snow.

Will Enter the Wine 7, the two sides of the mountains relative to out, a lone sail a piece of the sun side.

"Yellow Crane Tower send Meng Haoran of the Guangling" 9, flying straight down three thousand feet, suspected that the Milky Way fell nine days.

"Ascending the Phoenix Terrace in Jinling" 11 Laughing at the sky and going out the door, my generation is not a person of artemisia.

"The Road to Shu" 13, always for the clouds can cover the sun, Chang'an do not see make people sad.

"Sending Friends" 15, "The mountains with the end of the flat field, the river into the great wilderness flow.

"Bodhisattva Barbarian" (菩萨蛮) 17: "I send my heart to the moon, and I will follow you to the west of Yelang" (夜郎西).

Wang Lun 19, white hair three thousand zhang, the edge of the sadness like a long.

The Song of Wu at Night 21: "Raise a cup to invite the moon, and turn the shadow into three people.

Morning in the City of the White Emperor 23 The palace is full of women like flowers, but now there are only partridges flying.

Wine and ask for the moon

25, can break the eyebrows of the power and wealth, so that I can not be happy face.

10. Li Bai's poetry characteristics

First, the characteristics of Li Bai's poetry: 1. Overview Li Bai's music, songs and lines and absolute sentence achievement is the highest.

His songs and lines, completely breaking the poetry of all the inherent format, no dependence, penmanship, to achieve the nature and the vagaries of the magical realm of swaying. Li Bai's stanzas are natural and bright, elegant and elegant, and can express endless thoughts in a simple and clear language.

In the Sheng Tang poets, Wang Wei, Meng Haoran long in the five poems, Wang Changling and other seven poems written very well, both long five poems and seven poems and the same to achieve the extreme, only Li Bai one. Li Bai's poems are majestic and elegant, and his artistic achievements are very high.

He eulogized the mountains and rivers of the motherland and the beautiful natural scenery, and his style is strange and unrestrained, handsome and fresh, rich in the spirit of Romanticism, achieving the perfect unity of content and art. He was called by He Zhizhang as "The Exiled Immortal", and most of his poems are about landscapes and expressing his inner feelings.

Li Bai's poems are characterized by the artistic charm of "the stroke of a pen startles the wind and rain, and the poem becomes a cry of ghosts and gods", which is also the most distinctive artistic feature of his poems. Li Bai's poems are rich in self-expression of subjective lyrical color is very strong, the expression of feelings with a kind of mountains, a torrent of momentum.

He and Du Fu are known as "Li Du", (Li Shangyin and Du Mu are known as "Li Du"). Li Bai's poems often use a combination of imagination, exaggeration, simile, personification and other techniques to create a magical, colorful, magnificent and moving mood, which is why Li Bai's romantic poems are so bold and unrestrained, as if they were immortal.

Li Bai's poetry has had a profound impact on future generations. Famous poets such as Han Yu, Meng Jiao, and Li He in the Middle Tang Dynasty, Su Shi, Lu You, and Xin Qiji in the Song Dynasty, and Gao Qi, Yang Shen, and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poetry.

2. Style Magnificent and unrestrained, fresh and elegant, rich in imagination, marvelous in mood, marvelous in language, romanticism, and clear in intention. Li Bai lived in the flourishing Tang Dynasty, he had a bold character, loved the mountains and rivers of the motherland, traveled all over the north and south, and wrote a lot of magnificent poems praising the famous mountains and rivers.

His poems, both bold and unrestrained, but also fresh and elegant, and rich in imagination, marvelous mood, language, people call him "Poetry Immortal". Li Bai's poetry not only has the typical spirit of romanticism, but also from the image shaping, material intake, to the choice of genre and the use of a variety of artistic techniques, all have the typical characteristics of romantic art.

Li Bai succeeded in shaping himself, expressing himself strongly, and highlighting the unique personality of the lyrical protagonist, and thus his poems are characterized by a distinct romanticism. He liked to adopt the majestic image of self-expression, and expressed his feelings in his poems without any concealment or restraint, showing his joy, anger and sadness.

To the powerful, he "held a branch of chrysanthemum, laughing at two thousand stones" ("drunkenly sent Cui", one of the two songs); to see the labor of the working people hard work, he "heart destroyed tears like rain. When the countryside was overthrown and people's livelihoods were in danger, he "swore to cross the river, aiming to clear the Central Plains.

Drawing the sword to hit the front column, the sad song is difficult to re-talk" ("South Run Book Wistfulness"), so impassioned; and drink with friends, "two people drinking mountain flowers, a cup of a cup of a cup of a cup of a cup of a cup of a cup of a cup of a cup of a cup of a cup of a cup of a cup of a cup of a cup of a cup of a cup. I'm drunk and want to sleep and go, tomorrow intention to hold the qin to" (" mountain and the ghost of the drink "), and is so naive and frank.

In short, his poems are a vivid manifestation of his bold and unrestrained character and suave image. The boldness is the main characteristic of Li Bai's poetry.

In addition to the factors of thought, character, talent and fate, the artistic expression of Li Bai's poetry and the structure of the genre is also an important reason for the formation of his bold and elegant style.

Almost all of them have imagination, and some of them even use a variety of imagination throughout. Real things, natural landscapes, myths and legends, historical allusions, dreams and fantasies, all became the medium of his imagination.

Often with the help of imagination, beyond time and space, the reality and dreams, fairyland, nature and human society intertwined together to reproduce the objective reality. His image is not a direct reflection of objective reality, but the externalization of his inner subjective world, the reality of art.

3, the expression of Li Bai's poetry, one of the Romantic art techniques is to anthropomorphism and metaphor skillfully combined, empathy in the object, the object than the person. Another romantic art technique of Li Bai's poetry is to seize a certain characteristic of things, and on the basis of the real life, to boldly imagine the exaggeration.

His exaggeration is not only imaginative, and always with the combination of specific things, exaggerated so naturally, without revealing; so bold, but also real and believable, to highlight the image, strengthen the role of feelings. Sometimes he also combines bold exaggeration with sharp contrast, by increasing the artistic contrast, to strengthen the artistic effect.

4, genre Li Bai's most skillful genre is the seven lines of song and the absolute sentence. Li Bai's seven-syllable songs and lines and adopted the structure of large open and close, jumping and swinging.

The beginning of the poem is often as abrupt as a sudden surge, and the middle of the poem, the image of the conversion of the swift, often omitting the transition of the illumination, seems to have no trace to follow, the end of the poem in the climax of the feelings of more than an abrupt end. Li Bai's five or seven-word stanzas, more on behalf of his poetry, fresh and bright style.

Such as "early departure from Baidicheng", "send Meng Haoran of Guangling", "Silent Night Thoughts", etc., wonderful in the "only eye outlook, verbal language, but there are strings outside the sound, taste outside the flavor, so that people far away from the gods." (The first year of poetry.) ("Saying Poetry on the first birthday") 5, the language of Li Bai's poetry, some fresh as colloquial, some bold, unrestrained rhythm, close to prose, but are unified in the "water out of the hibiscus, naturally unadorned," the natural beauty of the.

This is related to his conscious pursuit of natural beauty. Inheriting Chen Zi'ang's literary advocacy, he took it as his mission to restore the tradition of poems and songs, once saying, "Since Liang and Chen, there has been a great deal of voluptuousness, but Shen Huowen still uses sound and rhythm, and who else can restore the ancient way but me?

The natural beauty of his poetic language is the result of his serious study of folk songs to understand the characteristics of the popular, understandable as words, popular and vivid. Second, expand the knowledge: Introduction Li Bai (February 8, 701 - December 762), the word Taibai, the name of the Green Lotus Dweller, also known as the "banished immortals", Han Chinese.

He was a great romantic poet of the Tang Dynasty, and was known as the "Poetry Immortal". He was known as "Li Du" with Du Fu, and in order to distinguish himself from the other two poets, Li Shangyin and Du Mu, who were known as "Little Li Du", Du Fu and Li Bai were also known as "Big Li Du".

He was a bright and generous man, who loved to drink wine and make poems, and enjoyed making friends.

This is the first time I have ever seen the name Du Fu.