About the cultural industry (try to use specialized terms~! Thanks~!)

What is Cultural Industry

According to the Framework of Indicator System for Cultural and Related Industries formulated by the National Bureau of Statistics, the Ministry of Culture, the State Administration of Radio, Film and Television and the General Administration of Press and Publication, the concept of "cultural industry" is defined as "activities that provide the public with cultural and entertainment products and services, and the collection of activities related to these activities". The concept of "cultural industry" is defined as "the activities of providing cultural and entertainment products and services for the public, and the collection of activities related to these activities". The scope of cultural and related industries includes the production and sale of supplies and equipment directly related to the provision of cultural products, cultural communication services and cultural rest and recreation activities, as well as the production and sale of related cultural products.

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Cultural industrial park is obviously a difficult problem with no exact answer, and at the same time, it is also a difficult problem with multiple solutions. Therefore, the way to solve the problem is not the process of designing an optimal cultural industrial park, but a process of searching, verifying, simulating, evaluating until finally finding a satisfactory solution, a search and argumentation process of multiple scenarios in the future.

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What is a game? In terms of industrial chain, it is a high-level cultural industry, just like movies. It conforms to the basic characteristics of cultural industry, which can bring the audience a pleasurable experience of sensation and spirit, and will affect the psychology of the audience to some extent.

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China's current cultural industry development status quo and trend research (I)

AbstractIn today's world, the cultural industry has become the core industry of the 21st century's knowledge-based economy and the pillar industry of the national economy of developed countries, "According to statistics, in 2000, the British According to the statistics, in 2000, the output value of the cultural industry of the United Kingdom accounted for 7.9% of the GDP, Japan's culture and entertainment, consumption accounted for 4% of the gross national product, the entertainment industry output value is second only to the automobile industry. The output value of the United States cultural industry has accounted for 18% to 25% of the total GDP, the audio-visual industry has exceeded the aerospace industry, ranking first in the export trade."

Since the 1990s, China's cultural industry has accelerated its development and become one of the fastest growing industries in China over the past 20 years. However, the development level of the overall industry is still even lower than that of developing countries in general. Due to China's huge population, cultural consumption demand, the evolution of industrial structure, the cultural industry is full of extraordinary limited development space, the development of cultural industry and the development of China's 21st century has become a macro development and participation in the international competition, to seize the economic and cultural high point of the core areas, therefore, we about China's current cultural industry management and management issues of research and discussion, not only appears necessary, but also is the most urgent thing. Therefore, our research and discussion on the operation and management of China's current cultural industry is not only necessary, but also urgent.

Keywords: cultural industry, knowledge economy, creative industry, brand management

Introduction

Cultural industry, as an emerging sunrise industry in the contemporary world economic system, has a key position in the development of the global economy, and it is becoming more and more the pillar industry and core industry of each developed country, and its employees have already accounted for 3%-6% of the total employees in some developed countries. Its employees have accounted for 3%-6% of all employees in some developed countries. From 1980 to 1998, the world trade volume of cultural industry has increased from 95.34 billion dollars to 387.03 billion dollars, and in recent years before and after entering into the 21st century, the development of the industry has been unprecedented, and it has become a symbol of the contemporary golden industry and the future economy of mankind.

In Japan, the cultural industry is collectively known as the entertainment and tourism industry, and the scale of the cultural industry was 85 trillion yen in 2000, accounting for 7% of the gross national product. In Korea, from 1999 to 2003, the average annual growth rate of the four major entertainment industries was 22.8%, while the growth rate of the seven traditional industries was 3.3% during the same period.

The cultural consumption of the United States and some countries in Western Europe accounts for about 30% of household consumption, the output value of the cultural industry in the United States accounts for 18%-25% of the total GDP, 72 of the 400 richest American companies are cultural enterprises, in the 1990s, the U.S. exports of consumer audio-visual technology products amounted to 60 billion U.S. dollars, and the United States has grabbed the international The United States has seized the high ground in the international movement of industrial upgrading.

This paper mainly starts from the significance of the development of China's cultural industry, analyzes the status quo and existing problems of the operation and management of China's current cultural industry, and puts forward relevant strategies and suggestions for the comprehensive development of China's cultural industry.

I. The Importance of Developing China's Cultural Industry

In the era of global economic integration and high-tech and digitalization, it has become an urgent need for the survival and development of human society to strive to achieve a balance between spiritual needs and material needs. At the same time, people's spiritual and cultural needs as well as other needs driven by it have greatly expanded the new space for economic development, and the cultural industry will become a great driving force for social and economic development. I