What kind of person is Tan Xinpei?

Tan Xinpei (1847.4.23 ~1917.5.10) is an actor, an old worker and a martial artist. My real name is Jin Fu, and the words look heavy. People also call it Yingxiu because of its name. People from Jiufu Village, Tan Zuowan, outside Dadongmen, Jiangxia District, Wuhan (formerly Wuchang County). His father Tan Zhidao is an old worker and an old student. His only son, Tan Xinpei, was born on the 9th day of March in the 27th year of Qing Daoguang.

Chinese name: Tan Xinpei.

Alias: Yingxiu

Nationality: China.

Ethnic group: Han nationality

Place of birth: Jiangxia District, Wuhan

Date of birth: 1847.4.23

Date of death: 19 17.5. 10

Occupation: actor

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Role overview

Artistic feature

Representative repertoire

Handed down image vocal material

Main disciple

Tan Xinpei's Historical Contribution

Chronology of activities

[Edit this paragraph] Character overview

Birth information

Tan Xinpei (1847.4.23 ~1917.5.10) is an actor, an old worker and a martial artist. My real name is Jin Fu, and the words look heavy. People also call it Yingxiu because of its name.

People from Jiufu Village, Tan Zuowan, outside Dadongmen, Jiangxia District, Wuhan (formerly Wuchang County). His father Tan Zhidao is an old worker and an old student. His only son, Tan Xinpei, was born on the 9th day of March in the 27th year of Qing Daoguang.

Childhood learning

/kloc-When he was 0/0 years old, he went to Beijing with his father. 1 1 year-old entered the small golden chamber to learn martial arts ugliness, and later changed to a martial artist and a veteran of civil and military affairs. He graduated from 1863. At the age of 23, he took the Sanqing class, and mainly played martial arts dramas such as Crusade to China, Sanchakou, Baishuitan and Eight donkey kong. Stable boy, who played "Qingshishan" with Cheng Changgeng, was appreciated by "Big Boss" and entrusted with martial arts. Tan Xinpei is the only martial artist in the painting "Thirteen Musts of Tongguang". It was ten years after Guangxu, enjoying the famous drama world with old students.

Art evaluation

Cheng Changgeng once predicted: "After my death, Xinpei will become a great climate." Tan Xinpei studied under Cheng Chang Gung and Yu Sansheng, and sought art from Zhang Erkui, Lu Shengkui and Wang Jiuling, learning from others' strengths and forming his own family. He, Sun Juxian and Sun Juxian are also known as the "New Three Ding Family" and became the founder of Tan School, the first old school in the history of Peking Opera. On May 25th, 16th year of Guangxu reign, Sun Xiuhua, Chen Delin and Luo Shoushan were elected to the Shengping Company, and their palace stage names were Tan Jinpei. 19 17 may 10 died at 8: 00 am in dawailangying 1 apartment, Xuannei Street, Beijing, at the age of 7 1. Buried in Jietai Temple Li Yuanzhuang Cemetery, the boundary tablet is engraved with "Yingxiu Hall". Today, Tanmen is a family of seven generations in Liyuan. Tan Xinpei

Disciple school

There are few disciples of Tan School, but there are many scholars in private schools. At that time, almost "no life (old life) did not learn Tan", and later generations were divided into old and new factions. The representatives of Lao Tan School are Wang, and (his son), Jia, Meng Xiaoru, Luo, Guan Dayuan and Jia Honglin. Yan's early performances also strictly followed Tan's path. The representative of "New Tan School" is Yu Shuyan. On the basis of inheriting Tan School, Yu started the new and old schools. There are many Tan scholars in the field of banks, such as the owner of Red Bean Pavilion, the owner of Xiashan Building, Joe, Cheng Junmou, etc. They all have profound attainments in the study of Tan School. Later, Ma and Yan were deeply influenced by Tan School. His grandson Tan's "Little Tan School" was basically developed on the basis of "Old Tan School". Actors from other industries, such as Wusheng Yang Xiaolou, Dan Xing Mei Lanfang and Wang Yaoqing, have also been greatly inspired and influenced.

[Edit this paragraph] Artistic features

Artistic image

Tan Xinpei created a large number of artistic images in his life. Because he is good at observing the identity, personality and spiritual temperament of characters, he plays both form and spirit. Chen Yanheng, a famous amateur who is familiar with Tan Pai's art, said: "Tan Xinpei plays Kong Ming as a Confucian, Huang Zhong as a veteran, Bai Huai as an old minister in Rouge Pledge, and Zhou Wenyuan as a stubborn ordinary citizen in Wuyi. The products are different and different. " When portraying characters, he not only pays attention to the truth of the image, but also stresses the beauty of art, and has his own unique creation in singing, reading and playing. Among the "old students and three outstanding figures" at that time, Sun Juxian made good use of "cavity voice" to win with impassioned; Wang Guifen makes good use of "the voice behind the head" to win with vigor and strength; Not like Sun and Wang, with a strong singing voice, there are loud pets and tunes everywhere. But with the voice of "Yun Zheyue", melodious and tactful, longer than lyrical, but sometimes a little sentimental. The same drama, such as, catching and releasing Cao, fish-intestines sword, etc. It was performed by three people, each with its own characteristics. Tan's vocals not only blend the vocals of Zhang Erkui, Lu Shengkui and Feng Ruixiang, but also widely absorb the vocals of Qingyi, Hualien, and the tones of Kunqu Opera, Bangzi and Drum, which are skillfully integrated into the vocals of the old students without showing any trace, and can be unified in their own unique style, forming their own family.

Singing style

He is also good at breaking through the syntax of "223" and "334", using inter-line and function words to moisten the cavity and flexibly change his eyes. As a result, his singing is delicate, lively, changeable, plain and ingenious, and can vividly express the feelings of different characters. For example, the sadness of selling horses, the sadness of Yang's Hongyang Cave, Hua Yun's "Fighting for Peace" and his "Sadness" are all wonderful. His reading aloud, diction and sentences are clear and fluent, and the "Three Reports" in Empty City and the "Ballad-telling" in Eight Hammer are his elaborate masterpieces. Tan Xinpei

flexible

Tan Xinpei was a martial artist in his early years, and his martial arts skills were solid and skillful. Therefore, no matter how he plays tricks, arrows and pleats, he can be flexible and clean, and he also shows his unique skills in many plays, such as "hanging hair" in Shiro's Visit to Mother, "Tiger Leaping" in "War of Peace" (a sentence about "rattle") and. The whole "Qionglin Night Banquet" is heavy, but he plays with ease, showing his waist and legs; The playing style of mace in Selling Horses with Mace and the dancing knife in Cuiping Mountain also have their own characteristics.

Artistic innovation

Tan Xinpei is innovative in art, and many of his plays have been reformed in lyrics and performing arts. He can also foster strengths and avoid weaknesses. His face is thin, so he doesn't often play hat tricks. Huang Zhong, who plays Dingjunshan, wears a scarf instead of a handsome helmet in order to cover up his shortcomings and give full play to his strengths.

[Edit this paragraph] Representative repertoire

Nowadays, there are many artistic skills, and the representative plays are: Empty City Strategy, Selling Horses for Hemp, Li Lingbei, Drumming Cao, Catch and Release Cao, Hongyang Cave, Mulberry Garden, Shiro Visiting Mother, Wujiapo and Fenhe Bay.

[Edit this paragraph] Image Aria Data handed down from ancient times

film

1905, Fengtai Photo Studio filmed Dingjun Mountain in Liulichang Underground Palace, becoming the first black-and-white silent film in China film history. Tan Xinpei

record

EMI produced seven semi-precious CDs for him, which were handed down from generation to generation, including Selling Horse, Touching the Monument with a Sign, Catch and Release Cao Cao, Send a Son from Mulberry Garden, Notes on Wu, Four Lang Visiting Mother 1 piece each, Hongyang Cave, Zhan Taiping and Qingdingzhu each.

Chen Yanheng compiled three volumes of Tan Xinpei's arias, including 65,438+00 plays such as "Empty City".

[Edit this paragraph] Master disciple

His disciples are Wang, Jia Honglin, Liu Xichun and Li Xinfu.

[Edit this paragraph] Tan Xinpei's historical contribution

Tan Xinpei has opened up a new world for the performing arts of the old Peking Opera students, with far-reaching influence, and played a connecting role in the history of Peking Opera. For more than half a century, many old Peking Opera students have favored boys over girls, and they are called "Tan School". Tan Xinpei used his whole life's painstaking efforts and energy to inherit and develop the traditional opera art in China. Since then, this old-fashioned art has been further standardized and systematized, which basically stabilized the pattern of Peking Opera. During his 60-year drama career, he has occupied various styles of stage in China and won audiences at all levels, from the palace to the villages and towns. The Tan School art he created represents the traditional style of China opera in many aspects. He inherited the essence of the Huizhou School and the Han School. He is both civil and military and invincible in troubled times. He developed in an all-round way by singing, reciting, doing and playing, which initiated the "charm school" and gradually brought Beijing opera into a beautiful realm. Tan School, founded by him, is the most widely spread and influential art school with the most flourishing branches and leaves. In the history of Beijing opera, it has always been recognized as the mainstream school among the old performers. Later, important old schools such as Ma, Yan and Yan were all derived from Tan School.

[Edit this paragraph] chronology of activities

1879

1879, 5th year of Guangxu (Ji Mao): Tan Xinpei went to Shanghai for the first time.

Tan Xinpei and Sun Caizhu went to Shanghai together. At the age of thirty-five, he moved to Jingui Tea Garden with a stage name of Tan, specializing in martial arts. At that time, the Shaanxi opera was popular in Shanghai, and the Chen people were the best. Cai Lin was originally transferred to Beijing Zhongsheng Spring Class, which was kept by the internal prison. Relying on his favour, Cai Lin refused the title of emperor. So he flew to impeach the eunuch not to keep the pear garden privately, and the class was over. Cai Lin went to Shanghai, and it took some time to get rid of his horse. Tan returned the following spring and began to learn drama. Tan Benchong is a martial artist in Sanqing class. His father sang an old Dan and an old student. He lost his voice, so his name is Tan Tian, which is not a good name. Tan sitong studied in the Golden Chamber in his early years, during which he experienced civil and military chaos. After leaving the department, he became a teacher, but Cheng was from Anhui and Tan was from Huangpi, Hubei, with the same accent. After becoming famous, those who lived in Tan regarded Huguangyin as authentic, and those who mistook Piquan for Huangpi were forgetful of their ancestors. (Excerpted from Old News of Chunshen: Tan Xinpei's Five Visits to Shanghai).

1September 4th, 879 July 18th: The third celebration class attended the meeting of Renhe and Wangwenqi in Yingshijia Hutong.

On July 18th and 19th of the lunar calendar, Sanqing class was invited by Renhe and Wang Wenqia to Jiahutong, and Sixi class was arranged outside.

Main repertoire

Khufu (Cheng Changgeng)

Wen Zhaoguan (Cheng Changgeng)

Eight hammers (Xu Xiaoxiang, Yang Yuelou, Huang Runfu)

Dress up and throw halberds (Xu Xiaoxiang, Zhu Lianfen)

Dreams in the Garden (Xu Xiaoxiang, Zhu Lianfen)

Four thinkers (Zhu Lianfen, Shen, Sun Caizhu, Chen Lanxian,)

Heroes (Yang Yuelou, Lu Shengkui, Xu Xiaoxiang, Qian Baofeng, Sun Erguan)

Take Saburo alive (Yang Mingyu, Zhu Lianfen)

Double package case (Chu Liankui, He Guishan)

Crushing Wu Dong (Tan Jinfu)

The Gate of Loyalty (Tan)

Dingjunshan (Tan Jinfu)

Intelligent chain (De Zijie, Li Shunting)

Catch and release Cao Cao (Lu Shengkui, He Guishan, Liu Guiqing)

Yu Linglong (Jiang Changfu, second brother)

Zhentanzhou (Li Xiaozhen, Yin Derui)

Yangpingguan (Chi Dingge, Huang Runfu, Li Shunting, Zhang Sanyuan)

Scholar's score (Xiaoming Tian, Sun Erguan, Lu Xinglin)

Shuangsizhou (Li Xiaozhen, Li Xiaoyu, Zhang Zhifang, Zhu Xiaoyuan)

Sacrifice to Jiang (Lu)

Rushing into the Mountain (Song Fushou, Liu Gansan)

Xiang Liang thorn beam (,Zhu Lianfen, Ye)

Small and Big Cheats (Yang Mingyu, Song Rusheng)

Visiting my mother (Yang Yuelou,, Lu,)

North Cheat (He Guishan)

Interception of rivers (Chidingge, Kongzi)

Imperial Monument Pavilion (alias Tian, Zhao Baofen,)

Sangyuan Jizi (Chen Delin Lu Shengkui)

Jinshan Temple (Chen Delin, Li Liuer, Li, Qian,)

Yuntaiguan (Lu Shengkui)

"Playing Lotus" (Chen Delin, Lu Xinglin)

The main repertoire of Sixi class

Maxima (Chen Lanxian, Cao Chunshan, Ye, Yao Zenglu, Wang Aqiao)

(Mei Qiaoling, Xia, Fan Chungui, Bao Fushan, Wu Liankui)

Visiting relatives (Liu Gansan, Mei Qiaoling)

Xiaogantian (Yu Ziyun, Li Yannong)

1884

1884, Ten Years of Guangxu (Shen Jia): Tan Xinpei went to Shanghai for the second time.

He went to Shanghai to sing, and his stage name was Tian. Accompanied by Dakui officials, he established a tea garden in Sanqing, which was later changed to Dangui. Sun Juxian played a fairy when he was in Shanghai.

1890

1890 Guangxu 16 (Geng Yin) May 25th July 1 1 day: Tan Xinpei, Chen Delin, Sun Xiuhua and Luo Shoushan were elected as officials of the Promotion Department.

Tan Xinpei, Chen Delin, Sun Xiuhua and Luo Shoushan were also selected as citizens in the promotion department.

1908 June 29th in the thirty-fourth year of Guangxu (Wushen): South China Sea Mission in the thirty-fourth year of Guangxu.

South China Sea Messenger. * * * 26. 10.

perform

Fu Lushou (Instantly)

Mukezhai (three quarters) (Yang Defu)

Pan Taoshe (Sanke) (Zhu Yukang)

Scarab Fishing (25 minutes) (Gong Yunfu)

Raise the tripod (25 minutes) (Wang Fengqing, Zhu Suyun)

Water curtain cave (3: 10) (Yang Xiaolou)

Godson (25 minutes) (Tan Xinpei, Wang Yaoqing)

Iron Bow Side (Three Carvings) (Hou Junshan)

Qingshishan (Three Carvings) (Li Shunting)

Long life without borders (two prints)

1908

September 5th 1908 in the thirty-fourth year of Guangxu (Wushen), and the 10th day of August: South China Sea Mission in August in the thirty-fourth year of Guangxu.

South China Sea Messenger. * * * It is now 40: 10.

perform

Fu Lushou (Instantly)

Sizhou City (20 minutes) (Zhu Yukang)

Zhao Jun (two prints) (Chen Delin)

Eight hammers (five quarters) (Hou Junshan, Qian)

Apocalypse Temple (four prints) (Langdeshan, Gong Yunfu)

Leopard (three quarters) (Yang Xiaolou)

Visiting relatives and friends (5: 15), Zhang

Five People's Righteousness (3/4) (Li Lianzhong)

Zhao Guan (two prints) (Wang Fengqing)

Changbanpo (five prints) (Yang Xiaolou)

Tea Official (two prints) (Yang Defu, Zhu Suyun)

Zhulian Village (Qidiao) (Tan Xinpei)

Long life without borders (two prints)

1909

1909, the first year, Xia: The first performance of "Village" in a commercial drama.

That summer, Julian Village was posted in Qingsheng Garden, which was the first time since Tan entered the palace that the play was hung out of Shang Yan by his family. After hearing the news, Yan asked for leave to watch, and it was too late to change his military uniform in a hurry. While the school supervisor was there, he was given a big demerit. However, Juyou friends don't care, just enjoy watching Zhulian Village.

1March 3, 909, February of the first year of Xuan Tong (Ji You) 12: Dezong and Qin Xiao performed filial piety.

After Dezong and Qin Xiao, these two countries were filial and the theaters resumed business. Tan Xinpei, urged by his family and disciples, made great efforts to step onto the stage. Yan will definitely come to every performance.

19 10 year

19 10, the second year of Xuan Tong (Geng Xu): Tan Xinpei III.

Tan Xinpei has been to Shanghai three times and played in Pioni Ka Garden. I'll be back soon after posting old dramas.

19 10, (Geng Xu) two years: Shidai Chunqing class, Shuangqing class.

From 19 10 to 19 17, Shi joined the class and performed in a double-class performance organized by Zhenting. The main repertoires are Ma On Shan, Fishbone Sword, Wulongyuan, Catch and Release Cao, Zhu Shazhi and so on.

19 10 April 12, the third day of March in Xuantong: 19 10 April 12 Pioni Card Garden Performance.

Today, the Pianica Garden will be given a matinee by the Chun Qing class.

Grand finale: (There is a seller). Play Han, play Jiang, Xie Baoyun play Jin, and Jia Honglin play Wu Huiquan.

Major axis: flying fork array (in)

19 12 years

19 12, Year of Renzi in the Lunar New Year: Tan Xinpei IV.

Tan Xinpei went to Shanghai four times and performed on a new stage. At first, he met Shanghainese with the title of "the king of underwear, enshrined in the palace" and changed his name to Tan Xinpei, when he was 65 years old. Peer supporting roles include Jin Xiushan, Sun, De Xinru, Wen Rongshou and Ci Ruiquan. For a time, Jin Xiushan and De Xinru both went to the sea as ticket lovers, and sang "Two Entering the Palace" with Sun Juxian, which was known as "Three Sheep Open Thailand" (experts called it the wool of ticket lovers). Shanghai people take their ears as their eyes and don't know the weight, while Yang Sifang played Dangui, which was a smash hit. Yang Benwu sang about the old man, played "empty city stratagem" and pronounced "Zhao Lie" as "Gai Li"; Many jokes about "Masu's exaggeration" are "Masu is over 70 years old", but Shanghainese like to spill dog blood and even recognize Yang as the only old student in Beijing. And regarded Tan as an explosion. One day, Yang posted "Pig Eight Rings Stealing the Soul Clock" and learned to sing various kinds of four platforms: life, Dan, net, end and ugliness, so that Shanghainese could watch it in an empty lane. Tan Ben is strong in martial arts and not to be outdone. The next day, "Pig Eight Rings Stole the Soul Bell" was posted, and Shanghainese took the empty lane. And singing, without learning the north-south accent, the audience has gradually decomposed. And climbing four platforms, because of old age, can not roll, can only climb down the foot of the table. There is a tabloid, Liu Shuxuan, full of vigor and vitality, shouting in the box. At that time, Xu was the main commander of the new stage, and he also patted his neck from behind with momentum. The storm began. The next day, all the tabloids attacked Tan Xinpei. As for the chess pieces, Liu Xu also went to court. Tan was furious and returned to the north without an appointment. He vowed not to sing in Shanghai (according to Yu Shuyan, he also vowed not to sing in Shanghai).

During his stay in Shanghai, Zhou studied several plays, such as Imperial Monument Pavilion and Beating the Stick in the Box.

19 12, the year of Renzi in the lunar calendar: Zhou entered the new stage.

Zhou He walked into the Shanghai New Stage and other theaters. He, Li Jirui, Sun Juxian, Jin Xiushan, Feng and Jiang performed on the same stage, which was deeply influenced.

19 12 Year of Renzi in the Lunar New Year: Mei Lanfang and Tan Xinpei performed together for the first time.

Mei Lanfang performed on the same stage with Tan Xinpei for the first time, and performed the drama "Sangyuan ji zi".

19 14 years

1965438+June 7, 2004, the 14th day of the fifth lunar month:1965438+the performance in Qingsheng Garden on June 7, 2004.

Today, Tan Xinpei, Huang Runfu, Li Shunting and Liu Chunxi performed "Scold Cao" in Qingsheng Garden.

19 14 10 June 19, the first day of the ninth lunar month: 19 14 10 October 19, performed in Civilization Park.

Today, He Guishan, in the Civilization Park, cooperated to "scold Cao".

19 15, the first year of the lunar calendar: five times in Shanghai, Tan Xinpei.

The new stage with nine acres of land was established for the second time, which suffered heavy losses. Her husband Xia Yuerun (the boss of the new stage) and Wang (the pillar of the new stage) went to Beiping in person and knelt down to ask the old man for help. Tan Xinpei began to go south and went to Shanghai for the fifth time for ten days, the first day of "Empty City Plan" and the last day of "Zhulian Village". Tickets are five yuan upstairs and downstairs, and Shanghainese began to waver and poured out of the city. The new stage has 2 150 seats, no empty chairs and no space. Tan Nian is 70 years old. When Yang also stepped onto a new stage, he sang the second place. When Tan performs on stage, Yang needs to lengthen his horse to buy time. I didn't know the audience, but I thought Yang was good at showing off, so I was cheered in chorus. The next day, "Worse Door" was performed, and the audience was rewarded with a teapot lid, copper coins and orange peel. Yang broke his head, but he couldn't help singing.

Tan came to Shanghai five times before and after, and the anecdote of Beijing opera in the past 100 years was called the mistake of six trips to the south of the Yangtze River. Because Tan returned to the North for the first time, he went to the Imperial Palace to offer sacrifices in a short time, and was given four kinds of white stone hats in the Qing Dynasty, and he was not allowed to go out to act. After the Qing Dynasty, the Gengzi Rebellion was held in the West, worshiping only those who made a living by acting outside. Soon after he came back, Sun Juxian had fled to Shanghai, and he dared not come back. The ban was slightly broken, so it was the twenty-sixth year of Guangxu. Therefore, Bùi Tín is going south for the second time in 27 years, not the third time.

19 17

19 17 April 14 25th day of the fourth lunar month: the last performance of Tan Xinpei.

In order to welcome Lu Rongting, governor of Guangxi, the Beijing government held a banquet in the garden of Jinyu Hutong. At that time, 70-year-old Tan Xinpei was sickly, so he had to be gentle. Unexpectedly, he offended the authorities and the news spread. If he doesn't go, not only will he not release his grandson Tan Shuang (who has been detained for a crime), but he will also be detained with him. Four patrolmen were sent to the door, named to meet, but actually escorted, so Tan had to endure the pain and recuperate. When he arrived at the scene, he was surprised to see that the play was Hongyangdong, because Yang Liulang, who he played in the play, died in the line of duty, and his master Cheng Changgeng sang the play at the last moment of his life. He was moved by this scene and had a premonition of disaster. This performance really can't sing the whole book. After repeated requests, he began to sing from Visiting the Sick. He works hard and sings meticulously. He was full of energy and excitement at the end, but when he got backstage, he collapsed on the table and fainted. According to Jia Honglin, who plays the Eight Immortals King on the same stage, "I have been singing with my boss for many years, and I have never seen anything unusual in his expression this time, especially his sparkling and aggressive eyes, which scared me to look at him directly." Tan got home angry and tired, became more and more ill, and died soon.