Traditional Culture Encyclopedia - Traditional festivals - Japanese hanafuda hanaza playing rules

Japanese hanafuda hanaza playing rules

It's too hard to find the picture, there is Japanese traditional culture in it, and you say the month represents the pattern and meaning, compare it yourself. January - Mutsuki (Mutsuki) Pine and Crane; the appearance of pine trees in the January cards is derived from the Japanese custom of "Kado Matsu" (Kado Matsu; かどまつKadoMatsu), because the Japanese people in the first month of the week beginning on January 1, decorated their home entrance with pine branches, so that they can use them for their own purposes. During the week beginning on the first day of January, Japanese people decorate the entrance to their homes with pine branches to welcome their ancestral gods and blessings. It is also a Japanese custom that the beginning of the word "tsuru" (鹤; tsuru tsuru) is followed by the end of the word "kado-matsu" (门松).

`It consists of 20 cents of "kou", 5 cents of red "short", and two zero cents of "pi".

The pattern of "light" is 1/4 of the sun, a crane, and a pine tree. The sun is used here to symbolize the sunrise of the New Year and the crane to pray for the health and longevity of the family. In addition, except for the moon in August and the sycamore in November, there is a 5-point blue and red "band", which is a kind of paper called "danshou". The traditional Japanese poem "haiku" is written on this "danjo", which is about 36cm*6cm in size, and its color, red, is a symbol of joy and good fortune for Japanese people. So from January, February, March in the red short to see, these months for the Japanese how festive.

February - Kisaragi (Kisaragi) Plum and warbler; the pattern includes magpies and plum blossoms. Plum blossoms appear because of the Plum Blossom Festival held at Plum Blossom Park in Ibaraki and other places in Japan starting in February. The magpie is a familiar bird to Japanese people, and even the Tokyo area has a local name for it, "Warbler Valley". However, magpies migrate to Japan in April as migratory birds, so why they appear in February is uncertain. Perhaps it is to honor the rhyme between Uguisu, the magpie's pronunciation, and Ume, the plum blossom's pronunciation.

March - Yayoi (Yayoi) Sakura and Maku; it is the time of the year when the cherry blossoms become extinct, so all the patterns in March are dominated by cherry blossoms. Under the cherry blossom "light" sign, a cloth curtain called a maku-maku (幔幕; まんまく), which is used for festive events, is painted. Slow curtains were used at festive events, and perhaps behind this curtain are spring visitors who are drinking and watching the flowers. -

April - Uzuki (Uzuki) Vine with swallows; black bearded tree. The actual rattan tree. Vine tree festivals are held in Japan in April. The vine tree symbolizes summer in poetic language, and the swallow in the 10-point card is a bird often found in poetic titles and beloved by the Japanese. The bearded branches can be made into whisk brooms. -

May - Gaotsuki (Satuki) Calamus and Yatsuhashi; orchids, which are not actually orchids, but are supposed to be gladiolus. The purple gladiolus is used as an ornamental plant, blooming mostly in shady and damp places, and symbolizing summer in poetry. 10 points in the card are each three small sticks arranged in a T-shape and a red-headed stick, which are a small wooden bridge (Yatsuhashi; やつはし) erected to facilitate the enjoyment of the flowers, and an abutment to support the wooden bridge. There is also a man standing at one end of the bridge, but it fails to fit into this 1-inch sized banner. -

June - Minazuki (Minazuki) Peonies and Butterflies; Peonies are not only a poetic expression of summer, but they also symbolize nobility, so they can be seen in many Japanese family crests. It is customary in the East to have both flowers and butterflies in a painting. However, in Korean paintings, butterflies are never placed together with flowers because there were no butterflies in the peonies sent to Silla by Emperor Tang Taizong. Also the months of June, September, and October each have five points of greenish shortness. In Japan, the color cyan suggests melancholy. This is said to be because June, September, and October are months in Japan that are ravaged by torrential rains and typhoons, and are associated with the occurrence of disasters in various parts of the country. -

July - Fumizuki Hagi and Pig; out of the 4 cards in July, only a wild boar appears in the 10-point card, the rest are just Hojo. The wild boar appears because July is the month of wild boar hunting.

August - Hazuki (葉月) 芒聙聹芒聙聺 with the moon and geese; this is because August is not only a month for moon viewing (お月見; おつきみ), it is also a month of migrating geese. In the Korean hwatu, the black part is the mountain, and the white part in the 10-cent card is the sky. Also, there is no grass painted on the August side of the Korean hanafuda, while the Japanese hanafuda has grass painted on it. Notice the absence of any of the 5-point cards in the August Flower Deck

Perhaps it was during the fall harvest and people had no time for poetry entertainment.

September - Nagatsuki (Nagatsuki) Chrysanthemums and cups; this is because of the Chrysanthemum Festival that takes place in Japan during this month, and the presence of a goblet engraved with "Shou" on a 10-point card reflects the fact that the Chrysanthemum Festival has been held in Japan since the Heian Period in the 9th century. "This reflects the traditional Japanese belief that drinking chrysanthemum wine and wearing chrysanthemum clothes on September 9 will lead to a long life. In addition, the chrysanthemum motif is a symbol of Japanese kingship and serves as two skins in a card game. The wine goblet (杯; さかずき SakaZuki) and the chrysanthemum (菊; きく Kiku) observe the rule of end rhyme. -

October in Japan - Kannazuki (神无月) Red leaves and deer; the season of maple leaf watching and deer hunting.The maple leaf and stag in the 10-point deck reflect this. Deer (鹿;しか) and maple (枫;かえで) have the same end and beginning rhymes.

November - Shimotsuki (Frosty Moon) Onomichi Wind, Willow and Swallow, and Electricity; November's motifs are unusual in that the 20-point "light" card shows a man with an umbrella, a meandering stream, and a frog; the 10-point card shows a man in a flowery dress, and the 10-point card shows a frog in a flowery dress, and the 10-point card shows a frog in a flowery dress, and the 10-point card shows a frog in a flowery dress. In the 10-cent card, there is a swallow dressed in flowers; a strange red and black pattern that can be used as a double skin. The man with the umbrella and hat is Michikaze Ono, one of the Japanese calligraphers. The frog was painted because it was moved by the frog's determination to climb the tree.

December - Shiwasu (Kiryu and Phoenix): In the 20-point "light" card, there is a hen-like bird and a sweet potato. The black pattern of sweet potatoes is a sycamore leaf, which is more prominent in Japanese flower cards, and which also symbolizes the Shogun, and now represents the Japanese national public schools. There is also the strange bird, which is actually a phoenix, symbolizing the Shogun's steadfast character and status. You can see why the Japanese love the sycamore.

-Hana-zaka is so beautifully made that you can feel the rich culture of 18th century Japan in your hand just by holding the card in your hand. Hanazha is a game played by both men and women in Japan and Korea. In fact, in China, there is a similar card game called Hanazha, called Hua Hu, also known as Liu's Hanazha, which started in Jinjin Kou in Public Security during the Jiaqing period of the Qing Dynasty, and is the original creation of the Liu's family. Liu's flower card collection of enlightenment, entertainment as one, melting calligraphy, painting, literacy in a furnace, one hundred and ten cards, although small, but each hidden mystery: simple and pale calligraphy is pleasing to the eye, exquisite painting makes a person breathtaking, a painting reflects the vastness and depth of traditional Chinese culture. In the simple words and phrases of the flower cards, the artist Liu Painter transfers to people the essence of "Kong Yiji, three thousand", and then dissolves the ancient educational concepts in the flower cards, teaching and entertaining. Ancient and bizarre font is another feature of the flower cards. This kind of character, which looks like the official script but not the official script and the seal script but not the seal script, is between the running script and the cursive script. Written with a brush, it is well-structured, light and heavy, and wielded in a controlled manner. This special character, which cannot be found in any calligraphy dictionary, is called "Liu Style" by later generations. It has a strong local characteristics, no matter to the ends of the earth, as long as you see it, you know where it comes from, who is the first author, thus becoming the image of the Golden Mouth logo. Coincidentally, this seems to be difficult to read and understand the word is very easy to popularize, even if illiterate ordinary laborers, in a very short period of time will also quickly grasp the application. The strange thing is that in a stack of cards, as long as the emergence of a little bit of the word head, you can accurately identify what card is a card, it is clumsy to see the cleverness, the cleverness of the exposed rhinoceros. Hua Zha is usually a game played by two people, as 'pro' and 'son' respectively.

The game starts with deciding who will be the "parent" and who will be the "child". First, each person draws a card, and whoever draws the smaller month card will be the 'parent'. Then the "parent" takes the cards first, two at a time, and then the "child" takes two after that. This goes on until each player has eight cards in his hand. Then he draws eight cards and puts them in the center of the field. The rest of the cards are put aside and are called "shanzha".

Then the game begins. First, the "pro" plays a card and puts a card into the "field", if there is a card of the same month in the field, it can be taken away, if not, a card is drawn from the "shanzha" to be taken away. When any one of the players is able to gather the so-called "Yakka" in his/her hand, he/she can call for a stop, and then he/she can either count the points or continue to play, or if he/she chooses to continue to play, he/she can't call for a stop unless someone else is able to get the "Yakka", and then he/she can count the points again. If you choose to stop counting, you can count who wins and who loses based on the hand and the number of points scored. Of course, if there are no more cards left in the hand, neither player can count, and the game ends. The game will start again.

As for the scoring system, in Hanazaza, the scoring is done in terms of mune (an old Japanese coin system), and the winner is the one who gets the most mune after 12 games.

For example, if you get 6 mun in a game, you accumulate 6 mun, but if you get 8 mun, you accumulate 16 mun.

Next, we'll explain the list of "Yaku"

The following combinations exist in Hanabi: Five Lights (ゴコウ)

Collecting all five Lights (cards with the word Light on them) (10 mun)

Collecting four Lights (シコウ)

Collecting four Lights (8 mun)

Collecting three Lights (サンコウ)

Collecting three Lights (サンコウ), excluding "Rain", is a good way to get more money.

Collect 3 light tiles (5 wen) that do not include "rain"

Rain Sanko (アメサンコウ)

Collect 3 light tiles (5 wen) that do include "rain"

Tane

Collect 5 tane ""札, (1 text). Collect 5 or more, and get 1 more Wen for each additional one.

Collecting 7 or more is called "Tane" and doubles your score. Pig, Deer, Butterfly (イノシカチョウ)

If you collect "Hagi ni Pig", "Red Leaf ni Deer", and "Butterfly ni Peony" (5 wen), and you have this card in your hand, you will receive an extra 10 wen and 5 wen. TANZAKO

If you collect 5 "Tane" tiles, you get 1 tens of thousands of tiles. If you collect more than 5, you get (1) more for each additional one. Red Book (アカタン)

Collecting 3 red booklet cards with text (5 wen.) After this battle, an additional booklet card scores an extra wen).

Green Book (アオタン)

Gather 3 green book cards with no text (5 texts) After you have this battle in your hand, you get one more book card and one more text. Kusatsu (Kusatsu)

Collect 3 red kusatsu cards without text (5) After you have this battle in your hand, you get an extra kusatsu card, and you get an extra penny. Kas

The last ones left are the ones that don't have much character in the pattern. They **** have 48-5-10-9 = twenty-four cards. There are three of them in December, one in November, and two in each of the other months. Example:

It is generally called "Koi-Koi" when played by two people, and "Hanaawase" when played by more than two people, but among all hanafuda enthusiasts, the 8-8 is the most popular way to play the game. In addition, there are a variety of unique ways to play the game throughout the country.

The game begins. After the cards are shuffled by the parent, they are dealt out in the order of son, field, and parent, with each person getting eight cards and the field showing eight cards (face up). This is called "hand eight の field eight". Of course, there are other ways of holding the cards, such as "hand ten no yabu" and "hand seven no yabu". The rest of the cards are stacked up and held next to each other in a pile called "yamazasa". At this point, the cards in the field are checked, and if there are three cards in the same month, they are placed on top of each other. If there are four cards in the same month, then the game is lost (i.e., no one wins, and the game is restarted).

The round begins with the pro side playing first, and if any of the cards played are in the same month as the cards in the field, they are stacked on top of each other; if not, they are placed in the field; then a card is taken from the shanzha, and similarly, if any of the cards taken are in the same month as the cards in the field, they are stacked on top of each other; if not, they are placed in the field. Finally the stacked ones of the same month are taken back, sorted and lined up by suit, and shown before you. Then the sub-side plays its cards. And so the round goes on.

If a combination of "yaku" appears on the returned cards in your hand, you can win the game by calling "や~めた" (や~めた). The winner will be the pro side for the next game.

The challenge of the game is this: if I get a yakuza combination, but the yakuza is too small (fewer points), I can call "koikai" to continue the battle. That way, the next time I get a new yakuza combination and end the game, I can get a higher score. However, if my opponent gets a new battle combination before I get a new one and calls for the end of the game. Then, my last hand is wasted.