Traditional Culture Encyclopedia - Traditional festivals - Why can't China movies go out?

Why can't China movies go out?

? Differences between Chinese and Western cultures.

Domestic movies like to shoulder social responsibilities, like to play an educational role with movies, pay attention to telling complete stories, and use stories to drive audiences. In the final analysis, there are three stresses, "morality, culture and education". This is directly related to China's traditional culture and national conditions. The United States emphasizes artistry and expressiveness. The style of the film pays attention to visual stimulation, luxurious scenes, wonderful stories and humorous dialogues, and sometimes it has a daydream-like happy ending or a moral lesson of promoting good and punishing evil. The high-tech, high-investment, commercial operation mode has won most audiences with its entertainment advantages.

American movies face the future and talk about what may happen in the future; Most of China's films talk about the past. He likes to learn from history and know the future. American movies are mostly high-tech movies, while China movies are mostly philosophical stories. American movies are mostly action and redemption, while China movies are mostly struggle and humiliation; There are many new stories in American movies and many old stories in China movies.

China-made films have always achieved good results only in the mainland of China, even in Hong Kong and Taiwan outside the mainland. On the contrary, American films can achieve good results in all countries in the country. For example, Kung Fu Panda is full of China elements. China people can't think of it, and they can't shoot it. It is this gap that has long limited the thinking of making movies.

The lack of movie scripts. Good scripts are actually hard to find, mainly because most scripts are still catering to market tastes, not for creation but for making money. The meaning is obvious. You can write any script that can make money.

As a domestic movie audience, my vision is too high and I am impacted by foreign movies. We won't go to see a really good movie without a big star, so we are caught in an infinite loop. There is no environment to support the rise of domestic good movies. Domestic movies still have a long way to go, but they will get better and better in the end.