There are beautiful articles about China ceramics.

Today, the moon is particularly round, the autumn wind is blowing dead willows, and there are stars in the sky. I like the beauty of this full moon night. When I came out of my mother's house, the old man suddenly told me that there was a porcelain exhibition today, and I was in a leisurely mood. I strolled to the long-lost square. Longquan Pagoda, a thousand-year-old temple, still stands beside the gurgling Jinghe Bridge, with shining street lamps shining on porcelain. The shuttling crowd makes the world look particularly bright and warm. Smart buyers and sellers bargain strategically, while smart foreigners insist on price limits in principle. The noise of buying and selling is so peaceful and rhythmic, and the porcelain market is not so noisy.

At a booth, I saw a beautiful flat bottle from many porcelains. The bottom of the bottle almost became a square ellipse, and a small flat bottle mouth turned out to be a trumpet shape. Both sides of the bottle are carved with Jiangnan landscape, which is lush and beautiful. The bottle gives people a sense of artistic beauty, and it is exquisite and delicate to cook. It's very comfortable to touch with your hands, and the concave-convex feeling gives people a three-dimensional visual experience. I have never seen such a shape before. I took a fancy to it at first sight, as if I had known it before, and I felt that it had spiritual existence. I couldn't put it down, looked at it and touched it, so I had the desire to sell it. After bargaining with the southern boss several times, I finally made a decision at a price that I thought was very reasonable, so I paid the money and picked up my own porcelain to go to the next booth. I looked back and forth at this flat bottle several times and suddenly found it was a contrast. In fact, even the best things have flaws, but their beauty and brilliance confuse people's eyes, so the first thing you find at the initial moment is beauty. When you really have it, you can really understand it and see through it. Then all the shortcomings and deficiencies will be exposed, isn't it the same for people? No one is perfect and fragile. In fact, we should accept shortcomings, but sometimes if it is a fundamental mistake, such as treating coarse porcelain as an antique or a fine product and confusing our eyes, we will really regret it. So I was full of affection for this tiny weakness porcelain, and my initial aesthetic feeling was restored, but it was not the feeling of deja vu, because after all, there was a stain.

There are all kinds of shapes in the Ming night porcelain I browsed. Including round porcelain bottles, long tower porcelain, pot-bellied porcelain altar and ................................................................................................................................., a porcelain sand jar with a liquid nozzle, they all appeared in this ordinary porcelain, which made this local porcelain stand out, had extraordinary taste and left art on them. I am intoxicated with it, but I know that every exquisite porcelain has hidden flaws, but my quick browsing can't find them in time, and beauty covers up their shortcomings. Wan Li, a real masterpiece, can't be found without enough patience and eyesight. Where is the vision and patience? In fact, in our hearts. Because we can never exhaust exquisiteness, even the best products actually have flaws. Only by embracing everything can we look so beautiful.