Hold the stone chapped how to read

Hugging the stone chapped reading is [bào] [shí] [cūn], the details are as follows:

One of the hugging the stone chapped introduction:

Hugging the stone chapped is the Chinese traditional painting is commonly used in a technique used to depict the texture of the rocks and texture. It plays a role in painting to enhance the three-dimensionality and natural realism. The name of "stone chapping" originates from the fact that when a painter depicts a rock, he or she uses the technique to surround the surface of the object with brushstrokes like holding a stone to form a layered sense of texture.

Second, the characteristics and techniques of the stone chapping:

The characteristics of the stone chapping is able to accurately depict the texture and texture of the rocks, making the picture more vivid and three-dimensional. The main use of hook, hit, knock, point and other techniques to express the texture of the surface of the rock, through the use of these techniques, can create a variety of different texture effects, such as line thickness, changes in the direction of the depth of the sense of hierarchy and so on.

Three, the use of the scope of holding the stone chapping:

Holding the stone chapping is widely used in traditional Chinese landscape painting and bird and flower paintings, for the paintings to increase the three-dimensionality and sense of reality. In landscape paintings, the rock chapping is often used to depict the surface texture and scale of the rocks, making them lifelike, with a sense of texture and three-dimensionality. In flower and bird paintings, the embracing stone chapping is often used to depict the texture of stems, leaves and petals of flowers and plants, making the paintings more detailed and realistic.

Four, the development of chapped stones:

Chapped stones as a traditional Chinese painting techniques, has a long history. It originated in ancient painting in the style of realism, and with the passage of time gradually developed and perfected. In the Ming Dynasty, the technique of stone-chopping was more y studied and applied, and became an indispensable technique in the painting academy at that time. In the Qing Dynasty, stone-chopping was further developed, and the characteristics and styles of different schools were formed.

Fifth, holding the stone chapped with other painting techniques:

Holding the stone chapped is a technique in traditional Chinese painting, and other painting techniques mutual penetration and influence. For example, in landscape paintings, the holding stone chapping is often used in conjunction with the techniques of dabbing light and heavy as well as stacking stones to achieve a more delicate and realistic effect. In flower and bird paintings, the stone chafing is often combined with the splash of color and other techniques, making the flowers and plants more three-dimensional and vivid.