Why does Ma Sanli's influence and historical position in the industry seem to be weaker than Hou Baolin's?

In the comic family tree, Ma Sanli is the "Shou" generation, Hou Baolin is the "Bao" generation, Ma Sanli is older than Hou Baolin, so Hou Baolin has always called Ma Sanli as "Uncle San". So Hou Baolin has always called Ma Sanli "Uncle San". In the line of comedy that emphasizes succession and seniority, this rule can not be messed up, so we can see the photo of the two, always Ma Sanli sitting, Hou Baolin standing.

But seniority doesn't mean fame and achievement, and there are plenty of examples of people who are better than the blue, and that seems to be the case between Hou and Ma. For a long period of time, Hou Baolin's reputation is greater than Ma Sanli, Hou is known as the "master of comedy", while Ma was honored until the late years of the "comedy of the great", master is related to the level, the great by virtue of the seniority and seniority; political treatment, Hou also The first time I saw this, I was in the middle of a long journey, and I was in the middle of a long journey, and I was in the middle of a long journey, and I was in the middle of a long journey, and I was in the middle of a long journey.

So is Ma Sanli really not as good as Hou Baolin says?

This is not the case.

First of all, their styles are completely different.

First of all, the two styles are completely different. If you look at it according to the expression "handsome, strange and bad", Ma is closer to "strange", Hou is closer to "handsome"; from the point of view of "talking, learning and singing", Ma is more skillful at "talking, learning and singing". From the point of view of "speaking, learning and singing", Ma is better at "speaking" and Hou is better at "singing"; Ma is better at narrating and shaping, so many unforgettable minor characters are born in his works, and Hou is better at utilizing culture and techniques, so his works are characterized by the following elements Both of them are good at satire, but Ma does it more in the form of self-deprecation, and most of the time he only talks about it without commenting on it, leaving it to people's own tastes, while Hou exposes it more from the angle of an observer, in the form of a miscellaneous essay; Ma appears to be a more commoner, and Hou appears to be a more elitist person.

Secondly, in a sense, many of Ma's works may have a longer lifespan than Hou's. In Hou's works, there are traces of the times. In Hou's works, the traces of the times are very heavy, and these things may have been very effective and important at the time, but they may not work well after the passage of time; whereas Ma's works are much lighter in their traces of the times, and are more about the eternal ugliness and weakness of human nature, so that no matter how much the audience has iterated, the intent of his works is still valid.

In that case, why does Ma Sanli's influence and historical standing in the industry seem indeed inferior to Hou Baolin's?

Their respective environments are a direct result. Hou Baolin has been working in Beijing, while Ma Sanli has been rooted in Tianjin since 1950. Although the distance between the two cities is only about 130 kilometers, Beijing is the capital city, which has a radiant effect on the whole country, and its culture is more national, while Tianjin is just a place with a limited scope of influence, which is naturally incomparable.

And the deeper reason is that Hou's art is the hall of fame, the horse is the jianghu sex, so Hou and the power of the relationship between the closer, in turn, get the support is also more.

After 1949, literature and art served politics, and all old art forms were subjected to the reform of the new society. Hou Baolin was an activist and leader in the reform of comedy, and under his efforts, the folk art of comedy was not only civilized and cleaned up, but also gained a new function to match the situation and play a propaganda role. Although Ma Sanli was also active in arranging and performing new comedies, and made great contributions to the civilization of comedy, his focus was more on the improvement of the standard of an art profession itself, and the political color was always much lighter. In addition, Ma was affected by the movement from 1958 onwards, and he stayed away from the stage for the next 19 years, missing out on the prime of his life when he was most capable of creating works.

Ma Sanli's Buying Monkeys and Meeting Fans are also representative of the new comedy, but at the same time have a distinctly different face from Hou's

Hou Baolin's comedy is new, but in the images of his performances that we can see today, he'll always be in a lab coat

And when I say that, there is in fact the danger of a different kind of misunderstanding. In today's context, it seems that "folk" is good, independent, and pure, and that anything that has a relationship with power is bad, dependent, and unproductive. In fact, this is not the case, there will also be flattery, drunkenness, and bad folk, but there are also focused, persistent, and high-quality ones in the hall of fame. Hou Baolin's reform of the comedy, is still to the comedy as the base, and later singing the praises of the comedy, the policy of the comedy, slogan comedy is not the same, the disciples and grandchildren lost the bottom line went astray, the pot is still not good enough to count on the head of the predecessor.

Back to the front, but also because of this special status of Hou, so Hou's disciples are also basically in a high position, after the continuous branching, even in order to elevate their own, but also to grow the momentum of the door, so it will always go to strengthen the importance of Hou BaoLin and unique, Hou's influence is growing with it. And Ma Sanli's disciples of the illustrious few, the right to speak also mastered less, the horse's recognition and elevation of natural less than. This is all the role of posterity, and sometimes has nothing to do with the facts.

Therefore, the horse Hou two people in fact, there is no absolute high and low, can only say that the foot has a long, inch has a short.

When did Ma Sanjun's influence and industry history become weaker than Hou Baolin's?

First of all, the industry's historical status, according to the commentary and comedy artists

Ma's grandfather, Ma Chengfang, was already a commentary artist and very famous.

Ma Sanji's father, Ma Delu, was one of the eight virtues of comedy.

Master Ma's master Zhou Deshan, nicknamed Zhou Toad, was also one of the eight virtues of comedy.

Ma Guiyuan (马桂元), a relative of Master Ma's junior, studied under Li Dezhu (李德钖), nicknamed Ten Thousand Fans (萬萬迷), and was also one of the eight virtues of comedy.

Ma Sanjie also has a relative, Mr. Ma Sili (female), who studied under Guo Ruilin.

Mr. Ma's nephew, Mr. Ma Jingbo, studied under Hou Yichen.

Master Ma San's son, Mr. Ma Zhiming, a young horse, under the tutelage of Zhu Kuoquan. This point of introduction, due to the high seniority of the horse three masters, at that time with the horse three masters of the same generation of comic artists are still alive in the country on the three, is Hou Baolin mentioned the collection of less horse masters on behalf of the pulling of the masters, Hou Baolin is the apprentice of Zhu Quaquan, Zhu Quaquan masters Jiao De Hai, but also one of the eight virtues of the comedy.

This kind of industry historical status I do not know is the questioner is how do you think the horse three masters than Hou Baolin lower it?

Besides, the influence

Jin Wensheng Jin said that the comic artists name, money, ability, three are not next to each other. 60s comedy industry a **** selected two half of the people who can say the comic, one is the Jinan Sun ShaoLin (Sun ShaoLin stage name is the horse three masters), one is the Nanjing ZhangYongXi, and half of the HouBaolin.

In 1957, Mr. Ma was wrongly convicted of being a rightist, and was sent down to the suburbs to suffer. 61 years later, he returned to the Tianjin Opera Troupe, and after a long period of cynicism, he suffered a lot.

In 2001, he asked the audience during his farewell performance, "Am I worth it?" If there is no deep influence, which comedian would dare to ask these three words.

Hou Baolin 60 years has participated in the second session of the third National Committee of the Chinese People's Political Consultative Conference.

Radio and television are basically Hou Baolin.

We can not say that Hou Baolin comedy is not good

The problem is that comedy comes from life embodied in the marketplace.

Ma's comedy is mainly grounded. I think the grounded comedy is the most acceptable and memorable for the people.

In addition, the atmosphere of the region is also different, Tianjin is not called funny for nothing. In the past, the company's business has been a success, and the company has been able to develop its own business in the past few years. The most important thing to remember is that you can't buy the same thing as the audience. The audience will not buy it, even if it is not good enough. Tianjin people can not know the name of the municipal party committee leaders, no do not know the Ma San master. The first thing I'd like to say is that I don't think it's any less important than Hou Baolin.

In terms of seniority and family history, they are all higher than Hou Baolin.

In terms of ability, Tianjin is the nest of comedy. The influence of Master Ma San is definitely not bad.

What if Hou Baolin was also wrongly labeled a rightist in '57? I mean if 。。。。。 I can imagine.

So don't make these topics in the future just to rub off on clicks.

In my mind it's the same as comparing a BMW 7 series to a Passat.

It's a really benevolent question.

If we were talking about a phase alone, or political status alone, the question would seem valid.

But comedy is an art, especially the art of language, and has its own mode of development and law. For example, the comic pay attention to the teacher, pay attention to the oral tradition, from the development of the comic to the heyday of the period, but also nearly a hundred years of history, especially after the founding of the new China, to reach an unprecedented era of prosperity. After many comedy artists *** with the efforts, especially the care and support of the party and the government, comedy to today, is still the majority of people enjoy the program.

As we all know, China's comedy is mainly Ma Hou Chang three schools, this order has not changed, the reason is that Ma Sanli is in a special position to take the lead and the historical period. Ma and Hou were only three years apart, and were considered contemporaries. Both were able to perform on stage before the liberation of China, and both were well known. In terms of seniority, Ma Sanli is Hou Baolin's uncle, in terms of origin, are Tianjin, Ma Sanli is Hui, Hou Baolin is Manchu, there are many similarities.

There are no two identical leaves in the world. Ma Sanli's father, Ma Delu, was one of the eight virtues of comedy. Grandfather Ma Chengfang is a famous commentator chi man, Ma Sanli is considered to be a family of art, from a young age, teachers worship one of the eight virtues of comedy Zhou Deshan, benefited greatly. Hou Baolin, in contrast, this aspect is not as good as Ma Sanli.

China doesn't talk about pedigree, but it does take a few generations to form a unique faction. Ma Sanli's father and grandfather, though old-school entertainers, were crucial to the development of comedy. This had a huge impact on the positioning and development of comedy. In the old days, it was not easy to make a living from comedy. It was not easy to make a living from comedy in the old days. It was a real skill to put the ground down in the open, to pick up the cake on the spot, and to catch the cheap ones in front of the audience.

Ma Hou and his wife had real skills before the liberation. At that time, the content of the comedy, self-black self-deprecation, mutual black ridicule, do not dare to speak about the current affairs of the dynasty, and even more afraid to borrow from the past to talk about the present, or else, the rice bowl is not guaranteed, the life is also difficult to protect. The audience, but also the townspeople, peddlers, which determines the original comedy is the culture of the town, grassroots art.

After the founding of New China, comedy is only far from the jianghu, gradually to the high temple. The people of Ma Hou also have a political status. Even Ma Sanli became the deputy director of the Tianjin Opera Association and a member of the Municipal Committee of the Chinese People's Political Consultative Conference. In 1958, the unit of the right wing, originally four indicators, and later increased to eleven people, the Ma Sanli added to it, so became the right wing. So far to 1977, before and after nearly two decades, decentralized reform, during which three years was ordered to return to Tianjin to participate in the performance. During this period, many times by the fight, once Ma Sanli to death, jumping from the building, the entire human body out of the window, fortunately, some people out of the way, grabbed one of its legs, saved a life, saved a later comedian.

Contrary to Ma Lao, Hou Lao in the movement did not suffer a greater impact, political status is stable, there is room for development. He went to North Korea to perform and was warmly welcomed. He was recognized by the Party and the government for his attempts to reform and innovate his comedy, and he performed for the central government on many occasions. In July 1979, he said goodbye to the stage, and in November of the same year, he was elected as the vice chairman of the China Association of Song and Opera Opera, and since then, he has organized many exchanges and performances abroad, which have been widely praised. He took time out to write a book, which pushed the practice of comedy to a theoretical level, accomplishing a qualitative leap in promoting comedy at that stage, and becoming a generation of masters.

On the other hand, Ma Lao, at the end of the labor reform in 1977, transformed himself into a butterfly, and returned to the stage. Since he was sent down to labor, Ma had time to pass on the true essence of comedy to his son, Ma Zhiming, who was also sent down to labor reform. He has been a master of martial arts comedy since his father's death, and is now a master of the martial arts comedy.

Ma's comedy, which seems to be a piece of gold and jade, is actually a string of treasures. The kung fu of his GuanKou was perfected, and he reached the peak of perfection. The performance style is elegant, the language structure is meticulous, not slow, a purpose: to amuse you! December 8, 2001 in Tianjin from the art of eighty years of farewell performance. Comic opera master's performing career, drew a successful conclusion.

Ma's comedy, three generations of blood, unique style, far-reaching influence. In Tianjin, no one is not Zong Ma. Ma Sanli is the comedy, the comedy is Ma Sanli. Comic artists have a **** knowledge: punch out of Tianjin, can not enter Beijing. Really want to find a sign, can only be Ma's comedy. As the audience, most will not appreciate the masters out of the book, more willing to listen to the original flavor of the comedy, in addition to engage in comedy professionals.

Throughout the Ma Hou, each has its own benefits. One is a comedy titan, a comedy master, a grassroots, a ginseng. Without grass roots, where are the mountains and rivers, prosperity, without grass roots, the grassland will become desert, the mountains will be bald.

Ma's comedy, with Ma Zhiming in, is still in the ear.

Hou's comedy, because Hou Yaowen went, seems to lose the symbol.

The audience can not remember so many paragraphs, only remember to tease you.

Actors need applause, audiences need laughter.

The influence of Mr. Hou Baolin is still great. In the past, there was a saying that "Beijing is the source, and Tianjin is the gathering place". In the past, Tianjin people recognized not only Ma Sanli, but also the famous "five-stage comedy", that is, the master of the art of comedy Zhang Shoushen, "small mushroom" Chang Baokun, Ma Sanli, Dai Shaofu, and Hou Baolin. 1941-1945, Hou Baolin, the master of the art of comedy Zhang Shoushen, "small mushroom" Chang Baokun, Ma Sanli, Dai Shaofu, and Hou Baolin, 1941-1945, Hou Baolin. --From 1941 to 1945, Mr. Hou Baolin performed in Tianjin for five years, and not only became one of the famous "five-stage comedians" in Tianjin, but also performed in the first-class "Little Pear Garden" Opera Theater in Tianjin. When he performed in Tianjin's first-class "Little Liyuan" Opera Theater, he became the first person in the comedy session to take the "saving bottom" package of silver. Hou Baolin, with his elegance, charm, atmosphere and a good voice, not only got a foothold in Tianjin, but also made money. Therefore, Mr. Hou Baolin also became famous in Tianjin, and it was the wonderful performances in Tianjin that established Mr. Hou Baolin's position in the comedy world. Therefore, it is not objective to say that Mr. Hou Baolin became famous because he was in Beijing and was pleased with the capital. After the liberation, Mr. Hou Baolin purified the language of comedy, purified the performance of comedy, improved the style of comedy, and made the comedy from a relatively resistant ground art to the hall of elegance. In particular, Mr. Hou Baolin through the study, enterprising, in the form of comedy "vulgar", give comedy "elegant" life, is the comedy of vulgar in the elegant, vulgar for elegant leader, this is Mr. Hou Baolin on the biggest contribution to the comedy!

The two masters are both the titan of the comedy world, and both are loved by the Chinese people as old comedy artists. So why does Ma give people an impression that he is slightly weaker than Mr. Hou Baolin?

First of all, the status of comedians in the old society was quite low. Even the best comedian could only be the second best comedian in a vaudeville park. But it was only after Hou Baolin's popularity that comedy was first pressed into service. This makes Hou Baolin master in the comedy world influence is naturally a head higher.

After the liberation of Hou Baolin and Lao She, Liu Bao Rui and other people formed a comedy reform group, for the improvement and development of comedy to work hard. He also performed for Chairman Mao and Premier Zhou. The official publicity for Master Hou Baolin will definitely be more than that of Ma Lao, and this situation will naturally affect the perception of the common people.

Secondly, in terms of the personalities of the two masters, Ma is more introverted, low-key and unassuming. In addition to performances, rarely leave Tianjin, in the industry is a long time away from the political center of Beijing.

Moreover, Ma's works are characterized by strong regional characteristics. More often than not, they show all aspects of Tianjin Wei's urban life. The audience in the Beijing-Tianjin-Hebei region can understand it. But for those who are a little farther away, it's a struggle to understand.

Master Hou Baolin, on the other hand, is officially recognized as the only master of language in the comedy world. His words are in standard Mandarin. This makes Master Hou Baolin's audience a bit wider than that of Boss Ma.

Having said that, in fact, the two masters are only subtle differences. There is no need to be too serious, even though there is no first place in literature and no second place in martial arts.

Ma Sanli must be lower than Hou Baolin in terms of influence and historical status! This has nothing to do with what comic generation they are.

Of course, this high and low is not in terms of their skills and art. The first, Ma Sanli and Hou Baolin's artistic characteristics are different, who is good and who is not good can not be compared, only to see what their respective fans like. Artistically, the two have their own characteristics, there is nothing to argue.

Hou Baolin's historical status is higher than Ma Sanli's, mainly because of his contribution to the "circle" of comedy.

It has been rumored that their personalities were very different. Ma Sanli did not ask the world, intoxicated by the art of comedy. He does not like to communicate with the outside world, he likes to close the door to their own lives, afraid of trouble, and even encountered things will also "swallow anger". Hou Baolin is a defiant, very strong self-esteem, he will not allow others to look down on the comedy, he will be for the comedy "head". This character has led to the two of them in the comedy world of different status.

Hou Baolin was good at singing, but of course, he was also very good at speaking. In the old society, the status of comedy was very low. In the minds of the general public, it was an amusing "thing" that could not be compared to Peking Opera or even drums. Therefore, in many opera gardens, things like drums and music were the main axes, and comedy was at most the second best, because everyone thought that comedy didn't have that kind of weight. However, Hou Baolin added what the audience thought was "white snow" into his comedy, so that his comedy was improved in terms of artistic taste. Hou Baolin's comedy was not only entertaining, but also "artistic", so Hou Baolin gradually became a major axe in the opera garden! This is regarded as Hou Baolin's contribution to the improvement of the status of comedy.

After the liberation of China, there has been little praise for the comedy. There was still controversy over whether to preserve and promote what was generally still "stall culture", mixed with all sorts of nonsense, ethics, shit, and ambiguous yellow jokes. At this time, Hou Baolin appealed for the establishment of a "Comic Renewal Group" in order to preserve the comedy. The group absorbed Lao She, Hou Yiduan and a number of other literary scholars and veteran comedians, and carried out a large-scale remodeling of traditional comedy, striving to purify the stage and keep comedy up to date with the needs of the times. In the final analysis, it was to seek a way for comedy to live! The result, as we all know, is that under the efforts of a group of old artists, mainly Hou Baolin, comedy has been preserved and carried forward.

It was because of Hou Baolin's contributions to the comedy world that he became the absolute leader of comedy at the time. So his work was also officially disseminated on a large scale, and Hou Bao Lin's reputation was enhanced all over the country. At this time, Ma Sanli was still a famous actor in Tianjin comedy, and he did not participate in these social activities. And later Hou Baolin said goodbye to the stage of comedy, for comedy books, lectures around to promote the art of comedy; and Ma Sanli has been active in the stage until the last period of his life.

To be honest, Ma Sanli was a comedian, while Hou Baolin was not only a comedian, but also a social activist, a comedy educator and a researcher of comedy. Hou Baolin's contribution to the comedy world is enormous!

This is the main reason why we believe that Hou Baolin's historical status and influence exceeds that of Ma Sanli.

Of course, there is one more thing that cannot be ignored: Hou Baolin is from the Beijing school, and Ma Sanli is from the Jin school. Hou Baolin's disciples (students) are quite influential on the stage in the capital, while Ma Sanli, who lives in Tianjin, is also far behind on this point. Famous teachers, high disciples to support the famous teacher, this is by no means a false statement.

The level of Ma Sanli's comedy is really not very good, just because of the feudalism of the old society, so that Ma Sanli's generation and the status of the sect no one dares to shake. The first time I saw the movie, I was in the middle of it, and I was in the middle of it, and I was in the middle of it, and I was in the middle of it, and I was in the middle of it, and I was in the middle of it. It is just that all the old artists have passed away. Only then was called "comedy titan" at that time "king of one-liners" Liu Bao Rui recognized by peers, "master of comedy" Hou Baolin recognized by peers, Ma Sanli seniority is recognized. Ma Ji, another comic genius, is the only master in the comic world who has been awarded the "Lifetime Achievement Award". The last 'master of comedy' to be recognized by his peers was awarded by the state. To be precise, there are only three masters of comedy, namely, Hou Baolin, Liu Baorui, and Ma Ji. Due to Ma Sanli in the comedy industry seniority is too high, coupled with too many rules in the comedy industry, only to call Ma Sanli as "comedy Tai Dou". As Guo Degang jokingly said. Whoever lives longer is a master, not to mention the seniority!

In the literary world, some people are born with the temperament of the flag bearer. Master Hou Baolin seems to belong to this kind.

Comedy is the art of language, the standard of judgment is actually very complex, you put a paragraph of Guanjiao said very smooth, can put the tongue-twisting order backward memorization, is not necessarily a bit of a master, comedy performance is to see a lot of synthesis of the qualities.

To be honest, when I was young, although I admired Master Ma Sanli, it was more out of his own legendary experience, not like his comedy. The main reason is that his comedy has less baggage, just like "Amusing You", after listening to it for half a day, there is only one baggage. There is also "Secret Recipe", which is all padding, and at the end of the story, he shakes out one baggage: scratching. The Chinese audience is very interesting, they all know that the terrain is there, but we still like to listen to it, hold back and wait for that baggage to come out and then have a laugh.

Among these old masters, in terms of the number of works, Liu Baorui has left the most works, Mr. Ma Sanli may be a little less, and Hou Baolin should be in the middle of the pack. Ma Sanli's best time should be the most creative type of stage to go to the devolved labor reform, which may be the main reason for less works. I remember the implementation of the policy back to the city, the old man almost a whole establishment of chicken and duck corps, do not want to return to the city. You can see the old man's ability to hold back. Hou Baolin masters most certainly also have decentralized time, but the time should be relatively short. Master Hou's comic baggage intensive for everyone to enjoy, and is the Beijing school of comedy, Master Hou performance skills deeper, early study of Peking Opera, but also more good at imitation, whether it is the work or performance basically belongs to the unprecedented.

On political influence, Mr. Hou has been a deputy to the National People's Congress, and as a member of the presidium, many times for the older generation of national leaders have performed comedy. Mr. Hou has been a deputy to the National People's Congress and a member of its presidium, and has performed many times as a comedian for the old generation of national leaders. Of course, this has something to do with the fact that Ma is not the kind of person who likes to be in the limelight.

On the theoretical research, Master Hou is the industry leader, not only for the study of comedy, for laughs have done in-depth research and exploration, such as comedy has also been studied and has a treatise on the world. It's like the Wang Guowei of the art world, whose work is the theory of comedy, "Words on Earth".

So in many ways, Master Hou Baolin is much more influential than Master Ma Sanli.

This is two questions and answers in itself. Influence? That's a generalization. Single employment within the "no one not Zong Ma", in the Ma Sanli farewell stage performance, Ma Ji said: we will always be loyal to you, and the inscription: no one before and no one after. On other occasions, Ma Ji said: What is Ma Sanli? Ma Sanli is the comedy, comedy is Ma Sanli. This can be seen! Furthermore, Ma Sanli was the highest culture, the best character, and the most low-key person in the comedy world at that time. His comic not to claptrap to meet people and to felicitous to see long, laying flat pad steady ...... unintentionally this parcel ringing you lying in the nest want to music. The first time I saw the movie, I saw the movie, I saw the movie, I saw the movie, I saw the movie, I saw the movie!

Ma Sanli and Hou Baolin, these two in the history of Chinese comedy are resounding figures, according to Professor Xue Baokun's point of view, if the comedy masters of the world's quota is only four, then Hou Baolin Ma Sanli are securely selected.

But the two men's contribution to comedy is not quite the same, or two different levels, Ma Sanli is more of an artistic master, while Hou Baolin has changed the entire industry.

One in the art to future generations of children and grandchildren to stay rice, one in the technical level to change the foundation of the comic, the two for the comic are indispensable to the great man, there is no higher or lower.

Now why the comedy world has "no one not Zong Ma", because all the comedians are still active on the stage, more or less have traces of imitation of Ma Sanli, Ma's interpretation of the old interpretation of the comedy, and interpretation, has come to the realm of the general. Especially in his later years after a big storm, Ma Sanli left the video and audio materials, basically is a textbook of the existence of the general, and Ma's comedy has a very strong regional characteristics, whether it is the character processing, or in the use of the mouth, you listen to any section will have a feeling that the story must have happened in Tianjin. That's why Ma is known as the god of Tianjin comedy, because there's no more apt label for the city than him.

Ma Sanli Ma's father and son's adherence to traditional comedy is also a far-reaching influence on practitioners, at a time when Master Hou and the Comic Improvement Group were drastically purifying comedy, and Ma Ji and Jiang Kun were desperately trying to create a new comedy. The Ma family retained many of the essence of traditional comedy and performance techniques, such as the "dead outline and dead mouth", which is very important for the basic skills of comedians, and the so-called "present hanging" must be built on the basis of the dead outline and dead mouth, and if you insist on the pursuit of live! If one is obsessed with the pursuit of live words, then it is not a comedy, but a show of juggling. Unfortunately, Ma's insistence on this has been drowned out by the flood of the market, and I can't help but say that the marketization of traditional comedy is a kind of destruction of the art itself.

It can be said that without the existence of Ma Sanli's spiritual totem of this kind of adherence to tradition, there is no traditional comedy market-oriented prosperity, of course, this result may not be what Ma wants to see, after all, the so-called traditional comedy, has been the flow and hype to bring the deviation of the too far.

Hou Baolin's contribution to comedy is on another level, and Hou's beginnings are negligible compared to Ma Sanli's. He is the only one who has ever made a significant contribution to comedy, and he is the only one who has ever made a significant contribution to comedy. Hou Baolin is a rootless Ping, he died do not know who his real parents, young age in order to support the family, to have asked for food as a flower child, with a singing master daily beatings, and then in order to make a living to change the line of comedy, the results of their own opera skills, a shot of popularity. Later in Tianjin became a five-stage comedy, master Hou's label is "civilized comedy", in the same period, Hou Baolin's fame and status are higher than Ma Sanli.

Hou Baolin was the first to make comedy really become a fixed save the bottom of the corner, when the master Hou in order to fight with the teahouse manager, to improve the income of comedians, the teahouse manager pointed to his nose and scolded the "deception of the master of the ancestor", comedy and drums and music artists to equalize the income of the master Hou to the pioneering.

After the founding of the country, Hou took the lead in the formation of a comedy improvement team, and got the support of Mr. Lao She, a top literati, and now we hear a lot of traditional comedy, are Hou and Mr. Lao She and other people sterilized after the purity of the version. It can be said that without the efforts of the Comic Improvement Group, there would have been no era of literary light cavalry for comedy, and TV comedy would not have once become the top stream of the literary world.

Master Hou was the one who performed the most comedy in Zhongnanhai, and he became one of the great man's favorite comedian, which directly made comedy an art category valued by the top management, and laid the foundation for the later golden age of comedy.

It can be said that if there is no Hou Baolin's efforts, there may be no Ma Ji, Jiang Kun Feng Gong who are active on the stage, and there is no Zhongguang Rap Troupe Railway Literature Troupe Coal Mining Literature Troupe, as well as the blossoming of various local opera troupes, He Zhi Liang Zuo and other top scriptwriters will not enter the field, and the "Cosmic Brand Cigarettes" "Company of Thieves", "Tiger's Mouth" and other classics will not be left in the Spring Festival Gala stage.

So, according to Guo Degang's interpretation of "art", Ma Sanli is the "art" of the great, while Hou Baolin is the "art" of comedy pushed to the extreme. How high is your level of comedy, you can find the old Ma study, but how much money you can sell your comedy, that is Hou masters strive to get.

Above~~