Traditional Culture Encyclopedia - Traditional stories - What are the top ten best cross talks in Degang Guo?

What are the top ten best cross talks in Degang Guo?

In my mind, Degang Guo's ten most classic works are ranked as follows:

On the status quo of crosstalk in the past 50 years, I want to go to the Spring Festival Gala+I want to go to the Spring Festival Gala, my life, night trips, I want to be happy, dream about the west, reveal the tiles, entrust my wife and children, learn broadcasting, and I want to cross.

Degang Guo has many classic works. If we have to give these works a seat, I think it should be measured from the height of cross talk art, which should not only have burdens and jokes, but also give people room to think and make people understand something.

Although Degang Guo has always refused to educate people with cross talk, many of his classic works do express something beyond fun. Let's take a look together. Now when it comes to Degang Guo's most classic works, the first thing that most viewers think of is "On the Status Quo of Crosstalk in Fifty Years". Why?

Because this work reflects Degang Guo's initial sense of mission to crosstalk art, he is really afraid that crosstalk will end, so he used extremely pungent language to uncover the embarrassing situation of crosstalk industry, satirized the ugly faces of many practitioners, and showed the audience the ugliest side of this industry.

In doing so, he didn't want to nail crosstalk completely on the shame column, but wanted to wake up a group of people, spur a group of people, and drive a group of people to really take crosstalk to the right path.

Similar works include "I want to go to the Spring Festival Evening" and "I want to go to the Spring Festival Evening". These two works are companion pieces, satirizing the crosstalk chaos on the stage of the Spring Festival Evening. They are all works with the same positive energy as the Spring Festival Evening. Although there are great risks, how much bitterness and helplessness are there?