Essay Sample on Literature

Modern literature mainly refers to the new literature formed under the conditions of historical changes within the country's society and wide acceptance of foreign literary influences. The following is a sample of an essay on literature that I have compiled for you, welcome to read it!

The sample essay on literature 1

Reflections on the spirit of Fu Lei from the Fu Lei Family Letters

Abstract: The Fu Lei Family Letters is a collection of letters written by the father to his children. It is not a general letter, but involves to do people, literature and art and chase the dream, realize the ideal of the sincere attitude, the letter is full of sincere feelings, rich knowledge, profound philosophy, smooth writing, make Fu Lei family letters ideology, literature, artistry shine, has a very high appreciation value. The family book contains a lot of philosophical and humanistic understanding of life, giving people a bone-deep enlightenment and infinite reflection, thus giving a strong embodiment of Mr. Fu Lei's thought, spirit and its unique charismatic outlook on life, artistic outlook. In other words, Fu Lei's letters are the most concentrated embodiment of Fu Lei's charisma. The author will analyze the spirit of Mr. Fu Lei with the help of two sides of the refraction of Fu Lei's charming outlook on life and art.

Keywords: Fu Lei family letters; Fu Lei spirit; outlook on life; artistic outlook

I. Introduction

Fu Lei couple has died more than forty years, and Fu translation of literature in fifteen volumes, the number of words up to five million words, whether from the number of skills or level of translation of Fu Lei generation of giants deservedly; the author's bluntness, that Mr. Fu left the most valuable treasure of the future generation, the Fu Lei Family Letters. Letters to the family" is not to be missed. Lou Shiyi talked about "Fu Lei's Letters" as follows: "This is one of the best art apprenticeship training. This is one of the best art apprenticeship readings, it is also a father's love full of painstaking, painstaking teachings. Yang Jianlong wrote about The Letters of Fu Lei in this way In Fu Cong in 1953 to go abroad in 1966 Fu Lei couples killed themselves during the 13 years, Fu Lei with a loving heart constantly write to his son, talk about life, talk about art, say do people, say from the art, follow the good guidance, teaching, understanding, understanding, understanding, will be full of enthusiasm flow in the end of the pen, a pocket licking deep feelings in the letterhead. Famous documentary writer Mr. Ye Yonglie wrote in the book Fu Lei and Fu Cong, ? His translations reveal the thoughts of foreign writers, not his own. The only thing that he never imagined during his lifetime was that in the future these letters of his would be compiled into a book called Fu Lei's Family Letters, which would be printed in more than one million copies and would be loved by so many readers.? Fu Lei family book, in the forest of art with its unique dealings with people, true emotional commitment and deep musical exploration, thus making this family book shine, eye-catching color. Previously, which father with such subtle strokes to send his children such infinite and meticulous care and education? Mr. Fu's true feelings, knowledge really and truly plucked people's gradually cold heartstrings, let a person feel, let a person reflect on, let a person aspire to, and its refraction of the spirit of Fu Lei is a huge wealth, enlightened generation after generation of young people looking for the road to happiness. Mr. Xu Jun summarized Fu Lei's spirit in his book Fu Lei's Translation Studies as? Passionate, Serious, Persistent, Ideal? Mr. Xu Jun, in his book Fu Lei Translation Studies, summarized Fu Lei's spirit as "passionate, serious, persistent, ideal", which may be Fu Lei's attitude towards his translation work, while the author borrowed the family letters and interpreted Fu Lei's spirit through the hidden essence behind the words as - loving, sincere, optimistic, strong, and humanistic. This powerful spirit is engraved in the author to inspire the author, inspired by the author's deep introspection, infinite deep thought.

Second, Fu Lei's letter: Fu Lei's view of life reflection

How to be a person is Fu Lei's education of his children's top priority, he will be seen as the foundation of the art. Between the lines of the letter reveals the words of Fu Lei's advice: "Everyone is more or less inert. Everyone is more or less inert, if your inertia and bias can not be subject to moral constraints, and how can we realize the creed of your education:? First as a human being, second as an artist, then as a musician, and finally as a pianist I have always believed that to make learning or to make art, the most important thing is Human (human), to put a? Human? We should try our best to develop a human being without becoming a pianist. I have always believed that the most important thing is Human, and we should try our best to develop a human being. Before you become a musician, you have to learn how to be a human being; otherwise, you will not be able to contribute to the development of human beings.

? Sincerity is the first key to the art of knowing, not knowing is not knowing, sincere ? not knowing? than the insincere ? I'm not going to be able to do that. The most annoying thing is like self-righteousness, self-interpretation. With sincerity, there will be a false heart, with a false heart, only willing to throw away their own to understand others, but also to put down the false pride to understand their own. Fu Lei opposes the self-deception mentality of not pretending to understand, and advocates ? Knowing is knowing, not knowing is not knowing. The attitude of learning with an open mind. Once talked about Fu Cong and Mr. Jie, he wrote to his son, ? You can continue to teach with Mr. Jie, I'm very much in favor of it, don't fall over the hump, both ends do not get. There is a learned teacher to point out, always better than their own fumble, although some of his insights are different from you. But you are still young, your exposure to MUSICAL LITERATURE is really limited, and your knowledge of music theory and compositional styles is almost nil, so it is all the more necessary for you to be modest, and to listen more to the opinions of the older ones, especially those of someone with a high degree of SCHOLARSHIP. After one of his son's successful performances, Fu Lei commented: "I am more pleased and more comforted by the fact that my son's performance was a great success. I am happier and more comforted by the fact that: how many excessive flatteries and compliments have not made you lose your self-knowledge, the applause of the crowds, the embraces, the praises of the celebrities have not diminished your humility towards art! He wanted his son to be humble, cautious, positive, and not afraid of setbacks, failures, or blows, saying: ? As long as you can be strong, I will let go of my heart for the rest of my life! The size of the achievement, high and low, is not within our grasp, half rely on manpower, half rely on talent, but as long as strong, not afraid of failure, not afraid of setbacks, not afraid of blows - no matter personnel, life, technology or learning - blow! ; from now on you can fight alone...? When talking about failures and mistakes, he said: ? Gain or loss of success or failure as far as possible to put aside, only to do their best, no shame. People spend their lives floating between high and low tide, but only mediocre people, life is like stagnant water; as long as the high tide is not too much to make you nervous, the low tide is not too much to make you disheveled, it's good. If the sun is too strong, it will scorch the grains; if the rain is too strong, it will drown the crops. All we want is to be mentally balanced and not to be hurt. A person can only dare to face reality, face mistakes, analyze with reason, and feel thoroughly; eventually, he will not be eroded by memories. Instead of peering into reality, we can not help but sigh, Fu Lei spirit of far-reaching influence, if we nowadays, especially the younger generation can truly understand the spirit of Fu Lei, a higher level of harmony is just around the corner!

Fu Lei family book, the concept of people shine. In addition to teaching his son to be the top priority in life, but also from time to time to care about his son's physical and mental health, which abounds in the letters, for example, Fu Cong will soon go abroad to study when Mr. Fu wrote, ? But on the issue of feelings, I still want to solemnly caution: no matter how to restrain, to the future is important, to health is important. Outside the good use of time, not only to use the time to work, but also to use the time to rest, write letters.? Before Fu Cong's many competitions, Fu Lei would patiently teach his son, ? months before the competition, must be the physical and mental health to protect very well, in order to have plenty of energy out of the competition. As the saying goes? The army is in good health for a thousand days. The saying goes, "A thousand days to raise an army," and "A thousand days to keep a soldier alive. Nurture? This word makes perfect sense. When talking about Fu Cong practicing the piano, Fu Lei instructed his son: ? But the body must be taken care of, do not fight for half an hour more, and get exhausted. From now on, you especially have to take good care of, not too tired, rest sufficiently, often keep FRESH spirit. It's like a player in the World Games, the closer you get to the start date, the more healthy you need to be physically and mentally, and it's more important to be in good spirits than anything else. In contrast, how many parents, especially those in the city, can take care of their children's spiritual growth as Fu Lei did? How many people can sacrifice a little time to care for their children's emotional problems? How many people can practice Humanism? The children's physical and mental health? How many of our fathers and mothers are allowed by the complex social system to do so? Humanistic? How much? Is this a systemic problem? Or is it a humanistic issue? We better understand that these issues are difficult to discern, but this does not affect our profound reflection on the outlook on life.

Third, Fu Lei's letters: Fu Lei's artistic outlook on the reflection

Fu Lei's letters not only show Fu Lei's son's behavior, physical and mental health of many aspects of the care, but also reveals its music, painting, and other insights into the talent and wisdom. When talking about the realm of art, he shared with his son: ? Music is mainly to use your brain, to distinguish your vague feelings (for each piece of music, each chapter, each paragraph of feelings), to understand what your feelings are all about; until you understand, your realm is very clear, and then your technic will come to follow. He also admonished his son when talking about music and technique: ? Now I am convinced that this is a magic barrier, that whoever makes a fuss about technique all day long is an artisan and not an artist. A man who cannot jump this hurdle can never dream of art in his life! Art is the end, skill is the means: he who always pays attention only to the means is bound to forget his end.? The author thinks that these two points also apply to the field of translation, if the translator can distinguish the meaning of the original text (the meaning of each word, each sentence, each chapter), then the translation of the realm of superb, the translation skills will also be perfected. On the other hand, if a translator only focuses on the study of translation skills all day long, he or she will be a translation craftsman rather than a translator if he or she achieves anything. The only focus on the means of translation without paying attention to the realm of translation, will inevitably deviate from or forget the purpose of translation.

Fu Lei's letter contains a profound philosophy of thought, y inspired by the world. You say often in the contradiction and happiness, but I believe that artists without contradiction will not progress, will not evolve, will not go deeper. Contradiction is the proof of vitality. What you are feeling now is only the contradiction between technique and ideal, and in the future you will have even greater contradictions: the incompatibility between form and content, and many unpredictable contradictions within yourself, all waiting for you in the future. Don't worry, solving a contradiction is a step forward! There is no end to contradictions, so there is no end to art, no perfect day! Only so, it is necessary for us day and night, lifelong pursuit, hard practice; Otherwise, we do the Xihuang people, hanging hands and the world rule, do people are too tired. Fu Lei's paradoxical outlook, positive mentality, I thought, in today's still no lack of high artistic value, or that, in today's most competitive society, such a paradoxical outlook, optimistic, positive attitude is more worthy of our learning and reference.

Fourth, the conclusion

Fu Lei mentioned in the letter to his son to write letters to the purpose: ? Long and tedious to write to you, not empty chatter, not inexplicable gossip, but has several purposes. First, I do take you as a discussion of art, discussion of music rivals; second, very much want to stimulate you to some young people's feelings, so that I as a father to get some fresh nourishment, but also can be indirectly disseminated to other young people; third, by correspondence to train your - not only writing, but especially your thoughts; fourth, I want to always, everywhere to give you a wake-up call, and I want to be a good friend to you. everywhere to be a wake-up call for you, a ? A Faithful Mirror? I want to be a faithful mirror for you, not only in your behavior, but also in the details of your life, in your art, and in your gestures. I do father's only want to do your shadow, not only to help you at any time and place, protect you, but also to not let you feel bored with this shadow. Here, we can get a glimpse of the ideological philosophy, wise insights, and sincere feelings of Fu Lei's letters. Mr. Ye Yonglie said in his thesis: ? The significance of The Letters of Fu Lei goes far beyond the scope of Fu Lei's family. Philosophers can study Fu Lei's thoughts, philosophies, and methods from Fu Lei's Letters; educators can explore the laws of talent training and the influence of family on success from Fu Lei's Letters; literary scholars can study the prose style from Fu Lei's Letters; artists can draw music and art from Fu Lei's Letters; historians can analyze the souls of Chinese intellectuals in the 1950s and 1960s from Fu Lei's Letters. Chinese intellectuals in the 1950s and 1960s; readers can take "Fu Lei's Letters" as an excellent reading material for young people's ideological cultivation and a vivid teaching material for patriotism education. And the author, want to talk to you, especially our young people, *** enjoy the family book in all aspects of real life of great educational significance and great significance of guidance, as the author mentioned above: "Fu Lei family book" education son in dealing with people on the wisdom, interaction in the sincerity of the study of humility, are worthy of our reference; the family book of the education of the son is not afraid of difficulties, not afraid of setbacks, dare to face the optimistic and strong attitude is more It is worthwhile for us to bear in mind; the discussion on the state of art in the family letter is worthwhile for us translators to learn from; the family letter is also worthwhile for us to learn from; the family letter is worthwhile for us to learn from; the family letter is worthwhile for us to learn from. The humanistic ideas, contradictions and other concepts in the letter are worthy of our memory. The idea of "humanistic" and "paradoxical" is worthy of our deep thoughts and reflections.

References:

[1] Lou Shiyi. Fu Lei family letter? Reading Family Letters, Thinking of Fu Lei [M]. Beijing: Sanlian Bookstore, 1998.

[2]Yang Jianlong. Personal Discourse in a Specific Historical Context - On Fu Lei's Family Letters [J]. Journal of Shanghai Normal University (Philosophy and Social Science Edition), 2003(6).

[3]Ye Yonglie. Fu Lei and Fu Cong--Interpretation of Fu Lei's Family Letters [M]. Nanning: Guangxi People's Publishing House, 2004.

[4] Fu Lei. Fu Lei family letters [M]. Beijing: Sanlian Bookstore, 1998.

[5] Fu Lei. Fu Lei jia shu [M]. Beijing: Sanlian Bookstore, 1984.

Essay Sample on Literature 2

On the Image of Women in The Blessing

Abstract: Lu Xun is the greatest Chinese writer, thinker and revolutionary in the twentieth century. He portrayed three types of female images in Blessing: enslaved and oppressed women; spokesmen of feudal rites; and intentional and unintentional accomplices. It expresses the author's criticism of feudalism.

Keywords: blessing; female image; feudal rites

Lu Xun, the greatest Chinese writer, thinker and revolutionary in the twentieth century, analyzed the various problems existing in Chinese society from a unique perspective. In China's thousands of years of feudal society, the status of women has always been the lowest, and they have been the most oppressed, being ? They were the most oppressed and the weakest group in the Iron House. They are the weakest group in the iron house. As early as 1918, Lu Xun wrote the famous "My View of Temperance", which profoundly criticized the killing and maiming of women by the feudal culture and expressed his concern about the feudal rituals. The nature of the feudalistic rituals is to eat the human being. and expressed his resentment of the nature of feudal rites and rituals. The Blessing can be regarded as an exemplary work in this regard.

First, the enslaved, oppressed women - Xianglin sister-in-law

Xianglin sister-in-law is a representative of the majority of working women in old China. She is hardworking, kind and tough. But it is such a person in the old society not only did not fight for a minimum right to be a human being, but became a trampled, persecuted, despised object, and ultimately swallowed by feudalism. In order to avoid the fate of remarriage, Xianglin Sister-in-law fled to Lu town to Lu four masters to help the family, laboring all day long, regardless of food and clothing, but very satisfied, so much so that ? The corners of her mouth gradually had a smile shadow, and her face was white and fat. As long as the slave is temporarily seated, she also felt great satisfaction and happiness. However, the patriarchal system and feudal rites would not let her go, and the blows of life came one after another: her mother-in-law tied her up and sold her in a mountain pass, her husband He Laoliu died of typhoid fever, her son Ah Mao was eaten by wolves, and her house was repossessed by her eldest uncle. She became homeless again. When the remarried and widowed woman returned to Lu Town, she became an alien in the eyes of the people, a? unclean? s person, eventually ostracized by everyone, and collapsed on the windy, snowy streets blessed by her family. Up to this point, she was ? wanting to be a slave but not allowed to be? ("Writings by the Light").

In the short life of Xianglin's wife, she has not succumbed to the arrangement of fate, a variety of resistance: in order to avoid being sold by her mother-in-law and fled to Luzhen; remarried to make a scene? She was a woman who had been sold by her mother-in-law and fled to Luzhen to avoid being sold by her mother-in-law. ; face people's ridicule, insults and injuries, to give a speechless protest; in order to achieve spiritual equality, exempted from the fate of the netherworld was sawed in half dumped all their money to the land temple to donate the threshold; death before the doubt of the soul and so on. But these revolts, all with a strong feudal color, is subject to? A good woman does not marry two husbands? The reason for this is that the people of the country are not allowed to be married to another husband. Starve to death is a small matter, the loss of honor is a big matter? The result of the poisoning of feudal thinking. Her? out-of-the-ordinary? s resistance was to maintain her? She is a woman of chastity. Her donation of the threshold was to atone for her sins. Her donation of the threshold was to atone for her sins. What she desperately resists actually becomes exactly what she desperately defends. She is fighting to stay a slave, fighting in the mire of feudalism and superstition. The stronger her resistance is, the deeper she is poisoned by feudalism. Her resistance is intensely tragic. Feudalism is y rooted in people's hearts, and the tragedy of Sister-in-law Xianglin, who lives in the rural areas of China where feudalism is dominant, is unavoidable. The tragedy of Mrs. Xianglin is the tragedy of an era.

Second, the spokespersons of feudalism - mother-in-law and the fourth aunt

From the plot of the novel, the tragedy of Mrs. Xianglin's fate originates from her mother-in-law. The author explains the characteristics of her mother-in-law through the mouth of the old woman Wei: ? Although the woman was a mountain man, she was very easy to talk to and could speak well. In order to get a wife for her youngest son, her calculating mother-in-law blatantly sold Xianglin's sister-in-law, who had fled to Luzhen, to a mountain pass, bundled away like an animal. In the feudal era, women were required to be a part of the family. The three virtues of a woman are and the four virtues. In feudal times, women were required to obey their parents absolutely, and the fate of a woman's life depended on the man. In her mother-in-law's house, after Xianglin's death, Xianglin's wife had no son to follow, as a feudal parent's mother-in-law could sell her at will; in the mountain pass, He Laoliu died of illness, his son was eaten by wolves, and Xianglin's wife could only be kicked out by her uncle, becoming homeless. This kind of feudal thinking is so deep-rooted that even Master Lu Si, who thought that the kidnapping of Sister-in-law Xianglin had undermined his dignity, was relieved after his anger and said: ? Damn it! However

Auntie Four is the wife of a big family, who seems to be gentle and kind-hearted on the surface, but in fact, she is also a selfish, stubborn and cruel defender of feudal rites, and a murderer of Sister Xianglin's wife. It is she who completely broke Xianglin's wife spiritually, and forced her to a dead end with the sword of feudalism. Auntie Four's attitude toward Sister-in-law Xianglin can be said to have gone through three stages: chanting - dissatisfaction - sweeping away. The root cause of all these changes lies in whether or not Mrs. Xianglin can do anything for her. She chanted to Xianglin's wife because she worked non-stop all day long; she was dissatisfied with Xianglin's wife because she had suffered the pain of losing her husband and son, she became mentally incapable of doing things, and she was always rambling. She began to dislike her from the bottom of her heart? She began to dislike her husband and his son. She did not allow her to touch the sacrificial vessels during the rituals, thus sentencing her to death mentally. Although Mrs. Xianglin used her hard-earned money to donate a threshold for thousands of people to ride on, hoping that she could regain her right to be a human being again, Auntie Four's sentence? Sister-in-law Xianglin, you put it down! I'll do it. Sister-in-law Xianglin, you put it down! I'll take it. Her hope is completely shattered. Fearing that she would become an alien, Mrs. Xianglin eventually became an alien in the eyes of the people, and was swept away by Auntie Four, and died in the snowy streets on the New Year's Eve, when all the families were blessed. Through this image, the author digs out the social roots of the tragedy of Xianglin's wife from a deeper level.

Third, the intentional and unintentional accomplices - Liu Ma, Wei Wushu, and the old woman

Liu Ma's appearance is in the climax of the novel - the second time Xianglin Sister-in-law went to Luzhen. About Liu Ma, she is y poisoned by feudalism and in turn uses it to harm others. She should be sympathetic and tolerant to Xianglin's wife, who is also in the exploited class, but consciously or unconsciously she acts as an executioner. She is not kindly with her bright little eyes staring at the Xianglin sister-in-law forehead corner of the shameful scars, making fun of the strength of the Xianglin sister-in-law why even their own willingness to threaten her after death, two dead ghosts of men still have to compete, the king of Yanluo had to saw her into two halves. And? The king of Yanluo had to saw her into two halves. to give Xianglin sister-in-law an idea - with their own hard-earned money to the land temple to donate a threshold to atone for the crime of a lifetime, and then again and Xianglin sister-in-law talk about the content of the public, so that people get to make fun of Xianglin sister-in-law's new material. The image of Liu Ma makes people realize the intolerance of the society towards Xianglin Sister-in-law from a deeper and wider angle. The destruction of Xianglin's wife in such a sinister environment is a historical inevitability.

The old lady and the old woman are the characters in the novel that do not have much ink. But through the light ink, you can still peep out their inner world. The old woman is a smooth, worldly person who makes a profit by introducing people to work. At first, she appears as a warm-hearted person, enthusiastically helping the lonely and helpless Sister-in-law Xianglin, trying her best to sweet-talk her, introducing her to the house of Master Lu Si to help out. She introduced her to Mr. Lu's family to help out. Then she joined her mother-in-law in kidnapping and trafficking Sister Xianglin. This woman, who has no minimum concept of right and wrong, is a fish out of water, reaping her own benefits. Instead of feeling pity and anger at the misfortune of Xianglin's wife, she said in an envious tone that he had good luck, his son was fat, and so was his mother. She is devoured by money and feudal rites, and at the same time helps feudal rites to devour other good people. The old woman and others, on the other hand, specialize in taking pleasure in other people's pain. She makes Mrs. Xianglin keep repeating her own miserable story, and keeps uncovering the scars of Mrs. Xianglin's always bleeding. She begins to sympathize, a few tears come out of the corner of her eyes, a few sighs come out of her mouth, and then she becomes indifferent, and ultimately disgusted. These numb spectators, chewing on other people's pain, become the tragic fate of Mrs. Xianglin's pushers.

Faddeev once said: ? Lu Xun, a master of the short story, is good at briefly and clearly expressing an idea in some images, a great event in an episode, and a typical character in some other character.? These three types of female figures portrayed by the author in The Blessing are all y poisoned by feudal rites despite their different statuses and positions. In How I Made a Novel, Lu Xun puts it this way: ? Speaking of? Why? I still hold on to what I did more than ten years ago. I still hold on to the Enlightenment of more than ten years ago. Enlightenment? I thought it had to be about? For the sake of life. and to improve it. I detested the previous practice of calling novels? Irony? and to call them "art for art's sake". art for art's sake and as nothing more than "art". Idle? as nothing more than a new alias for "leisure". Therefore, I mostly draw my material from the unfortunate people in the sick society, which means to expose the sickness and pain and draw attention to the healing. This is also the significance of these female figures in The Blessing.

References:

[1]Lu Xun. Wandering [M]. People's Literature Publishing House, 1973.

[2] Lu Xun. Scream [M]. People's Literature Publishing House, 1973.

[3] Lu Xun. The Collection of Southern Accents and Northern Tunes [M]. People's Literature Publishing House,2006.

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