Chapter summary of 40 to 80 chapters in A Dream of Red Mansions

Back to the 40th Shi Taijun's two banquets and Grand View Garden, and Jin Yuanyang's three dental declarations.

Grandmother Jia gave a banquet in honor of Granny Liu, who told many jokes when she saw something new, and Yuanyang also played tricks on her. Everyone ordered wine, which was quite meaningful. Daiyu inadvertently said a few words in the West Chamber, which attracted Baochai's attention, and Granny Liu's orders caused a burst of laughter. ?

The forty-first time, tea was in Cui 'an Temple, plum blossoms were snowing, and Hongyi courtyard robbed the mother locust.

Granny Liu was coaxed to eat and drink by everyone, and danced when she was drunk. When they passed by the Jade Hall, Miaoyu invited Baochai and Daiyu to the back for tea, and Baoyu followed.

Grandma Liu used a kiln cup of Miaoyu, and Miaoyu is going to stop using it. Baoyu is indebted to Grandma Liu. Granny Liu went to the toilet, bumped into Yee Hong Yuan by mistake and fell asleep on Baoyu's bed. Fortunately, Aroma found out, covered up the past and fooled Baoyu.

Forty-two back to the Blue Army's memory of addiction Xiaoxiang Ziya's banter

Granny Liu went home and named her daughter Qiaojie at Xifeng's request. Baochai questioned Daiyu about reciting the story of the West Chamber during the drinking order, and persuaded her fairly, but Daiyu bowed her head and said nothing. Xichun wanted to draw the Grand View Garden, and Baochai made a list, which Daiyu often joked about.

Back to the 43rd time for leisure and enjoyment, I can't spend my birthday with gold, but I can't feel it for the time being.

Grandmother Jia celebrated Xifeng's birthday, which was very lively. Baoyu asked Yan Ming to take him to a secluded place in the suburbs to worship "a friend" and finally collected soil as incense in the Narcissus Temple.

When Baoyu came home, he saw Yuchuan wiping his tears alone, so he wanted to tell her about going to the suburbs to pay homage. Yuchuan advised him to go back to see the grandmother. Grandmother Jia was very angry when she learned that Baoyu had gone out. When she heard that Baoyu had come back, she didn't mention it. ?

The forty-fourth time, something unexpected happened. Xifeng poured vinegar and was overjoyed. Pinger wears makeup.

After a few more drinks, Xi-feng went to rest early, but told Jia Lian about Bao Er's family. Hearing Jia Lian and Bao Er praising Pinger, Xifeng thought Pinger was involved, so she took it out on Pinger and had a big fight until the old lady came to mediate.

Chapter 45 Mutual analysis of gold The stormy words of gold

The sisters came to see Xifeng and invited her to join the poetry club. Xifeng knew that everyone wanted her to donate money, so she paid fifty taels of silver. Since autumn, Daiyu's illness has worsened, and Baochai came to visit. The two of them analyzed Jin Lan's language. After dusk, the sky suddenly changed. On a stormy night, Daiyu wrote the word "rainy night in autumn window". Baoyu visited in the rain. Daiyu laughed at him as a "fisherman" and later laughed at herself as a "fisherman". She regretted it and Baoyu didn't notice it.

Chapter 46 Embarrassment is inevitable when people are embarrassed.

Jia wants to marry Yuanyang, and Mrs. Xing comes to discuss it. Although Feng knew it was difficult, he did not object on the surface. It is inconvenient for Mrs. Xing to ask Grandmother Jia first, and then ask Yuanyang directly. Yuanyang lowered her head and said nothing.

Forty-seventh time, when I was flirting with the overlord, my husband was afraid of going abroad.

Grandmother Jia decided to keep Yuanyang and asked Mrs. Xing to tell Jia to spend money to buy another concubine. Since then, Jia She has been afraid to see her and bought a concubine and put it in her room. Liu Xianglian, who was born in a famous family, befriended Baoyu. Xue Pan mistakenly thought he was an actor, so he flirted with Baoyu.

Chapter 48 promiscuity, misunderstanding, entertainment, and poetry.

Although Xue Pan recovered from his injury, he was still ashamed to meet his relatives and friends and found an opportunity to go out to do business. Aunt Xue disagreed, and Baochai persuaded her. Jia Zheng took a fancy to the ancient fan collected by the stone madman, but Baoyu failed to negotiate the price. Jia Yucun falsely accused him of confiscating the property of the stone madman, but Baoyu disagreed and was beaten by Jia Zheng again.

Back to the forty-ninth glass world, snow, red plum, pink and fragrant baby cut the fishy smell.

Mrs. Xing's brother and sister-in-law took their daughter Xing Xiuyan to Beijing, and Lu Yu's widowed aunt Li Wan took her two daughters Wen Li and Li Qi, and Baochai's cousin Bao Qin to live in the Grand View Garden. Xiangyun was also left behind by Jia Mu, and the garden was full of excitement.

Back to the 50 th Xuelu Temple, impromptu poems, warm docks and elegant spring lantern riddles.

Everyone takes "Erxiao" as the rhyme, snow as the topic, and strives for a five-character arrangement, with Xiangyun as the most important, all of which belong to venison. Bao Qin and others wrote the poem "Red Plum", and Baoyu marveled at Bao Qin's quick thinking. Grandmother Jia also joined in the fun and went to the warm incense room to have a rest. Grandmother Jia deliberately married Baoyu and Baoqin, only to know that Baoqin had promised others. The next day, everyone enjoyed solve riddles on the lanterns.

Back to the fifty-first Xue Xiaomei's "Nostalgia for New Poetry", Hu Yongyi misused tiger and wolf medicine.

Baoqin wrote ten ancient poems, also riddles, which used allusions from traditional dramas. Baochai didn't like it and asked Baoqin to write another song, but Daiyu quickly dissuaded her. Xiren went home because his mother was seriously ill, but Baoyu still called Xiren in his sleep.

Back to the fifty-second time, Qiao Pinger's beard bracelet that loves to cover shrimp and brave Qingwen's illness make up the sparrow's golden hair

Zhui Er, the little girl in Baoyu's room, stole Xifeng's shrimp bracelet, and Pinger kept a secret for Baoyu. Qingwen's condition improved slightly, but she struggled to help Baoyu mend the sparrow gold robe given by the old lady, so her condition worsened.

Fifty-third back to Ningguo Mansion, New Year's Eve Sacrifice to Ancestral Temple, Guo Rongfu, Lantern Festival, Banquet.

Baoyu felt very guilty when he saw Qingwen's repeated illness. He sent for a doctor at dawn. On New Year's Eve, the Ningguo Mansion offered sacrifices to ancestors, Heishan Village sent new year's goods to Jia Fu, and Jia Qin also went to collect things, which was scolded by Jia Zhen. On the night of Lantern Festival, Jia Mu held a banquet in Guo Rong Building.

In the fifty-fourth time, Shi Taijun broke the old-fashioned colorful clothes of Wang Xifeng's play.

After the play, Grandmother Jia called two ladies to tell stories. At the beginning, Jia guessed the following and refuted the common cliches in the story. Xifeng imitated the tone of storytelling and summed up the matter. Everyone laughed. At the fourth watch, the old lady and Xi-feng each told a joke, and then they broke up.

Fifty-fifth time insulting daughter, fooling concubine, fighting for leisure time, deceiving young master, hiding danger.

Because of overwork, Li Wan, Bao Chai took care of the housework for Xifeng, which was more rigorous. Aunt Zhao's brother died, and Tan Chun's pension was less than when xiren's mother died. Aunt Zhao began to cry, and Tan Chun argued with her, ignoring her unreasonable demands. Aunt Zhao secretly instigated the naughty girl not to be good with Tanchun, and Pinger and Xifeng talked about it and argued for Tanchun.

At the beginning of the fifty-sixth rejuvenation, Su Baochai's stone spring.

Baochai used Zhu's words to guide the manager, but Tanchun didn't. Baochai said that trivial things must be learned, and if you don't learn, you will become a common custom. Baochai boasted that Pinger was far from worrying, neither humble nor supercilious. Tanchun was sad because of her concubines. Pinger should ask Xi- Feng for advice before doing anything to eliminate the disadvantages.

Fifty-seventh back to Zi Juan's sweet talk. Yuci loves to comfort her during menstruation.

Mrs Wang led Baoyu to see Zhen Baoyu. The nightingale stayed away from Baoyu, and Baoyu was in a daze. Zi Juan deliberately said that Daiyu would return to Suzhou next spring or autumn. Baoyu returned to the hospital, in a daze, and it was useless for Mammy Li to come and see him.

Back to the 58th apricot Yin false phoenix cry empty Huang Qianping true feelings slap silly reason.

Tomb-Sweeping Day, Baoyu strolls around on crutches after dinner. Xiangyun pointed to the mud boat and said, Get this boat out quickly. They are picking up sister Lin. Baoyu looked up at the apricots and thought that there would be green leaves and branches in Xing Xiuyan in a few years. They sighed again when they saw the birds falling from the branches and crying. When the woman saw the lotus root official burning paper for her companion, she tried to drag him to see the grandmother, but Baoyu covered her up.

The fifty-ninth time Liu Chenying was called to fly.

Xiangyun committed apricot ringworm, Baochai ordered Yinger to ask Daiyu for nitrate, and Rui Guan went to see Lotus Root Guan. Yinger made up a basket of wicker and gave it to Daiyu. Daiyu and Aunt Xue are going to Baochai's house for dinner, and everyone is more lively. Yinger sat down in Liu Di and made another basket. Chun Yan came and said that Baoyu said his daughter's unmarried was priceless.

Back to the sixtieth session, jasmine powder replaced rose nitrate rose dew to attract poria cream.

Rui Guan asked Chun Yan to wipe Fang Guan's face with nitrate roses. Fang Guan gave Jia Huan jasmine powder, not rose nitrate. Aunt Zhao took this opportunity to make a scene in the garden, and Xia Pozi added fuel to the fire. The Liu family wanted to send their daughter to Baoyu's room to handle affairs, and asked Fangguan to tell Baoyu that Fangguan wanted rose dew for Liu Wuer to eat. And promised to let Wuer work in Baoyu's room.

Sixty-first time, Baoyu hid stolen goods and sentenced him to prison to exercise his rights.

Lotus, the maid in Yingchun's room, is called Siqi stewed tender eggs, but Liu doesn't give it. Lotus told Siqi that Siqi would lead people to mess up the kitchen. Liu Wuer award poria cocos cream to the square crown; When I came back, I was caught by Lin Zhixiao's family. Feng told me to beat the Liu family forty boards and not to enter the second door. I beat five children to forty boards and gave them to Zhuangzi, either to sell them or to match them.

Back to the sixty-second 【 Han Xiangyun drunk sleep peony 】 leave Xiangling love pomegranate skirt.

Tanchun proposed to raise money for Pinger's birthday, and everyone responded, ordering and boxing. Enjoy yourself without the constraints of Mrs. Jia and Mrs. Wang. Xiangyun was drunk on the bluestone board, covered with peonies, and Bao and Dai chatted under the flowers. Daiyu praises Tanchun, and Baoyu also praises Tanchun. Daiyu was worried that Jia Fu would not get a career, but Baoyu said that he and Daiyu were indispensable.

Back to the sixty-third time, Shouyihong Fang Qun gave a banquet and died. Then she died alone.

Lin zhixiao's family had a night check-up and urged him to go to bed quickly. Baoyu agreed. After Lin zhixiao's family left, the maid invited the girls, and everyone had a party. It was already the second watch when Aunt Xue sent someone to pick up Daiyu. After the girls left, Baoyu and the girl played four more shifts.

Sixty-fourth time, the sad topic of a quiet lady, five good songs, the love of the prodigal son, Kowloon

Baoyu came back from Ningfu and went to Daiyu. He advised Daiyu not to take bring disgrace to oneself. He was in tears, and Daiyu was speechless. Baoyu found that Wu Mei wanted to read poems, but Daiyu didn't show them. Baochai just came, and Baochai praised Daiyu's five good poems for being novel and unique.

Back to the sixty-fifth Jia Ershe secretly married You Sanjie, the second daughter of you, and thought of marrying Liu Erlang.

Jia Lian called the second sister and his grandmother and sent Feng away. I gave the ladder to my second sister, and I didn't put it back until Xifeng died. Xinger introduced Xifeng to Second Sister.

Sixty-sixth, I feel ashamed to return to the cold Jiro of hell, and I am cold into an empty net.

Xinger told the second sister that Baoyu was clear outside and turbid inside, while the third sister praised Baoyu for being confused. You Sanjie told Second Sister and Jia Lian that she wanted to marry Liu Xianglian. Jia Lian went to Pingan State to handle affairs, Lu Yu married Xue Pan and Liu Xianglian, the brothers of life and death, and Liu Xianglian gave the ancestral Yuanyang sword to Third Sister as a gift.

Baoyu praised Third Sister to Xianglian, who said that there were only two stone lions in Ningfu, and Jia Lian wanted a sword. Third sister killed herself with a sword. Xianglian regretted it and became a monk.

Sixty-seventh session, Yi Tu, hometown of Qingsi, see you later, Wenmi, jie feng, Xun.

Aunt Xue explained to Baochai the suicide of Third Sister and regretted that Xianglian had become a monk with the Taoist priest. Baochai didn't care, so she asked Xue to prepare a seat and invited Xue Pannan to go with her. Baochai distributed the soil that Xue Pan brought from the south to everyone. Daiyu's was different from others' and was twice as thick. Daiyu was very sad when she saw the local things at home. She lamented that she had no parents or brothers and was sent to a relative's house.

The sixty-eighth time, the bitter mother earned money in the Grand View Garden, and the sour Xifeng made a scene in Ningguo House.

Xifeng confessed her cleverness to Second Sister and asked her to move in. The second sister actually recognized Xifeng as a bosom friend and entered the Grand View Garden together. Feng hired Zhang Hua to sue Jia Lian, and Zhang Hua sued Wang Er and Jia Rong in Douchayuan. Xifeng took Jia Rong to tear up You Shi. Especially the mother and son promised to make up 520 pieces of silver, asking Xifeng to be considerate and convenient in front of the old lady;

Back to the sixty-ninth time, I took the little one and killed him with a sword. I felt that the time limit was to swallow gold and die.

Xifeng asked Zhang Hua to sue the original match. Zhang's father was rich and rich, and he wanted to go to Jia's house to find someone. Xifeng told the old lady that the old lady asked the second sister to fight and the old lady asked Xifeng to take care of it. Through Rong and Zhen, Feng told Zhang Hua not to bring anyone, and Zhang and his son got about 100 gold and returned to their hometown.

Back to the seventieth time, Lin Daiyu rebuilt the Peach Blossom Club, and Shi Xiangyun accidentally wrote catkins.

Baoyu fled because of the cold, but he killed You Xiaomei with his sword, and Jin died of Second Sister You. He was so angry that he fell ill on Liu Wuer. He was so worried and angry that he couldn't add a word, and his language was often confused.

The seventy-first time, people who have bad feelings have bad feelings, and Yuanyang women have no intention of meeting Yuanyang.

On the third day of August, the eightieth anniversary was only called the meeting between Shi, Xue, Qin, Lin and Tan and Nan 'an. When you were hungry, she went to Xifeng's room first. When Xifeng was away, Pinger didn't eat snacks. When she went to the garden again, she saw that the main entrance and the corner gate of the garden were not closed. The two women who divided the fruits and vegetables heard that they were grandma in the East Room, so they didn't pay much attention.

Seventy-two times, Wang Xifeng said that she was ill and rich, and she got married according to the situation.

Si Qi was ill because his uncle and brother ran away without permission. Yuanyang waited for Siqi and vowed not to tell anyone. Si Qi thanked him very much. Yuanyang took a look at Xifeng and said that Xifeng's blood collapsed. Jia Lian asked Yuanyang to temporarily smuggle out a box of gold and silver that the old lady could not find, and temporarily detained several thousand taels of silver to support her.

The seventy-third time, the silly girl took the embroidered spring bag by mistake, and the timid lady didn't ask tired Jinfeng.

It is very rare for Mrs. Xing to see silly elder sister pick up embroidered spring bags and stuff them in her sleeves. She wants to know where it comes from. It is invisible. Mrs. Xing reprimanded Yingchun for not talking about wet nurses, and was caught gambling, which was unknown to outsiders. Mrs. Xing scolded Lian and Feng for not listening to Yingchun. Xifeng wanted to serve, but Mrs. Xing refused.

The seventy-fourth time, try to check the Grand View Garden and put an end to Ningguo House.

Mrs. Wang thought that the embroidered spring bag was left by Xifeng, so she knelt down and cried. Mrs. Wang had to say that she was short of breath, and dared Feng to propose that Zhou Rui's daughter-in-law and Wang's daughter-in-law be sent out in the name of gambling, so that the old man and her teeth could be sent out to match people.

The seventy-fifth night banquet, sad sound to give the Mid-Autumn Festival new words.

Grandmother Jia was very uncomfortable when she heard that the Zhen family had been copied. After eating, the old lady listened to Yuanyang and returned the two bowls of vegetables that Jia She had sent. Grandmother Jia asked Xifeng, Baodai and Lan Xiaozi to bring soup. You found gambling, including Jia Zhen, Mrs. Xing's younger brothers Xing Dequan and Xue Pan.

Back to the seventy-sixth, the flute in the convex pavilion felt sad and lonely, and the poem in the concave crystal pavilion felt sad and lonely.

Baochai's sister's house went to the full moon, and both Li Wan and Xi Feng were ill. Grandmother Jia lamented that there were few people. Jia forgave the crooked foot, and the grandmother told Mrs. Xing to go back. You's family didn't come home because her father-in-law was in mourning, so Rong sent Mrs. Xing home. Jia mu was eating wine and smelling the flute. Seeing that Jia She's wife said that Jia She didn't care, Jia She suffered from Jia She's parents' eccentric jokes, and Mrs. Wang explained. The flute sounded again, more desolate than before. The flute was filled with grief and indignation, and the grandmother broke down in tears.

Back to the seventy-seventh Joe maid feel wronged and romantic beauty actress broke off feelings, return to shui yue.

Mrs. Wang asked Zhou Rui's family about the search, and Zhou Rui's family and Ann had already discussed it. Mrs. Wang told the truth and called Zhou Rui's family to play chess one by one, which seemed reluctant to welcome the Spring Festival. Baoyu couldn't stop her and called the woman who married the man a bastard, which was more lethal than the man.

Back to the seventy-eighth, the gossip of the old bachelor was invented by the idiot childe.

After Fang Guan and others went, Mrs. Wang went to grandma to save Tianming. When she saw that grandma liked it, she told me about Qingwen. Grandma said that the maids were not as clever as Qingwen. Mrs. Wang said that Qingwen is not heavy, and that a beautiful concubine should have a heavy temperament and smooth manners, so she chose Xiren.

Back to the seventy-ninth time, Xue regretted marrying Hedong Lion and marrying Zhongshan Wolf by mistake.

Daiyu's eulogy can be handed down with Cao E's tablet, and Baoyu asked Daiyu to change it. Baoyu changed his red account, and his son was affectionate; In Huangtuling, my daughter's misfortune was under the screen window, and I missed it; In Huangtuling, Dark Victory and Daiyu suddenly changed color when they heard this. Although they have infinite doubts in their hearts, they are not shown outside.

Back to the eightieth time, Mei Xiangling succumbed to the greedy husband's stick, and Taoist Wang spun out the prescription of the jealous wife.

Xia Jingui changed Xiangling to Qiu Ling. Jingui pulled Xiangling with Baochan and Xue Pan, and Xiangling followed Baochai, resulting in dry blood. Jingui humiliated Baochan again. Xue Pan regretted marrying this troublemaker.

Extended data:

A Dream of Red Mansions has three worlds: one is a poetic world; The second is the real world; The third is the world of philosophy. The three are interdependent and indispensable.

Ignoring the existence of any one of these worlds will greatly reduce the evaluation of the ideological value and artistic value of A Dream of Red Mansions, and the understanding and interpretation of A Dream of Red Mansions will be incomplete or even fallacious. The critical mode of "triple world" embodies the tradition of "philosophy of literature, history and philosophy" in ancient China, which has certain universal significance.

In the 1970s, some scholars put forward the theory of "two worlds" in A Dream of Red Mansions, arguing that there are two completely different and opposite worlds in A Dream of Red Mansions, which are called "Utopian World" and "Real World" respectively. These two worlds, embodied in the book A Dream of Red Mansions, are the world of the Grand View Garden and the world outside the Grand View Garden.

This proposition is mainly aimed at the accumulated disadvantages of the "old redology" of Suoyin school and the "new redology" of textual research school. Whether it is the mystery of "family history" pursued by Suoyin School or the theory of "autobiographical biography" of Textual Research School, it is suspected that literary truth is confused with historical truth and life truth.

A Dream of Red Mansions is, after all, a literary work, and the focus of redology research should shift from historiography to literature. The theory of "two worlds" really played an inspiring role at that time and was regarded as a "Dream of Red Mansions Revolution".

In a blink of an eye, nearly half a century passed. After jumping out of the strange circle of historical research, the garden of redology blossomed and flourished. However, the literary study of A Dream of Red Mansions still has a long way to go.

A Dream of Red Mansions seems to be a huge artistic maze, and people have different opinions on its understanding. As Mr. Lu Xun said, in A Dream of Red Mansions, "Confucian scholars see the Book of Changes, Taoists see lewdness, talented people see lingering, revolutionaries see rows of people, and gossips see the secrets of the palace".

How to grasp the literary world of A Dream of Red Mansions more completely and accurately? The theory of "two worlds" can only bring redology back to the road of literary research, but it is unable to solve this fundamental problem.

The theory of "two worlds" in A Dream of Red Mansions still has many shortcomings, which need to be revised and supplemented. Call the world of Grand View Garden "Utopian World" or "Ideal World", use it to refer to the whole literary world of A Dream of Red Mansions built by Cao Xueqin after ten years' efforts, and set it against the real world.

This view mainly focuses on criticizing the real world and praising the "ideal world" in A Dream of Red Mansions, but ignores the reflection on the so-called "ideal world" of Daguan Garden in A Dream of Red Mansions and the love-hate relationship with real life. The so-called "ideal world" is not perfect, and the real world is not without its merits.

The relationship between "ideal world" and "real world" should not be completely opposite. They are actually a contradictory unity, and there is the possibility of complementarity and transformation. In addition, when talking about the "real world", the views of the two worlds not only point to real life, but also involve literary creation, and there is no good distinction between the two.

The "triple world" theory is obviously different from the "two worlds" theory in content and nature. In the "triple world" theory, the "poetic world" mainly refers to the world within the Grand View Garden, which may not be so perfect in itself, but in the eyes of young Jia Baoyu, it is full of poetry everywhere.

In fact, there are also political struggles in the Grand View Garden, but the young Jia Baoyu is inexperienced and doesn't pay much attention to it. Therefore, the existence of "poetic world" is not only related to the environment, but also related to the narrative perspective. A Dream of Red Mansions sometimes sees the world through Jia Baoyu's eyes. Jia Baoyu's poetic temperament determines that the Grand View Garden in his eyes exudes a rich poetic atmosphere.

"Real world" mainly refers to the world outside the Grand View Garden, or the world outside the vision of young Jia Baoyu's life. With the growth of Jia Baoyu, the poetic color of the Grand View Garden gradually faded. Jia Baoyu can't live in the Grand View Garden forever. He will grow up one day, walk out of the Grand View Garden and face a more realistic life.

Jia Baoyu was dubbed by Baochai as a "rich and idle person". He likes to live a luxurious life and all the beautiful things. However, as the Song of the Good says, where there is good, there is evil. Life does not depend on human will.

The relationship between "poetic world" and "real world" is not diametrically opposed and mutually exclusive. The "philosophical world" has built a bridge of communication between them.

In A Dream of Red Mansions, the philosophical world is not an abstract existence, but is concretely presented through artistic images such as myth, dreamland and a monk together. Some scholars think that "the Grand View Garden is just a fantasy", but they don't recognize the difference between the two and classify it as an "ideal world".

In fact, the philosophical world represented by dreamland and fairyland dominates the world inside and outside the Grand View Garden, which exists at a higher level than the Grand View Garden.

The "triple world" in A Dream of Red Mansions is interdependent, interpenetrating and inseparable. In Jia Baoyu's view, the "poetic world" is the glamorous appearance of life, and its brilliance covers up the bloody and cruel "real world".

"The world of philosophy" stands aloof and looks at daily life with a detached attitude. Together, they form a full and vivid artistic world of A Dream of Red Mansions.

The wonderful description of "poetic world" is the most artistic charm of A Dream of Red Mansions. Boys and girls, the seeds of love, spent a lot of time reciting and writing poems. This kind of writing is easy to arouse the desire of ordinary readers, but it is despised by researches and textual criticism.

They believe that the poetic beauty of A Dream of Red Mansions belongs to the category of literary appreciation and has no academic research value. Therefore, the focus of redology research is not here.

The description of the "real world" in A Dream of Red Mansions is obscure, not as explicit as that in Jin Ping Mei, which is also the most interesting place for scholars of researches and textual research. The accumulated research results are very rich and complex and need to be cleaned up.

As far as the study of the philosophical world of A Dream of Red Mansions is concerned, although scholars such as Wang Guowei set foot in it as early as the beginning of the twentieth century, on the whole, the results are limited. In the triple world of A Dream of Red Mansions, this is the weakest link in the research results, and it is also a key direction for the future development of A Dream of Red Mansions.

To make a breakthrough in the study of redology, the key is to break the self-closed cycle of literature and history research and introduce philosophical research into it. Just as Zhuangzi's articles are both beautiful prose and profound philosophical works, A Dream of Red Mansions not only has the value of literary research, but also contains profound philosophy.

A Dream of Red Mansions absorbed the essence of China's traditional Confucianism, Buddhism and Taoism, and made a profound reflection on life from two aspects: entering the WTO and being born. The images of monks often appear in novels, and monks always walk together. It can be seen that the author's purpose is not to unilaterally promote a certain religion, but to have another meaning.

The fictional fairy tales Dreamland and Wonderland remind readers to know the essence of life through the appearance of life.

We might as well borrow Laozi's thoughts to further deepen our understanding of the philosophical world of A Dream of Red Mansions. Laozi said, "Tao gives birth to one, two, three and everything." "Tao" is an abstract law, "I" is a concrete and complete thing, "II" refers to the contradictory poles of things, and "III" refers to any point between the poles.

Because "three" is arbitrary and can represent ever-changing things. In A Dream of Red Mansions, "poetry" and "reality" respectively represent the bipolar forms of life. Every character in the book walks between poetry and reality, birth and WTO, and walks a different life path.

It can be seen that one-sided emphasis on "poetic world" or "real world" cannot cover all the author's thoughts. How to find an appropriate life path between "poetry" and "reality" is the key to the philosophy of life in A Dream of Red Mansions.

The separation of literature, history and philosophy is a major feature of China's humanistic tradition. The greatness of A Dream of Red Mansions is the result of the interaction of literature, history and philosophy. As far as the triple world in A Dream of Red Mansions is concerned, the poetic world is the most literary, while the real world is closer to history.

Whether appreciating "Wen" or criticizing "history", we should not ignore the existence of a philosophical world in A Dream of Red Mansions. We should look at the relationship between poetry and reality from a dialectical perspective, instead of "sticking to one end and ignoring the rest".

In such a masterpiece as A Dream of Red Mansions, "the world of philosophy" is by no means dispensable. Appreciating A Dream of Red Mansions, if it only stays at the level of literature and history, and can't finally rise to the philosophical level to think about life, is tantamount to buying gifts and returning pearls.

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