Traditional Culture Encyclopedia - Traditional stories - China Top 100 Calligraphers Ranking
China Top 100 Calligraphers Ranking
Lin Sanzhi 1.
(1898- 1989), Lin Ming, also known as Lin Yi, is called San Chi, Zuo Er, Jiang Shang Lao Ren, etc. Born in Jiangpu, Jiangsu Province, Wujiang Town, Anhui Province.
In the 1960s, he served as honorary chairman of the Provincial Calligraphers Association. During the period of 1972, Chinese and Japanese calligraphy became famous in one fell swoop, and Zhao Puchu, Qi Gong and others called it "the three wonders of contemporary poetry and calligraphy".
2. Li Zhimin.
(1925 ——1994) studied calligraphy and painting in Wuchang Art College in his early years, and then specialized in calligraphy. He is a contemporary cursive master in China.
He is an expert in literature and history, and is good at true cursive script and artistic theory, especially crazy cursive script. He is a pioneer in theory and practice. Together with Shen, he is known as "the second outstanding calligrapher in the history of Peking University", and has the reputation of "southern forest and northern plum blossom" (Lin Sanzhi and Li Zhimin), and is also known as "contemporary sage of grass".
3. Qigong.
(19 12 ~ 2005) China modern calligrapher, calligrapher and writer. His calligraphy, with rigorous structure, clear and vigorous strokes, different styles, harmonious subject and object, beautiful and elegant, has distinct personality characteristics.
He advocated learning from the calligraphy of the ancients, and believed that stone tablets should be carved with knives. After years of weathering and erosion, it is not easy to see the original appearance. Ink can show how the ancients used pens and ink. Ink can be natural and flexible. He even thinks that when looking at the tablet, you should look at the nib through the blade.
He spent half his life learning to write instead of using a knife. He also refuted the ancient saying that "calligraphy is based on pen, and writing should be studied hard", paying special attention to writing. When you think the structure is right, the posture will naturally appear. After painstaking research, he came to the conclusion that the center of gravity of each word is not in the middle, but on the left or above.
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