How to write an essay on fishbone graphic design?

When it comes to design, the first thing that comes to mind is the somewhat vague but not illusory concept of design culture. The phrase "design culture" encompasses design rules, phenomena, knowledge, analytical tools, and more than just basic functionality that must be considered when designing a specific piece of work. For today, any designed object is produced, distributed and used within an economic and social model that is more complex and elusive than ever before. A universally meaningful theory of design culture does not exist, and designers are constantly discussing design culture not only as a professional necessity, but also as a way of recognizing the cultural, social, and political environment. Because today is not just the era of craftsmen and decorators, designers are faced with cultural issues that go far beyond the scope of traditional design. On the other hand, it would be very difficult to establish a generalized theory of design culture, and the guiding role that theory plays in the scope of one culture may be misleading to another, unless the purpose of design is limited to function itself, to its materiality. In fact, all civilization is made up of material things, without which it would not exist. So it is conceivable that the cultural significance of design may be given by its products being distributed, appropriated and used by different civilizations.

Design is nowadays ubiquitous and occupies a considerable place in life.

Graphic Design

Graphic design is the combination of different basic shapes, according to certain rules, into patterns on a plane. Mainly in the two-dimensional space within the scope of the contour line to divide the boundaries between the figure and the ground, depicting the image. The three-dimensional sense of space expressed by the graphic design is not a real three-dimensional space, but only the graphics of the human visual guidance role in the formation of the illusion of space.

Terms of graphic design: (Harmony. Contrast. Symmetry. Balance. Proportion. Center of gravity. Rhythm. Rhythm) and in the design of the fishbone: symmetry. Balance. Proportion. Center of gravity. Rhythm. A: Graphic design elements include (conceptual elements. Visual Elements. Relational elements. Practical elements.) B:In the use of elements (point, line, surface composition; gradient; repetition; bone grid; proximity; emission; different; contrast; dense; texture; space; figure and bottom; break up; rhythm; division; balance; various arrangements of the basic shape)

Which the bone grid determines the basic shape in the composition of each other's relationship. Sometimes the grid becomes part of the image, and different variations of the grid can change the overall composition.

The grid is divided into:

1. regular grid:

2. irregular grid:

3. functional grid:

Graphic design

Graphic design as an important basis for visual communication design, as fonts and composition of the same thinking performance, and graphic design can not be separated from the various aspects. If the graphic design is compared to a big tree, graphic creativity is like the root of the tree, assuming an important role. Graphic design is a way of expression that shows the wisdom and interest of designers, which expresses multi-layered content with symbolic images, attracts the public's vision with novelty images, foretells the result of another thing with the development process of one thing, and can provide unlimited associative space for the viewers and inspire the public's wisdom. From the perspective of creative thinking to observe, recognize, understand, use abstract forms to express the phenomenon of things, create diversified conformational design methods, reproduce the concrete forms in nature and life in the form of graphic symbols, so that we can consciously observe the world, discover the creative elements of life, deepen our understanding of the importance of the graphic language, and lay a creative foundation for professional design.

Graphics as the language of design, pay attention to the words clearly. In the processing must grasp the main main features, pay attention to the details of the key parts. Otherwise the difference of a hundred, lost a thousand miles. For example, apples, tomatoes, oranges, etc. in the volume is almost the same, but in fact there is a big difference, which will have to live in the treatment of their respective different characteristics.

The graphic representation of creativity is through the center of the creative deep thinking and systematic analysis, give full play to imaginative thinking and creativity, imagination, ideas visualization, visualization. This is the final and crucial part of creativity. The process from how to analyze, how to think to how to express. Due to the unique social labor and language of human beings, human consciousness activities have reached a highly developed level, and human thinking is a process that begins with the recognition of appearances, then records the appearances into the brain to form concepts, and then generalizes and fixes these concepts derived from actual life experiences, so that various objects and processes in the external world and even the world of one's own thinking produce their own corresponding images in the brain. These effects are separated from direct external relations and are maintained and operated independently of thought. These impressions are based on language in the narrow sense, and are expressed in the broader sense of visual graphics, body movements, music, etc.

"Strange", "strange", "weird" graphics is not the goal of the designer, easy to understand, simple and clear graphic language, is to achieve a strong visual impact. It is the necessary condition to achieve strong visual impact, so as to facilitate the public's knowledge, understanding and memory of the advertising theme. In a certain artistic philosophy and visual principles, creativity through thousands of years of imagination and artistic creation. As a complex and wonderful thinking activities of creativity, in the current graphic creativity, advertising design, it is a visual image, and has a certain form of creativity.

In today's graphic design, to attract other people's eyes, in addition to the beauty of graphics and visual impact, there is a very important point, is that there must be creative. Creative works can make a deep impression, but also appears to have more content.

Graphics is in a particular ideology under the domination of one or more visual elements of the combination of intentional portrayal and expression. Excellent graphics is the sublimation of visual aesthetics, is the visual presentation of deep meaning, give people philosophical revelation. Explanation of the above concept is a short sentence, but contains a considerable amount of knowledge, first of all we need to know, graphics is a combination of visual elements, is an organic combination of several visual elements.

"Fishbone" graphic used in life:

Hong Kong's Cathay Pacific Airways introduced a new Boeing 777-300ER on its inaugural flight to Taipei on the 25th, where the newest Business Class cabin was designed with a fishbone arrangement to allow travelers to fully retain their private space.

Free Style Creative Fishbone Chair is the design of the fishbone in the jewelry.

All in all, art comes from life.

Analysis of the "fishbone" graphic plan

When it comes to the plan, the first thing that comes to mind is the plan of civilization, which is a somewhat ambiguous, but not illusory point of view. The phrase "plan civilization" encompasses plan rules, sights, knowledge, analytical skills, and more than the basic function that must be considered when planning detailed works. Because tomorrow, anything that is planned upside down is consumed, distributed, and utilized in a much larger and more elusive economic and social form than ever before. The actuality of a planned civilization of broad significance does not exist, and planners discuss it from time to time not only as a professional necessity, but also as a necessity to view the civilizational, social and political situation. Because tomorrow is not only the period of craftsmen and decorators, the planners are faced with the achievements of civilization which is far beyond the traditional scope of planning. On the other hand, it would be very difficult to establish a civilizational reality of planning in a broad sense, and the role of reality in guiding one civilization may be misleading to another, unless the goal of planning is limited to the function itself, to its materiality. In fact, all civilizations are composed of material tools, without which they do not exist. So it is conceivable that the civilizational significance of a plan is able to be paid by the fact that its products are distributed, occupied and used by different civilizations.

Now the plan is ubiquitous in the survival, and occupies a proportionate position.

The three-dimensional plan

The three-dimensional plan is the fundamental graphics of the difference, in accordance with certain rules in the three-dimensional decomposition of the pattern. Secondly, in the two-dimensional spatial scope of the surface line to separate the map and the boundary between the ground, depicting the abstraction. The three-dimensional plan embodied in the sense of plane space, not the real three degrees of space, but only graphics on the role of human visual guidance constitutes the illusion of space.

Terms of three-dimensional plan: (harmony. Contrast. Symmetry. Balance. Proportion. Center of gravity. Rhythm. Rhythm) and in the plan of the fishbone: symmetry. Equilibrium. Proportion. Center of gravity. Rhythm. A:Three-dimensional planning elements include (viewpoint elements. Visual elements. Connection element. Applicable elements.) B: in the use of elements (point, line, surface composition; mutation; repetition; bone grid; similarity; emission; different; contrast; elongation; texture; space; figure and bottom; break up; rhythm; connection; balance; all kinds of display of the fundamental shape)

The bone grid resolves the fundamental shape of the composition of the relationship between each other. Occasionally, the skeleton grid also becomes part of the abstraction, the different changes in the skeleton grid will make the whole composition change.

The bone lattice is divided into:

1. disciplinary bone lattice: 2. non-disciplinary bone lattice: 3. role of bone lattice: 4. non-role of bone lattice: 5. repetitive bone lattice:

Graphic plan

Graphic plan as a visual conveyance of the plan of the nervous foundation, as if the font and composition of the idea of the embodiment of the same, and the three-dimensional plan of the various keys can not be separated. If the three-dimensional plan is compared to a tree, graphic creativity is like the basic tree, to assume the role of partial importance. Graphic plan is the expression of the planner's eloquence and interest in the embodiment of the method, it is marked by the abstract embodiment of the multi-layered content, to attract the masses of the novel abstract visual, to the development of a thing in the process of predicting the consequences of another thing, and can provide the viewer with a limited space for reverie, revelation of the masses of the eloquence. From the perspective of creative thinking to see, view, understand, use a general way to reflect the scene of things, the invention of diversified shape planning methods, graphic markers to reproduce the detailed shape of nature and survival, so that we unconsciously look at the world, the invention of creative elements of life, deepen the view of the graphic language tension, laying a creative foundation for the professional program.

Graphics as the language of planning, pay attention to the words clearly. In the disposal must grasp the main and secondary characteristics, pay attention to the details of the key parts. Otherwise the difference of a hundred, lost a thousand miles. For example, apples, tomatoes, oranges, etc. in the volume of difference, but in practice there is a big difference, which will have to live in the disposal of their respective differences in characteristics.

The graphic embodiment of creativity is through in-depth consideration of the center of the creative and fragmentary analysis, and give full play to imaginative thinking and inventiveness, imagination, abstraction, visualization. This is the initial key to creativity, but also the key to the key. From how to analyze, how to consider to how to manifest the process. Due to the unique social rest and language of mankind, the human cognitive movement has reached a high degree of development, the human mind is a view of the appearance of the beginning, and then the appearance of the record to the brain to form a point of view, and then these views derived from the experience of practical survival of the viewpoints of the extensive to be solid, so that the internal world and even their own thinking of the world of all kinds of tools and processes in the brain to occur in their corresponding image. These affects are dissociated from the indirect internal relations and persist and operate independently of thought. These impressions are rooted in broad speech, which in turn manifests itself in narrow speech such as visual graphics, body movements, and music.

"Strange", "different", "strange" graphics is not the planner to seek the purpose, easy to understand, simple and fast graphic language, is to reach the intense visual Striking force of the necessary conditions, so as to facilitate the public's view of the theme of the confession, understanding and image. In the certain art philosophy and visual principles, creativity through the up and down thousands of years of imagination and artistic invention. As a huge and interesting ideological movement of creativity, in today's graphic creativity, advertising program, it is therefore a visual abstraction of the presentation, and has a certain creative way.

In today's three-dimensional plan, to attract the eyes of others, in addition to the beauty of the graphics and visual impact, there is another very important point, is the need for creativity. Creative works can make a deep impression, and appear to be more extended.

Graphics is in a particular mental awareness of one or more visual elements under the control of the combination of intentional depiction and expression. Good graphics is the sublimation of visual aesthetics, is the visual appearance of the depth of meaning, giving people philosophical openings. Show that the above point of view is a long sentence, but includes a proportionate amount of knowledge, first of all we need to know, graphics is a combination of visual elements, is how many visual elements of the inorganic combination.

"Fishbone" graphics for survival:

Hong Kong Cathay Pacific Airways introduced a new Boeing 777-300ER aircraft 25 first flight to Taipei, where the newest business class, the fishbone-shaped display plan to allow visitors to fully retain public space.

Self style creative fishbone type chair that ornaments in the fishbone plan.

In short, art comes from survival.

All in all, art comes from survival.