Love poems

1. The complete works of ancient poetry can be divided into two categories according to rhythm: ancient poetry and modern poetry. Classical poetry and modern poetry are concepts formed in the Tang Dynasty, which are divided from the perspective of poetic rhythm.

(1) Classical poetry: including ancient poems (poems before the Tang Dynasty), songs of Chu and Yuefu poems. Poems in the style of ancient poetry, such as songs, words, quotations, songs and chants, also belong to classical poetry. Classical poetry does not talk about antithesis, and rhymes casually. The development track of classical poetry: The Book of Songs → Chu.

① Chuci: a form of poetry created by Qu Yuan during the Warring States Period, characterized by the use of dialect and phonology of Chuci, with strong Chu color. Liu Xiang, editor-in-chief of the Eastern Han Dynasty, has 17 parts, mainly based on Qu Yuan's works, and Qu Yuan's works are represented by Li Sao, so later generations call it Chu Ci and Sao.

(2) Yuefu: It was originally the official name in charge of music in the period of Emperor Wu of the Han Dynasty, and later became a poetic name. Music songs collected and created by Yuefu officials in the Han, Wei, Southern and Northern Dynasties are called Yuefu for short. Poems written by poets in Wei, Jin, Tang and later generations, though unhappy, have become Yuefu and quasi-Yuefu. For example, Chile Song, Mulan Poetry and Short Song (Cao Cao).

Add songs, lines, quotations, songs, songs.

(3) Gexing style: it is a variant of Yuefu poetry. After the Han and Wei Dynasties, there were many Yuefu poems with the theme of "Song" and "Xing". Although the names are different, there is actually no strict difference. They all mean "song", and syllables and beats are generally free. There are five words, seven words and miscellaneous words in the form, which are full of changes and later. " Although it is called Yuefu, it is not limited to melody, so it is called New Yuefu. This kind of poetry has been greatly developed by Li Bai and Du Fu. For example, in Du Fu's "Sad Chen Tao", "Mourning for the Head" and "One Car Paves Two Roads", many of Bai Juyi's works adopt the Yuefu style, and most of them are mixed in a few words.

2. Poems describing melodies have been specially arranged, which can continue to supplement the missing ones:

Positive, cheerful, cheerful, cheerful, gentle, romantic, beautiful, elegant, comfortable, melodious, smart, lovely and sweet. Young, energetic, free and easy, free and unrestrained, exciting, full of energy, calm, enthusiastic and humorous, inspiring, exciting and refreshing.

Neutral calm, deep, profound, grand, vast, magnificent, shocking, passionate, tragic, sad, desolate, vicissitudes, psychedelic and hazy.

Negative sadness, sadness, sadness, miss, miss, loneliness, sadness, sadness, regret, anger, terror, tension.

3. Poetry with quatrains, rhythms and rhythms has musical beauty, and the musical beauty of poetry mainly depends on rhythm. In ancient times, people found that regular pronunciation could form a distinct rhythm in labor and communication. In the Han Dynasty in China, there was a literary genre-Fu, which was both poetic and literary. This literary genre is very particular about literary talent and rhythm. In the Wei and Jin Dynasties, "Fu" became increasingly dual, and the whole article was composed of even sentences with equivalent words, related meanings and harmonious tones. From the Han Dynasty to the Tang Dynasty, five-character poems and seven-character poems developed for a long time, and they were basically mature in theme trend, metrical form, artistic means and style tendency, and the metrical structure of quatrains and metrical poems was finally formed. Quatrains and metrical poems are both metrical poems. There are strict formats and rules for the writing of metrical poems, and there are strict regulations on the number of words, lines, sentence patterns and phonology. This rule is called quatrains and rhymes.

The metrical poems that appeared in the Tang Dynasty are clearly distinguished. The rhythm is rigorous, and there are definite sentences (eight sentences per sentence), definite characters (five or seven words), definite sounds (flat and parallel) and definite pairs (two couplets in the middle). The most obvious difference between quatrains and metrical poems is the different number of sentences. Each quatrain usually has five words and seven words, referred to as five quatrains and seven quatrains for short. The antithesis of quatrains is not as strict as that of ordinary poems. The quatrains before the Tang Dynasty are called archaic quatrains, which rhyme smoothly and freely. The quatrains after the Tang dynasty are called near-body quatrains, and most of them don't pay attention to antithesis, which is called prose. Some quatrains are like half of a metrical poem, and the meter is the same as the first four sentences, the last four sentences or the middle four sentences of a metrical poem. Like the first four sentences, the last two sentences are antithetical sentences. The last four sentences are homophony, and the first two sentences are antithetical. It is the same as the four sentences in rhyme, and the two sentences are opposite.

4. Poems describing voices 1 Bai Juyi: Pipa-playing.

Big strings hum like rain, and small strings whisper like secrets.

Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade.

Guan Yingying's ass was slippery when she spoke, and we heard a stream sobbing painfully on the beach.

By checking its cold touch, this string seems to be broken, as if it can't pass; And notes, fade away.

The depth of sadness and the hiding of sadness are more told in silence than in voice.

A silver vase suddenly burst, pouring out a stream of water, jumping out of the conflict and blow between armored horses and weapons.

Before she put down the pick, her stroke was over, and all four strings made a sound, just like tearing silk.

2 Lu Xun has a poem "Giving Gifts" (the second poem): "The Qin female lets jade kites fly, and Liang Chen warms the night wind, and suddenly the ice strings are ringing, and the stars are ringing all over the sky."

3 guzheng poems

I couldn't stop singing last night.

It's already midnight.

Stand up and walk around the steps alone.

When people are quiet, the moon is bright outside the curtain.

Whitehead is fame.

Old mountain pine and bamboo are old, which hinders the return journey.

I want to talk to Yao Qin.

There are few confidants, who will listen to the broken string?

Xiao Zhongshan of Yue Fei

Zheng mingzhu,

Shining on the golden harp,

In order to attract Zhou Yu's keen eyes,

She sometimes touches the wrong note.

Li Duan listened to zheng.

Under the north window of Guqin,

The night sounds clear and sad.

High chords break easily,

A broken heart cannot bend the road.

Xiaogang is playing guzheng.

There is a divine comedy upstairs,

I want to break my string and urge it again and again.

Jiang Fei listened to the fog and rain,

White waves are flying, and jade is floating.

Call me double phoenix trough,

Give it to orphans in the Three Gorges.

Playing Fang Chundiao with Jun,

Pick up firewood and frost branches.

Su Shi's Guzheng

Qin Zheng speaks out of tune,

Yuzhu sings Qingqu,

The string is high and broken,

The sound continues with the beautiful fingers.

I heard voices around the beam,

Know Yan Ruyu better.

Shen Yue's Ode to Zheng

Beauty is the window of sunshine,

String players play the Zheng in sign language.

The spring breeze blew off the king's ears,

This song is Ascension to Heaven.

Li Bai's Spring Journey

When you are in a remote place, Qin Zheng will reappear.

Zhang Jiuling listened to Zheng.

The bright moon shines on people in ancient times, and the curtain opens to play jade Zheng.

Chang Jian's "Playing the Zheng at Night in Tall Buildings"

Bao Zheng's cymbals are overcast and dusty, and Zhang Jin draws still.

Liao Rong's "Quit the Palace Prostitute"

Why Zheng Qing lingered and Lv Yun was hanged?

Li Bai is visiting prostitutes in Nanting, Handan.

Where to mourn Zheng, follow the urgent principle, and cherry blossoms hang down Yongxiang Yangya.

Four Untitled Poems by Li Shangyin

There are still cymbals and kites behind the curtain. It's too late to see them. I don't know.

Zheng Song, a Yao Beauty after the Banquet by Lu Lun.

When a woman is in trouble, her heart is cold.

Fifty Poems of Li Shangyin's "Send the General to Que"

Guzheng plays oriental music, and Qin Xian plays western music.

Li Bai's "Antique" 54

It's breezy in Wansongting, so listen to a piano.

Liu Yuxi's "Hurt Qin Sisters"

The long night is full of affectionate silver, guarding the empty room with fear and jealousy, and can't bear to sleep.

Yu Ya's Autumn Night

Nearly 20 poems by Bai Juyi mentioned Zheng. The poem "Zheng" describes a female pianist's exquisite performance: "The clouds are blue and white, the autumn water cuts off the eyes, and the onions peel off the fingers". Zhang Gui wrote two sentences in "Zheng": "Blue pillars are born in the night wind, and red strings are swallowed by spring water", describing the characteristics of the sound of the Zheng like water. What's more, "Listening to Zheng" and "Jin" in the Romance of the Three Kingdoms written by Li Duan all shine on the golden harp. If you want to take care of her, she touches a wrong sound from time to time. "This poem shows people Zhou Yu's mastery of temperament skills.

The bright moon shines on people, and the curtain opens to play jade Zheng.

The mountain is high and the ape is in a hurry, and the sky is quiet and the geese are singing.

The curvature is still unfinished, and the east wind and summer are half-dead.

Jin Su's guzheng makes a beautiful sound, and the beauty of guzheng sits in front of the jade house.

Trying to please Zhou Lang as much as possible, you see she deliberately dialed the wrong string.

The string urges the column to listen, and the sorrow and resentment of the Qin people are infinite.

It's like chasing the spring breeze to know Liuzhou, just like knowing flowers with birds.

The timbre of guzheng is so elegant, it is the most fashionable piece, exquisite and ingenious.

In the bright moon with purple sleeves and red strings,

Self-playing, self-feeling, dark, low capacity.

Chord coagulation refers to the cessation of pharyngeal sounds,

Don't be sentimental.

The flag of sunset flutters in A?vagho?a (Du Fu went to the fortress).

Big strings hum like rain, and small strings whisper like secrets. Bai Juyi's Pipa Journey

Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade. Bai Juyi's Pipa Journey

5. What is the rhythm of ancient poetry? Ancient poetry can be divided into metrical poems and quatrains according to rhythm. Metric poems can be divided into: 1, five rhymes: one sentence with five words and eight sentences, and only one rhyme is limited to the end.

The five laws take the first sentence as a positive example and rhyme as an example. 2, seven laws: that is, a sentence of seven words and eight sentences, limited to flat rhyme, a rhyme to the end.

The rhyme of the first sentence is a positive example and the rhyme of the first sentence is a variation. 3. Exclusion: it can be five-word exclusion or seven-word exclusion.

Arrange at least ten sentences. The arranged rhymes must be integers, such as ten rhymes and thirty-six rhymes.

There are two kinds of quatrains: entering the law quatrains: you can write five-character quatrains or seven-character quatrains. Four words, Ye Yunping.

(Note: quatrains are divided into ancient quatrains and absolute quatrains. There are two kinds of quatrains, one is quatrains with regular sentences and the other is quatrains without regular sentences. The legal sentences of regular poems are classified as regular poems, and the legal sentences of ancient Chinese are classified as ancient Chinese.

Most books are called quatrains, regardless of statutes and styles. Ye Ping's rhyming things must be rhythmic, and Ye Xu's rhyming things must be antique.

In addition, generally speaking, people like to use ancient style, and people like to use it. The level tone law is the classification of Chinese characters' tones from the perspective of literary temperament.

In ancient Chinese, Chinese characters were divided into four tones: flat, upward, far and cheng * * *. Flat refers to flat voice, which means going up, going down and entering the voice.

After the Yuan Dynasty, the entering tone in the north gradually disappeared, becoming the present double tone and four tone, while the flat tone gradually evolved into Yin Ping and Yang Ping. In modern Chinese, the four tones of flat tone, rising tone, falling tone are called new four tones.

All tones with flat tones (referring to one or two tones in standard pinyin) are called flat tones, and all tones with rising and falling tones (referring to three or four tones in standard pinyin) are called Legato. Some words belonging to Rusheng in ancient Chinese are now classified as Yin Ping and Yang Ping, but when it comes to Pingping, they should still belong to Ru Ping.

We can have a detailed look at some concepts about poetic meter in Chapter 1, Chapter 2, Chapter 3 and Chapter 4 of Wang Li's Poetic Meter.

6. Ask the expert system to explain the tones and proper nouns of ancient poetry.

The tones of ancient Chinese are divided into four tones: flat, rising, going and entering. Flat refers to the flat sound in the four tones, including flat sound and flat sound; It refers to four tones, including up, down and middle.

The phonetics and flat tones used in old poetry and prose are mutually adjusted to make the sounds harmonious, which is called flat tones. The popular formula of "135 regardless" metrical poem.

It is the abbreviation of "135 regardless, 246 is clear". It means that the first, third and fifth words of a seven-character poem can be leveled, and the second, fourth and sixth words must be in accordance with the format and cannot be changed.

By analogy, the five-character poem has three sentences, two sentences and four sentences. This formula is concise and lively, but it is not comprehensive and accurate, and it is not applicable to some sentence patterns.

Dual and attachment terms. Yes, in the sense of relativity, that is to say, the antithesis and antithesis in the same couplet must be opposite, that is, the opposition is true and the opposition is true.

Stickiness, in the sense of adhesion and adhesion, means that the last sentence and the first sentence must be the same and sticky, that is, flat and sticky. The right-glued sign mainly depends on whether the levelness of the second, fourth and sixth words of the five words is wrong, and the levelness of the second, fourth and sixth words of the seven words in the most critical position must be clear.

1. The first sentence of five qualities does not rhyme ⊙ flat ⊙ flat. (rhyming) flat, flat, flat.

(Rhyme) In the mountains, Wang Bo is worried about the Yangtze River, and Wan Li is homesick. It's a crisp autumn night, and yellow leaves are flying in the mountains.

2. The first sentence rhymes flat and even. (rhyming) flat, flat, flat.

Thinking that the foot of Li Bai's bed is so bright at night, will it have frost? . I looked up at the moon and looked down, feeling nostalgic.

3. The first sentence of the five poems doesn't rhyme, and it is flat and even. (Rhyme) ⊙ Flat, ⊙ Flat.

(Rhyme) Go south and bid farewell to Wei Chengqing. Wan Li people go south and fly north in the third spring. I don't know when, but I must go back with you.

4. The rhyme of the first sentence of the Five Musts is ⊙ even and flat, (rhyme) even and flat. (Rhyme) ⊙ Flat, ⊙ Flat.

(Rhyme) On Xia Sai's Qulu The forest is dark, the wind blows, and the general tries to shoot at night. Dawn went to look for the arrow, which had gone deep into the edge of the stone.

1. The first sentence of the Five Laws doesn't rhyme ⊙ Ping ⊙仄仄仄仄仄仄仄仄仄仄仄仄仄仄仄仄仄仄仄201

Floating clouds are like wanderers, like wandering, and the sunset slowly goes down the mountain, which seems to be nostalgic. With a wave of his hand, he will be separated from now on, and his friend on horseback will carry him on a long journey, blowing a long wind, as if reluctant to leave.

2. The rhyme of the first sentence of the Five Laws is Pingyi (rhyme) ⊙ Pingyi (rhyme) ⊙ Pingyi (rhyme) ⊙ Pingyi (rhyme) ⊙ The grass was flooded by the rain, and finally it was loved by God and sunny.

Another bookshelf was added back, and the small window was bright. Birds' nests have been dried, and their bodies are light again.

3. The first sentence of the Five Laws does not rhyme ⊙仄仄仄仄仄仄仄 (rhymes) ⊙仄仄. Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.

The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold. Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.

4. The first sentence of the Five Laws rhymes ⊙仄仄仄仄 (rhymes) 仄仄 (rhymes) 仄仄. The white clouds merged behind, and the blue mist melted into the mountains and disappeared.

The central peak that divides the wilderness is full of rain and sunshine. Need a place to spend the night, Pingping (rhyme), Pingping (rhyme), Pingping (rhyme), Pingping (rhyme), Pingping (rhyme) and Pingping.

The white clouds merged behind, and the blue mist melted into the mountains and disappeared. The central peak that divides the wilderness is full of rain and sunshine.

Need a place to spend the night, four verses and seven laws and so on. Of course, if you write modern poetry, you don't have to do this.