What are the traditional dances of Qin people in Myanmar?

The population of the Qin nationality is about 460,000, and most of them live in the Qinshan Mountains in western Myanmar. Qin nationality belongs to the Qin branch of Tibeto-Burman language family of Sino-Tibetan language family, and it is one of the nationalities that moved southward with Tibeto-Burman language family and entered Myanmar earlier. After several migrations, Qin people entered the mountainous areas of western Myanmar in the 14- 15 century, and some of them migrated to Assam, India. In Minda and Matubi towns in the south of Chin State, women have the custom of tattooing, and the patterns vary from place to place. When young men and women of Qin nationality are in love, girls implicitly express their feelings to visiting boys with the marks on cigarettes.

The traditional musical instruments of Qin nationality include cowhide drum, huqin with bamboo tube as the barrel, cucurbit silk suona and gong. Qin people are good at matching words and songs from time to time and improvising on the same stage. There are many traditional dances of the Qin nationality, mainly including: Pekkai dance on the ice. When performing this dance, men and women come on stage separately to express the dance content respectively; Song Xi dance, when performing this dance, a man and a woman dance arm in arm, with a cheerful rhythm, expressing the friendship between men and women; Blue ring dance, where dozens or dozens of girls dance in a circle to express their yearning for a better life; Salan dance, accompanied by mourning songs, expresses grief; Duckdifficult dance, which shows the warrior's martial and enterprising spirit and is full of battlefield plots; Chiflo dance, cheerful rhythm, striding between bamboo poles.