What are the tunes of Yang Liping's Yunnan Impression? Where to download these tunes?

Resource Type: RMVB

Album Singer: Yang Liping, etc.

Region: Mainland China

Language: Mandarin

Introduction:

Overview

Large-sized original song and dance collection "Yunnan Impression" is a stage that has both the beauty of tradition and the power of modernity. new work. She will be the most original original vernacular song and dance essence and ethnic dance classic new integration and reconstruction, re-creation of Yunnan's rich ethnic flavor. In the song and dance collection, the collision of native, simple ethnic songs and dances with new artistic ideas will bring you a specific "Yunnan reflection".

Famous dancer Yang Liping will be the choreographer and artistic director for the first time, and will lead the show.

The original ethnic song and dance elements.

Yunnan ethnic groups dressed in life prototypes.

62 drums, drum rhythms. 120 masks with Yunnan ethnic characteristics.

The props, bull's head, mani stone, and the scripture roller in "Reflections of Yunnan" are all real. 70% of the actors and actresses are from the ethnic minorities in Yunnan.

The stage, lighting and three-dimensional picture effects are also real and unreal.

Prelude Prelude

Chaos Born of the Earth

"When heaven and earth were in chaos, there was no sun, no moon, and darkness all around, and when you knocked on it, the east side lit up, and then you knocked on it, and the west side lit up. ...... "

The first "Shen Drum" ballad was sung in Niu Kong Township, Luchun County, China.

The first sun

Yunnan drum legend and types of drums can be said to be the most in China. In Yunnan, the drum is not just a musical instrument, but a kind of worship and a totem of the nation. It either symbolizes the mother, or is shaped like the female yin. Yunnan drums from the material points, there are leather drums, stone drums, copper drums, wooden drums; from the belonging to the ethnic groups, there are sun drums, Mang drums, Reba drums, back drums and so on.

The wooden drums of the Wa people in Yunnan are divided into "male drums" and "female drums", which are matched into a pair; to cut down a tree to make a drum, a sacrificial ceremony must be held first. The Wa people say that the patterns of the wooden drums cannot be painted, the songs cannot be sung, and the dances cannot be danced.......

Sun Drums (Jinuo, Xishuangbanna Prefecture)

The drums reflect the fertility worship of the ancient forefathers of Yunnan. The drumsticks and drum surface are very similar to the male and female reproductive characteristics, drumming is more obvious symbolic meaning of intercourse.

Sun drum, is the most sacred artifacts of the Jinuo people, legend has it that in the flood era of the Jinuo ancestors A Mai waist white made a sun drum, Mai Hei and Mai Niu hidden in the drum to avoid disaster, reproduction of the Jinuo descendants. The sun drum can only be played on festivals, and the sun drum dance is the most representative dance of the Jinuo people. The front of the sun drum looks like a round of sun, the drum body inserted with 17 wooden pipes, symbolizing the light of the sun, the Keno people in the New Year's Eve drumming, said to bring good luck.

Manggu Drum

Manggu Drum

Most of the dances of the Hani people are related to the mang. The drum is a prop for people to talk to "Momi" (the god of heaven), and the drum contains grains and grasses to symbolize prosperity. The Mang Dance is a ritualistic and festive dance performed by the Hani ethnic group at the traditional "Angma Tuk" festival.

Only Jianshui Longqiao River area unique. The dance has the meaning of clearing the mountains, driving away evil spirits, and praying for a good harvest.

Bronze Gong

The Wa respect and love the Bronze Gong as much as they do the wooden and copper drums. However, while the wooden drums and bronze drums are both musical instruments and "divine instruments", the gongs accompany people in their daily lives.

Copper Cymbal Dance

The dance is popular among the Hani tribe in Xishuangbanna Prefecture. The ancestors used the loud sound of two cymbals colliding to communicate with the gods.

Elephant-foot Drum (Jingpo, Dehong) Elephant-foot Drum

The drum is named Elephant-foot Drum because of its resemblance to an elephant's leg, and it is played with glutinous rice glued to the center of the drum surface to debug the sound effect, and the Elephant-foot Drum is popular in the Southeast Asian countries around Dehong, Xishuangbanna, Lincang and Yunnan. The masses say: "When the elephant foot drum rings, the foot pole itches". The Elephant's Foot Drum Dance is a folk dance of the Dai people to express their blessings during festivals or to welcome guests from afar.

Divine Drum

The Divine Drum (Luchun County Niu Kong Township Yi Ethnic Group)

The Divine Drum has been passed down in the Luchun area of Yunnan Province, and is locally known as the "Hot Bobi". At present, there is only one woman who can play this kind of drum in Niu Kong Township, Luchun County. The Divine Drum has 24 sets of playing styles, which summarize the contents of rituals, reproduction, praying for a good harvest, and weddings and funerals.

Before playing the drum, you have to "sacrifice the drum". Playing the "sacred drum" to celebrate the birth of the lyrics are: "just born dolls, can not hear, can not see, words will not say; knock a little, the ears will hear; and then knock a little, the eyes will see ...... ".

Scene Two

LandEarth

MoonlightMoonlight

(Solo Dance by Yang Liping)

Solo Dance by Yang Liping

"You're a shapely serpent, slithering in the silvery Moon River. The shining body drive dances with a tongue, and the night stars sing

Song ......"

Yang Liping has always thought that a woman is as tangible and intangible as the moonlight, and she expresses her emotions and the holiness of the moonlight with her abstract and deformed body language, and in the dance we will see how the dancer spreads her wings of imagination.

Song & Dance of Huayao Tribe

The Yi people have a saying: "If you can't sing with your mouth, you'll live in vain; if you can't dance with your feet, you'll never get anywhere". The "Hai Cai Cavity" is extremely beautiful, complex and melodious, and it is one of the "Four Great Cavities" in Southern Yunnan ("Hai Cai Cavity", "Shan You Cavity", "Four Cavities", "Four Cavities", "Four Cavities", "Four Cavities" and "Four Cavities"). Four Cavities", "Four Cavities", "Five Mountain Cavities") is the most difficult to learn, the most difficult to sing folk songs. The dancers sing three beats, dance two beats, and strike a beat with their hands, which is one of the best in the original and classic dance. Living in Shiping County, Whistle Chong, Long Peng, Long Wu area of the flower waist Yi, young girls from 11, 2 years old began to learn to do needle and thread, embroidery, sewing, a set of clothes to do 4, 5 years, and finally wearing this set of stitching hand-sewn clothes to get married, will not be embroidered sewing girl married out. The clothes worn by the actors are hand-sewn by them.

Smoke Box Dance Yanhe Dance

The Smoke Box Dance is an activity of young men and women of the Nisu branch of the Yi ethnic group (commonly known as the "Sandaohong Yi") in the area of Shiping, Jianshui, Eshan and Tonghai in Yunnan province to talk about love. With the traditional tobacco box as a prop, left and right hand each holding a side to finger popping for the beat, the dance form has a double dance, triple dance, group dance, dance with the crisp and pleasant beat of the tobacco box, the resounding sound of the four strings, the flute sound, good dancers, the sets of vivid images, interesting. At night, Yi young men and women gather around the bonfire, playing the four-stringed instrument and singing "Hai Cai Cavity" and other tunes; afterward, young men and women start to fight with each other with their feet on "hoofshells" (shoes), to the accompaniment of "Zhengxin", which are used to beat each other with their feet. ), touching each other's feet with each other's feet for testing; the climax of the party is to dance a kind of imitation of various kinds of animals crossing their tails, male and female young people's bodies in close contact with the dance, there are "twisted twist", "dragon slithers pointing at the water", "pigeons ferrying food There are dances such as "twisting twists", "dragon slithering", "pigeon crossing food", "ants walking", "pouring water from a silver bottle", "heron taking fish", "shrimp and ants twisting their waist "Then the young man began to "grab the girl", to the secret meeting in the dense forest ....... "Stomping grain seeds", "stamping mushrooms", etc., is a dance reflecting farming, the Yi people are extremely fond of the smoke box dance, people say: "hear the four strings ringing, the legs pole itch.

Lyrics: "Thi, thi, thi Li Luo thi Li Luo thi Li Li thi ...... basking in the sun Shiping dry pickles ah, basking in the sun Shiping kale dishes, picking flowers is singing ah singing to ...... ".

Daughter Kingdom Kingdom of Women

(Xinping County Hua Wa Dai)

The sun rests it rests, the moon rests it rests, the woman rests it rests not. If the woman rests, the fire will go out.

When the cold wind blows the old man's head, the woman takes her back to the door; when the thorns poke the doll's feet, the woman takes her heart to the mountain road. The woman is there, the old and the young will be in a pile; the woman is there, the mountain will fall down and the man will carry it up.

Buckwheat is not bitter to eat it, betel nut is not bitter to chew it, women are not bitter how to get? The woman is not going to eat the bitter - the days are not sweet.

If there is no woman in the sky, the sky will not be bright; if there is no woman in the ground, the ground will not grow grass; if there is no woman in the man, the man will be sick; if there is no woman in the mountains, the mountains will not be occupied.

Dage Dance

Dage Dance is the most common way for young men and women of many ethnic groups in Yunnan to make friends and choose a spouse. "The girls are both fond of and shy about it, as the locusts sting the heron's feet, and they can't get away from it. The bold Yi people say: "for people do not dance music, white in the world to live"; "have a mouth will not sing; have a foot will not jump, beautiful also no one wants"; they also have many vivid sayings: "the sun comes out of the mountain to play songs, step on the grass to jump flat slopes The song is not wet; sweat is not wet sheepskin coat, a brother, a sister do not rest feet"; "playing songs until the sun falls, only see the yellow ash do not see feet, playing up the yellow ash made medicine"......

Songs for proof: ......"; "want you can not take you to go, love you can not take you in, like a chicken ate a needle and thread, hanging heart and soul, ah Suthee where it's yo hey ...... "

Scene Three

Homeland

Yunnan's forefathers believed in the "spirit of all things" - the mountain has a mountain god, the water has a water god, the tree has a tree god, the stone has a stone god, the stone has a stone god, the stone has a stone god, the stone has a stone god, the stone has a stone god, and the stone has a stone god. Almost every village has a village god tree, a dense forest, and every ethnic group has annual activities to worship nature, the mountain god, the water god, the village god, and the tree god. This reverence for nature makes it possible to protect the natural ecology. There is only one earth for human beings, and now the serious damage to the ecology has sounded an alarm for us. ......

Scene Four

Fire Festival Fire

Hair Dance

Wa women mostly wear long hair, and the hair dance is a part of the characteristic hair style and life movement of Wa women. The Hair Dance is a folkloric skill movement with Wa characteristics that has been refined and developed from the characteristics of Wa women's hair style and their life movements. The shaking of hair can express strong inner feelings, show strength, and the swinging of hair can also symbolize the blazing fire.

Gourd Pipe Dance

The Lahu, Lisu, Wa, Naxi, Miao, Yao and other minorities in Yunnan have gourd myths. Lahu legend: in ancient times, there was a flood, a brother and sister hid in the gourd to escape the catastrophe; after the flood receded, the two reproduced offspring. Cangyuan Wa in Yunnan Province, the legend of the gourd is the creation of the mother of man, the gourd sheng is the voice of the ancestors. 1958 unearthed more than 2,000 years ago in Yunnan Kaifa copper drum artifacts, there are four people dancing gourd sheng dance side image. A folk song reads, "Playing the three strings on the rocky road, blowing the reed sheng on the tip of the thatched grass; having crossed 99 mountains, they still have to dance and sing until dawn."

Tattoo

Tattooing is the most direct art of body decoration. Tattooing in Yunnan dates back to the Mesolithic era. The original purpose of tattooing is to prevent the spirits of the dead from recognizing themselves; some primitive peoples put the clan's totem worship tattooed on the human body, the metaphorical possession of the gods will give people the power; primitive people later felt that tattooing is a kind of beauty.

Mask Dance

The Mask Dance is a ritual held in ancient China to drive away ghosts and epidemics. There is an image of Mask Dance in the cliff paintings of Dawangyan in Malipo County, Yunnan Province. The ancestors wore masks to scare the devil, expel diseases and epidemics, and pray for human and animal peace. Mask dance developed into Nuo opera, has been survived in some areas of Yunnan, Guizhou and Sichuan provinces.

Dongba Dance (Lijiang County Naxi) Dongba Dance

In the Dongba sacrificial rituals, there is a category of the dead in order to supererogatory. The original Dongba religion believes that the human body is dead, but the human soul is not dead; so it is necessary for the Dongba to dance and offer sacrifices to transcend the dead and ascend to heaven along the "Divine Path".

Bullheads Dance

The bull is an animal worshipped by many peoples in the world in ancient times. Ancient peoples in Yunnan also worshiped cows, in Yunnan Cangyuan cliff paintings there are 10 points there are a lot of primitive people holding the image of the bull's head, Cangyuan cliff paintings of the first location of the 2 area of the lower right rock wall there is a group of dance

Images. In this group of dances, the person holding the bull's head is the presiding officer of the ritual ceremony and the leader of the ritual dance, and only this person draws the body with lines, while the other four people paint all over the body with pigments. The bull's head symbolizes power and wealth.

Nirvana Touching the Soul

Scene Five

Pilgrimage Pilgrimage

Pilgrimage to the sacred mountain is the embodiment of the worship of nature by the ethnic minorities who believe in the Tibetan Buddhadu, pilgrims trekking on the road, and the transepts are always accompanying them as they measure the road with their bodies again and again. Kissed the earth again and again. Despite the wind and sun, despite the rain and snow, their hearts are burning with a great fire, and finally, they went to the sacred mountain, really towards the ideal of the Kingdom of Heaven.

Tibetan Dances

The Tibetan Dances

have chosen many dance elements of the Tibetan culture to express the beauty of human nature. The costumes are mainly Tibetan pastoral robes, fat and spacious, with black, red and yellow tones, and one or two sleeves are removed during the day and tied around the waist to adapt to the climatic characteristics of the "work and rest in one coat". Rural women wear a colorful inner shirt, covered with a wide serge shoulder, singing and dancing, dancing sleeves, fluttering posture. Tibetans often wear an amulet box, wear a ring set with coral, gemstones, so that can be auspicious.

Mani Stone Praying Stone

According to expert research, and Tibet's ancient white stone worship, Zodiac worship practices related to the development of religion and give them a variety of meanings. Mani stone engraved with six-character motto, some also engraved with sutra, mantra and Buddha, is the Tibetan people worship of sacred objects. Mani stone surface some coated with red, blue, yellow, white and other natural pigments, many years will not fade, this mass stone carving art, reflecting the extraordinary ability to shape.

Turning tube

The tube is engraved with scriptures and symbolic patterns (generally engraved six-character motto). There is a volume of scripture built into the cylinder, a large cylinder placed on both sides of the altar, a miniature cylinder for Tibetans to chant the sutra, while chanting while turning to achieve the chanting of the body, mouth and mind in perfect unity of the realm.

Nursery Rhyme: There is a golden mountain among the peaks, a golden lake in the golden mountain, a golden tree on the golden lake, a golden bird on the golden tree, a golden bird singing an auspicious song ......

End Epilogue

Spirit of Peacock Spirit of Peacck

The Dai people call the peacock, a symbol of love, the sun bird, and the peacock is the totem they worship.

Yang Liping has created a series of dance languages that express the form of the peacock, and "Spirit of Peacock" conveys her yearning for a holy and peaceful world. In the epilogue of "Reflections of Yunnan" Yang Liping organically choreographed her solo and group dances together for the first time, and combined them with novel choreographic formations and sound, light, and effects, so that the entire dance was filled with quiet spirituality and a harmonious sense of life.

Artistic Director and Chief Choreographer: Yang Liping

A native of the Bai ethnic group in Dali, Yunnan Province, Yang Liping joined the Xishuangbanna State Song and Dance Troupe in 1971. She starred in the large-scale folk dance drama "Princess Peacock", which won the first prize for performance in the 1979 Yunan provincial transfer show. 1986, she created and performed the solo dance "The Spirit of the Sparrow", which is her famous work, and won the first prize for creation and the first prize for performance in the Second National Dance Competition. 1990, she starred in the large-scale dance "The Spirit of the Sparrow" in the closing ceremony of the 11th Asian Games in Beijing. 1992, she became the first dancer to go to Taiwan from mainland China. In May 1992, she became the first dancer from mainland China to go to Taiwan, and in 1993, she won the first prize in the CCTV Spring Festival Gala for her creation and performance of the duo dance "Two Trees", and in September 1994, the State Council of the People's Republic of China conferred on her the title of "National National Model for Progress and National Unity". In December of the same year, her solo dance "The Spirit of Sparrow" won the Gold Prize of the 20th Century Dance Classics of the Chinese nation. The movie "Sun Bird", which she directed and starred in, won the Grand Jury Prize at the Montreal Film Festival in Canada. She visited many countries in the world for art exchange, and held special dance evenings in Singapore, the Philippines, the United States, Canada, Taiwan, Japan and other countries or regions. The National Folk Dance Association of the Philippines granted her a lifetime membership. Yang Liping love dance art in the dance of a unique way, a style of its own.

Yang Liping out of the love of dance and innate national qualities, spent more than a year, in-depth Yunnan around the picking, retort selected with the typical representative of Yunnan music and dance elements, spent fifteen months of careful rehearsal, with a unique perspective and imagination to frame this a large-scale original song and dance collection of "Images of Yunnan". And with the original, simple ethnic songs and dances and the new artistic conception to show the "Reflections of Yunnan" this new stage art creation style.

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