Last year today, in this door, the peach blossoms reflect each other in red is from the Tang Dynasty's Cui Gu's <>. Meaning: Last year at this time, I looked through this door and saw only the beautiful face and peach blossoms reflecting each other's scarlet color. </strong>This sentence is the poet's memory, point out the time and place, see the poet's heart how deep and unforgettable memories, "the face of the peach blossom" written out of the lover's youthful beauty, charm, called the poet to think of the unforgettable. </p><p><strong>Originally</strong></p><p>Last year today in this door, the face of the peach blossoms reflect each other red. </p><p>I don't know where the faces of the people have gone, but the peach blossoms are still smiling in the spring breeze. </p><p><strong>Translation</strong></p><p>Last year today, in this very door, the girl's face reflected the bright peach blossoms. Today, I am here again, but I don't know where the girl has gone, only the peach blossoms are still there, smiling and blossoming in the spring wind. </p><p><strong>Notes</strong></p><p>(1) Du: the capital of the country, referring to Chang'an, the capital of the Tang Dynasty. </p><p>(2) Human Face: refers to the girl's face. In the third sentence, "human face" refers to the girl. </p><p>(3) "I don't know": "I don't know" means "I don't know", "I don't know" means "I don't know", "I don't know" means "I don't know". </p><p>3) I don't know: I'm not sure if it's a good idea to go, but it's a good idea to go. </p><p>(4) Laughing: describing the peach blossom in full bloom. </p><p><strong>Background</strong></p><p>The exact date of this poem is unknown. According to the Tang Dynasty's Meng Kai's "Poetry of the Scholars" and the Song Dynasty's "Taiping Guangji", Cui Gu, after failing to pass the examination to become a scholar in Chang'an, encountered a beautiful girl on the southern outskirts of Chang'an, and then revisited her on the following year's Ching Ming Festival without success, and so wrote this poem. This account is quite a legendary novel, and its authenticity is difficult to be confirmed by other historical materials. </p><p><strong>Appreciation</strong></p><p>From the point of view of the storyline, this is an impromptu poem, which seems to show only two simple images - the face of a man reflected in peach blossoms, and the peach blossoms after the face of a man has gone. However, due to the activities of the characters, the contrast between the images and the images, and the contrast between the images (peach blossoms) and the images (the poet), the poem skillfully shows the occurrence, development, and the ups and downs of the characters' feelings, such as the pulsating love at the first encounter, the longing for each other after the parting, the revisiting of the love, and the disappointment of the failure to meet each other, etc, all of which are expressed either implicitly or explicitly. The whole poem is natural and mellow, like a clear spring from the bottom of the heart, clear and mellow, which is memorable. </p><p>The poems "Seeking Spring and Encountering Beauty" and "Re-searching and Failing to Encounter" could have been written as narrative poems. The fact that the author did not write them in this way shows that the Tang people were more accustomed to feeling the affairs of life with the eyes and feelings of a lyric poet. </p><p><strong>Later Influence</strong></p><p>The poem and its story are legendary, and Mr. Ouyang Yuqian wrote a Peking Opera called "Peach Blossom with a Human Face" about the story. The poem was widely circulated, and traces of it have been accumulated in later poems. For example: "The fallen flowers are still there, the incense screen is empty, where is the human face?" (Yan Guidao's "Walking on the Royal Street"), and then: "Even if I put away the incense and hide the mirror, when I come back in another year, will the peach blossoms on my face be there?" (Yuan Zhaohua's "Ruihexian") From these works, we can also see its influence on later literary creations. Later, people used the phrase "Peach Blossom on Human Face" to describe a woman's face reflecting the peach blossom, and later it was used to refer to a woman whom they loved but could not see again, and also to describe the disappointment arising therefrom. </p><p><strong>About the Author</strong></p><p>Cui Gu (772 - 846), the character Yin Gong, a native of Boling (present-day Dingzhou, Hebei Province) in the Tang Dynasty, whose life story is unknown, was a poet of the Tang Dynasty. In 796 A.D. (the twelfth year of Zhenyuan), he ascended to the first rank (jinshi and jinshi). In 829 A.D. (the third year of Taihe), he became the Yin of Jingzhao, and in the same year, he became the Imperial Historian and the Minister of the Guangnan Festival. His poems are refined and elegant, and his language is extremely fresh. Six poems exist in All Tang Poetry, all of which are masterpieces, especially the most widely circulated and popular, with eye ****appreciation of the poem titled Du Cheng Nan Zhuang. The poem to "the face of peach blossoms, things are not the same" such a seemingly simple life experience, out of the millions of people seem to have had the *** with the experience of life, for the poet has won the immortal name of the poem. </p></p></div>
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