Chinese painting composition rules

The composition rule of Chinese painting is composition, which is a very active artistic creation process. In its long-term development and evolution, Chinese painting has established many composition rules that meet its own aesthetic requirements, such as layout, priority, contrast, balance, density; opening and closing.

etc.

The problem of composition is not only a problem that beginners need to solve, but also a problem that painters need to think about all the time.

When we look at a painting, the first thing we look at is the composition. The composition in the painting is an important part of the painting.

Today, we *** are studying and discussing the composition of Chinese paintings.

"Composition" generally means "operational position". After we collect the objects in the painting, we need to study how to lay them out in the painting.

Here we can learn from the processing techniques of ancient painters, such as Wu Changshuo, Dong Qichang, Bada, etc. Their paintings have their own characteristics.

We should do in-depth research, learn from their respective strengths, introduce new ideas, and draw inferences from one example to make up for our own shortcomings. This is one aspect of learning.

Composition from the perspective of sketching is the point of view proposed by Mr. Pan Tianshou, and it is also the focus of our discussion today.

Learning Chinese painting cannot simply be done behind closed doors. You need to get into nature so that your thoughts and cognition can be sublimated.

Composition is closely integrated with the painter's ideological cognition, so the painter needs to go deep into nature, capture the images of mountains, flowers and birds in nature, and express nature through paintings, seeking both physical and spiritual resemblance.