Basic knowledge about couplets

1. Understanding of the basic knowledge of couplets

Understanding of the basic knowledge of couplets 1. basic knowledge of couplets

Basic knowledge of couplets I. Origin and development of couplets (a) Overview of couplets Couplets are commonly known as "pairs", "pairs", "joint"; also known as "joint pairs", "joint language", "joint sentence"; elegantly known as "joint pairs", "joint language", "joint sentence"; and "joint sentence". The "joint"; alias "joint pairs", "joint language", "joint sentence"; elegantly known as the "Couplet", "Couplet Poster", "Poster", "Couplet", "Couplet", "Couplet", "Couplet", "Couplet", "Couplet". response", "pair of words" and so on, is a pair of sentences with independent meaning.

Couplets have a long history, more than a thousand years of history, is a traditional practical style. With the unit of poetry called "first", the unit of literature called "piece" of the same reason, the unit of couplets called "vice", the ancients used "amplitude". ".

The couplet consists of two equal amount of words and phrases, the first part is called the first line, also called on the branch, on the ratio, out of the sentence or called on the public, on the first. The latter part is called the lower couplet,, also called the lower branch, the lower than, the pair of sentences or called the pair of mother, the pair of tail.

The upper and lower sentences are collectively called a couplet, for the whole couplet is missing. Couplets are traditional metrical literature, with metrical, typical.

Any work that does not meet the basic requirements of the law should not be called a couplet. The number of words in a couplet has a corresponding relationship with the word.

The number of words is the sum of the number of words in the couplet, half of which is the word. For example, the traditional Spring Festival couplet "a new year; the renewal of all things" is an eight-character four-character couplet, living room couplet "room elegance need not be large; the fragrance of the flowers is not in the more", is a cross five-character couplet; "full of flowers, the wind and shadow; a pavilion of mountain color, the moon peeping people! The "Pavilion of Mountain Colors and Moon Peeping at People" is a fourteen-character, seven-character couplet.

The closest to the couplet is the cross, also known as "horizontal", "horizontal". Horizontal batch pasted in the middle of the two couplets above, usually four words.

Its role is to summarize the central idea of the couplet, there is a summary and the role of the point. (B) the origin and formation of couplets couplets and other literary genres, language, literary terms, including parallel fugue, Tang poetry, Song lyrics, Yuanqu, folk rhyming literature, etc., there is mutual tolerance, penetration, help wing ****, but also has its own rules, rules.

1, the rhetorical practice of couplets bred couplets couplets are different from other genres of literature, the most significant, the most basic feature lies in its couplets, from the number of words, sentences, content, to the level, rhyme, etc., all with couplets. Therefore, to explore the origin and development of the couplet can not help but first involve the couplet.

Pairing is one of the Chinese rhetorical patterns. Pairing is an evolutionary synthesis of the words "battle" and "parallelism".

Pairing is a form of coupling of statements in poems and songs. The word "counterpoint" originated from the ancient palace guard's line of honor guards.

This honor guard is arranged two by two opposite each other, and its formation, number of people, costumes, flags, etc. are neatly and symmetrically arranged, so it is called "battle"; the "parallel" of "parallel" refers to the two horses driving side by side, and the "even" refers to the combination of two people, and the "even" refers to the combination of the two people. The word "parallel" refers to two horses driving side by side, and "even" refers to two people combining together. Synthesized "parallel couples", also means pairs of pairs.

Pairing and pairing of the two sparse between, wide and strict difference, pairing taboo heavy word, pairing is not taboo. Pairing this rhetorical device, in China's ancient poetry and literature, was used by people a long time ago, more than two thousand years ago in the pre-Qin literary works appeared.

"Fullness invites loss, modesty brings benefit" (Shangshu - Dayumu). "In the past, when I went back, the willows were still clinging to me; today, when I come to think of it, the rain and snow are falling" (Xiaowei - Caiwei).

"Drinking the falling dew of Mulan in the morning and eating the falling Ying of the fall chrysanthemum in the evening" (Qu Yuan, "Li Sao"). During the Two Han Dynasty, a half-poetry, half-literature genre called "fu" was developed, and the rhetorical device of couplets was widely and consciously utilized.

In the Wei and Jin dynasties, the works of fu tended to be parallelized, giving rise to the "parallelism". The development and maturity of the rhetorical method of parallelism not only played a positive role in enriching and developing the art of Chinese language and writing, but also can be said that it is this art technique that gave birth to the Tang Dynasty's rhythmic poetry and the later couplets of these two art forms.

From the whole history of literature and art and the development of language, text, this form of literature and art couplets with the whole of the art of Chinese language is closely linked. It is with the art of Chinese language and writing in the generation, development and perfection of the rhetorical device of couplets came into being, from the rhetorical device of couplets out of an independent chic style.

It can be said that the couplet is the product of the maturation, typification, and stylization of the pair of rhetorical devices. 2, the custom of peach symbols directly produces the couplet couplet rhetorical devices nurtured the couplet, but the couplet is not the same as the couplet.

Pair to be transformed into couplets, but also must have an external form. This makes the couplet to get independent of the external form, is a national custom in ancient China - hanging "peach symbols".

Therefore, the couplet began in ancient times, "peach symbols", that is, the couplet originated from the spring couplet, the spring couplet began with peach symbols. "Peach symbols are also known as "immortal wood".

As early as 2000 years ago in the Qin and Han Dynasties, the people of the Central Plains in the old calendar on the occasion of the New Year, with two pieces of peach planks were written on the "Shentian", "Yubi" the name of the two gods, or with the paper painted on the two gods of the picture, hanging, embedded or posted They are hung, embedded or posted next to the door to drive away evil spirits and pray for blessings and avoid disasters. According to the mythological story "Classic of Mountains and Seas" and other books, according to legend, in the East China Sea, Dushuo Mountain, there is a bend stretching three thousand miles of a large peach tree, its branches have been extended to the northeast of the ghost gate, the ghosts and gods in the caves have to come in and out of this.

The peach tree was guarded by two divine generals named Shentian and Yubi. Once they found the evil spirits that were harmful to people, they would bind them with reed ropes and send them to the tiger, so that people could live in peace and happiness.

With the development of society and cultural progress, the custom of hanging peach symbols is also changing. From the initial write two god's name or depiction of images, to later write in the peach board in addition to disaster pray for blessings of auspicious words, and then developed to write two couplets of poetry.

The so-called "Peach Symbol Verse", that is, "pillar stickers". The pillar sticker with the peach symbol is the prototype of the couplet.

The earliest pillar post, that is, the appearance of spring couplets, according to historical records, is in the Five Dynasties period. The Song History - Xishu Meng's family: 964 AD, Meng Chang (919-965) ordered the bachelor Xin Yinxun Peach Symbol, to its non-working, the pen of his own title: "New Year's Day, Na Yuqing; festivals, the number of Changchun".

This pair of couplets inscribed by Meng Chang, Lord of the Later Shu, is recognized as the first spring couplet as far as the present is concerned. At this point, the rhetorical device of couplets, they "give birth" to this independent style of spring couplets.

Until the Song Dynasty, the creation of couplets has become a trend. Like Su Shi, Zhu Xi, Huang Tingjian, such a famous person, there are many couplets works.

Wang Anshi (102 1-1086), a writer in the Northern Song Dynasty, described the scene of posting spring couplets in his poem "New Year's Day": "A year of firecrackers, the spring breeze sends warmth into the tusu. In the poem "New Year's Day", people put up spring couplets: "In the sound of firecrackers, the year is over, and the spring breeze sends warmth into the tassel.

In the Song, Yuan and Ming dynasties, inscriptions have appeared in the palace, eunuchs, temples and Buddhist gates.

2. What you should know about writing couplets

Rules of couplets

(1) The number of words in the top and bottom couplets must be equal, and no repetitive words can be used.

(2) The last sentence of the first couplet must be in oblique tone, and the last word of the next couplet must be in flat tone.

(3) The sentences of the upper and lower couplets must be the same (equivalent words and corresponding structure).

(4) The level of the upper and lower couplets should be opposite to each other. Where the upper couplet is to be in level tone, the lower couplet must be in oblique tone, and the reverse is also true (Ping: level tone; Oblique, oblique tone, including the words of the upper, upper, upper and lower tones).

(5) The meaning of the couplet can be similar or opposite, can only say one thing, may also want to say two things.

Couplets and poems have a relationship of succession and evolution in the middle of the pair of poems, poems and the principle of "one, three, five regardless of the two, four, six clear", also applies to the couplets. As for the number of words in each couplet, there is no limit, from four words, five words, six words, seven words, eight words, nine words to dozens of words, hundreds of words, as long as there is something to say, can become a couplet on the line. Here are some examples to see a spot:

The motherland is strong; the people are new.

(oblique flat flat oblique, flat flat oblique flat.)

The words "motherland" and "mountains" in the first line and "people" and "years" in the second line are all nouns. The last word of the first line "strong" and the last word of the second line "new" are both adjectives, the top and bottom are relative, the level and the narrowness are harmonized, and the content and the form are all in line with the five laws mentioned above.

In short, the couplet should be phonetically harmonious. The language is concise, in line with the law, but also has a certain content. The text is not relative, the level is not coordinated or the slogan slogan-style sentences written in two lines, all can not be considered a couplet.

Excerpted from the Chinese bookstore "knowledge of literature and history" editorial - "how to make couplets"

At the same time, the upper and lower couplings to have a certain connection, but can not be the same or repeated, the same pair of sentences commonly known as the "palm of the hand", such as "New Year to welcome the five blessings of the Spring Festival to receive three more! For example, "Welcome five blessings in the New Year, receive three more in the Spring Festival", in which "New Year" and "Spring Festival", "welcome" and "receive" are agreed. "are agreed, traditionally believed that such couplets commit the production of couplets taboo.

3. Basic knowledge about couplets

Couplets are short in form, refined in rhetoric, a special form of poetry, an excellent cultural heritage, a highly generalized and concentrated form of literature and art, which pays attention to the neatness of counterpoints, elegant wordplay, profound moral meaning and strict specifications. Symmetry and balance are the most prominent points in the aesthetics of the ancestors. This aesthetic has been shown in the production of tools (stone tools), and also in the creation of words. From the discovery of the fourth millennium B.C. Half-slope site unearthed on the pottery symbols to observe, these symbols are often into the left and right symmetry. Eight trigrams are the earliest extremely regular, very symmetrical engraved symbols in China. The appearance of the trigrams to the connotation (from shape to quality) are reflected in the "symmetry" of the aesthetic. In the expression of language and text, this aesthetic is manifested as a pair of sentences. Wenxin Diao Long (文心雕龙), says: "The creation of the form, the branch body must be double the divine reason for the use, things are not isolated. If the heart of the rhetoric, transportation, high and low must be, naturally become a pair." Pairing this rhetorical device can be said to be the world's earliest appearance and use of rhetorical devices, it and the elephant sound is a twin brother. Pairing is not just a simple literal, word matching into a couple, but also requires equal weight, can not be abnormally light or heavy. Examples, too numerous to mention: "Broken bamboo renewed bamboo, flying earth, by meat" ("Feng Ya Yi Pian"); "Qing Temple Mu Ruoxi Cheng Yu Zong, hundreds of bureaucrats Su Ruoxi in the bedchamber" ("Gods and Men Smooth Exercise"); "Rather for the mouth of the chicken, do not be the back of the cattle " ("Ancient and Modern Proverbs"); "Those who compete for fish moisten, and those who chase beasts tend" ("Lie Zi"); "There is nothing that is born from each other, the difficulty and ease of each other, the length of each is compared with each other, the height of each is tilted to each other, the sound of the voice is in harmony with the sound of the voice, and the front and back of each follow each other." (Laozi); "See what it is, observe what it is, and check what it is." (The Analects of Confucius); "Lure them with advantage, take them in disorder, prepare them in truth, avoid them in strength, tickle them in anger, make them proud, labor them in anonymity, and leave them in affinity; attack them unprepared, and catch them unawares." (Sun Tzu); and those belonging to poetry are: "Who says that the sparrow has no horns, and how can he penetrate my house? Who says that thou hast no home, how canst thou speed my prison?" （"The name Yu Zhengze is Ruoxi, the character Yu Lingjun." (Chu Rhetoric); it can be seen that the writing and even the spoken language of the pre-Qin period naturally utilized couplets. However, in the form of no intentional sculpture, Liu Feo said: "Tang Yu's time, the rhetoric is not as good as the text". After that, the form of parallelism was formed. Into the late north and south dynasty, the use of couplets has been refined. After Shen You, who was at the same time with Liu Fu, put forward the idea of "four voices and eight diseases", the poems became more and more rigorous and metrical, and the poems were required to be more and more rigorous and refined. In poetry, the term "couplet" was used for the couplets of metered poems. At the same time as the formation of metrical poetry, the word had already sprouted and developed, naturally introducing metrics and developing towards long and short sentences. By the Northern Song Dynasty, the composition of words had become very familiar with meter, but they were still relatively short. In the hands of Liu Yong and Su Shi, the number of words increased steeply, the subject matter expanded greatly, and the way of expression became much richer and more varied. Words to the full bloom, the song has risen, making words to choose words, closer to the people. Poetry and lyrics are to the couplets with great influence. Subsequent miscellaneous language and a large number of couplets, in addition to trying to pay attention to the elegance of this, become the mainstream, it is a shallow literary or colloquial ***, to the point of elegance and vulgarity **** appreciation, to take root in the folk, in-depth folk at the same time, but also from the colloquialisms, slang, proverbs, riddles and so on from the place to draw nourishment. If the couplet is the original nature of the couplet, then it is in poetry, fugue in the breeding, is constantly sucking the milk of poetry, words, songs, fugue and growth. Especially in-depth folk, fusion of riddles, proverbs, slang, colloquialisms, etc., to become a kind of up to the temple, the court, down to the humble, to the obscene places can be used in literature

4. Couplets basic knowledge

Basic Introduction Couplets Vector ___Chinese New Year _ Festival Materials Couplets, also known as couplings, due to the ancient times, more than hanging in the building halls, mansions and halls of the pillars of the pillar named, there are even words, rhetoric, coupled language, the door to the general term, to "couplet", to the "coupling", "coupled language", "coupled language", and so on. Commonly known as "couplets", began in the Ming Dynasty.

It is a kind of couplet literature, originated from the peach symbol, is the use of Chinese characters written in a national literary style, it is a wonderful combination of calligraphy, and become the Chinese nation's brilliant and colorful artistic ingenuity. [2] Folk Calligraphy Tall Men Write Spring Couplets 4 - Couplets Featured Video Couplets generally do not need to rhyme (some of the couplets in legal poems only need to rhyme).

Broadly speaking, they can be divided into poetic couplets, and prose couplets, strictly, divided into small and large word classes relative. Traditional couplets have a common form, connected content, harmonized tone, and rigorous counterpoint.

As a custom, couplets are an important part of the excellent traditional culture of the Chinese nation, and in 2005, the State Council of China listed the practice of couplets as one of the first batch of national intangible cultural heritage.

The custom of couplets has been passed down and spread among Chinese people and even in regions around the world where the Chinese language is used, as well as among ethnic groups with cultural origins in Chinese characters, and it is of great value to the promotion of the culture of the Chinese nation. [3] Famous Calligrapher Mr. Li Xiaoxiao Scribal Couplets Creation Video Historical Origins The custom of couplets originated from the ancient Chinese pairing phenomenon of the Chinese language, as early as before the Qin and Han dynasties, there was the custom of hanging peach symbols on Chinese New Year's Day in Chinese folklore.

The so-called peach talisman, that is, the names of the legendary ghost-subduing gods "Shencha" and "Yubi", were written on two pieces of peach wood boards and hung on the left and right doors to drive away the ghosts and suppress the evil spirits. This custom has lasted for more than a thousand years.

[4]Wedding couplets source file __PSD layered Western Jin Dynasty (around 290 AD), the emergence of the law of the couplets, can be regarded as an important symbol of its formation. In the process of more than 1,700 years of historical reproduction, couplets and parallel fugue, poems and other traditional forms of literary style influence each other, drawing on the Northern Song Dynasty, the Ming Dynasty, the Qing Dynasty, three important period of development, the form of increasingly diverse, cultural deposits gradually rich.

By the Fifth Dynasty, people began to put the couplets on the mahogany board. According to the "Song Shi Shu Shijia" records, the five generations after the Lord of Shu Meng Chang "every year except, the order of the bachelor for the word, the title of the peach runes, placed in the bedchamber door left and right.

The end of the year (AD 9 *** years), the Bachelor Xiong Yinxun words, Chang to its non-worker, since the pen title: New Year's Day Na Yuqing, Jiajie No. Changchun." This is one of the earliest spring couplets in China.

After the Song Dynasty, the folk New Year hanging spring couplets has been quite common, Wang Anshi poem "thousands of tels, always put the new peach for the old symbols" line, is a true reflection of the prevailing situation. Since the appearance of spring couplets and peach symbols have a close relationship, so the ancients also called spring couplets "peach symbols".

By the Ming Dynasty, people began to use red paper instead of peach boards, appearing in modern spring couplets. According to the "hairpin cloud building miscellany" records, the Ming Emperor Zhu Yuanzhang after the capital Jinling, New Year's Eve, had ordered the Secretary of the House shall be added to a pair of Spring Festival couplets, and personal micro-suits on patrol, door to door to view for fun.

Afterwards, the literati all the questions for the pair of elegant things. After the Qing Dynasty, the couplets had a heyday, there are a lot of popular famous couplets.

[5] With the development of cultural exchanges between countries, couplets have also been introduced to Vietnam, Korea, Japan, Singapore and other countries. These countries still retain the custom of posting couplets at the beginning of the 21st century.

Main Classification Folded according to the use of points 1, spring couplets: New Year's special door couplets . For example: willow green; peach and apricot spring May red.

2, congratulatory couplets: birthday, marriage, housewarming, birth, opening and other celebrations. Such as: a pair of red heart to the four; two pairs of hands to draw a new picture.

(happy couplets), blessed as the East China Sea; life than Nanshan Mountain. (longevity)[6] 3, elegiac couplets: mourning the dead with.

Such as: writings have a thousand years, this went to shock the world; the spirit of the show a hundred generations, and then come to benefit the masses. 4, gift couplets: praise or exhortation of others.

Such as: the sound of the wind, the sound of the rain, the sound of reading, the sound of the ear; family affairs, national affairs, world affairs, everything is concerned. 5, self-motivation: self-motivation.

Such as: about the family and the country often read books; not beneficial to the body and mind do not do. 6, industry association: different industries posted in the door or store.

Such as: want to know a thousand things; have to read five books. (Bookstore) Although it is a hair business; it is the top of the kung fu.

(Barber store) Welcome spring, summer, fall and winter customers; treat people from east, west, south and north.

For example, it is better to be a ghost of the Zhao clan than to be a minister of another country. Couplets 折叠按字数分 1、短联（十字以内） 2、中联（百字以内） 3、长联（百字以上）等。

Folding according to the skills 1, the form of couplets: words to, things to, positive to, against, work to, wide to, running water to, back to, top to and so on. 2, rhetorical techniques: metaphor, hyperbole, cross-examination, pun, questioning, harmonization.

3, word skills: embedded words, hidden words, compound words, superimposed words, partial, analyze the word, split the word, numbers, and so on. 4, logical structure: juxtaposition, transition, choice, cause and effect.

Folded according to the location of 1, couplets: hanging on the pillar, homes, institutions, temples, monuments and other places used. 2, door couplets: posted on the door.

3, the hall couplets: hanging in the living room, living room with the eye-catching painting couplets. Folding according to the source of the couplet 1, set sentence couplet: all with the ancient poem in the ready-made sentences composed of couplets.

2, set of words: set of ancient articles, calligraphy posters in the composition of the word couplets. 3, extracted sentence couplets: directly extracted from other people's poems in the pair of sentences into the couplets.

4, the creation of couplets: the author of their own independent creation of couplets. According to the artistic characteristics of the couplet superimposed word couplet: the same word appears consecutively.

Double word couplet: the same word repeated non-consecutively. Thimble couplet: the word at the foot of the previous clause is used as the word at the beginning of the next clause.

Embedded words: including embedded ordinal numbers, directions, festivals, years, surnames, names, places, things (such as the name of medicines), and so on. Split character couplets: a combination of characters in the couplet is split into several unique characters; some people subdivided into "split characters, combined characters, analysis of the word" and so on.

Phonetic Couplets: including homophonic characters, homophonic characters and rhymes. Harmonious couplets: take the meaning of wit and humor.

Ruthless couples: the meaning of the upper and lower couples is irrelevant, but each word is neatly matched. Most of the ruthless pairs are very funny and can be categorized as harmonic couplets at the same time.

The most interesting couplet is the one where the meaning of the words is exactly the same. The longest couplet: written by Zhong Yunfang, a scholar from Jiangjin in the late Qing Dynasty, in 1904, when he was in prison in Chengdu to express his indignation.

Writing Format Couplet Source File_Chinese New Year_Poster Design 1, the number of words should be equal, and the sentence breaks are consistent. In addition to the intention to empty the position of a word to achieve a certain effect, the number of words in the couplet must be the same, no more, no less.

2, to be level and oblique, tonal harmony. Traditional habits.

5. I would like to ask about some understanding and knowledge of couplets

1, to the same number of words, break the same sentence.

Except for the intentionally empty position of a word to achieve a certain effect, the number of words in the couplet must be the same, no more, no less. Second, to the relative nature of words, the same position.

Generally referred to as "virtual to virtual, real to real" (ancient Chinese lexical classification is different from modern Chinese), is the equivalent of modern Chinese noun to noun. Third, verb to verb, adjective to adjective, quantifier to quantifier, adverb to adverb, and the relative words must be in the same position.

Fourth, the level and tone should be in harmony. The traditional custom is "oblique start flat fall", that is, the last word of the last sentence of the first line with oblique tone, the last word of the last line of the second line with flat tone.

Fifth, the content is relevant, the upper and lower connection. The meaning of the upper and lower coupling should be connected, should not be repeated.

Sixth, the corresponding position of the upper and lower couplings of the word should be as far as possible on the opposite level, so that the couplet read rhythmic, beautiful and beautiful. Seven, all the absolute and wonderful pairs, such as embedded words, thimbles, back to the text, split the word, etc., only require that the last word of the couplet is oblique and flat.

But to write good couplets, this knowledge can be greatly insufficient. You can first memorize the sound and rhythm of the enlightenment.

(The original text is below) A East Cloud to rain, snow to wind, evening light to clear sky. The clouds are against the rain, the snow against the wind, the evening light against the clear sky.

The three-foot sword, the six-pound bow, the north of the mountain versus the east of the river. The first time I saw you, I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night.

The two sides of the willow are green, and the apricot blossoms are red in the spring rain. The two sideburns of the wind and frost, the way of the early guests; a Demoiselle raincoat, the stream side of the evening fishing.

Along the revolution, different to the same, white man to yellow boy. The wind of the river is against the fog of the sea, and the shepherd's son is against the fisherman.

Yan Lane is ugly, Ruan Road is poor, Jibei to Liaodong. The world's most famous and most famous woman is a woman who has never been in a position to be a woman before.

The Emperor of Liang preached at the Tongtai Temple, and the Emperor of Han placed wine in the Weiyang Palace. The dust and anxiety of the heart, lazily caressing the seven strings of green silk; frosty sideburns, ashamed to see a hundred refining bronze.

Poverty versus wealth, plug versus pass, wild old man versus stream child. To provide the green eyebrow to the sideburns and the red lips to the teeth.

The sky is vast, the sun is melting, the sword is against the bow. The water in the stream is green, and the flowers in the trees are red.

The swallows in the willow rain, the fish in the pond are playing in the lotus wind. The woman's eyebrow is slender, and a crescent moon appears under her forehead; the man is strong, and his chest spits out ten thousand long rainbows.

The second winter spring to summer, autumn to winter, the evening drum to the morning bell. The mountains and the water, the green bamboo and the pines.

Feng Wu Hu, Ye Gong Long, dancing butterflies and singing grasshoppers. The two purple swallows, the honey bees, and the two purple swallows, the honey bees, and the honey bees.

The warbler in the garden in spring, the wild goose in the fall. The first time I saw this, I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night.

The bright and the dark, the light and the thick, the wise and the mediocre. The trousseau is the right place for the clothes, the pestle is the right place for the pounding.

The flowers are shining, the grass is covered with velvet, the nine summers are against the three winters. The name of the theater is "The Horse", and the name of the smallest place is "The Dragon".

The hand breaks the crab's chela from Bi Zhuo, and the body wears the crane's cloak from Wang Gong. Wulao Peak high, show inserted into the sky like jade pen; Sangu stone large, loud wind and rain as the golden bell.

The first thing you need to do is to get your hands dirty. The first thing you need to do is to get your hands dirty.

The queen of the Chen Dynasty and the Emperor of the Han Dynasty, the embroidered tiger and the carved dragon. The wind in the willow pond is light, and the moon in the flower garden is thick.

The spring is the right time to see butterflies, and the autumn wind is the right time to hear grasshoppers. The first thing you need to do is to get a good deal of money to pay for the services you need.

Sanjiang Building to the pavilion, household to the window, the giant sea to the Yangtze River. The sea is the opposite of the Yangtze River, and the dresses are the opposite of the tents, and the jade cups are the opposite of the silver tanks.

Green cloth, blue oil, sword and golden bowl. The sword is a golden bowl. The heart is loyal to the gods, and the mouth is sharp to the family.

The Emperor's middle age was extended by Ma Wu, while King Jie lost his way and killed Long Pang. Autumn rain, yellow flowers are full of paths; spring wind curls, sparse green bamboo is full of windows.

The flags and pennants, the covers and the buildings, the old country and the other countries. The first thing you need to do is to get your hands dirty.

The mountains are precarious, the water is murmuring, the drums are vibrating and the bells are banging. The wind is blowing and the moon is shining through the window.

The battle of Xin Zhou was fought on the battlefield, and Zi Ying descended from the roadside sword. In the summer pond, the gulls are bathing along the waves; in the spring breeze, the curtains are curtained, and the swallows are coming and going to the barracks. The first is the one that is not a part of the program, and the second is the one that is not a part of the program.

The door of the green room, the window of the blue screen, the Han society and the Zhou state. The pianos and the pipes were fine, the bells and the drums were loud and clear.

The chief of the book Quluan name have visited, the rule of Zhanji surname only Pang. The first time I saw this, I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night.

The four support Tea and wine, poetry, swallows and warblers. You can plant your garden and plant your bamboo, you can plant your flowers and plant your flowers.

The four eyes of the mynah and the one foot of the kui, the mynah and the heron, the half pool of red Nymphaea, the shelf of red Nymphaea.

This is the first time I've seen the Nymphaea in a pool of red lotus blossoms.

A few autumn breezes can respond to the weather, and a plough of spring rain knows the time well. The first is that the first is the first to be a part of the world, and the second is the first to be a part of the world, and the third is the first to be a part of the world, and the third is the first to be a part of the world.

The line is against the stop, the speed is against the delay, the sword is against the game of chess. The first is to be a good example of this.

The Fenshui tripod, the Da Nang Mountain monument, the tiger and the leopard versus the bear and the warrior. The flowers are red and embroidered, and the water is blue and glazed.

The woman who went to the neighbor's house to look for dates, and the wife who went out to plant sunflowers in the back garden. The flute is in harmony, and the pipe is coming down from the clouds; the sculling sound of the fishing boat is moving towards the snow.

The sword and the armor, the drum and the flag, the swallow and the oriole. The first thing I'd like to say is that I'm not sure if I'm going to be able to do this.

The three flutes and the chessboard, the rain and the wind. The two of them are the same, but the two of them are the same, so the two of them are the same.

Zhang Jun was once an acacia fugue, Duling did not make a poem about begonias. The first is that the first time I saw the movie, I was able to see the movie, and the second time I saw the movie, I was able to see the movie, and the third time I saw the movie, I was able to see the movie.

The five micros come and go, dense and sparse, swallows dance and warblers fly. The wind is clear and the moon is clear, and the dew is heavy and the smoke is light.

The frosty chrysanthemums are thin, the rainy plums are fat, and the road to the fishing island is empty. The evening sun is a beautiful sight, the morning dew is a pearl.

In the summer heat, the guest wants to interject the stone pillow, in the autumn cold, the woman wants to send the side of the clothes. The spring water is only deep, the green grass shore fishermen go; sunset half-fall, green sand on the plain pastoral children return.

The broad and the fierce, the right and the wrong, the beautiful and the fat. The coral and the tortoiseshell, the embroidery and the pearls.

Peach and willow, green and red. The warbler speaks in front of the window and the swallow flies outside the curtain.

The three-foot sword of the Han Dynasty, the one of the Zhou Dynasty. The first thing you need to do is to get your hands on some of the most popular products and services in the world, and you'll be able to do that.

The sound and the color, the satiety and the hunger, the tiger's festival and the dragon's flag. The first thing you need to do is to get your hands dirty. The first thing you need to do is to get a good deal of money from the government, and then you have to pay for it.

The first time I went to the United States, I was able to get to the United States, and I was able to get to the United States, and I was able to get to the United States. The first time I saw him, I was in the middle of the night, and he was in the middle of the night, and he was in the middle of the night.

The six fishes are the ones that are not there, the ones that are real and the ones that are not, the ones that are giving gifts and the ones that are looking at books. The green window is the right place for a house, and the horse is the right place for a car.

The horse of Bole, the donkey of Hao Ran, the wild goose and the fish. The two are the same: the first one is a horse and the second one is a donkey; the second one is a goose and the third one is a fish.

Sun Chuo, the king of the world, was the author of the book, and Dou Tao, the writer of the book, was the author of the book.

This is the first time I've ever seen a movie in which I've had a chance to be a part of the show, and I've never been a part of the show. The first is the one of the most important and most important of all, and the second is the one of the most important of all.

The first is the first of a series of eight books, and the second is the first of a series of eight books, and the third is the first of a series of eight books. The first time I saw this was when I was a student at the University of California, Berkeley, and the second time I was a student at the University of California, Berkeley.

The fallen leaves dance in the wind, and the small lotus floats in the water. I love to see people long, *** service Xuan Ni vacation cover; fear of recognition has been stingy, who knows that Ruan Yu was burned car.

Lin to phoenix, turtle to fish, the inner history of the book. The first thing you need to do is to get your hands on a new one, and you'll be able to do that.