Traditional Culture Encyclopedia - Traditional stories - Teaching of rural gongs and drums performance

Teaching of rural gongs and drums performance

Rural gongs and drums 123 playing formula

Drumming: When you begin to worship or salute, you can drum for about three times. Playing Style: (Knock, Knock, Knock and Cut), (Knock, Knock and Cut) (every three times)

) Playing the lion drum: Start dancing after worship or ceremony. Playing: Beat the drum behind the edge of the drum (win): (Knock, hold, hold, hold, cut)

Lion Drum: (Samsung Drum) Its action is to look around and look for food. Play: (Knock-cut), (Knock-cut) (Knock-cut) cycle for two or three times.

Accompanied by singing, strengthen the tone.

The chanting of white words, the chanting of poems and the introduction of operas are all rhythmic. At the beginning and end of a period of chanting, or a long period of chanting, between regular sentences and even sentences, or in the transition from chanting to singing, gongs and drums are often used to connect the preceding with the following, point out paragraphs and divide paragraphs, thus strengthening the sense of rhythm, setting off the priorities and cadences of tone and language potential, and assisting in expressing emotions and other emotions.

Set off the atmosphere and render the mood.

The atmosphere, artistic conception, environment and scene of drama in traditional Chinese opera often need the help of band accompaniment to render. When the sound of orchestral strings is not enough, gongs and drums will play its specific role. In addition, gongs and drums sometimes serve as some sound effects, such as representing various natural phenomena of wind, rain and thunder, which is also a means of China traditional opera.