What are the top ten ancient songs in the ancient history of China? Thank you for your questions.

First, high mountains and flowing water ... "High mountains and flowing water" is based on "Boya Guqin meets a bosom friend", and there are many kinds of Le Shu. There are two kinds of Qin music and Zheng music, both of which have the same name and different styles. Guqin music During the Warring States Period, there was a story of Qin Le about high mountains and flowing water, so it was also said that "high mountains and flowing water" was written by Boya. The music score was first seen in The Secret Music of the Ming Dynasty (written by Zhu Quan at 1425). The solution of this score is: "Mountain Flowing Water is two songs, but there is only one. The first ambition is to care about mountains and rivers, saying that benevolent people are Leshan. The ambition of the future is to care about running water, which means that the wise are happy with water. The Tang dynasty is divided into two songs, regardless of section. The highest mountain is divided into four sections and eight sections of flowing water. " For more than 2,000 years, two famous guqin songs, Mountain and Running Water, together with the story of Boya guqin meeting a bosom friend, have been widely circulated among the people. With the development of Qin's performing arts since Ming and Qing Dynasties, "mountain" and "water" have undergone great changes. The legendary secret score is not segmented, but later the piano score is segmented. Among the numerous music scores since Ming and Qing Dynasties, Running Water, which was adapted by Zhang Kongshan, a pianist of Sichuan School, was included in Tian Wen Song Score (18 76) compiled by Tang Dynasty in Qing Dynasty. The sixth paragraph of the technique of "rolling, brushing, plucking and injecting", also known as "seventy-two rolling and brushing water", is widely used because of its vivid image and mixed scenes. According to the research of Qin family, before Tian Wenqin's Song Score was published, there was no sixth paragraph played by Zhang Kongshan in all Qin Scores, and the whole song had only eight paragraphs, which was consistent with the solution of the Magic Secret Manual. However, the biography of Zhang Kongshan was increased to nine paragraphs, and later the Qin family followed suit. There is also a guzheng song "Mountain Stream and Running Water", the music is quite different from piano music, and it is also based on "Boya Guqin meets a bosom friend". There are many genres of music books. The most widely circulated and influential is the Biography of Zhejiang Wulin School, with elegant melody and meaningful charm, which has the appearance of "majestic mountains and flowing water". Lu Pai's "Mountain Flowing Water" is an ensemble of four ditties: Qin Yun, the wind shaking the bamboo, the bell ringing at night and the rhyme, also known as four paragraphs and four paragraphs of brocade. The Mountain Flowing Water of Henan School is based on the folk song Old Liu Ban, with a fresh and lively rhythm. Folk artists often play when they meet for the first time to show respect and make friends. These three songs have nothing in common with the guqin song "Mountain Flowing Water", and they are all variations of the same name. Second, Guangling Sanqin Music ... Guangling Sanqin Music: Guqin Music. Also known as "Stop Guangling", in Historical Records of Warring States Policy, it is recorded that South Korean Minister Yan Zhongzi had an enemy with Prime Minister Xia Lei, and Nie Zheng made friends with Yan Zhongzi to assassinate Han Xiang for Yan Zhongzi, which reflected a feeling of "a scholar died for a confidant". This is a common view, and the title of this song in the magic secret score comes from this story. The Cao Qin written by Cai Yong in the Eastern Han Dynasty tells a historical story related to the Song Dynasty: Nie Zheng was a Korean in the Warring States Period, and his father was killed by the Korean king for casting a sword. Nie Zheng failed to avenge his father's assassination, but he was disfigured and went to the mountains to learn the piano 10 for many years. When I returned to Korea with my stunt, I didn't know anyone. So, while looking for an opportunity to enter the palace to play the piano for the South Korean king, he drew a dagger from the belly of the piano and stabbed the South Korean king to death. Of course, he himself died heroically. Modern pianists admit that this song originated from the HeJian Zaqu in the series. Third, the Wild Goose in Pingsha ... "Wild Goose in Pingsha" is an guqin song with many kinds of music. It was originally intended to write a literati's mental journey from the perspective of a big owl. Wild Goose in Pingsha: Guqin Song, which was first published in Gu Yin in Ming Dynasty (1634), also known as Wild Goose in Pingsha. Since it came out, more than 50 kinds of music collections have been published, and there are many music genres. Only 1962 published the first collection of guqin music, which included the scores of six musicians. The author of this piece of music is Chen Li 'ang of the Tang Dynasty. What Mao Minzhong and Tian Zhiweng said in the Song Dynasty was also said by Zhu Quan in the Ming Dynasty. Because there is no reliable historical data, it is difficult to prove who wrote it. There are different solutions to the meaning of "Pingsha Wild Goose" and various musical scores. The song "Authentic Ancient Sound" said: "Take autumn as an example. Autumn is crisp, calm, sandy and calm, with clouds in Cheng Wanli and sky flying. Write Yi Shi's heart from the perspective of Honghu Lake. ..... the perfect rhythm of three ups and downs. The first play is like the guest of the swan goose. The sky is very ethereal, and the geese are in harmony, hidden and obvious, if they come. It wants to fall, look around and hover in the air; Will also fall. The sound of breathing tilted and swept three times around the mainland. It's down. It needs another one. It's just right to fly around and sleep in groups of three or five: mother and son can give in and taste it. " This description of the nature of geese is extremely profound and vivid. The whole song is euphemistic and smooth, meaningful and fresh. Also known as Introduction of Plum Blossom and Introduction of Jade Princess, it is a masterpiece of plum blossom in China traditional art, and Magic Secret Music records that this song was first played by Huan Yi in the Eastern Jin Dynasty. Bao Zhao in the Southern Song Dynasty (about 4 14 ~ 466) Guo Maoqian's Poems of Yuefu, Volume 24, Plum Blossom Falls, said that "Plum Blossom Falls are also made on flutes" and that "its sound still exists today". In today's Tang poetry, there are also many descriptions of the flute "Plum Blossom Fall", which shows that the flute "Plum Blossom Fall" was more popular between the Southern Dynasties and the Tang Dynasty. The music content of Three Lane of Plum Blossoms has been introduced in all previous dynasties, and the flute music Plum Blossom Fall from the Southern Dynasties to the Tang Dynasty mostly expresses the feelings of resentment and parting. The piano music "Three Lane of Plum Blossoms" in the Ming and Qing Dynasties is characterized by plum blossom's arrogance, coldness, noble, unyielding moral integrity and temperament. "Huan Yi played the flute, played the plum blossom tune, and was superb, and later generations entered the piano." "Mei is the clearest flower, Qin is the clearest sound, and writing the clearest thing with the clearest sound should have the charm of ling frost." "Three strokes mean taking three overtones, which are different on the same string." As can be seen from here, it was first a flute music, and then it was adapted into a guqin music (it is difficult to determine who the author is). The music used in today's performance is composed by Qin and flute of "Qin Qu Harmony" of Yushan School (edited by Qing Xianzu and engraved on 1820), with regular rhythm and suitable for ensemble. In the late Guangling school, the Jiaoan musical score (Qin Huai Han Ji in Qing Dynasty, published in 1868) has a relatively free rhythm, and the mode before the end of the song is refreshing. Structurally, this song adopts the method of circular reproduction, repeating the whole theme three times, and each repetition adopts the overtone playing method, so it is called "agriculture, countryside and farmers". It embodies the noble character of Bai Meihua Aoxue Frost. 1972, Wang Jianzhong adapted it for the piano, and the tone was taken from it, playing Mao Zedong's Yongmei. Five, house of flying daggers ... House of flying daggers: Wu Qu, a famous traditional pipa. It depicts the scene of the battle between Chu and Han, which is very story-telling. The music score was first seen in the Pipa Story in the 23rd year of Jiaqing in Qing Dynasty (18 18). Before this score, only Chu and Han painted the same theme. In Wang Youding's Biography of the Pipa in the Tang Dynasty in the Ming Dynasty, there was a scene in which Tang Ying, then known as the Pipa in the Tang Dynasty, played Chu and Han: "The two armies fought a decisive battle, and the sky shook and the roof fell. Xu and examine it, there are golden sounds, drums, swords and crossbows, horses and chariots, all silent. Those who have accumulated grievances for a long time are Chu ci; Sad and strong, send other voices for the generous voice of Wang Xiang's elegy. Trapped in osawa, there is the sound of chasing horses. When I arrive in Wujiang River, there is the sound of the king's throat. I ride a horse to fight for a Wang Sheng. Let the listener get excited at first, then be afraid, and finally cry. " From this description, we can see that the plot and theme of Tang Ying's "Chu Han and House of Flying Daggers" are consistent, which shows that this song has been circulated among the people as early as16th century. Chu and Han dynasties were popular around Jiajing and Wanli in Ming Dynasty, and were deeply loved by pipa players. Since The Story of Pipa, edited by Hua Hua, came out in A.D. 18 18, the Decameron has been included in every pipa. Each version is different in section and section title: Fahrenheit's spectrum is called Ten Faces, which was handed down by Wang Junxi of Zhili, with thirteen sections; The name of "Pu" is "Huaiyin Pingchu", which was written by Zi in Sui, Qin and Han Dynasties. Zhou Jinshan Ruiqing Hou Qing School, where there are eighteen subjects; Zheng Yang Xuanpu is called ten faces, one is Huaiyin Pingchu, the eighteenth section; "Yingzhou Ancient Carving" is called "House of Flying Daggers", with ten paragraphs. 6. Sunset flute and drums ... Speaking of "Moonlit Night on the Spring River", I believe many people know this famous folk music ensemble. Its melody, rich in Jiangnan silk and bamboo music characteristics, is euphemistic and beautiful; The rhythm is smooth and changeable, and it is very poetic and picturesque in the East. Moonlit Night on the Spring River has always been loved by the masses. It has been adapted into solos and ensembles of various Chinese and western musical instruments, and it has also been used as lyrics in drama. It is the most well-known traditional music in China. But do you know that "Moonlit Night on a Spring River" was originally adapted from "Sunset Flute and Drum" by Wen Qu, a famous traditional pipa player? Sunset flute and drum are also called Xunyang Pipa and Xunyang jathyapple. It is one of the representative works of Pipa Wen Qu. This song was circulated in Jiangnan area in the18th century at the latest. The Sunset Flute and Drum is a lyrical and freehand Wen Qu. Music was originally divided into 10 segments, namely: 1. Sunset flute and drum 2, bloom Flower Fall 3, Guanshan 4, Linshui 5, Fengqiu 6, Wuxia 7, Hong8, Linjiang 9 nights, fishing boat 10 night. People are floating in canoes and rippling by the river; On both sides of the strait, there are green mountains and green waters and flowers; The water is full of waves, and the oars add sound ... seven. The fisherman's question and answer ... "The fisherman's question and answer" is a famous guqin music that has been circulated for hundreds of years, reflecting a hermit's longing for the fisherman's life and hoping to get rid of the shackles of secular affairs. The music is vivid and accurate. Yuqiao Q&A: Guqin music, the music score was first seen in "Continued Music in the Taiyin Village of Xingzhuang" (1560 written by Xiao Luan in Ming Dynasty): "The ancient and modern prosperity is like a palm, and the mountains and green waters are solid. After a thousand years of gains and losses, this is just a word. "This song reflects a hermit's longing for the life of fishing firewood, hoping to get rid of the fetters of secular affairs. The music is vivid and accurate. " Yuqiao Q&A is a famous song that has been circulated for hundreds of years. There are many kinds of Le Shu now. Qin Xue Jin Chu's "The Song of Clouds": "The meaning of the song is deep and long, and the expression is free and easy, but the towering mountains, the magnificent water and the tinkling of the axe are looming in your fingers? ! Why don't you take a private trip to the middle of the river? At the beginning of the music, the tune is carefree, showing a kind of elegant and free style, and the echo of the upper and lower sentences arouses Yu Qiao's interest in answering. The change and development of theme tones, the continuous addition of new tones, and the use of scrolling techniques reach a climax in paragraph 7. Describe a hermit's uninhibited situation. Among them, the strong sound produced by the technique of throwing three bullets should be coordinated with the rhythm of segmentation, so that people can feel the towering mountains and the sound of the woodcutter beating drums and axes. The theme tone presented at the end of the first paragraph is repeatedly changed in the whole song, which leaves a deep impression on people ... Hu Jia's eight beats and eighteen beats ... "Hu Jia's eighteen beats" was originally a piano music, which is said to be composed of 18 songs and accompanied by the piano, showing Wen Xi's homesickness, ionic sadness and lofty resentment. At present, Qin Le is the most popular one. Hu Jia's Eighteen Beats: Guqin music is said to be written, and it is a vocal suite composed of 65,438+08 songs, accompanied by Qin. "Pai" is the "first" in Turkic, hence the name "Hu Jia", which is why the sound of the piano melted Hu Che's wailing. Huang, a pianist in the Tang Dynasty, was famous for being good at playing this piece. Li Jie's "Listening to Dong Da's Exalting" has a saying: "Mrs. Cai wrote this song for 18 verses for a long time, and the Tatar shed tears and grass, and the Han made him sad." In Qin music, Wenxi empathizes with sound, borrows Hu Jia's music which is good at expressing homesickness and sadness, and blends into the timbre of guqin, showing a noble resentment. There are two kinds of biographies at present. One is Qin Song in Qin Shi (16 1 1 year edition) in Ming Dynasty, whose ci is Cai Wenji's narrative poem of the same name; First, the solo music recorded in the piano score of Chengjiantang in the early Qing Dynasty and its later scores, the latter is widely circulated in the piano world, especially the notation in Wang Zhizhai's piano score is the most representative. The eighteen passages of the whole song * * * use three modes: Gong, Zheng and Yu. The contrast and development of music are distinct and divided into two levels. The first ten beats mainly describe the author's homesickness when he was in Woody. The latter level expresses the author's hidden pain and sadness when bidding farewell to young children. The whole song of this song is inseparable from the word "sadness", which has been adapted into a wind solo. When playing a wind instrument, the sad voice penetrates people's hearts, the high one is sad, and the low one is deep and sad. Cai Wenji's Eighteen Beats of Hu Jia was praised by Guo Moruo as "the most enjoyable lyric poem since Qu Yuan's Lisao" ... Nine, Autumn Moon in Han Palace ... Autumn Moon in Han Palace was originally a Chongming pipa, and now there are many Le Shu and playing forms. Music shows the sadness and helplessness of ancient ladies-in-waiting. Autumn Moon in Han Palace was originally a pipa of Chongming School. Now there are many kinds in Le Shu, which have evolved from one instrument to different ones, and have been recreated through their own artistic means to create different musical images. This is a common situation in the circulation of folk instrumental music. The popular forms of Autumn Moon in Han Palace are erhu, pipa, Zheng Qu and Jiangnan Sizhu. It mainly shows the sad mood of ancient ladies-in-waiting and a helpless and lonely life artistic conception. Erhu "Autumn Moon in the Han Palace": The first paragraph of the pipa of the same name of Chongming School was transplanted to Guangdong Xiaoqu, played by Yuehu, also known as "San Tan Yin Yue". Around 1929, Liu Tianhua recorded the music of Autumn Moon, a Cantonese opera played by erhu, in the Han Palace (with only one hand). Jiang Fengzhi arranged and played Autumn Moon in the Han Palace. In order to avoid the influence of too long space on the performance, the song was greatly abridged. Its speed is slow, the bow is exquisite and changeable, there are often short pauses and pauses in the melody, and the music is intermittent. In addition, the soft timbre of erhu, the use of three tones and the frequent occurrence of characteristic tone changes show the sad mood of ladies-in-waiting, which is very infectious. Autumn Moon in Han Palace, Silk and Bamboo in the South of the Yangtze River: Originally "B Tone" (A Palace), Sun Yude handed down from generation to generation. It turns out that Shen Qichang's Yingzhou Ancient Tune (compiled in 19 16) was composed of "Gong Zheng Tune (G Palace)" for the ensemble of Sizhu Wen Qu. Pipa still uses the method of "b" to tune the strings, which reduces the two-year tune and expresses the delicate and far-reaching sadness and anguish of ancient maids. The middle part uses the length of the orchestration, and each voice plays an interactive role and complements each other, giving people pursuit and yearning. Finally, all the musical instruments are played in adagio, showing the scene that the sky and the bright moon are gradually sinking in the west and the earth is silent. Pipa Autumn Moon in Han Palace: also known as Sui Chen. Writing lonely harem in the image of singing and dancing is more about clearing resentment and depression, and there are different biographies. At present, Wu (1847- 1926) is generally circulated in Wuxi, but Liu Dehai has added many fingering techniques with changing timbre and intention to spread, which is full of scene feeling and very infectious. Ten, Yangchun Baixue ... "Yangchun Baixue" is a pipa divertimento composed of several variants of folk instrumental music Baban (or Liu Ban). Yangchun Baixue: A Pipa Suite composed of several variants of folk instrumental music "Eight Plates" (or "Six Plates"). The variation cycle of "Eight Bantou" reappears, the variation of "Eight Bantou" is combined into a variation relationship, and then the new material of "A hundred birds flock to the phoenix" is inserted, so it is a variation structure with cyclic factors. There are two different versions of Yangchun Baixue, namely "Dayangchun" and "Xiaoyangchun". Da Yangchun refers to ten and twelve pieces of music edited by Li Fangyuan and Shen Haochu. Xiaoyangchun is a biography of Wang Yuting, also known as Allegro Yangchun, which is widely circulated. This is Xiaoyangchun. ...