Masterpieces and Characteristics of Tang Dynasty Figure Painting

Features of Tang Dynasty Figure Painting from Zhou Fang's The Hairpin Painting of a Lady

Through the study of Chinese ancient and modern famous paintings, when appreciating a traditional Chinese painting, we will firstly feel the "form and spirit" and "chi yun" brought by the picture, and then the layout of the ink and brush, and finally think about summarizing the artistic characteristics of the work. Finally, we will think about and summarize the artistic characteristics of the work. The status and influence of the work.

The Hairpin Painting of a Lady is a work by Zhou Fang, a painter of the Tang Dynasty, and it can be said to be a representative work. First of all, you should know some basic information about Zhou Fang, Zhou Fang was born in the aristocracy, successively as an official, very familiar with the life of the women of the court family, and thus grasp the temperament and demeanor of the women of the family and the maids of honor accurately, and through the details of the human action of the portrayal of the carving. It embodies the most important artistic feature of Tang Dynasty figure painting, which is to write God in form.

The Hairpin Ladies is a scene depicting a group of noble women with colorful costumes and high temples, enjoying flowers, playing with dogs, watching cranes and strolling in the spring and summer seasons. Whether the brush is used. Ink and color all reflect the essence of Tang Dynasty figure painting, with a thin brush. And not but elastic, the color is clear and bright on the texture of the depiction of the grasp is very appropriate in place. The fine gauze dress is light and transparent, and the skin is rich and fair. The headdress is shining. Multi-layer baking, cover dyeing, dyeing and color instead of line of the combination of techniques to open the Tang Dynasty brushwork figures of a new style.

Throughout the Tang Dynasty figure painting "hairpin ladies" from the content of the painting subject matter. Compared with the previous also occurred degree. Transformation of human feelings secularization, from the line of view, the Tang people's line drawings are also more more degree, the layout of the picture with a rockery to accentuate the main body, the characters with the size to reflect the primary and secondary. From the aristocratic women's physique also reflects the Tang Dynasty people on the character aesthetic requirements!