Spiritual Home of Traditional Culture

The Book of Songs Qin Feng Jiajian

The Millennium is frost. The so-called Iraqi people, the water side, follow it back, the road is long. Swim back from it, in the middle of the water

It's been a long time, and it hasn't changed for thousands of years. The so-called Iraqis are in the water. Tracing back and forth from it, the road is blocked and broken. Swim back from the inside and swim in the water.

Jia Cai, peace and prosperity have not passed. The so-called Iraqis are in the water. Go back and follow, the road is blocked and turn right. Swim back from the inside and swim in the water.

This poem was written after Fu woke up. Dewdrops of reeds on the riverside condensed into frost, which touched the poet's yearning for "Iraqi people". The subtle changes of the scenery in the three chapters not only pointed out the time and place for the poet to pursue "Iraqi people", but also rendered three riverside pictures in late autumn morning, which set off the poet's more and more urgent yearning for "Iraqi people" as time went by. In the narrative, the poet repeatedly lamented the bleak and sad mood that the right person could not be expected, found or obtained because of the river barrier. Sad autumn scenery and sad artistic conception are integrated to form a sad and intriguing artistic realm.

It is fitting to use this poem as a metaphor for our pursuit of traditional culture and spiritual home.