What are the classic Beijing Opera tracks?

The Peking Opera "The War of Peace", also known as "Flower Cloud with Arrow" or "Taiping City", tells the story of Hua Yun, a general guarding Taiping City in the late Yuan Dynasty, who was captured by Chen Youliang and died bravely.

2. Hongyang Cave

Hongyang Cave is also known as Hongyang Cave and Hongyang Cave. Traditional repertoire of famous old students in Peking Opera. Yang, a general in the Song Dynasty, found out that his father's bones were stored in Hongyang Cave in Liao country, and ordered him to steal them. Jiao Zan followed him to the cave, but Meng Liang mistakenly thought he was an enemy general and hacked him to death with an axe. After Meng knew it, he was deeply saddened and regretted it.

The bodies of Yang and Jiao were sent back to the veterans and then committed suicide in front of the cave. Liulang fell ill, shocked the alliance, mourned and vomited blood, bid farewell to his mother and wife, the Eight Immortals, and passed away. In this play, the famous actor Meng Liang stole the bones, which is also called the return of Samsung. It is the masterpiece of Peking Opera masters such as,, and Yang. The Golden School (Jinxiu Mountain, Jin Shaoshan) also performed well. This play is from (44th-45th) and Kai's "Haotian Pagoda Mixed Edition". In addition, xiang opera, Han Opera, Henan Opera, Shaanxi Opera and Hebei Bangzi also have this drama.

3. Julian village

Traditional drama repertoire. Based on the zaju Zi Ni Xuan and the historical romance of Tang and Five Dynasties.

4. "Hit the stick out"

Beat the stick out (this play used to be called "Fighting with firewood" and later called "Beating the stick out", which is often performed in series. Also known as "Qionglin Banquet"), it comes from chapters 23 to 27 of the classic "Three Heroes and Five Righteousnesses". Including "asking for firewood", "making trouble" and "going out of line". Tan Xinpei and Yu Shuyan's masterpiece.

5. "Looking for loneliness, saving loneliness"

Also known as "Eight Diagrams", a Peking Opera repertoire. Old traditional drama.

The Orphan of Zhao is adapted from China's classical drama The Orphan of Zhao. It tells the story that doctors in the Jin Dynasty raised the orphan of Zhao and avenged Zhao after he was killed by traitors in the Spring and Autumn Period.

6. "Catch and release Cao"

The Peking Opera "Catch and Release Cao" is based on the fourth episode of Romance of the Three Kingdoms, "Abolish the throne of Han Emperor Chen and offer a knife to Dong thief Meng De". The story is about Cao Cao's attempted assassination of Dong Zhuo, who escaped in disguise and was captured by Chen Gong in zhongmou county. After Cao impressed Chen Gong with words, Chen abandoned his official position and fled. When I went there, I met my old friend Lu, who took pleasure in killing pigs.

Go out and buy wine to entertain the distinguished guests. When he learned that he was sharpening the knife, he mistakenly thought that Lu was going to do harm, so he killed Lu's family and burned the village to escape. When he left the village, he met Lu Gu and returned, and Cao killed him again. Chen Gong was very remorseful when he saw that Cao Xin was cruel and killed innocent people in vain. When staying in the store; I tried to assassinate Cao while he was asleep, but I felt uncomfortable and left alone.

7. "Yuanmen Chop Son"

Yuanmen split, also known as Sanjin account. During the Northern Song Dynasty, Xiao Taihou, a Liao country, invaded the south and staged an astonishing array. In order to break the law, the Eight Immortals and She Taijun were stationed at the border to resist the army. Marshal Yang sent his son to patrol the village. Zongbao fought Mu Guiying in Muke Village and was tied up in Muke Village. Zongbao and Guiying fell in love at first sight and became husband and wife.

After Zongbao returned to the camp, Yang was furious and wanted to kill Zongbao in Yuanmen. She Taijun and the Eight Immortals failed to intercede twice. After learning the news, Mu was eager to rescue her husband, presented the much-needed "Dragon Wood" to Liulang, and promised to redeem Zongbao. Knowing that Mu Zhiyong was both talented and handsome, and that She Taijun was the guarantor, Liulang was spared from the crime of saving his life. Zongbao and Guiying went into battle, and the husband and wife broke into the house.

8. "Cut the yellow robe"

Cutting off the yellow robe is a traditional drama, including Beijing Opera, Henan Opera, Shaanxi Opera and Pu Opera. In some operas, it is also called the mistake of cutting off Zheng En and Zheng En.

After Chai Rong's death, Miao Shunji put on a yellow robe, made him inherit the throne, and changed his title to Song. Zheng En was made king of Beiping. Han Sumei of the Han Dynasty in Hebei Province was paraded in public. When she met him, she beat him angrily and fled to the palace with Han Long. When Zheng En saw the remonstrance, Zhao Kuangyin was partial to Sue, and he was furious after drinking. Tao Sanchun heard the sound, led troops around the palace, Gao Huaide rushed into the palace, Zhao Kuangyin was sober and repented, Gao Huaide cut Han Long and went to town to mediate; Tao Sanchun's beheading of Zhao Kuangyin's yellow robe was recommended by Xu Zhengen of Zhao Kuangyin. Tao Sanchun began to retreat, and Han Sumei, who regretted killing Zheng En, ordered to be beheaded on the spot.

Peking Opera, once called Pingju, is one of the five major operas in China [1]. Its accent is mainly Xipi and Huanger, supplemented by Huqin and gongs and drums, and the scene layout pays attention to freehand brushwork. The China opera "Sandingjia", regarded as the quintessence of China, topped the list.

Anhui Opera is the predecessor of Beijing Opera. Since the 55th year of Qing Qianlong (1790), four Huizhou classes, Sanqing, Sixi, Chuntai and Hechun, which had performed in the south, have successively entered Beijing. They cooperated with artists in Hubei, accepted some plays, tunes and performance methods of Kunqu Opera and Shaanxi Opera, and absorbed some local folk tunes. Through constant communication and integration, Peking Opera was finally formed. After the formation of Peking Opera, it began to develop rapidly in the Qing court until the Republic of China.

Peking Opera has spread all over the world and become an important medium to introduce and spread China's traditional art and culture. It is distributed all over China with Beijing as the center. 20 10,10, 16, Peking Opera was listed in the "Representative List of Intangible Cultural Heritage of Humanity".